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film-Portraits
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film-Portraits
film-Portraits
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film-Portraits
film-Portraits
film-Portraits
film-Portraits
film-Portraits
film-Portraits
film-Portraits
film-Portraits
film-Portraits
film-Portraits
film-Portraits
film-Portraits
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film-Portraits
film-Portraits
film-Portraits
film-Portraits
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film-Portraits
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film-Portraits
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film-Portraits
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film-Portraits

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Transcript

  • 1. Portraits
  • 2. The HeadshotStudio Photographs
  • 3. Full Length
  • 4. Person in their Environment
  • 5. Self Portrait
  • 6. Nan Goldin
  • 7. Richard Avedon
  • 8. Andy Warhol
  • 9. Documentary
  • 10. Commercial
  • 11. Fashion
  • 12. Things to Consider
  • 13. Backlighting
  • 14. Culture
  • 15. Proximity
  • 16. The Serious Portrait
  • 17. Movement
  • 18. Exposure
  • 19. Exposure
  • 20. Pose
  • 21. Props
  • 22. Reflections
  • 23. Shadows
  • 24. Tell a Story
  • 25. Texture
  • 26. Sally Mann
  • 27. Sally Mann
  • 28. Sally Mann
  • 29. Sally Mann
  • 30. Julia Margaret Cameron
  • 31. Julia Margaret Cameron
  • 32. Julia Margaret Cameron
  • 33. Philippe Halsman
  • 34. Chuck Close
  • 35. Portrait Lighting
  • 36. One Light from Front
  • 37. One Light from Side
  • 38. One Light with Reflector
  • 39. Two Lights-Face and Hair
  • 40. Three Lights-Face, Hair, Background
  • 41. Outdoor Lighting-Sun and Reflector
  • 42. Outdoor Lighting-Backlight from sun and fill flash
  • 43. Window LightHow dark it is inside andhow bright it is outsidedictates how extreme thelighting looks
  • 44. Portraits and Distortion• A wide angle (short focal length) lens can create distortion if you get close too your model• Wide angle lenses can also make your model uncomfortable because you will be very close to them as you photograph• You have to decide whether this distortion is wanted or necessary

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