10. AR and Cultural Heritage
Dr. Areti DAMALA, Postdoctoral Associate Researcher
Cultural Engineering and Interaction Design
Centre d’Etude et de Recherche en Informatique – Conservatoire National des Arts et
Métiers (CNAM – CEDRIC)
13. ARCHEOGUIDE
project, 2001
P. Milgram and A. F. Kishino, Taxonomy of Mixed Reality Visual Displays, IEICE Transactions on Information and
Systems, E77-D(12), pp. 1321-1329, 1994.
13
14. Towards mobile, lightweight and/or wearable AR museum guidance systems?
Museum of Fine Arts, Rennes,
France, 2007 [Damala et al. 2008]
14
29. Museum s team and team s tasks
Museum’s team
- Department of Communication
- Department of Pedagogy
- Department of Collection
- Department of Documentation and photography
Team’s tasks
- Methodology and monitoring of work
- Investigations on the uses, constraints and needs of visitors and museum staff
- Research on contents
- Select, create, validate contents and scenario
- Dissemination of the results
30. Added Value of A2R
Today :
- 3D objects
- Objects under showcases
- No motion objects
With A2R :
- Seeing machines functioning
- Assist visitors to understand complex physical phenomena
- Rich content : technical, historical, links between objects
- Multi-supports : video, sound, visual, text
- Adaptation to the profile and expectations of the visitor
31. Artifact : Lavoisier s laboratory
Constraints
- Discourse of Artefacts :
scientist, technique, history, sociology
- Existing content :
Audio, video, sounds, documentation, etc
- Technical :
sound, light, 3D modeling, location
Challenges
- Tour into the museum (linked objects)
- Glasses of the laboratory
32. Foundation for Art and Creative
Technology, Liverpool, UK
Roger McKinley, Research and Innovation Manager
33. Foundation for Art and Creative Technology
FACT
• Innovative
• Collaborative
• Connected
• Dynamic
• Valuing Diversity
36. The FACT artifact for ARtSENSE User Case 1
Central architectural feature
Ad Hoc and Punk
VIPs with good content
A “hidden” story is revealed
When the person was in the building?
Why the person was in the building?
Rich media content including movie film and
soundbites which offer emotively responsive
material.
Physiological data analysis based on media
experience rather than static facts
Thank you hello my name, my jobSteer – Mike StubbsOverseeing Associate: AnetaKrzezien – PhD residency on FACT and working on Interactive Architecture programme for 2013
Our Core ValuesFirst 4! Maybe 5? Building 2003 operating since 1989 as FACTcontemporary art and new media and independent cinema spaceUK leading new media commissioning space6 shows a yearRopewalks Square in Ropewalks area in the Cultural and Knowledge Sector with LJMU, University of Liverpool, and Hope University within walking distance
No artifacts! That are permanent, Picture U-ram Choe – Operatus Lunula Umbra Biennial 2008No collection other than moving image “media” as a record of eventsSpace for outdoor projectionsOpen plan public space FACT’s role in team – we bring challenges in interpretation of physical spacesI
Young People form a major part of the audience for FACT as part of its “Urban Arts Eclectics” demographic 25% - 35%)Dedicated Collaboration and Engagement Team – a significant half of FACT’s activities take place outside the building in the public domain and communityTourism is large part of the Liverpool economy Cinemas pull in large audience and a lot of the signators are film auteurs1. An international programme that attracts many artist and academics to the space both as a hub and as clients2. An embedded research programme that attracts creative industries3. Co-host international symposia and conferences
The building too is the artifact. What are the assets?Bringing forth rich media content about hidden history of the buildingQuentin TarantinoKen LoachDJ SpookyDon BoydNicholas RoegApichatpong "Joe" Weerasethakul (Uncle Boonmee Who Can Recall His Past Lives) – artist commissionAfrika Bambaataa - Sound City Festival 2010Krzysztof Wodiczko – War Veteran Vehicle
View of the Pillar in 2DPossible view of “in iStar” view of red locating boxes.
