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ENGL 211, Summer 2010 WEEK 1 A History of Literary Crime
ENGL 211, Summer 2010 “When in doubt, have a man come through a door with a gun in his hand.” 	--  crime + detective novelist  		Raymond Chandler, on writing  		fiction
ENGL 211, Summer 2010 “The evolution of the crime story reflects the history of crime itself” 	-- Ernest Mandel, Delightful Murder: 			     A Social History of the Crime Story
ENGL 211, Summer 2010 Edgar Allen Poe’s “The Murders in the Rue Morgue” (1841)  – first detective story
ENGL 211, Summer 2010      crime fiction   detective fiction
ENGL 211, Summer 2010      crime fiction    		v.   detective fiction (“puzzle element”)
ENGL 211, Summer 2010 		I. Early Crime 		Narratives
D.L. Sayers, “Introduction Detective fiction writer and critic Dorothy L. Sayers: ,[object Object]
2 Old Testament, Hercules, Herodotus,[object Object]
the thief falsifies footprints 	to evade capture,[object Object]
first ‘locked-room’ mystery,[object Object]
Cain leads Abel to Death by James Tissot(1836-1902) Cain and  Abel,     story of “first  murder”
ENGL 211, Summer 2010 - Nathaniel Hawthorne,The Scarlet Letter (1850) ,[object Object],	transgression (sets 	boundaries of 	acceptable social 	behaviour) - criminal is marked
ENGL 211, Summer 2010 II. Crime and  Revenge
ENGL 211, Summer 2010 “Revenge Tragedy” ,[object Object]
end of the 16th – beginning
of the 17th centuries,[object Object]
ENGL 211, Summer 2010 - Subject of revenge meets a 	bloody death, either 	by execution or by 	his/her own hand, in 	anticipation of being 	caught
ENGL 211, Summer 2010 ,[object Object]
(1st century), originator of the revenge tragedy
violence off-stage, unlike the Elizabethean theatre
ENGL 211, Summer 2010 ,[object Object],social exclusion of 	criminal
ENGL 211, Summer 2010 III. “Gothic” Hauntings
ENGL 211, Summer 2010 The gothic novel (late 18th century): return of the past into the present, especially in the form of ghosts or supernatural events
ENGL 211, Summer 2010 “gothic” tradition: provides a narrative frame for “crime” as the return of a repressed wrong of the past into the world of the present
ENGL 211, Summer 2010
ENGL 211, Summer 2010 IV. Organized Crime + Criminals
ENGL 211, Summer 2010 1920’s prohibition-era gangsters, shift in fiction away from the individual criminal
ENGL 211, Summer 2010 The Godfather Scarface Goodfellas The Sopranos Grand Theft Auto
ENGL 211, Summer 2010 V. Discipline and Punish
ENGL 211, Summer 2010 Michel Foucault French Philosopher, critical theorist, historian,writer of Discipline and Punish (1975)
ENGL 211, Summer 2010
ENGL 211, Summer 2010 Classical society – pre 19th century, punishment   Disciplinary society – post-19th century, surveillance
ENGL 211, Summer 2010 “The Newgate Calendar” Stories - popular between 1750-1850 - Sensationalized tales of crime and punishment

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Engl 211 summer 2010 week 1.1.3

  • 1. ENGL 211, Summer 2010 WEEK 1 A History of Literary Crime
  • 2. ENGL 211, Summer 2010 “When in doubt, have a man come through a door with a gun in his hand.” -- crime + detective novelist Raymond Chandler, on writing fiction
  • 3. ENGL 211, Summer 2010 “The evolution of the crime story reflects the history of crime itself” -- Ernest Mandel, Delightful Murder: A Social History of the Crime Story
  • 4. ENGL 211, Summer 2010 Edgar Allen Poe’s “The Murders in the Rue Morgue” (1841) – first detective story
  • 5. ENGL 211, Summer 2010 crime fiction detective fiction
  • 6. ENGL 211, Summer 2010 crime fiction v. detective fiction (“puzzle element”)
  • 7. ENGL 211, Summer 2010 I. Early Crime Narratives
  • 8.
  • 9.
  • 10.
  • 11.
  • 12. Cain leads Abel to Death by James Tissot(1836-1902) Cain and Abel, story of “first murder”
  • 13.
  • 14. ENGL 211, Summer 2010 II. Crime and Revenge
  • 15.
  • 16. end of the 16th – beginning
  • 17.
  • 18. ENGL 211, Summer 2010 - Subject of revenge meets a bloody death, either by execution or by his/her own hand, in anticipation of being caught
  • 19.
  • 20. (1st century), originator of the revenge tragedy
  • 21. violence off-stage, unlike the Elizabethean theatre
  • 22.
  • 23. ENGL 211, Summer 2010 III. “Gothic” Hauntings
  • 24. ENGL 211, Summer 2010 The gothic novel (late 18th century): return of the past into the present, especially in the form of ghosts or supernatural events
  • 25. ENGL 211, Summer 2010 “gothic” tradition: provides a narrative frame for “crime” as the return of a repressed wrong of the past into the world of the present
  • 27. ENGL 211, Summer 2010 IV. Organized Crime + Criminals
  • 28. ENGL 211, Summer 2010 1920’s prohibition-era gangsters, shift in fiction away from the individual criminal
  • 29. ENGL 211, Summer 2010 The Godfather Scarface Goodfellas The Sopranos Grand Theft Auto
  • 30. ENGL 211, Summer 2010 V. Discipline and Punish
  • 31. ENGL 211, Summer 2010 Michel Foucault French Philosopher, critical theorist, historian,writer of Discipline and Punish (1975)
  • 33. ENGL 211, Summer 2010 Classical society – pre 19th century, punishment Disciplinary society – post-19th century, surveillance
  • 34. ENGL 211, Summer 2010 “The Newgate Calendar” Stories - popular between 1750-1850 - Sensationalized tales of crime and punishment
  • 36. ENGL 211, Summer 2010 “Who is the bigger criminal: he who robs a bank or he who founds one?” -- playwright and Marxist Bertolt Brecht, The Threepenny Opera (1928)
  • 37. ENGL 211, Summer 2010 Questions