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ENGLISH ONE ELEVEN:
Lessig, Owning Culture, and
      Mashing stuff up
Today
1. Upload time
2. Remix, in my words
3. Let me tell you ‘bout Larry Lessig
4. Let’s talk about the Grey Album
5. Let’s do some homework
Memo time
Let’s take the next five minutes to type up your
  reflective memos for inquiry 3. When you
  finish the memo, upload it and your project
  via the Niihka drop box. Remember to name
  your two uploads lastnameMemo3 and
  lastname3. Also remember it needs to be a
  .doc, .rtf, or .txt file.
Remix is Like…
Remix is the act of taking one or more cultural
artifacts-- visual, video, audio, and/or
alphabetic texts- and deliberately mixing
elements together to create something new
that often specifically mimics one or more of
the sources. Many remixes are meant to be
satirical or overtly political, though satire is
not essential.
They Put me in the Remix
One of the things I’d like us to consider is
how we can remix/remediate classroom
space.
On April 9th, we will meet entirely online,
in an ANGEL chat room. If you don’t own
your own computer, please talk to me
after class so we can find a good place
for you to be during class.
A quick lead-in: Lessig on IP law
• Lessig declares that he has the following
  position:
  – He is anti-piracy
  – He is anti-war (meaning law vs. creators
    here)
  – He is anti-lawyer and anti-lobbyist (he
    includes himself here, so he’s anti-Lessig,
    too)
Lessig video here (if you’d like to watch
                 later)
Lessig is like,
• “We need to hear less from lawyers and
  lobbyists and more from artists [about who
  owns culture].”
• " This is a relationship
  between technology
  and ownership,
  which is translated
  to digital technology
  and copyright.”
Pirate Technologies

player piano – “pirated” sheet music
radio– “pirated” records
cable TV– “pirated” network TV
betamax– “pirated” TV and movies

But as these were regulated, the law
always waited to see “the potential
of the technology.”
We Didn’t Start the Fire…
• “...this is not the first time radical new
  technologies have appeared and changed the
  way that culture gets made and distributed.
  This is a constant theme...”
• But… The law favored the pirate in those old
  cases. It is now "fit the technology
   to the law" and not "fit the law to
  the technology."
"This architecture demands... the right to
             remix culture."
Enter DJ Danger Mouse. He felt that the Beatles’
White Album and Jay-Z’s black album went together.
So he created
“the Grey Album”
which you can DL here:
http://www.illegal-art.org/audio/grey.html
but don’t, because it’s
totally illegal. *wink*

Or is it?
Or… should it be?
Remix
Remix
    Remix is the act of taking one or more cultural
    artifacts-- visual, video, audio, and/or
Remix is the act of taking one or more cultural
artifacts-- in this caseand deliberately mixing
    alphabetic texts- visual, though video,
    elements together to create something new
audio, and alphabetic texts are regularly
remixed-- and specifically mimics elements
    that often deliberately mixing one or more of
together to create something new that oftento be
    the sources. Many remixes are meant
specifically mimics onepolitical, of the sources.is
    satirical or overtly or more though satire
Many remixes are meant to be satirical or
    not essential.
overtly political, though satire is not essential to
the genre.
Remix




+   =
Remix



        =



+
If you’re offended by profanity, plug your
           ears right about now
                             Whose song is this?
                             Whose song is this
                             ?
Another Example
• The New Yorker ran a piece on Danger Mouse
  and the idea of mash-ups. You might
  recognize it. 
• “Mashups find new uses for current digital
  technology, a new iteration of the cause-and-
  effect relationship behind almost every
  change in pop-music aesthetics: the gear
  changes, and then the music does.”
• So… whose song is this?
A Stroke of Genius
        “In October of 2001, a d.j. named
        Roy Kerr, calling himself the
        Freelance Hellraiser, sent Temple-
        Morris [a mash-up show duo] a
        mashup called “A Stroke of
        Genius,” laying Christina
        Aguilera’s vocal from “Genie in a
        Bottle,” a lubricious pop song,
        over the music from the Strokes’
        “Hard to Explain,” a brittle,
        honking guitar song. “
A few more remixes
• Shine
• Brokeback
back to the visual while still looking at
                music…
• Is it “okay” for Nas to do this?
• Is it okay for FOX to depict Nas in the ways
  that they have?
Homewerkz
Forum 11: Find a remix online– post it.
Unlike usual, this is due before-next-class.

Read: This and skim Bolter and Grusin
(excerpt– on Niihka)

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English 111, November 1, 2012

  • 1. ENGLISH ONE ELEVEN: Lessig, Owning Culture, and Mashing stuff up
  • 2. Today 1. Upload time 2. Remix, in my words 3. Let me tell you ‘bout Larry Lessig 4. Let’s talk about the Grey Album 5. Let’s do some homework
  • 3. Memo time Let’s take the next five minutes to type up your reflective memos for inquiry 3. When you finish the memo, upload it and your project via the Niihka drop box. Remember to name your two uploads lastnameMemo3 and lastname3. Also remember it needs to be a .doc, .rtf, or .txt file.
  • 4. Remix is Like… Remix is the act of taking one or more cultural artifacts-- visual, video, audio, and/or alphabetic texts- and deliberately mixing elements together to create something new that often specifically mimics one or more of the sources. Many remixes are meant to be satirical or overtly political, though satire is not essential.
  • 5. They Put me in the Remix One of the things I’d like us to consider is how we can remix/remediate classroom space. On April 9th, we will meet entirely online, in an ANGEL chat room. If you don’t own your own computer, please talk to me after class so we can find a good place for you to be during class.
  • 6. A quick lead-in: Lessig on IP law • Lessig declares that he has the following position: – He is anti-piracy – He is anti-war (meaning law vs. creators here) – He is anti-lawyer and anti-lobbyist (he includes himself here, so he’s anti-Lessig, too)
  • 7. Lessig video here (if you’d like to watch later)
  • 8. Lessig is like, • “We need to hear less from lawyers and lobbyists and more from artists [about who owns culture].” • " This is a relationship between technology and ownership, which is translated to digital technology and copyright.”
  • 9. Pirate Technologies player piano – “pirated” sheet music radio– “pirated” records cable TV– “pirated” network TV betamax– “pirated” TV and movies But as these were regulated, the law always waited to see “the potential of the technology.”
  • 10. We Didn’t Start the Fire… • “...this is not the first time radical new technologies have appeared and changed the way that culture gets made and distributed. This is a constant theme...” • But… The law favored the pirate in those old cases. It is now "fit the technology to the law" and not "fit the law to the technology."
  • 11. "This architecture demands... the right to remix culture." Enter DJ Danger Mouse. He felt that the Beatles’ White Album and Jay-Z’s black album went together. So he created “the Grey Album” which you can DL here: http://www.illegal-art.org/audio/grey.html but don’t, because it’s totally illegal. *wink* Or is it? Or… should it be?
  • 12. Remix Remix Remix is the act of taking one or more cultural artifacts-- visual, video, audio, and/or Remix is the act of taking one or more cultural artifacts-- in this caseand deliberately mixing alphabetic texts- visual, though video, elements together to create something new audio, and alphabetic texts are regularly remixed-- and specifically mimics elements that often deliberately mixing one or more of together to create something new that oftento be the sources. Many remixes are meant specifically mimics onepolitical, of the sources.is satirical or overtly or more though satire Many remixes are meant to be satirical or not essential. overtly political, though satire is not essential to the genre.
  • 13. Remix + =
  • 14. Remix = +
  • 15. If you’re offended by profanity, plug your ears right about now Whose song is this? Whose song is this ?
  • 16. Another Example • The New Yorker ran a piece on Danger Mouse and the idea of mash-ups. You might recognize it.  • “Mashups find new uses for current digital technology, a new iteration of the cause-and- effect relationship behind almost every change in pop-music aesthetics: the gear changes, and then the music does.” • So… whose song is this?
  • 17. A Stroke of Genius “In October of 2001, a d.j. named Roy Kerr, calling himself the Freelance Hellraiser, sent Temple- Morris [a mash-up show duo] a mashup called “A Stroke of Genius,” laying Christina Aguilera’s vocal from “Genie in a Bottle,” a lubricious pop song, over the music from the Strokes’ “Hard to Explain,” a brittle, honking guitar song. “
  • 18. A few more remixes • Shine • Brokeback
  • 19. back to the visual while still looking at music… • Is it “okay” for Nas to do this? • Is it okay for FOX to depict Nas in the ways that they have?
  • 20. Homewerkz Forum 11: Find a remix online– post it. Unlike usual, this is due before-next-class. Read: This and skim Bolter and Grusin (excerpt– on Niihka)