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Giovanni Boccia Artieri
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The aim of the paper is to analyze the Twitter conversations produced by networked publics of the Laura Poitras’s documentary Citizenfour (2014). The documentary deals with the case of the computer analyst Edward Snowden and it was aired by HBO in USA and Channel 4 in UK respectively the 23th and 25th of February 2015. We focused on the type of representations produced around the relationship between privacy and the Internet, ie the imaginary related to privacy conveyed by Snowden case. The paper thus attempt to answer the following RQ: what are the privacy’s imagery around Snowden case emerging from double screen audience of documentary Citizenfour? Based on a complete corpus of 25,000 tweets containing the hashtag #citizenfour and created between 22th and 26th of February 2015, the research identified peaks in the Twitter activity (through a ‘breakout detection’) as well as what accounted for those peaks (through a semantic cluster analysis). Finally, a sample of original tweets will be content analyzed using a codeset derived by DeCew (1997) definitions in order to identify the emerging imaginary of privacy.
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The paper starts from an apparently simple point of view: on the one hand catastrophes and disasters are relevant visual phenomena, on the other hand scholars must observe Social Network Sites – as Twitter – that are environments based on images sharing. As we know, nowadays, during the environmental disasters, we are witnessing the emergence of a particular attraction to an idea of fatalism that inevitably belongs to the overwhelming events of the nature. This explains why the catastrophe is an experience that leads to many practices of symbolic reinterpretation. Now, one of the social spaces in which finding these practices of reinterpretation are the users' images of the natural disasters shared on SNSs. The paper presents the results of a qualitative research conducted on a sample of 4256 images uploaded on Twitter during the first day of the earthquake that happened in northern Italy May 20, 2012. On the basis of this analysis, a taxonomy of images is built to confirm the hypothesis of the work: that is, during catastrophic events, the image has not just a function of refero, i.e showing the drama, nor exclusively of religo, i.e building social bonds. The images shared through SNSs, instead, aim at giving a symbolic meaning to catastrophe, turning the dramatic experience into an evidence of our vulnerability to the arrogance of human civilization and an opportunity to establish new rituals of socialization and collective regeneration.
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#Citizenfour: Internet Publics and the Imaginary of Privacy
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Visualizing the catastrophe. The Images of Italian #Earthquake on Twitter
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Forum Giovani Ais Vi Edizione Matteo Stefanelli
Forum Giovani Ais Vi Edizione Elena Spina
Forum Giovani Ais Vi Edizione Elena Spina
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Forum Giovani Ais Vi Edizione Vittorio Martone
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