1. VIDEO TECHNOLOGY Prepared by: NESTOR S. ABROGENA JR INSTRUCTOR-1 / VIDEO TRACK HEAD DESIGN FOUNDATION, SCHOOL OF DESIGN AND ARTS COLLEGE OF SAINT BENILDE
9. MOVING CAMERA: PERSISTENCE OF VISION - SINCE THE EYE RETAINS IMAGES SLIGHTLY LONGER THAN IT IS ACTUALLY EXPOSED TO THEM , IT TENDS TO MELD 2 SUCCESSIVE IMAGES INTO ONE , CREATING A SMOOTH TRANSITION BET, THEM.
28. HOW DO VIDEO CAMERAS WORK? LIGHT IS CONVERTED INTO AN ELECTRICAL SIGNAL, EACH FRAME OF INFORMATION DOESN’T FLOW THROUGH THE ELECTRICAL CABLE AT ONCE AN ELECTRON BEAM SCANS ACROSS THE PICTURE FROM ONE SIDE TO THE OTHER. THE LEVEL OF BRIGHTNESS AND DARKNESS IS READ AND TRANSMITTED THE VIDEO IMAGE IS MADE UP OF A SERIES OF HORIZONTAL LINES BUT THE SCANNING PROCESS IS SO FAST THAT OUR EYES SEE THE FRAME AS A WHOLE UNIFIED PICTURE
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32. THE RASTER SCAN HORIZONTAL LINES STARTING AT THE TOP, FROM LEFT TO RIGHT 2 TYPES OF SCANNING PROGRESSIVE - IN ORDER FROM TOP TO BOTTOM INTERLACED - SCANS EVERY OTHER LINE, STARTING WITH ODD LINES (1,3,5…625), THEN EVEN LINES (2,4,6…624)
34. FRAME TWO FIELDS SHOWN IN RAPID SUCCESSION THERE ARE 25 FRAMES PER SECOND WITH 50 FIELDS PER SECOND (PAL) / 24 FPS WITH 60 FIELDS PER SECOND (NTSC). THE CAMERA PROCESSES 15, 625 LINES OF PICTURE INFORMATION PER SECOND
35. CAMERA IMAGE SENSOR RESPONSIBLE FOR TRANSFORMING LIGHT INTO ELECTRICAL SIGNAL CCD- (CHARGED COUPLE DEVICE) LIGHT SENSITIVE COMPUTER CHIP DIVIDED INTO PIXELS (PICTURE ELEMENTS) VERY FINE GRID SOPT-TINY LIGHT METERS THAT READS THE BRIGHTNESS OF LIGHT AT THAT SPOT
36. WORLD COLOR TV STANDARDS NTSC (NATIONAL TELEVISION SYSTEM COMMITTEE) – 525/60 INTERLACED LINES; 30 FPS, USED IN US, CANADA, JAPAN, PHILIPPINES PAL (PHASE ALTERNATING LINE) – 625/50 LINES; 25 FPS, USED IN UK, WESTERN EUROPE, PARTS AFRICA, MIDDLE EAST, AUSTRALIA, CHINA SECAM (SÉQUENTIEL COULEUR ÀVEC MÉMOIRE) – OR SEQUENTIAL COLOR WITH MEMORY / SYSTEME ELECTRONIQUE POUR COLEUR AVEC MEMOIRE- 625/50 LINES; 25 FPS, USED IN FRANCE, EASTERN EUROPE, PARTS OF AFRICA AND RUSSIA
37. FILM / VIDEO OUTPUT NARRATIVE EXPERIMENTAL ANIMATION DOCUMENTARY
38. BRANCHED OUT FORMS MUSIC VIDEO TV COMMERCIALS (TVC) PUBLIC SERVICE ANNOUNCEMENT / INFOMERCIAL CORPORATE VIDEO / AUDIOVISUAL PRESENTATION (AVP)
40. THE WHO’S IN THE PRODUCTION PRODUCER DIRECTOR CINEMATOGRAPHER PRODUCTION DESIGNER ASSISTANT DIRECTOR PRODUCTION MANAGER SOUND RECORDIST / ENGINEER EDITOR MUSICAL SCORER ADPROM PRODUCTION ASSISTANT