This document discusses different types of textures, both tactile textures that can be felt through touch, and visual textures that are implied through sight. It poses the problem of how to create real textures through manipulating cardboard. It instructs the reader to create 8 examples of cardboard textures. It also discusses formal and informal balance in design as well as the abstract sculptor Louise Nevelson, her assemblage art style of dipping found objects in paint and assembling sculptures, and how she worked to be seen as just an artist rather than a "woman artist".

3. TACTILE/ REAL TEXTURE
ACTUAL TEXTURES THAT YOU CAN FEEL.
HAPPENS WHEN YOU TOUCH
SOMETHING.
VISUAL/ IMPLIED TEXTURE
ILLUSION OF A 3D SURFACE.
HAPPENS WHEN YOU LOOK AND YOUR
EYES TELL YOU TO EXPECT A TEXTURE.

4. PROBLEM- HOW DO I CREATE REAL TEXTURES THROUGH
THE MANIPULATION OF CARDBOARD?

5. CREATE 8 EXAMPLES OF
CARDBOARD TEXTURES

6. A PRINCIPLE OF DESIGN CONCERNED WITH VISUAL WEIGHT
CAUSES YOU TO FEEL THAT THE ELEMENTS IN THE WORK ARE ARRANGED
WELL.
Formal Balance
1.Symmetrical
2.Radial
Informal Balance
3. Asymmetrical

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11. LOUISE NEVELSON

12. LOUISE NEVELSON
1899-1988
UKRAINIAN AMERICAN
ABSTRACT SCULPTOR
VIDEO

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14. A NEED FOR INDEPENDENCE
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Following high
school, Leah
becomes
Louise
Nevelson

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16. ASSEMBLAGE ART-

17. Nevelson dipped her found objects and wood scraps into paint and then assembled her
sculptures. She later evolved into working within crates which were joined together to create
larger pieces.

18. Dawn’s Wedding
1959

19. Homage to 6,000,000
1964
Nevelson worked with ideas that were
important to the person she was. She did not
want to be seen as a Woman artist, but as just
an artist equal to other artists.

20. RELIEF SCULPTURE

21. RELIEF
SCULPTURE