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Brett D. Currier, MSLS, JD
Director of Scholarly Communications
Director of Scholarly Communications
@brettdcurrier
brett.currier@uta.edu
2
3
Contact Teri Schultz
Director of Technology Management
817.272.1140
tschultz@uta.edu
4
Original works of authorship fixed in
any tangible medium of expression,
now known or later developed, from
which they can be perceived,
reproduced, or otherwise
communicated, either directly or with
the aid of a machine or device.
Created at the
moment it the
article is fixed
in a tangible
medium of
expression.
5
WHEN IS A COPYRIGHT CREATED?
BUNDLE OF RIGHTS
• Make copies
• Distribute the work
• Prepare derivative works
• Publicly perform or display the work
• License any of the above to third parties
• Transfer the copyright to a third party
6
WHAT DO YOU WANT TO DO WITH YOUR WORK?
• Share with colleagues
• Include in a dissertation or thesis
• Make it available to your students
• Use parts of it in future research projects
• Allow colleagues to reuse part of your work in their research projects
• Post to a personal or department website
• Post to the Research Commons or another subject specific repository *
• Others . . .
*May be required if you have external funding
7
8
LOSING YOUR COPYRIGHT
• Copyright can only be transferred (“assigned”) in writing
• Licensing allows specific rights to be retained:
• Authors keep copyright and license other rights (e.g., first publication)
• Publishers take copyright and license rights back (e.g., reproduction,
derivatives)
• Addenda can be added to publication agreements to negotiate rights
retention
9
10
LOSING YOUR COPYRIGHT CAN COST MONEY
Requested Image
Image Reuse Fee: $250
Original Image
• Right of First
Publication
• Reproduction
• Distribution
• Derivatives
11
THE RIGHTS PUBLISHERS . . .
Need Want
12
FIVE MAIN MODELS
Model Type Journal Examples
Work Made for Hire Oxford University Press; ASME
Copyright Transfer Elsevier Journals (over 2000 titles)
Exclusive License Elsevier Open Access license
Non-Exclusive License PLOS; Buzzfeed
Implied License Law reviews
13
WORKS MADE FOR HIRE: OUP
Who owns
the
copyright?
Did you
ever own
the
copyright?
Reuse by
author?
Institutional
Repository
Deposit?
Reuse by
others?
The
publisher
No Not without
permission
or a license
Not with
permission
Not without
permission
by the
publisher
14
COPYRIGHT TRANSFER: ELSEVIER
15
Who owns
the
copyright?
Did you
ever own
the
copyright?
Reuse by
author?
Institutional
Repository
Deposit?
Reuse by
others?
The
publisher
Yes Not without
permission
or a license
Not with
permission
Not without
permission
by the
publisher
EXCLUSIVE LICENSE: ELSEVIER OPEN ACCESS
16
Who owns
the
copyright?
Did you
ever own
the
copyright?
Reuse by
author?
Institutional
Repository
Deposit?
Reuse by
others?
The author Yes Not without
permission
or a license
Not with
permission
Not without
permission
by the
publisher
IMPLIED LICENSE: LAW REVIEWS
17
Who owns
the
copyright?
Did you
ever own
the
copyright?
Reuse by
author?
Institutional
Repository
Deposit?
Reuse by
others?
The author Yes Probably Probably Probably
NON-EXCLUSIVE LICENSE: PLOS
18
Who owns
the
copyright?
Did you
ever own
the
copyright?
Reuse by
author?
Institutional
Repository
Deposit?
Reuse by
others?
The author Yes Yes. Yes. Yes.
19
Model Who owns
the
copyright
?
Did you
ever own
the
copyright?
Reuse by
author?
Institutiona
l
Repository
Deposit?
Reuse by
others?
Work made
for hire
The
publisher
No Not without
permission
or a license
Not with
permission
Not without
permission
by the
publisher
Copyright
Transfer
The
publisher
Yes Not without
permission
or a license
Not with
permission
Not without
permission
by the
publisher
Exclusive
License
The author Yes Not without
permission
or a license
Not with
permission
Not without
permission
by the
publisher
Implied
License
The author Yes Probably Probably Probably
Non-
Exclusive
License
The author Yes Yes Yes Yes
20
21
SECURE PERMISSION
Requested Image
Image Reuse Fee: $250
Original Image
Seth Stephens-Davidowitz, The cost
of racial animus on a black
candidate: Evidence using
Google search data, Journal of
Public Economics, Volume 118,
October 2014, Pages 26-40, ISSN
0047-2727,
http://dx.doi.org/10.1016/j.jpubec
o.2014.04.010.
(http://www.sciencedirect.com/sci
ence/article/pii/S00472727140009
29)
Chae DH, Clouston S, Hatzenbuehler
ML, Kramer MR, Cooper HLF, et
al. (2015) Association between an
Internet-Based Measure of Area
Racism and Black Mortality. PLoS
ONE 10(4): e0122963. doi:
10.1371/journal.pone.0122963
22
INABILITY TO PREDICT EVOLUTION
23
24
http://www.sparc.arl.org/resources/authors/
addendum-2007
25
26
Contact me
Brett D. Currier
Central Library 514
817-272-5127
brett.currier@uta.edu

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Reading a Publication Contract

  • 1. Brett D. Currier, MSLS, JD Director of Scholarly Communications Director of Scholarly Communications @brettdcurrier brett.currier@uta.edu
  • 2. 2
  • 3. 3 Contact Teri Schultz Director of Technology Management 817.272.1140 tschultz@uta.edu
  • 4. 4 Original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device.
  • 5. Created at the moment it the article is fixed in a tangible medium of expression. 5 WHEN IS A COPYRIGHT CREATED?
  • 6. BUNDLE OF RIGHTS • Make copies • Distribute the work • Prepare derivative works • Publicly perform or display the work • License any of the above to third parties • Transfer the copyright to a third party 6
  • 7. WHAT DO YOU WANT TO DO WITH YOUR WORK? • Share with colleagues • Include in a dissertation or thesis • Make it available to your students • Use parts of it in future research projects • Allow colleagues to reuse part of your work in their research projects • Post to a personal or department website • Post to the Research Commons or another subject specific repository * • Others . . . *May be required if you have external funding 7
  • 8. 8
  • 9. LOSING YOUR COPYRIGHT • Copyright can only be transferred (“assigned”) in writing • Licensing allows specific rights to be retained: • Authors keep copyright and license other rights (e.g., first publication) • Publishers take copyright and license rights back (e.g., reproduction, derivatives) • Addenda can be added to publication agreements to negotiate rights retention 9
  • 10. 10 LOSING YOUR COPYRIGHT CAN COST MONEY Requested Image Image Reuse Fee: $250 Original Image
  • 11. • Right of First Publication • Reproduction • Distribution • Derivatives 11 THE RIGHTS PUBLISHERS . . . Need Want
  • 12. 12
  • 13. FIVE MAIN MODELS Model Type Journal Examples Work Made for Hire Oxford University Press; ASME Copyright Transfer Elsevier Journals (over 2000 titles) Exclusive License Elsevier Open Access license Non-Exclusive License PLOS; Buzzfeed Implied License Law reviews 13
  • 14. WORKS MADE FOR HIRE: OUP Who owns the copyright? Did you ever own the copyright? Reuse by author? Institutional Repository Deposit? Reuse by others? The publisher No Not without permission or a license Not with permission Not without permission by the publisher 14
  • 15. COPYRIGHT TRANSFER: ELSEVIER 15 Who owns the copyright? Did you ever own the copyright? Reuse by author? Institutional Repository Deposit? Reuse by others? The publisher Yes Not without permission or a license Not with permission Not without permission by the publisher
  • 16. EXCLUSIVE LICENSE: ELSEVIER OPEN ACCESS 16 Who owns the copyright? Did you ever own the copyright? Reuse by author? Institutional Repository Deposit? Reuse by others? The author Yes Not without permission or a license Not with permission Not without permission by the publisher
  • 17. IMPLIED LICENSE: LAW REVIEWS 17 Who owns the copyright? Did you ever own the copyright? Reuse by author? Institutional Repository Deposit? Reuse by others? The author Yes Probably Probably Probably
  • 18. NON-EXCLUSIVE LICENSE: PLOS 18 Who owns the copyright? Did you ever own the copyright? Reuse by author? Institutional Repository Deposit? Reuse by others? The author Yes Yes. Yes. Yes.
  • 19. 19 Model Who owns the copyright ? Did you ever own the copyright? Reuse by author? Institutiona l Repository Deposit? Reuse by others? Work made for hire The publisher No Not without permission or a license Not with permission Not without permission by the publisher Copyright Transfer The publisher Yes Not without permission or a license Not with permission Not without permission by the publisher Exclusive License The author Yes Not without permission or a license Not with permission Not without permission by the publisher Implied License The author Yes Probably Probably Probably Non- Exclusive License The author Yes Yes Yes Yes
  • 20. 20
  • 21. 21 SECURE PERMISSION Requested Image Image Reuse Fee: $250 Original Image
  • 22. Seth Stephens-Davidowitz, The cost of racial animus on a black candidate: Evidence using Google search data, Journal of Public Economics, Volume 118, October 2014, Pages 26-40, ISSN 0047-2727, http://dx.doi.org/10.1016/j.jpubec o.2014.04.010. (http://www.sciencedirect.com/sci ence/article/pii/S00472727140009 29) Chae DH, Clouston S, Hatzenbuehler ML, Kramer MR, Cooper HLF, et al. (2015) Association between an Internet-Based Measure of Area Racism and Black Mortality. PLoS ONE 10(4): e0122963. doi: 10.1371/journal.pone.0122963 22 INABILITY TO PREDICT EVOLUTION
  • 23. 23
  • 25. 25
  • 26. 26 Contact me Brett D. Currier Central Library 514 817-272-5127 brett.currier@uta.edu

Editor's Notes

  1. Brett Currier: Director of Scholarly Communications here in the library; JD/MSLS from UNC