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Beers of New Europe
A primer on
Central and
East European
beer design
INTRO
Cocoon Group has been designing
beers in ‘New Europe’ for almost 2 dec-
ades. In that time, we’ve built up a pretty
good understanding of what makes beer de-
sign work in this part of the world. On the fol-
lowing pages, in an easy-to-follow A to Z format,
we showcase some of our favorite recent (and
not so recent) beer projects, as well as share
some of our knowledge of the category and the
region. Please sit back, relax, and we hope
our little show gives you a better sense of
what makes a truly great ‘New Europe-
an’ beer design.
CG.
Art Nouveau
Green
Conveys both naturalness and premi-
umness. Mainstream brands and core
lagers continue to migrate toward
green bottles for their portfolios.
Bottles
Brown
Conveys tradition, heritage.
Soviet and historical beer bottle
color. For most core brands, brown
seems cheap. However for brands
looking to highlight tradition,
brown is an excellent choice.
Clear
Conveys newness, refreshment.
Most common for on-trade and
summertime beers.
Great for intrinsics and showing
rich beer color, but some skepticism
remains as to whether clear bottles
maintain beer quality over time.
A finely crafted label instills
confidence that the product inside
has received at least the same
amount of care and attention.
High quality materials, gold print,
and the right embellishments and
quality cues speak volumes about
the liquid inside. This even if the
drinker remains largely unaware
of the hidden influence of design.
This seems to be especially
true here in New Europe, where
tradition and heritage are still
the premiere indicators of
quality. Craftsmanship in product
and design stand as the most
visible outward indications of a
commitment to creation of the best
possible product.
Craftsmanship
With a sweeter caramelized
taste which typically appeals
more to women than to men,
dark beer labels typically
reflect the dark product
inside, as does the choice of
a dark bottle color.
Dark Beer
Steeped in the deepest beer making
traditionsandinsulatedfromthepressingneed
to innovate during communism, New Europe is
hometosomeofthemostconservativebeercultures
andbeerbrandsintheworld.Thatsaid,thepressure
from market forces has recently opened a floodgate
of innovations that would have been unheard of just
a decade ago.
Plastic PET bottles, new formats, unfiltered beers,
and even flavored beers have now become common
as local brewers recognize there is more value to be
found on the cutting edge of an evolving category
than as guardians of a non-developing one.
It is our expectation that over the next few
decades, Central European beers will parlay
their experience and beer making expertise
into global innovation leadership ­­— just as
the Swiss and French did with chocolate
and wine.
Evolution
Fonts
“You from within our glasses, you lusty golden brew, whoever
imbibes takes fire from you. The young and the old sing your praises.
Here’s to beer, here’s to cheer, here’s to beer.”
Bedrich Smetana, The Bartered Bride
Gold
Heritage
Taste, color, tradition, quality, refreshment, origin. These
are examples of intrinsic values that serve as the foundation
for any great beer brand. A beer brand without intrinsics
is nothing more than a commodity with a catch-phrase. In
New Europe, intrinsic values are heavily weighted toward
quality of product, as evidenced by a long tradition and
strict adherence to standards and practices set forth by
previous generations.
While most brands pay lip service to other intrinsic
qualities (such as refreshment) - these brands must
still sound the right notes with regards to
qualityandtradition-generallyintheform
of universally recognized quality
cues and design elements.
Intrinsics
Joy
Labels often reflect
the social rituals
where beer is present,
evoking the joy and
subtly transporting
the buyer to the
expected moment of
consumption.
Kith
Letters
Masculine
The other universal value for
CEE beer brands is Masculinity.
And every inch of the label and
communication not devoted to
quality is generally devoted to
celebration of manhood and
manliness. Nowhere is this
more readily visible than in beer
iconography, which inevitably
features a testosterone-fueled
‘manly beast’, accoutrements of
manly battle, or some geographic
feature which needs conquering
(in a decidedly manly way).
National
pride
Ornaments
Central and Eastern Europe
leads the world in acceptance of
PET packaging for beer, where
the ubiquitous liter and 2 liter
bottles have become the go-to
party format for young drinkers
in these countries. This in spite
of a rocky start for the material,
which was originally offered in
half-liter sizes and touted as an
all-terrain alternative to glass.
While consumers were not ready
to embrace a plastic version
of their beloved single serving
bottles, they have been more than
ready to grab a few larger bottles
for sharing and socializing with
a few friends. PET stands as a
triumph of innovation based on
creating new opportunities rather
than simply applying technology
to the same old formats.
PET
Quality
cues
Red
Red is popular in beer
design as a convenient and
attractive way to catch the
eye and focus attention on
particular design elements.
In this way, icons, ribbons,
signatures, and other small,
yet important equities can
be highlighted. When used
as a brand color, red must
be carefully combined with
other colors since solid red
is generally recognized as
a cola, juice, or even energy
drink color.
Shape
Tradition
Combing through the design
historiesofmostCEEbeerbrands,
you frequently come across
examples of upward sloping text.
Meant to mimic the style of the
craftsman’s signature, upward
sloping text until a few short
years ago was a common design
element that is lately being phased
out. In its place, most brewers
are now opting for more modern,
masculine interpretations of the
brand. Often this ‘retro’ design
style still holds value for export
or limited editions, where the
traditional aspects of the brand
need to be highlighted.
Varieties
Wheat
Xenial
Young adult males
Young Adult Males are the preferred target audience for most beer
brands and all core lagers in Central and Eastern Europe (and
the world at large). Mass market distribution has led to a sort of
‘Universal Core Lager Drinker’ profile which is applied, almost
like a template, to the positioning statements of mass market
beers.
The Universal Core Lager Drinker, as envisioned by beer market-
ers, loves his friends, tolerates his girlfriend, and hates his job.
He seldom thinks past his next get together with his pals or ex-
pands his horizons beyond wherever his favorite team happens to
be playing this weekend.
There are, of course, variations on this theme. But clear-
ly, the UCLD is a god among men in the world of CEE
beers.
While this may, at first glance, seem to be a less-than-
flattering snapshot of any user group, it begins to
make sense when you consider that most beer vol-
ume is consumed by men older than the profile — men
who may long wistfully for a time in their lives when
they had less responsibility and
more freedom. Taken in this
light, the UCLD is less a depic-
tionofarealtargetaudience
than an idealized version
of the carefree lad that
real male drinkers wish
they were.
We hope you enjoyed this quick look at New European beers and our
work with them. However, keep in mind that these 26 pages are only
the tip of the iceberg. There are a zillion things we know about Cen-
tral and Eastern European beers, which we don’t have the capacity to
share in this format. If you would like to know more about what we
know about beer, feel free to contact us and follow us.
Zillions
FOR MORE INFORMATION, PLEASE CONTACT:
Cocoon Group
Jiří Votruba
j.votruba@cg-eu.com
www.cg-eu.com
Thank you for your
attention!
PRODUCTS FEATURED IN THIS PRESENTATION:
Zwei Meister, (Kaluzhskaya, SAB Miller) Russia
Kelt, (Staropramen Brewery, InBev) Czech Republic
Niksicko, (Trebjesa Brewery, StarBev) Montenegro
Staropramen Cool, (Staropramen Brewery, StarBev) Czech Republic
Frisco, (Plzensky Prazdroj, SABMiller) Czech Republic
Velvet, (Staropramen Brewery, StarBev) Czech Republic
Bagbier, (InBev) Russia
Grolsch, (SABMiller) Russia
Noroc, (StarBev) Romania
Staropramen, (Staropramen Brewery, StarBev) Czech Republic
Jelen, (Apatinska Brewery, StarBev) Serbia
Ozujsko, (Zagreb Brewery, StarBev) Croatia
Bergenbier, (StarBev) Romania
Borsodi, (Borsod Brewery, StarBev) Hungary
Klasik, (Plzensky Prazdroj, SABMiller) Czech Republic
Kamenitza Lev, (Kamenitza brewery, StarBev) Bulgaria

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A to Z beers. A primer on beer design.

  • 1. Beers of New Europe A primer on Central and East European beer design
  • 2. INTRO Cocoon Group has been designing beers in ‘New Europe’ for almost 2 dec- ades. In that time, we’ve built up a pretty good understanding of what makes beer de- sign work in this part of the world. On the fol- lowing pages, in an easy-to-follow A to Z format, we showcase some of our favorite recent (and not so recent) beer projects, as well as share some of our knowledge of the category and the region. Please sit back, relax, and we hope our little show gives you a better sense of what makes a truly great ‘New Europe- an’ beer design. CG.
  • 4. Green Conveys both naturalness and premi- umness. Mainstream brands and core lagers continue to migrate toward green bottles for their portfolios. Bottles Brown Conveys tradition, heritage. Soviet and historical beer bottle color. For most core brands, brown seems cheap. However for brands looking to highlight tradition, brown is an excellent choice. Clear Conveys newness, refreshment. Most common for on-trade and summertime beers. Great for intrinsics and showing rich beer color, but some skepticism remains as to whether clear bottles maintain beer quality over time.
  • 5. A finely crafted label instills confidence that the product inside has received at least the same amount of care and attention. High quality materials, gold print, and the right embellishments and quality cues speak volumes about the liquid inside. This even if the drinker remains largely unaware of the hidden influence of design. This seems to be especially true here in New Europe, where tradition and heritage are still the premiere indicators of quality. Craftsmanship in product and design stand as the most visible outward indications of a commitment to creation of the best possible product. Craftsmanship
  • 6. With a sweeter caramelized taste which typically appeals more to women than to men, dark beer labels typically reflect the dark product inside, as does the choice of a dark bottle color. Dark Beer
  • 7. Steeped in the deepest beer making traditionsandinsulatedfromthepressingneed to innovate during communism, New Europe is hometosomeofthemostconservativebeercultures andbeerbrandsintheworld.Thatsaid,thepressure from market forces has recently opened a floodgate of innovations that would have been unheard of just a decade ago. Plastic PET bottles, new formats, unfiltered beers, and even flavored beers have now become common as local brewers recognize there is more value to be found on the cutting edge of an evolving category than as guardians of a non-developing one. It is our expectation that over the next few decades, Central European beers will parlay their experience and beer making expertise into global innovation leadership ­­— just as the Swiss and French did with chocolate and wine. Evolution
  • 9. “You from within our glasses, you lusty golden brew, whoever imbibes takes fire from you. The young and the old sing your praises. Here’s to beer, here’s to cheer, here’s to beer.” Bedrich Smetana, The Bartered Bride Gold
  • 11. Taste, color, tradition, quality, refreshment, origin. These are examples of intrinsic values that serve as the foundation for any great beer brand. A beer brand without intrinsics is nothing more than a commodity with a catch-phrase. In New Europe, intrinsic values are heavily weighted toward quality of product, as evidenced by a long tradition and strict adherence to standards and practices set forth by previous generations. While most brands pay lip service to other intrinsic qualities (such as refreshment) - these brands must still sound the right notes with regards to qualityandtradition-generallyintheform of universally recognized quality cues and design elements. Intrinsics
  • 12. Joy
  • 13. Labels often reflect the social rituals where beer is present, evoking the joy and subtly transporting the buyer to the expected moment of consumption. Kith
  • 15. Masculine The other universal value for CEE beer brands is Masculinity. And every inch of the label and communication not devoted to quality is generally devoted to celebration of manhood and manliness. Nowhere is this more readily visible than in beer iconography, which inevitably features a testosterone-fueled ‘manly beast’, accoutrements of manly battle, or some geographic feature which needs conquering (in a decidedly manly way).
  • 18. Central and Eastern Europe leads the world in acceptance of PET packaging for beer, where the ubiquitous liter and 2 liter bottles have become the go-to party format for young drinkers in these countries. This in spite of a rocky start for the material, which was originally offered in half-liter sizes and touted as an all-terrain alternative to glass. While consumers were not ready to embrace a plastic version of their beloved single serving bottles, they have been more than ready to grab a few larger bottles for sharing and socializing with a few friends. PET stands as a triumph of innovation based on creating new opportunities rather than simply applying technology to the same old formats. PET
  • 20. Red Red is popular in beer design as a convenient and attractive way to catch the eye and focus attention on particular design elements. In this way, icons, ribbons, signatures, and other small, yet important equities can be highlighted. When used as a brand color, red must be carefully combined with other colors since solid red is generally recognized as a cola, juice, or even energy drink color.
  • 21. Shape
  • 23. Combing through the design historiesofmostCEEbeerbrands, you frequently come across examples of upward sloping text. Meant to mimic the style of the craftsman’s signature, upward sloping text until a few short years ago was a common design element that is lately being phased out. In its place, most brewers are now opting for more modern, masculine interpretations of the brand. Often this ‘retro’ design style still holds value for export or limited editions, where the traditional aspects of the brand need to be highlighted.
  • 25. Wheat
  • 27. Young adult males Young Adult Males are the preferred target audience for most beer brands and all core lagers in Central and Eastern Europe (and the world at large). Mass market distribution has led to a sort of ‘Universal Core Lager Drinker’ profile which is applied, almost like a template, to the positioning statements of mass market beers. The Universal Core Lager Drinker, as envisioned by beer market- ers, loves his friends, tolerates his girlfriend, and hates his job. He seldom thinks past his next get together with his pals or ex- pands his horizons beyond wherever his favorite team happens to be playing this weekend. There are, of course, variations on this theme. But clear- ly, the UCLD is a god among men in the world of CEE beers. While this may, at first glance, seem to be a less-than- flattering snapshot of any user group, it begins to make sense when you consider that most beer vol- ume is consumed by men older than the profile — men who may long wistfully for a time in their lives when they had less responsibility and more freedom. Taken in this light, the UCLD is less a depic- tionofarealtargetaudience than an idealized version of the carefree lad that real male drinkers wish they were.
  • 28. We hope you enjoyed this quick look at New European beers and our work with them. However, keep in mind that these 26 pages are only the tip of the iceberg. There are a zillion things we know about Cen- tral and Eastern European beers, which we don’t have the capacity to share in this format. If you would like to know more about what we know about beer, feel free to contact us and follow us. Zillions
  • 29. FOR MORE INFORMATION, PLEASE CONTACT: Cocoon Group Jiří Votruba j.votruba@cg-eu.com www.cg-eu.com Thank you for your attention! PRODUCTS FEATURED IN THIS PRESENTATION: Zwei Meister, (Kaluzhskaya, SAB Miller) Russia Kelt, (Staropramen Brewery, InBev) Czech Republic Niksicko, (Trebjesa Brewery, StarBev) Montenegro Staropramen Cool, (Staropramen Brewery, StarBev) Czech Republic Frisco, (Plzensky Prazdroj, SABMiller) Czech Republic Velvet, (Staropramen Brewery, StarBev) Czech Republic Bagbier, (InBev) Russia Grolsch, (SABMiller) Russia Noroc, (StarBev) Romania Staropramen, (Staropramen Brewery, StarBev) Czech Republic Jelen, (Apatinska Brewery, StarBev) Serbia Ozujsko, (Zagreb Brewery, StarBev) Croatia Bergenbier, (StarBev) Romania Borsodi, (Borsod Brewery, StarBev) Hungary Klasik, (Plzensky Prazdroj, SABMiller) Czech Republic Kamenitza Lev, (Kamenitza brewery, StarBev) Bulgaria