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HAIKU by  peter van der meulen
A haiku is a three line poem consisting of 5–7–5 syllables for example: the/ ca/the/dral/ bell   (5) is sha/king/ a / few/ snow/flakes (7) from/ the/ mor/ning/ air   (5) -Virgilio
HISTORY Haiku evolved from tanka (short poems) 31 syllable poems  structured 5-7-5-7-7 developed by court poets in the Heian  period (794-1185). These tanka were extended into renga (linked verses).  Renga were written in groups with a hokku (opening verse) of  17 syllables (5-7-5) which established a seasonal setting or  mood around which the remainder   of the poem was fashioned.
Four concepts intrinsic to a true haiku… kigo kireji yugen   & kyo
kigo - a word suggesting a season
kireji - a cutting word such as ya… a moment to meditate
yugen - lies beneath the surface… touches the heart
kyo – become one with the object…  do not impose yourself on it -Bashõ
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
hanamori ya shiroki kashira o tsukiawase   -Kyori blossom guards their white heads facing each other -Kyori
 
There are four  pre-eminent haiku poets… Matsuo Bashõ Yosa Buson Kobayashi Issa  & Masaoka Shiki
 
[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object]
 
[object Object],[object Object],[object Object],[object Object]
 
a clear waterfall into the ripple  fall green pine needles -Bashõ
 
[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
evening breeze —  water is slapping against  the legs of a white heron -Buson
 
summer night ending so soon,  on the river shallows still remains  the moon in a sliver   -Buson
 
komu na yo ga mata mo aro ka tsuki ni kari -Buson will it come again… another night like this one wild geese and the moon -Buson
 
[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
“ I make my appearance I. . .  the toad emerge from my thicket.”   -Issa
 
the snail climbs Mount Fuji slowly. . .slowly -Issa
 
[object Object],[object Object],[object Object],[object Object]
 
[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object]
 
a school of trout  swam by the color of the water -Shiki
 
[object Object],[object Object],[object Object],[object Object]
 
[object Object],[object Object],[object Object],[object Object]
 
Japan’s two main religions. . . Shintoism and Zen Buddhism. . . are both expressed through Haiku.
 
Shintoism worships kami – the spirits of nature.
 
[object Object],[object Object],[object Object],[object Object]
 
to pluck it a pity to leave it a pity ah. . .this violet   -Naojo
 
Zen Buddhism  which strives for nirvana  through meditation.
 
[object Object],[object Object],[object Object],[object Object]
 
snow has melted on one shoulder  of the great Buddha   -Shiki
 
from the nose of the colossal Buddha a swallow emerges   -Issa
 
Through haiku we are  released into nearness.
 
As with all genuine art,  a true haiku is a clarification of experience.
 
[object Object],[object Object],[object Object],[object Object]
 
Class contemplating  Japanese art in springtime… inspirational! -  ART 221-001  5/2009
 
 
 
 
 
 
 
 
 
Thank you, for your time. -peter
 
 
 

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Haiku4

  • 1. HAIKU by peter van der meulen
  • 2. A haiku is a three line poem consisting of 5–7–5 syllables for example: the/ ca/the/dral/ bell (5) is sha/king/ a / few/ snow/flakes (7) from/ the/ mor/ning/ air (5) -Virgilio
  • 3. HISTORY Haiku evolved from tanka (short poems) 31 syllable poems structured 5-7-5-7-7 developed by court poets in the Heian period (794-1185). These tanka were extended into renga (linked verses). Renga were written in groups with a hokku (opening verse) of 17 syllables (5-7-5) which established a seasonal setting or mood around which the remainder of the poem was fashioned.
  • 4. Four concepts intrinsic to a true haiku… kigo kireji yugen & kyo
  • 5. kigo - a word suggesting a season
  • 6. kireji - a cutting word such as ya… a moment to meditate
  • 7. yugen - lies beneath the surface… touches the heart
  • 8. kyo – become one with the object… do not impose yourself on it -Bashõ
  • 9.
  • 10.  
  • 11. hanamori ya shiroki kashira o tsukiawase -Kyori blossom guards their white heads facing each other -Kyori
  • 12.  
  • 13. There are four pre-eminent haiku poets… Matsuo Bashõ Yosa Buson Kobayashi Issa & Masaoka Shiki
  • 14.  
  • 15.
  • 16.
  • 17.
  • 18.  
  • 19.
  • 20.  
  • 21. a clear waterfall into the ripple fall green pine needles -Bashõ
  • 22.  
  • 23.
  • 24.
  • 25. evening breeze — water is slapping against the legs of a white heron -Buson
  • 26.  
  • 27. summer night ending so soon, on the river shallows still remains the moon in a sliver -Buson
  • 28.  
  • 29. komu na yo ga mata mo aro ka tsuki ni kari -Buson will it come again… another night like this one wild geese and the moon -Buson
  • 30.  
  • 31.
  • 32.
  • 33. “ I make my appearance I. . . the toad emerge from my thicket.” -Issa
  • 34.  
  • 35. the snail climbs Mount Fuji slowly. . .slowly -Issa
  • 36.  
  • 37.
  • 38.  
  • 39.
  • 40.
  • 41.
  • 42.  
  • 43. a school of trout swam by the color of the water -Shiki
  • 44.  
  • 45.
  • 46.  
  • 47.
  • 48.  
  • 49. Japan’s two main religions. . . Shintoism and Zen Buddhism. . . are both expressed through Haiku.
  • 50.  
  • 51. Shintoism worships kami – the spirits of nature.
  • 52.  
  • 53.
  • 54.  
  • 55. to pluck it a pity to leave it a pity ah. . .this violet -Naojo
  • 56.  
  • 57. Zen Buddhism which strives for nirvana through meditation.
  • 58.  
  • 59.
  • 60.  
  • 61. snow has melted on one shoulder of the great Buddha -Shiki
  • 62.  
  • 63. from the nose of the colossal Buddha a swallow emerges -Issa
  • 64.  
  • 65. Through haiku we are released into nearness.
  • 66.  
  • 67. As with all genuine art, a true haiku is a clarification of experience.
  • 68.  
  • 69.
  • 70.  
  • 71. Class contemplating Japanese art in springtime… inspirational! - ART 221-001 5/2009
  • 72.  
  • 73.  
  • 74.  
  • 75.  
  • 76.  
  • 77.  
  • 78.  
  • 79.  
  • 80.  
  • 81. Thank you, for your time. -peter
  • 82.  
  • 83.  
  • 84.  

Editor's Notes

  1. More notes