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Strengths and Weaknesses Evaluation

Portraiture	
  &	
  Likeness
The	
  likeness	
  is	
  strong	
  and	
  you	
  can	
  clearly	
  see	
  it’s	
  the	
  
character.	
  The	
  face	
  structure	
  and	
  propor7ons	
  are	
  right	
  
and	
  the	
  bone	
  structure	
  looks	
  good.	
  The	
  best	
  parts	
  are	
  
the	
  eyes	
  and	
  the	
  cheekbones,	
  as	
  I	
  think	
  they’re	
  really	
  
the	
  key	
  to	
  the	
  likeness	
  and	
  are	
  the	
  parts	
  I	
  worked	
  
hardest	
  to	
  get	
  right.	
  	
  
One	
  issue	
  is	
  that	
  I	
  think	
  my	
  portrait	
  makes	
  her	
  face	
  
slightly	
  thinner	
  and	
  less	
  round.	
  The	
  lips	
  a	
  7ghter	
  then	
  
her	
  actual	
  lips,	
  and	
  don’t	
  reach	
  the	
  same	
  width.	
  The	
  jaw	
  
line	
  is	
  also	
  slightly	
  more	
  angular	
  then	
  her	
  face,	
  and	
  the	
  7p	
  
of	
  the	
  jaw	
  more	
  pronounced.	
  This	
  makes	
  my	
  portrait	
  ever	
  so	
  slightly	
  more	
  pinched	
  and	
  sharp	
  then	
  her	
  
actual	
  face.

I	
  also	
  think	
  the	
  nose	
  doesn’t	
  quite	
  work.	
  I	
  don’t	
  think	
  I	
  got	
  the	
  shading	
  right	
  and	
  so	
  it	
  doesn't	
  liB	
  up	
  
and	
  seems	
  a	
  too	
  flat.	
  
Composi2on
I	
  like	
  the	
  contrast	
  between	
  the	
  two	
  sides	
  in	
  composi7on,	
  as	
  it	
  draws	
  the	
  eye.	
  The	
  way	
  one	
  half	
  is	
  more	
  
based	
  on	
  the	
  orange	
  light,	
  and	
  the	
  other	
  built	
  around	
  the	
  star	
  graphics.
The	
  upper	
  leB	
  hand	
  side	
  looks	
  a	
  bit	
  empty.	
  I’m	
  not	
  sure	
  weather	
  it	
  works	
  or	
  not,	
  on	
  the	
  one	
  hand	
  
it	
  works	
  contras7ng	
  the	
  busy	
  right	
  side	
  and	
  leaving	
  some	
  breathing	
  room,	
  and	
  the	
  rendering	
  of	
  
the	
  clouds	
  keeps	
  it	
  interes7ng	
  so	
  it’s	
  not	
  totally	
  empty.	
  On	
  the	
  other	
  hand	
  it	
  does	
  draw	
  the	
  eye	
  a	
  
bit	
  as	
  the	
  only	
  area	
  of	
  the	
  cover	
  without	
  a	
  dis7nct	
  image.
I’m	
  not	
  en7rely	
  happy	
  with	
  the	
  posi7oning	
  of	
  the	
  font.	
  Whilst	
  it	
  looks	
  nice	
  centered,	
  and	
  
somewhat	
  epic	
  due	
  to	
  the	
  fact	
  that	
  most	
  movie	
  posters	
  or	
  books	
  will	
  center	
  the	
  text,	
  it	
  might	
  be	
  
beFer	
  placed	
  up	
  in	
  the	
  leB	
  in	
  that	
  empty	
  zone.	
  However	
  up	
  in	
  the	
  leB	
  it	
  could	
  throw	
  off	
  the	
  
composi7on	
  of	
  the	
  contras7ng	
  sides,	
  as	
  well	
  as	
  clash	
  with	
  the	
  logo.
Typography

The	
  font	
  is	
  Trajan	
  Pro,	
  and	
  I	
  think	
  it	
  works	
  well;	
  it	
  fits	
  in	
  with	
  the	
  cold	
  and	
  elegant	
  and	
  mys7c	
  design	
  of	
  the	
  
cover.	
  	
  The	
  tracking	
  is	
  quite	
  7ght,	
  with	
  all	
  the	
  leFers	
  quite	
  close	
  together.	
  Whilst	
  I	
  think	
  that	
  works	
  with	
  the	
  
font,	
  I	
  should	
  have	
  experimented	
  a	
  bit	
  more,	
  as	
  I	
  now	
  wonder	
  if	
  more	
  spaced	
  out	
  tracking	
  might	
  suit	
  the	
  
open	
  and	
  mys7c	
  night	
  sky	
  concept.	
  
Strengths and Weaknesses Evaluation

The	
  leading	
  could	
  also	
  do	
  with	
  improvement	
  as	
  the	
  top	
  line	
  is	
  close	
  to	
  the	
  second,	
  but	
  
the	
  third	
  line	
  has	
  more	
  spacing,	
  making	
  it	
  look	
  like	
  it’s	
  driBing.	
  The	
  way	
  it	
  has	
  different	
  
leading	
  from	
  the	
  top	
  line	
  breaks	
  symmetry	
  and	
  basic	
  consistency	
  and	
  is	
  quite	
  off	
  puMng	
  
to	
  look	
  at.	
  This	
  is	
  the	
  main	
  thing	
  about	
  the	
  typography	
  I	
  would	
  want	
  to	
  change.
I	
  think	
  I	
  should	
  have	
  made	
  it	
  blend	
  a	
  bit	
  more,	
  making	
  it	
  slightly	
  transparent	
  like	
  the	
  lines	
  of	
  the	
  images	
  in	
  
the	
  stars,	
  or	
  making	
  the	
  colour	
  bluer.	
  I	
  tried	
  to	
  make	
  the	
  font	
  prominent	
  with	
  the	
  colour	
  and	
  the	
  tracking,	
  
but	
  now	
  I	
  think	
  this	
  was	
  a	
  bit	
  of	
  mistake.	
  Looking	
  at	
  other	
  LWL	
  covers	
  the	
  issue	
  7tle	
  can	
  some7mes	
  be	
  very	
  
integrated	
  and	
  some7mes	
  even	
  quite	
  hidden,	
  like	
  on	
  the	
  ‘Shame’	
  cover.	
  I	
  think	
  I	
  made	
  it	
  to	
  bold	
  and	
  
obvious.
Colour
The	
  colours	
  fit	
  well	
  blue	
  and	
  orange	
  being	
  complimentary	
  colours.	
  They	
  work	
  together	
  as	
  
well	
  as	
  contras7ng;	
  a	
  look	
  of	
  hot	
  and	
  cold	
  bouncing	
  off	
  each	
  other	
  that	
  makes	
  the	
  cover	
  
pop	
  and	
  draws	
  the	
  eye.	
  The	
  blue	
  and	
  orange	
  colour	
  scheme	
  7es	
  in	
  with	
  the	
  consistent	
  
colour	
  scheme	
  for	
  the	
  Hunger	
  games;	
  a	
  warm	
  burnt	
  orange,	
  with	
  a	
  
cold	
  metallic	
  blue.	
  The	
  warm	
  glow	
  also	
  slightly	
  evokes	
  fire.	
  
The	
  colours	
  really	
  7e	
  in	
  with	
  both	
  the	
  'Catching	
  Fire'	
  film	
  and	
  the	
  
concept	
  of	
  the	
  cover.	
  The	
  image	
  is	
  based	
  on	
  the	
  more	
  mythic	
  
nature	
  of	
  the	
  Hunger	
  Games,	
  mainly	
  with	
  parallels	
  that	
  can	
  be	
  drawn	
  
with	
  the	
  Greek	
  Goddess	
  Artemis,	
  and	
  the	
  way	
  the	
  character	
  of	
  Katniss	
  becomes	
  a	
  
sort	
  of	
  legendary	
  figure	
  in	
  the	
  story.	
  So	
  I	
  think	
  the	
  colours	
  very	
  nicely	
  use	
  both	
  
magical	
  images	
  of	
  Greek	
  myth	
  I	
  found	
  as	
  inspira7on,	
  as	
  well	
  as	
  the	
  colours	
  of	
  the	
  
film.

The	
  orange	
  could	
  be	
  more	
  integrated	
  into	
  the	
  cover.	
  It's	
  not	
  quite	
  clear	
  that	
  the	
  moon	
  is	
  
the	
  source	
  of	
  light,	
  as	
  the	
  moon	
  it's	
  self	
  is	
  quite	
  dark	
  with	
  no	
  outer	
  glow.	
  Brightening	
  up	
  
the	
  moon	
  would	
  have	
  helped	
  colour	
  as	
  well	
  as	
  composi7on,	
  as	
  it	
  would	
  have	
  been	
  a	
  
pure	
  orange	
  center,	
  with	
  the	
  glow	
  coming	
  off	
  of	
  it	
  into	
  the	
  rest	
  of	
  the	
  image.	
  	
  
It	
  could	
  also	
  be	
  a	
  bit	
  stronger	
  in	
  the	
  clouds.	
  I	
  tried	
  to	
  dim	
  the	
  orange	
  in	
  the	
  background	
  
to	
  accentuate	
  the	
  face,	
  however	
  it	
  might	
  liB	
  it	
  off	
  the	
  background	
  just	
  a	
  bit	
  too	
  much.	
  I	
  
struggled	
  with	
  weather	
  to	
  make	
  the	
  orange	
  really	
  bold	
  and	
  contras7ng,	
  or	
  soBer	
  and	
  
more	
  blended.	
  This	
  middle	
  ground	
  I	
  ended	
  up	
  with	
  looks	
  a	
  bit	
  too	
  muddled	
  and	
  murky.

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Final Little White Lies Cover Evaluation

  • 1. Strengths and Weaknesses Evaluation Portraiture  &  Likeness The  likeness  is  strong  and  you  can  clearly  see  it’s  the   character.  The  face  structure  and  propor7ons  are  right   and  the  bone  structure  looks  good.  The  best  parts  are   the  eyes  and  the  cheekbones,  as  I  think  they’re  really   the  key  to  the  likeness  and  are  the  parts  I  worked   hardest  to  get  right.     One  issue  is  that  I  think  my  portrait  makes  her  face   slightly  thinner  and  less  round.  The  lips  a  7ghter  then   her  actual  lips,  and  don’t  reach  the  same  width.  The  jaw   line  is  also  slightly  more  angular  then  her  face,  and  the  7p   of  the  jaw  more  pronounced.  This  makes  my  portrait  ever  so  slightly  more  pinched  and  sharp  then  her   actual  face. I  also  think  the  nose  doesn’t  quite  work.  I  don’t  think  I  got  the  shading  right  and  so  it  doesn't  liB  up   and  seems  a  too  flat.   Composi2on I  like  the  contrast  between  the  two  sides  in  composi7on,  as  it  draws  the  eye.  The  way  one  half  is  more   based  on  the  orange  light,  and  the  other  built  around  the  star  graphics. The  upper  leB  hand  side  looks  a  bit  empty.  I’m  not  sure  weather  it  works  or  not,  on  the  one  hand   it  works  contras7ng  the  busy  right  side  and  leaving  some  breathing  room,  and  the  rendering  of   the  clouds  keeps  it  interes7ng  so  it’s  not  totally  empty.  On  the  other  hand  it  does  draw  the  eye  a   bit  as  the  only  area  of  the  cover  without  a  dis7nct  image. I’m  not  en7rely  happy  with  the  posi7oning  of  the  font.  Whilst  it  looks  nice  centered,  and   somewhat  epic  due  to  the  fact  that  most  movie  posters  or  books  will  center  the  text,  it  might  be   beFer  placed  up  in  the  leB  in  that  empty  zone.  However  up  in  the  leB  it  could  throw  off  the   composi7on  of  the  contras7ng  sides,  as  well  as  clash  with  the  logo. Typography The  font  is  Trajan  Pro,  and  I  think  it  works  well;  it  fits  in  with  the  cold  and  elegant  and  mys7c  design  of  the   cover.    The  tracking  is  quite  7ght,  with  all  the  leFers  quite  close  together.  Whilst  I  think  that  works  with  the   font,  I  should  have  experimented  a  bit  more,  as  I  now  wonder  if  more  spaced  out  tracking  might  suit  the   open  and  mys7c  night  sky  concept.  
  • 2. Strengths and Weaknesses Evaluation The  leading  could  also  do  with  improvement  as  the  top  line  is  close  to  the  second,  but   the  third  line  has  more  spacing,  making  it  look  like  it’s  driBing.  The  way  it  has  different   leading  from  the  top  line  breaks  symmetry  and  basic  consistency  and  is  quite  off  puMng   to  look  at.  This  is  the  main  thing  about  the  typography  I  would  want  to  change. I  think  I  should  have  made  it  blend  a  bit  more,  making  it  slightly  transparent  like  the  lines  of  the  images  in   the  stars,  or  making  the  colour  bluer.  I  tried  to  make  the  font  prominent  with  the  colour  and  the  tracking,   but  now  I  think  this  was  a  bit  of  mistake.  Looking  at  other  LWL  covers  the  issue  7tle  can  some7mes  be  very   integrated  and  some7mes  even  quite  hidden,  like  on  the  ‘Shame’  cover.  I  think  I  made  it  to  bold  and   obvious. Colour The  colours  fit  well  blue  and  orange  being  complimentary  colours.  They  work  together  as   well  as  contras7ng;  a  look  of  hot  and  cold  bouncing  off  each  other  that  makes  the  cover   pop  and  draws  the  eye.  The  blue  and  orange  colour  scheme  7es  in  with  the  consistent   colour  scheme  for  the  Hunger  games;  a  warm  burnt  orange,  with  a   cold  metallic  blue.  The  warm  glow  also  slightly  evokes  fire.   The  colours  really  7e  in  with  both  the  'Catching  Fire'  film  and  the   concept  of  the  cover.  The  image  is  based  on  the  more  mythic   nature  of  the  Hunger  Games,  mainly  with  parallels  that  can  be  drawn   with  the  Greek  Goddess  Artemis,  and  the  way  the  character  of  Katniss  becomes  a   sort  of  legendary  figure  in  the  story.  So  I  think  the  colours  very  nicely  use  both   magical  images  of  Greek  myth  I  found  as  inspira7on,  as  well  as  the  colours  of  the   film. The  orange  could  be  more  integrated  into  the  cover.  It's  not  quite  clear  that  the  moon  is   the  source  of  light,  as  the  moon  it's  self  is  quite  dark  with  no  outer  glow.  Brightening  up   the  moon  would  have  helped  colour  as  well  as  composi7on,  as  it  would  have  been  a   pure  orange  center,  with  the  glow  coming  off  of  it  into  the  rest  of  the  image.     It  could  also  be  a  bit  stronger  in  the  clouds.  I  tried  to  dim  the  orange  in  the  background   to  accentuate  the  face,  however  it  might  liB  it  off  the  background  just  a  bit  too  much.  I   struggled  with  weather  to  make  the  orange  really  bold  and  contras7ng,  or  soBer  and   more  blended.  This  middle  ground  I  ended  up  with  looks  a  bit  too  muddled  and  murky.