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EXPLORING THE
DETERMINANTS OF
CREATIVITY IN TVC
ADVERTISEMENTS
1
BACKGROUND
 Advertising practitioners use their creative
skills to produce powerful and carefully crafted
messages through a creative process.
 The problem of evaluating creative alternatives
is that testing often comes late in the process
 The question then becomes how to take early
evaluation of alternatives beyond the
subjective
2
RESEARCH OBJECTIVES
 Identify the factors that are considered while
creating advertisements
 To evaluate the key determinants that are kept
in mind whilst the advertisements are still in
the process of being made
 To develop such a tool on which the critical
components of advertising creativity, can be
analyzed
3
PROBLEM STATEMENT
How much importance is given to
characteristics of creativity when
conceiving
and approving an advertisement?
4
THEORETICAL FRAMEWORK
Figure 6.1.0: *Elements and Characteristics of Creativity, according to Stuhlfaut and
Yoo’s (2010) study
5
RESEARCH METHODOLOGY
• Qualitative Exploratory Research
• Sample size of 8 Brands ( 16 Respective Brand Managers and Agencies)
• Convenient Sampling Method
• In-depth interview as a research tool followed by Rating Survey
Questionnaire
Secondary Sources
• Journals
• Online articles
• Books
Primary Sources
• Moderated In-depth Interviews
• Structured Rating Survey
6
DATA ANALYSIS
7
Brand Managers' Perspective
Novelty 75.0%
Original 62.5%
Imaginative 87.5%
Innovation 50.0%
Unique 100.0%
New 12.5%
Utility 50.0%
Relevant 100.0%
Meaningful 75.0%
Persuasive 62.5%
Strategic 25.0%
Memorable 75.0%
Surprising 37.5%
Affect 75.0%
Emotion engaging 87.5%
Likability 62.5%
Creative Professionals' Perspective
Novelty 62.5%
Original 62.5%
Imaginative 75.0%
Innovation 50.0%
Unique 37.5%
New 62.5%
Utility 62.5%
Relevant 62.5%
Meaningful 37.5%
Persuasive 75.0%
Strategic 87.5%
Memorable 75.0%
Surprising 50.0%
Affect 62.5%
Emotion Engaging 62.5%
Likability 75.0%
8
Significant Characteristics9
BRAND MANAGERS CREATIVE AGENCIES
•Imaginative
•Unique
•Relevant
•Meaningful
•Memorable
•Emotional Engaging
•Imaginative
•Persuasive
•Strategic
•Memorable
•Likability
•Imaginative
•Memorable
9
Insignificant Characteristics
10
BRAND MANAGERS CREATIVE AGENCIES
•New
•Innovation
•Relevant
•Strategic
•Surprising
•Unique
•Innovation
•Meaningful
•Surprising
•Innovation
•Surprising
CONCLUSION
11
 For brand managers, uniqueness and
imagination are the most crucial
characteristics while for creative professionals,
strategy and imagination play the most
important role
 Novelty and Affect elements were the most
significant.
 In order create brand image and name, novelty
is used while in order to strengthen brand love,
affect element is used according to the brand
managers
12
 For creative professionals, all three elements
have the same importance.
 Novelty differentiates each brand from another,
while utility factors differentiates the art work of
a agency while affect creates a emotional
bond, according to creative professionals.
RECOMMENDATIONS
 The purpose of this research was to create such
a model that can be used to cut the cost of post
testing, but in Pakistan post testing part of an ad
is not followed by all the brands.
 The whole strategic process of decision making
should also of high importance.
13
AREAS OF FURTHER STUDY
 Other than creativity, strategy, media planning
and budgets can be researched on
 Other mediums, such as print and outdoor
advertisement can also be explored altogether
to gauge the effectiveness of a campaign
14
LIMITATIONS
 Time constraints: Research needed to be completed within
four months
 Scope of the study: Only three variables of creativity were
considered while conducting this research
 Disclose information: The creative professionals or the brand
managers may not have given complete information
regarding the creation and finalization of concept
 Model: The model chosen for the study was found a little hard
to explain since all professionals had their own way of looking
the ad work of a TVC
15
REFERENCES
16
 Anderson, S. P., & Renault, R. (2006). The American Economic Review. American Economic Association , 96, 93-113.
 Ang, S. H., Leong, S. M., Lee, Y. H., & Lou, S. L. (2014). Necessary But Not Sufficient: Beyond Novelty In Advertising Creativity. Journal Of
Marketing , 214-230.
 B, P. H. (1999). Confusion, Lack Of Consensus, And The Definition Of Creativity As A Construct. Journal Of Ceative Behavior , 1-21.
 Barry, T. E., & Tremblay, R. L. (1975). Comparative Advertising: Perspectives And Issues. Journal Of Advertising , 4, 15-20.
 Belch, M. A., & George, B. E. (2013). The Future Of Creativity In Advertising. Journal of Promotion Management , 395-399.
 Bernardin, T., Robertson, P. K., Stewart, D. W., Cheng, Y., Wan, H., Rossiter, J. R., et al. (2008). Envisioning The Future Of Advertising
Creativity Research: Alternative Perspectives. Journal Of Advertising , 130-150.
 Blasko, V. J., & Mokwa, M. P. (1986). Creativity in Advertising: A Janusian Perspective. Journal of Advertising , 15 (4), 43-50+72.
 Cahill, Z., & Zweck, P. v. (2014). The Artist as Double Agent. A Journal Of Art, Context And Enquiry , 64-73.
 Campbell, E. (2011, March). Evidence Proves The Future Is Now: Why Great Creative Needs Great Research. Journal Of Advertising Research
, 222-223.
 Chen, C. Y., Mathur, P., & Maheswaran, D. ((no date)). The Effects of Country-Related Affect on Product Evaluations. Journal Of Consumer
Research .
 Coutler, R. A., Zaltman, G., & Coulter, K. S. (2001). Interpreting Consumer Perceptions of Advertising: An Application of the Zaltman
MetaphorElicitation Technique. Journal Of Advertising , 30, 1-21.
 Cox, D. S., & Locander, W. B. (1987). Product Novelty: Does It Moderate The Relationship Between Ad Attitudes And Brand Attitudes? Joural
Of Advertising , 16, 39-44.
 Crespi, J. M., & Marette, S. (2002). Generic Advertising and Product Differentiation. American Journal Of Agricultural Economics , 84, 691-701.
 Deighton, J., Henderson, C. M., & Neslin, S. A. (1994). The Effects of Advertising on Brand Switching and Repeat Purchasing. Journal Of
Marketing Research , 31, 28-43.
 Ducoffe, R. H., & Curlo, E. (2000). Advertising value and advertising processing. Journal Of Marketing Communications , 247-262.
 Duke, L. (1986). Like an idea, only better: How do advertising educators and practitioners define and use the creative concept. Journal Of
Advertising Edcation , 10-22.
 Escalas, J. E., & Stern, B. B. (2003). Sympathy and Empathy: Emotional Responses to Advertising Dramas. Journaol of Consumer Research ,
29, 566-578.
 Ewing, M. T., Napoli, J., & West, D. C. (2001). Creative Personalities, Processes, And Agency Philosophies: Implications For Global
Advertisers. Creativity Research Journal , 161-170.
 Farrall, N., & Whitelock, J. (2001). A comparative analysis of advertising characteristics, strategy, style and form in global and national brand
advertising. Journal Of Marketing Communications , 125-136.
 Frazer, C. F., Sheehan, K. B., & Patti, C. H. (2002). Advertising strategy and effective advertising: comparing the USA and Australia. Journal Of
Marketing Communications , 149-164.
THANK YOU!
17

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Exploring the Determinants of Creativity in TVC Ads

  • 2. BACKGROUND  Advertising practitioners use their creative skills to produce powerful and carefully crafted messages through a creative process.  The problem of evaluating creative alternatives is that testing often comes late in the process  The question then becomes how to take early evaluation of alternatives beyond the subjective 2
  • 3. RESEARCH OBJECTIVES  Identify the factors that are considered while creating advertisements  To evaluate the key determinants that are kept in mind whilst the advertisements are still in the process of being made  To develop such a tool on which the critical components of advertising creativity, can be analyzed 3
  • 4. PROBLEM STATEMENT How much importance is given to characteristics of creativity when conceiving and approving an advertisement? 4
  • 5. THEORETICAL FRAMEWORK Figure 6.1.0: *Elements and Characteristics of Creativity, according to Stuhlfaut and Yoo’s (2010) study 5
  • 6. RESEARCH METHODOLOGY • Qualitative Exploratory Research • Sample size of 8 Brands ( 16 Respective Brand Managers and Agencies) • Convenient Sampling Method • In-depth interview as a research tool followed by Rating Survey Questionnaire Secondary Sources • Journals • Online articles • Books Primary Sources • Moderated In-depth Interviews • Structured Rating Survey 6
  • 8. Brand Managers' Perspective Novelty 75.0% Original 62.5% Imaginative 87.5% Innovation 50.0% Unique 100.0% New 12.5% Utility 50.0% Relevant 100.0% Meaningful 75.0% Persuasive 62.5% Strategic 25.0% Memorable 75.0% Surprising 37.5% Affect 75.0% Emotion engaging 87.5% Likability 62.5% Creative Professionals' Perspective Novelty 62.5% Original 62.5% Imaginative 75.0% Innovation 50.0% Unique 37.5% New 62.5% Utility 62.5% Relevant 62.5% Meaningful 37.5% Persuasive 75.0% Strategic 87.5% Memorable 75.0% Surprising 50.0% Affect 62.5% Emotion Engaging 62.5% Likability 75.0% 8
  • 9. Significant Characteristics9 BRAND MANAGERS CREATIVE AGENCIES •Imaginative •Unique •Relevant •Meaningful •Memorable •Emotional Engaging •Imaginative •Persuasive •Strategic •Memorable •Likability •Imaginative •Memorable 9
  • 10. Insignificant Characteristics 10 BRAND MANAGERS CREATIVE AGENCIES •New •Innovation •Relevant •Strategic •Surprising •Unique •Innovation •Meaningful •Surprising •Innovation •Surprising
  • 11. CONCLUSION 11  For brand managers, uniqueness and imagination are the most crucial characteristics while for creative professionals, strategy and imagination play the most important role  Novelty and Affect elements were the most significant.  In order create brand image and name, novelty is used while in order to strengthen brand love, affect element is used according to the brand managers
  • 12. 12  For creative professionals, all three elements have the same importance.  Novelty differentiates each brand from another, while utility factors differentiates the art work of a agency while affect creates a emotional bond, according to creative professionals.
  • 13. RECOMMENDATIONS  The purpose of this research was to create such a model that can be used to cut the cost of post testing, but in Pakistan post testing part of an ad is not followed by all the brands.  The whole strategic process of decision making should also of high importance. 13
  • 14. AREAS OF FURTHER STUDY  Other than creativity, strategy, media planning and budgets can be researched on  Other mediums, such as print and outdoor advertisement can also be explored altogether to gauge the effectiveness of a campaign 14
  • 15. LIMITATIONS  Time constraints: Research needed to be completed within four months  Scope of the study: Only three variables of creativity were considered while conducting this research  Disclose information: The creative professionals or the brand managers may not have given complete information regarding the creation and finalization of concept  Model: The model chosen for the study was found a little hard to explain since all professionals had their own way of looking the ad work of a TVC 15
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