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PRACTICAL CRITICISM
Prepared by
Lalzarzova
Assistant Professor
Department of Mizo
Mizoram University
Practical Criticism is…
An analytical approach to literary
criticism first developed by I. A.
Richards, in which literary texts are
viewed as autonomous and, isolated
from any literary, historical, or
biographical context, subjected to
close reading; (also more generally)
close reading of literary texts.
FOUR KINDS
OF MEANING
1. SENSE
Thil eng emaw sawiin kan awng a,
a lo ngaithlatute hi thil eng emaw
sawi turin kan beisei hin. Min lo
ngaithlatute lo ngaihven atan thumal
hrang hrang kan hmang a, an lo
ngaihtuah zui atan te, kan thil sawi
chungchanga ngaihdan an lo neihna
tura tihphur kan tum hin, chu chu
2. FEELING
Kan thil sawite kha kan sawi mai a ni lo
va, keimahni pawh hian ngaihtuah dan
te, ngaihdan chi hrang hrang kan lo nei
a, chung ngaihtuahna leh ngaihdante
chu awngkam hmangin kan tilang hin.
Chutiang bawkin kan ngaihthlak hian
keimahniah a dik leh dik lo ngaihdan a
lo awm ve vat hin. Chu chu Feeling
3. TONE
Thil sawitu chuan a ngaithlatute chu mi
chi hrang hrang an nih ang bawkin
thumal hrang hrangte chu a thlangin a
remkhawm a, amah nena inkungkaihna
an neih ang zelin tum reng vangin
emaw, amaha lo awm chawp thumal
hrang hrangte hmangin ngaihdan a siam
hin. Chu chu tone a ni.
4. INTENTION
A tawp berah chuan, a thil sawi (sense),
a rilru luahtu (feeling) leh a ngaihdan
(tone) te bakah hian a sawitu thil tum,
hre reng chung leh tum reng vang ni
lova a sawite chu nghawng nei turin a
remkhawm hin. A awmzia chu, tum
neiin thil a sawi a, chu a thil tum chuan
a thil sawi chu a tifiah ta hin a ni.
KAN SAWI NAWN LEH ANG
Poet chuan mi dangte biakpawhna’n hla a ziak a, chu
inbiakpawhna atan chuan language hi a hmang a ni.
Language chu thumal hrang hrang aanga siam a ni a,
chuvang chuan art awmzia hre tur chuan thumal hrang
hrangte hriatthiam a ngai a ni.
Thumalte chuan awmzia pali an nei, chu aia fiah zawk
chuan sawi ta ila, thumal awmze pumhlum hrilhfiah nan
chuan thil pali an awm, chungte chu:
Sense Feelings Tone
SENSE
Thumal awmze mawlmang ber nei, a nihna ang
anga hriatthiam theih
FEELINGS
Thil eng emaw kan sawi hian feeling kan nei
hin, entirnan: Lungngaihna, rilru puthmang,
tumruhna, châkna, nawmna, lawm lohna leh a
dang tam takte. Thumal henkhat chuan heng
feeling-te hi an sawi fiah/tar lang hin.
TONE
Ziaktuin a chhiartu turte chunga a rilru
puthmang, an pahnih inkungkaihna siamna a ni.
Ziaktu chuan a chhiartu turte a rilrua hre ranin
a thumal hman tur thlangin uluk takin a rem
khawm hin.
INTENTION
Hei hi chuan tum a nei a, a ziaktuin a tum
reng vang a ni emaw, ni lo emaw, hawi zawng
bik a nei hin. Thil pawimawh nia a hriat mi
dangte hnena puanzar nan a hmang hin.

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Practical Criticism.pptx

  • 1. PRACTICAL CRITICISM Prepared by Lalzarzova Assistant Professor Department of Mizo Mizoram University
  • 2. Practical Criticism is… An analytical approach to literary criticism first developed by I. A. Richards, in which literary texts are viewed as autonomous and, isolated from any literary, historical, or biographical context, subjected to close reading; (also more generally) close reading of literary texts.
  • 4. 1. SENSE Thil eng emaw sawiin kan awng a, a lo ngaithlatute hi thil eng emaw sawi turin kan beisei hin. Min lo ngaithlatute lo ngaihven atan thumal hrang hrang kan hmang a, an lo ngaihtuah zui atan te, kan thil sawi chungchanga ngaihdan an lo neihna tura tihphur kan tum hin, chu chu
  • 5. 2. FEELING Kan thil sawite kha kan sawi mai a ni lo va, keimahni pawh hian ngaihtuah dan te, ngaihdan chi hrang hrang kan lo nei a, chung ngaihtuahna leh ngaihdante chu awngkam hmangin kan tilang hin. Chutiang bawkin kan ngaihthlak hian keimahniah a dik leh dik lo ngaihdan a lo awm ve vat hin. Chu chu Feeling
  • 6. 3. TONE Thil sawitu chuan a ngaithlatute chu mi chi hrang hrang an nih ang bawkin thumal hrang hrangte chu a thlangin a remkhawm a, amah nena inkungkaihna an neih ang zelin tum reng vangin emaw, amaha lo awm chawp thumal hrang hrangte hmangin ngaihdan a siam hin. Chu chu tone a ni.
  • 7. 4. INTENTION A tawp berah chuan, a thil sawi (sense), a rilru luahtu (feeling) leh a ngaihdan (tone) te bakah hian a sawitu thil tum, hre reng chung leh tum reng vang ni lova a sawite chu nghawng nei turin a remkhawm hin. A awmzia chu, tum neiin thil a sawi a, chu a thil tum chuan a thil sawi chu a tifiah ta hin a ni.
  • 8. KAN SAWI NAWN LEH ANG Poet chuan mi dangte biakpawhna’n hla a ziak a, chu inbiakpawhna atan chuan language hi a hmang a ni. Language chu thumal hrang hrang aanga siam a ni a, chuvang chuan art awmzia hre tur chuan thumal hrang hrangte hriatthiam a ngai a ni. Thumalte chuan awmzia pali an nei, chu aia fiah zawk chuan sawi ta ila, thumal awmze pumhlum hrilhfiah nan chuan thil pali an awm, chungte chu: Sense Feelings Tone
  • 9. SENSE Thumal awmze mawlmang ber nei, a nihna ang anga hriatthiam theih
  • 10. FEELINGS Thil eng emaw kan sawi hian feeling kan nei hin, entirnan: Lungngaihna, rilru puthmang, tumruhna, châkna, nawmna, lawm lohna leh a dang tam takte. Thumal henkhat chuan heng feeling-te hi an sawi fiah/tar lang hin.
  • 11. TONE Ziaktuin a chhiartu turte chunga a rilru puthmang, an pahnih inkungkaihna siamna a ni. Ziaktu chuan a chhiartu turte a rilrua hre ranin a thumal hman tur thlangin uluk takin a rem khawm hin.
  • 12. INTENTION Hei hi chuan tum a nei a, a ziaktuin a tum reng vang a ni emaw, ni lo emaw, hawi zawng bik a nei hin. Thil pawimawh nia a hriat mi dangte hnena puanzar nan a hmang hin.