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ART2
Controlled Assignment
Art2 Exam Dates 9am – 1pm
8 hours in total across two days. The exam dates are as follows:

F block
Monday 31st March
Tuesday 1st April
C Block
Tuesdat 2nd April
Wednesday 3rd April
B Block
Friday 4th April
Monday 7th April
1. Fun of the Fair (dvd)
Eleonora Ronconi - Once upon a time
2. Drawing for a purpose
Ben Heine
3. Bags of interest
Bianco Trash by Luca Pizzaroni
"I was curious to see where
trash goes," he said.
Though Manhattan refuse
does not actually go to the
Middlesex County
Landfill, Mr. Pizzaroni's
curiosity led him there to
create "Bianco Trash," a
series of richly colorful
photographs of garbagedump trash.
4. Collection of containers
Bernd and Hilla Becher
Bernd and Hilla Becher
Riverside Silos by Ricardo Barros
There are three silos just outside my
studio door. They contain Portland
cement, freshly come by ship from
South Korea, across several oceans
and up the Delaware River. Two silos
are spherical, the other more of a
cylinder. Immediately in front of them
is a small, brick pumping station. It is
nearly a perfect cube, capped with a
roof comprised of four triangles. Off
to the side are mountains of
salt, floated in from Chile.

Visitors arriving at my studio are often
startled to discover the silos’
existence, even though the containers
are visible from a distance. These silos
are so huge as to be inseparable from
the landscape. They seemingly have
always been there. It is, in fact, their
enormity that disorders one’s
perspective. First, they creep onto the
horizon. Then, as one
approaches, they overwhelm
everything in their presence.
5. Buildings with lettering
Beat Strueli
6. Looking through
Hazel Thompson
Lee Friedlander
7. Closely observing
Walker Evans – Subway portraits
Jonathan Olley - Surveillance
8. Research the visual aspects of a
ritual, custom or tradition and produce
a personal response to your findings
Consider:
• Interwoven within the fabric of our society we
have many unusual features and events which
enrich our lives
Liz Hingley
9. Explore contradictions and present a
creative statement
Nick Turpin
10. Investigate found objects in works
of art and create an outcome
incorporating an interesting object or
surface you have found
Marcel Duchamp
Although Duchamp had collected manufactured
objects in his studio in Paris, it was not until he
came to New York that he identified them as a
category of art, giving the English name
“Readymade” to any object purchased “as a
sculpture already made.” When he modified
these objects, for example by mounting a bicycle
wheel on a kitchen stool, he called them
“Assisted Readymades.” Duchamp later recalled
that the original Bicycle Wheel was created as a
“distraction”: “I enjoyed looking at it, just as I
enjoy looking at the flames dancing in a
fireplace.”
11. Study the creative possibilities
presented by overlap and produce an
original interpretation
Barbara Kruger
City Silhouettes by Jasper James
12. Compare ways in which sequences
have been documented and selectively
use your analysis to produce a
response
Duane Michals
13. Develop your own version of
augmented
David Hockney
14. Consider ways in which
artists, craftworkers and designers
have dealt with emotion in their work
and present your own response to a
particular emotion
Film Posters
Elinor Carucci
Francesca Woodman

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Art2 exam artist research 2013-14

  • 2. Art2 Exam Dates 9am – 1pm 8 hours in total across two days. The exam dates are as follows: F block Monday 31st March Tuesday 1st April C Block Tuesdat 2nd April Wednesday 3rd April B Block Friday 4th April Monday 7th April
  • 3. 1. Fun of the Fair (dvd)
  • 4. Eleonora Ronconi - Once upon a time
  • 5.
  • 6. 2. Drawing for a purpose
  • 8.
  • 9.
  • 10. 3. Bags of interest
  • 11. Bianco Trash by Luca Pizzaroni "I was curious to see where trash goes," he said. Though Manhattan refuse does not actually go to the Middlesex County Landfill, Mr. Pizzaroni's curiosity led him there to create "Bianco Trash," a series of richly colorful photographs of garbagedump trash.
  • 12.
  • 13. 4. Collection of containers
  • 14. Bernd and Hilla Becher
  • 15. Bernd and Hilla Becher
  • 16. Riverside Silos by Ricardo Barros There are three silos just outside my studio door. They contain Portland cement, freshly come by ship from South Korea, across several oceans and up the Delaware River. Two silos are spherical, the other more of a cylinder. Immediately in front of them is a small, brick pumping station. It is nearly a perfect cube, capped with a roof comprised of four triangles. Off to the side are mountains of salt, floated in from Chile. Visitors arriving at my studio are often startled to discover the silos’ existence, even though the containers are visible from a distance. These silos are so huge as to be inseparable from the landscape. They seemingly have always been there. It is, in fact, their enormity that disorders one’s perspective. First, they creep onto the horizon. Then, as one approaches, they overwhelm everything in their presence.
  • 17. 5. Buildings with lettering
  • 23. Walker Evans – Subway portraits
  • 24. Jonathan Olley - Surveillance
  • 25. 8. Research the visual aspects of a ritual, custom or tradition and produce a personal response to your findings Consider: • Interwoven within the fabric of our society we have many unusual features and events which enrich our lives
  • 27. 9. Explore contradictions and present a creative statement
  • 29. 10. Investigate found objects in works of art and create an outcome incorporating an interesting object or surface you have found
  • 30. Marcel Duchamp Although Duchamp had collected manufactured objects in his studio in Paris, it was not until he came to New York that he identified them as a category of art, giving the English name “Readymade” to any object purchased “as a sculpture already made.” When he modified these objects, for example by mounting a bicycle wheel on a kitchen stool, he called them “Assisted Readymades.” Duchamp later recalled that the original Bicycle Wheel was created as a “distraction”: “I enjoyed looking at it, just as I enjoy looking at the flames dancing in a fireplace.”
  • 31. 11. Study the creative possibilities presented by overlap and produce an original interpretation
  • 33. City Silhouettes by Jasper James
  • 34. 12. Compare ways in which sequences have been documented and selectively use your analysis to produce a response
  • 36. 13. Develop your own version of augmented
  • 38. 14. Consider ways in which artists, craftworkers and designers have dealt with emotion in their work and present your own response to a particular emotion