The Simplest Form, By Francois Truffaut

The Simplest Form, By Francois Truffaut
In the simplest form, an "auteur" is the author of a film in which who writes and directs their own
films and which are usually very unique. The word auteur originated in France and is the outline for
an abstract approach to film making where as the director is seen as the central artistic force in a
motions picture. The word auteur was introduced in France during the late 1940's founded by
François Truffaut who was a French director turned Auteur however Andre Basin would be
categorized as the "father of auteurism" as he was one of the founders of the "Cahiers du Cinema"
which was a prestigious French film magazine, the young critics writers of this French magazine are
the cause of the works of an Auteur to be pushed on to Hollywood and ... Show more content on
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One very famous director which has earned the right to be titled an Auteur is Quentin Tarantino.
Tarantino writes, directs and sometimes even acts in his own films and specialises in action as well
as adventure. A majority of his films are all from the top of his head and they usually consist a lot of
blood, gore and violence. He intends to use the same characters in more than one film, for example
he uses Uma Thurman as his leading lady in more than one movie and another example would be
Samuel L. Jackson who he casted in Pulp Fiction (1994) and Django Unchained (2012). Another
technique from Tarantino would be the colour, font and pictures within his film posters. Most of his
action film posters use a lot of red in the title with big bold font to make the typo stand out, he also
uses a lot of red in the foreground or the background of his posters to symbolise the amount of
bloodshed in
The film lastly would be the props that he uses, usually a weapon and normally a gun or sword.
Tarantino always uses the same fundamental themes and techniques in order to print his signature on
his work. Most of his films narratives consist of the theme of racism and the rational and continues
use of the N–word, the overuse of foul language and the cinematography of his mise–en–scene
including the position of the camera, his tracking techniques and his long takes.
Some people may disagree with
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The Underrepresentation Of Women In Film
Women are often underrepresented in many fields and occupations in today's day in age, whether it
be STEM careers, big business CEOs, or in the case of this paper, film directors. Often the females
that are present and well–known, still face a large amount of discrimination. Male directors make
more than 90 percent of films, reinforcing the anonymity of women in the film industry. In 2015,
women only accounted for seven percent of the directors of big Hollywood movies. In Brent Lang's
article, "Number of Female Directors Falls Over 17 Year Period, Study Finds", he discusses a study
that found that "women are best represented as producers (23%) followed by executive producers
(19%), editors (18%), writers (11%), cinematographers (5%), sounds ... Show more content on
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In The Virgin Suicides, we see the Lisbon sisters lounging around their bedroom. In Lost in
Translation, we see many scenes of Scarlett Johansson's character Charlotte lying in bed, pacing
back and forth in her hotel room, and wandering around the streets of Tokyo. In Marie Antoinette,
Marie becomes so bored with her husband and life at Versailles that she starts becoming obsessed
with consuming a variety of material items. In her book, And the Mirror Cracked: Feminist Cinema
and Film Theory, Anneke Smelik says that, "the historical context of feminism allows both the
position of the female filmmaker and that of the female spectator to become enacted and empowered
as conscious and self–reflexive subject positions" (1). Coppola's powerful position of female
filmmaker lets her explore femininity and "asks her audience to identify with the gaze of the
powerless woman" (44). Girls are often understood to be symbols of mass consumption/passive
consumerism, and you can't help but wonder if Coppola is just trying to cash in on a niche market
trying to enact an empower the female

Annotated Bibliography Of The Films Of Federico Fellini
Annotated Bibliography: How do French, Italian, Japanese, and Indian arthouse–auteurist films
affect the development of New Hollywood auteur films. Bondanella, P. (2002). The Films of
Federico Fellini. Cambridge, UK: Cambridge University Press. The Films of Federico Fellini
examines the career and work of Italy's most revered filmmakers. By analyzing the masterpieces of
Fellini, the book attempts to categorize the influence of his work, and explain some of his interests
in fantasy, the irrational, and individualism. Bondanella essentially rejects more common ways of
analyzing Fellini's work and favors trying to explore the development of his unique and personal
cinematic style. Bondanella highlights some of the major accomplishments in the life of the
renowned Italian filmmaker. One of the most striking features of Bondanella work is his ability to
tell the story of Fellini by using the works of the filmmaker. In particular, Bondanella is able to draw
on a new archive of manuscripts, obtained from Fellini and his scriptwriters. This level of in–depth
analysis allows researchers to get a detailed view of Fellini's work that has inspired generations of
not only Italian filmmakers, but also in the rest of the world. The author suggests that Fellini's use of
realism in film allows the audience to connect on a whole ... Show more content on Helpwriting.net
...
One one hand, we have directors claiming the work because of the creative initiatives that they had
to take in order to make the films, while the production companies claim the films because they
commissioned the director to make the films. This is the issue that Gerstner and Staiger try to
answer, the question of who owns the rights to a film. Auteurism is the belief that the director is the
sole author of a film, and that it should reflect the emotions and beliefs of the director. According to
auteurism, we should see the vision of the director in the film, and thus he claims

The Film Citizen Kane : A Film Of All Time, And Director...
Critics have called the 1941 film Citizen Kane one of the best movies of all time, and director Orson
Welles's direction is largely to thank for the work's accolades. Citizen Kane is famous for its use of
long shots, deep staging, deep focus, and, as will be considered in this paper, its lighting practices.
Welles strategically lights his characters in order to develop them throughout the film; this paper
will focus on three shots that show Jerry Thompson (William Alland) develop from functioning as a
narrative device to directly invoking the work's thematic meaning. Immediately following a display
of a highly stylized faux–obituary for Charles Foster Kane (Orson Welles) (12:32), Welles cuts into
a screening room lit by ambient light from the projectors that streams through two small boxes in
the upper third of the screen. As the scene begins, lighting is insufficient to make out any of the
characters, but as they light their cigarettes and stand, we can make out the figures of Thompson and
Mr. Rawlston (Philip Van Zandt), and we are hinted to the large quantity of people in the room. As
Thompson stands, he briefly faces the camera but quickly turns around and moves into a position
where the stream of light outlines his figure. He looks directly at Rawlston, who is silhouetted by
the overhead light and casts a shadow onto a desk lamp which Thompson turns on, illuminating
several sheets of paper and some glassware. Rawlston then walks through the set, with special
attention

Film Autuerism Essay
Film Autuerism Auteurism is a term first coined by Francois Truffaut to describe the mark of a film
director on his films. A director can be considered an auteur if about five of his film depict a certain
style that is definitely his own. In other words, much like one can look at a painting and tell if it is a
Monet, a Renoir, or a Degas, if a film director is an auteur, one can look at his film and tell by style
and recurring themes that it was made by a certain director. In auteur films, the director is many
times what brings an audience to the theater, instead of the actors or storyline. I am going to take a
look at three of the most noted auteurs: Frederico Fellini, Satyajit Ray, and Alfred Hitchcock.
I watched five of ... Show more content on Helpwriting.net ...
In all of the films, the husband and wife have difficulty communicating with each other. One scene
in City of Women visually shows this with multiple barriers: physical (a column and doorway),
spatial (the characters are on opposite sides of the screen) and social (a crown with turned backs). In
Juliet of the Spirits, Julieta is the "superwife." She plays all of the above stated roles, and also it is
apparent that she has her own interior life. This is shown by the use of mirrors and reflections within
reflections.
The final character archetype that I noticed in Fellini's films is the "macho man." This is probably
best illustrated in the harem sequence in 8–1/2. In this the main character imagines himself as the
master of all women he has ever desired, real or fantasized. In City of Women the doctor is the
idealized male stereotype who now has to deal with women's increasing independence. I do not
think that this character was as effective, however, in showing this archetype as much as the harem
sequence did. In La Strada the male character is kept a prisoner by these male virtues– he cannot
communicate his own feelings.
Fellini definitely has many trademarks, but I chose these to write about because they are the least
remarked upon. But, surely when one watches any Fellini film, there is a definite look and feel to
the movie, making Fellini a true auteur.
The next auteur that I studied

The Portrayal Of African Americans Essay
How has the image of Africans develop from being savages to being portrayed as more human
individuals? In other words, in what ways has the roles of African reversed over time? Refer to five
or more of the assigned readings to support your assertions.
A stereotype can be defined as a "representational practice" that categorizes and segregates an
individual or group of individuals based on their differences, often associating him/her with a
positive or negative label, such as, by outcasting an individual based on their racial and ethnic
backgrounds (Hall 225). The image of Africans as savages is a common stereotype seen in American
and European films that show Africans as barbaric and primitive creatures. Specifically in these
films, a savage is an African who is constantly portrayed and characterized as a worthless, lazy,
blood–thirsty, cannibalistic beast "who probably deserves to die" (158). This is because Africans
don't fit the stereotypical cookie–cutter mold of what the directors consider "normal" (i.e. being a
great white hunter), and therefore, they are immediately seen as insignificant and worthless
individuals (158). Over time, as African produced films start forming an appearance in Hollywood,
the perception of Africans slowly changes. In part because African directors represent their race as
lead characters who are independent and smart. Africans are no longer seen as savage creatures, but
instead, as actual human beings who crave to have their voice heard in the

Movie Analysis : Black Swan And Gone Girl
The directors Darren Aronofsky and David Fincher key concern in Black Swan and Gone Girl are to
convey how destructive, unhealthy relationships can be to women. Women have become dependent
on the peoples in their lives for their sense of purpose. Both films depict women in a negative way.
In fact, each film suggests that women can be adversely impacted by the relationships they have
with others. In each film, the women characters are dependent on a strong character whom they rely
on mentally and emotionally. Therefore, this allows the directors to expand the stereotype people
have around on a mental illness. These methods are created by the use of cinematography, which
communicate the dependent roles and non– diegetic music which convey ... Show more content on
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In this scene, Nina is the main focus. With her mother Erica in the background throughout, no matter
if you can see her or not. Her voice and non– diegetic music is added to show how her mother
embodies Nina. With the use of sound as Erica pushes on the locked door, there is light music that
would put you to sleep. This calms the audience to portray that Erica is a caring, loving mother.
When Nina's mother becomes more invasive towards Nina the musical background intensifies. This
also intensifies when Nina traps herself. The director uses non– diegetic music to identify when
Nina is trapped physically and more importantly mentally. She confines herself away from her
mother and mental illness. Nina's reaction to her mother is the usual response to help and personal
mental health "go away." This demonstrates Darren Aronofsky 's way he wanted to depict women to
mental health and relationships. The audience is able to grasp on mental health that is not being
supported. Which consequently portray how relationships need to fight for help with individuals that
have mental health issues. Darren Aronofsky represent women in a way that women in society react
to their mental health and chose not to get help. He shows how people outside react to the characters
mental health from an inside perspective. From the non–diegetic music, we are able to communicate
the levels of mental health and how two

Steven Spielberg Biography Essay example
Steven Spielberg Biography
Steven Spielberg: Revolutionary and Visionary
Who would have thought that a brilliant career in filmmaking could have originated with a modest
jar of Skippy Peanut Butter smeared on a neighbor's window in a tiny Cincinnati suburb? One might
not think that such an average boyhood prank could evolve a boy into a man who would become the
most financially successful film director in history. Well, that is exactly where Leah Spielberg,
Steven Spielberg's mother, would trace her son's initial entry into becoming one of our nation's most
creative storytellers. "His badness was so original," she recalls (Stein 3).
Steven Spielberg, the only child of Leah and Arnold Spielberg, was born on December 18, ... Show
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The grin of a clown, a deadly tree outside a window, and being afraid at night, all out of 1982's
Poltergeist, were all born out of Steven's real childhood phobias (5). Influence for films such as
1993's Academy Award winning drama/documentary Schindler's List could be attributed Steven
growing up in a Jewish family. Steven has recalled that during his days in school he felt
discriminated from others for being apart of the only Jewish family within the whole community
(Graham 530). During the Christmas season, he would be embarrassed that his family's house would
be the only one without lights or decorations. When his father offered to place a menorah in the
window, Steven responded, "No!...People will think we're Jewish" (Graham 528).
Steven has claimed to have learned his numbers as a toddler with the help of a concentration camp
survivor who pointed out the numerals tattooed on his arm. However, it was at high school, where
he was first exposed to anti–Semitic behavior. He would suffer verbal and sometimes physical abuse
from other students. Making movies was definitely an escape for Steven who told the New York
Post, "I enjoy the sense of being transported and no longer thinking anyone is in the audience"
(529).
"Nearly three years after finishing Escape to Nowhere, he made his first feature–length film
Firelight. It was a two–and–a–half–hour

Film And The Band Played On By Director Roger Spottiswoode
In order to fully understand the AIDS epidemic in the U.S., we must consider the following
determinants of health: biological, psychological, and sociological factors. These three factors had
determined the spread of the disease in the late twentieth century, and they still affect the global
distribution of AIDS today. In the documentary–film And the Band Played On (1993), director
Roger Spottiswoode effectively showcased all three factors. The film is a chronological story of the
AIDS epidemic from the 1980s. The story of the epidemic garners attention when gay men in both
the west and east coast of the U.S. develop this mysterious disease in large numbers. Scientists at the
Center for Disease Control and private labs fiercely work toward understanding the disease and
trying to come up with a solution. The film is an epidemiological story, where the viewer sees
prominent diagnoses, scientific discovery, political turnovers, psychological turmoil, and societal
revolutions as developments in unraveling the AIDS mystery. The viewer is shown the journey
involved in discovering the biological basis for the disease, the psychological effects due to the
epidemic, political and societal conditions during the time period, and the overall implications of the
epidemic. A biological factor of disease is something that biological leads to an individual
developing a disease. For example, this could be the agent of the disease, biological effects of that
agent, symptoms of the

Swingers Film Analysis
Swingers is a 1996 low–budget romantic–comedy–drama which ignited the careers of director Doug
Liman, and actors Vince Vaughn and Jon Favreau. Set in mid–1990s Los Angeles and Las Vegas, the
cities become as much as a lead role as the actors. Revolving around a young comedian/actor named
Michael (Mike) played by Jon Favreau, the plot follows the difficulties Mike has been dealing with
regarding the romantic and career consequences of leaving New York to becoming a success in Los
Angeles. During the course of the film, we find Mike confiding in his "back east" friend Rob, played
by Ron Livingston, regarding the pain of leaving his girlfriend in New York, trying to learn how to
venture back "in the game" of meeting women from his friend and film's antagonist, Trent, played
by Vince Vaughn, and the attempting to manage his chaotic new life with the in Los Angeles and the
animated new people with whom he now associates. However, the film is not simply skin deep.
Once you peel back the layers, we discover that the film, with its Rat Pack references, swing music
and desires to "keep it Old School", are more about living in a rapidly changing environment and the
people who won't let release the grasp on the past. Moreover, the film attempts to hold on to the
once–was–classy cultural aspects of Los Angeles and Las Vegas. The characters don't want to be the
people that they are today, living in the mid–90s, they yearn to be the stars of yesteryear and an
attempt to relive those lives while dealing with ... Show more content on Helpwriting.net ...
In the first scene I will be discussing how the director utilized lighting and camera techniques to
reinforce the dialog. The analysis of the second scene will concentrate on the director's use of the
appropriated filming techniques (as well as dialog concerning appropriation in the film) from the
great Quentin Tarantino, in an attempt to connect the role appropriation plays in the evolution of
film in

Career Prospects Vary For Me
Career prospects vary for me, as I am interested in numerous departments in film, such as acting,
cinematography, screenwriting or directing. Film directing is what I currently feel most strongly
about. A film director is the person who is solely responsible for visualizing the script from casting,
to shot direction, camera angles, etc. The screenwriter is the person who develops and textualize
characters and concept through a script to be sold off to a producer, with the end goal in it becoming
a moving picture. Through this collaborative process, disagreements are subject to arise between the
writer and director. It is only natural, and disagreements normally stem from the different visions
that each hold. As an aspired director, I may one day in the future find myself in a situation where I
would vision a female lead versus a male lead as visioned by the writer for a particular story or
script. There is a strong chance that, as a feminist, I may choose to discard the writer's vision and
cast a female as the lead for the film. If a philosopher were to evaluate my actions, what would he or
she say? In Hollywood there are fewer and fewer opportunities for women to star in lead roles. As a
feminist, one who advocates for the equality of women, I would push for more and more
opportunities for talented actresses to have a chance to star as a lead in a film. In the future when I
am confronted with a script with a lead that can be played by either a female or male, I will make

Film Director Research Paper
When I was a little girl, I wanted to become a film director. By the time I was ten–years–old, I had
already come up with an idea of where I wanted to attend college, what I wanted to major in, what
kind of movies I would make, and even what age I would most likely win an Oscar at. Even though
my dreams were a bit unrealistic, my parents told me to keep my head up high and maintain the one
thing behind my aspirations: determination. As I grew out of my movie director phase, I became
interested in what was going on, on a global scale. Every day after school I would find my mother
watching the news religiously and my curiosity drew me next to her on the couch so I could also be
informed. I became very disappointed to see all of the horrible things happening in the world and I
would often tell my mother about how I would come up with solutions to help those in ... Show
Since I'm interested in politics, I joined the Young Democrats club and I applied to hopefully
become one of the girls representing my school at American Legion Auxiliary Virginia Girls' State. I
also wanted to develop my leadership skills, so I became co–president of FIDM Fashion Club with
my friend and moved up the ranks of the Advanced Orchestra cabinet to eventually become the
president. Becoming a part of these extracurriculars has increased my desire to become a political
leader, especially being a part of the Young Democrats. During the 2016 election cycle, we
volunteered at a Hillary Clinton rally and I was awestruck. This experience not only gave me a new
idea about politics, but it strengthened my desire to become a politician. From experiencing a real
life mock government setting at Virginia Girls' State to attending political rallies and discussions
with the Young Democrats to planning and coordinating a charity fashion show to help others, I saw
the power of compassion, initiative, and leadership in action and I loved

The Director Is The Conductor And The Audience 's Feelings
In cinematography, as Quentin Tarantino talks about in an interview, the director is the conductor
and the audience's feelings are the instrument that directors utilize to evoke emotion. Directors have
to hone this skill in order to evoke the viewer's emotions and properly captivate the audience. One
of the tools directors use to control the audience, in addition to special effects, is dialogue. Dialogue
has the power to push an audience to tears when a character dies, or make them laugh at the same
scene with different dialogue between the characters. This dialogue is only possible through the
creation of a storyworld where absurd dialogue would be deemed appropriate. This is what makes
Quentin Tarantino such an effective director, he has mastered the skill of controlling the audience's
emotions through establishing a storyworld, and using dialogue with his horrifying scenes. His
mastery of evoking emotion can be seen in many of his films, however more notably in Pulp
Fiction, which won an Oscar and a Golden Globe for best screenplay. In Pulp Fiction, the viewer
finds him or herself in a whirlwind of emotion, laughing in horror at horrendous crimes. This
mixture of emotions that are elicited while watching these scenes are possible because of the
dialogue Quentin Tarantino uses. He masters the ability to evoke emotion through outrageous scenes
in combination with memorable dialogue. The social norms within a storyworld, as well as
characters' acknowledgement of being in a

Evaluation Of Alfred Hitchcock, Dial
Evaluation of Alfred Hitchcock, Dial 'M' for Murder.
Validity as an auteur can be found belief that true auteurs set the standard and change the way we
view film. More so, an auteur has the incredible responsibility of changing the way we look at the
world and that is their greatest goal.
Alfred Hitchcock is a director and artist in his own right as he needs little introduction to most
moviegoers. His work as a creative entrepreneur during his time in the budding age of film has
created a series of classics that continue to define a standard in crime, thriller and suspense cinema.
As many early critics of film were skeptic of their authenticity as an art form, Hitchcock proceeded
to build upon the groundwork set before him by exploring methods with which lured the audience
into emotional involvement in film. Over time, his mastered technique often reflected in his plot
developments as he proceeded to sway the interest, attention and opinion of his audience to his
liking. Such manipulations would cause the audience to bend the rules of conventional morality.
Such technique had been previously unparalleled and proceeds to be the standard of good film
making today. Even in his early films such as The Man Who Knew Too Much, Hitchcock's ability to
evoke and conflict emotional attachments in his audience was quite apparent as it was not
uncommon for a quintessential bad guy in his film to transition into a protagonist simply based on
plot and character development as you cannot

The Films Of Federico Fellini Analysis
Bondanella, P. (2002). The Films of Federico Fellini. Cambridge, UK: Cambridge University Press.
The Films of Federico Fellini examines the career and work of Italy's most revered filmmakers. By
analyzing the masterpieces of Fellini, the book attempts to categorize the influence of his work, and
explain some of his interests in fantasy, the irrational, and individualism. Bondanella essentially
rejects more common ways of analyzing Fellini's work and favors trying to explore the development
of his unique and personal cinematic style. Bondanella highlights some of the major
accomplishments in the life of the renowned Italian filmmaker. One of the most striking features of
Bondanella work is his ability to tell the story of Fellini by using the works of the filmmaker. In
particular, Bondanella is able to draw on a new archive of manuscripts, obtained from Fellini and his
scriptwriters. This level of in–depth analysis allows researchers to get a detailed view of Fellini's
work that has inspired generations of not only Italian filmmakers, but also in the rest of the world.
The author suggests that Fellini's use of realism in film allows the audience to connect on a whole
another level of intimacy with the characters in the film, allowing for better characterization in his
cinema. We can use this information accumulated by Bondanella to emphasize the tremendous
importance of Fellini's work. The further analysis of Fellini's films, such as La Dolce Vita, 812, and
City of Women,

Review Of ' Gone Girl '
Anastasia Makroliolios
Thriller Critique Task
Gone Girl (2014)
Mr Rhys Cassidy
12B
2015
Sir Alfred Hitchcock, director of several of the very first thriller films including his silent film The
Lodger (1926), is believed to be the "Master of Suspense" (Ramirez Berg, 2015). Hitchcock was
integral in creating the codes the codes and conventions of the thriller genre. These codes and
conventions can be seen in some of Hitchcock's films such as Vertigo (1958), Rope (1948) and
Psycho (1960) as well as in every other thriller film. Some other conventions of the thriller genre
include low key lighting, tense music and montages. All of these conventions are used in both
Fincher's Gone Girl and in many of Hitchcock's films such as Rear Window (1954), The Man Who
Knew Too Much (1956) and North by Northwest (1959) to ensure that their films can be considered
as thriller films. Genre is used throughout Hollywood in order to make it easier for the directors to
convey what type of movie it is to the people who wish to view their films.
There are many directors, past and present who have helped mould the codes and conventions of the
thriller genre. One of those is Harold Lloyd. Lloyd used very minimalistic versions of the present
day codes and conventions of the thriller genre. In Lloyd's silent film Safety Last (1923) the idea of
a man hanging from a clock tower above a busy town was terrifying in those years, especially
because it wasn't computer generated.

The Implications Of Auteur
The concept of Auteur was first introduced by Andre Bazin in an essay featured in a 1954 edition of
Cahier du Cinema, often referred to as 'camera stylo' or 'signature style' as a way of critiquing
French new wave cinema. This theory allowed film to be criticised and analysed in the same way as
other creative platforms such as art and literature. By identifying the director as auteur as opposed to
just 'Metteur–en–Scène' it transformed them into an artisté, by assuming creative control they in turn
gave a film a certain style. The auteur was a director "consistently expressing his own unique
obsessions, the other was a competent, even highly competent, filmmaker, but lacking the
consistency which betrayed the profound involvement of a personality" ... Show more content on
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Today, with the growing celebrity culture, influence of production companies and high budgets
designated to films nowadays the idea that a director can be an auteur is merely a fantasy. Godard
himself in a recent interview said "I am not an auteur, well, not now anyway...we once believed we
were auteurs but we weren't. We had no idea, really. Film is over. It's sad nobody is really exploring
it. But what to do? And anyway, with mobile phones and everything, everyone is now an auteur."
(Godard,) The actuation behind films is sales. Even 'artistic' films are driven by sales. The auteur
that exists in today's Hollywood is one designed by production companies such as the crew Tim
Burton works with on each of his films so that each movie is instantly recognisable or character
building the director such as Scorsese appearing to live the 'gangster' lifestyle so that when we
watch his films we feel we are getting a sense of who he

The Seventh Seal And Wild Strawberriess By Ingmar Bergman
By 1957, Swedish filmmaker Ingmar Bergman had already established himself in the industry with
films like The Seventh Seal and Wild Strawberries. These films served as a foundation for his work
that would only go deeper into the exploration of the meaning of art film. After being hospitalized
for a long period of time, Bergman started writing a new film, which would eventually be his 1966
Persona. Persona serves as Bergman's first film that delved deeper into the process of exposing
cinema in a self–reflexive way while tackling themes of one's identity. Through techniques of using
shadows and intercutting, Bergman helped push a narrative revolving around two women and their
identities that went deeper in the realm of self–reflexivity than ... Show more content on
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In Persona, one of the most memorable shots of the whole film is the moment in which Alma is
giving Elisabeth the truth about herself. The speech is given from two perspectives; in one instance,
we see Alma speaking and the other we see Elisabeth listening and only Alma's voice. Whether there
is a universal interpretation of this moment or not, the facts are that the two women's faces blend
together at the end of Alma's speech suggesting that maybe the two women are the same person or
Elisabeth has projected her conscious into Alma. Bergman didn't know he was going to use this shot
when they were shooting, but it became something he and cinematographer Sven Nykvist worked
on together. Along with this particular shot, there's also the intercutting of images at the beginning
that was done in post to create the white border around the frame, which made the images smaller
than the film itself. These elements created a distinction between the introduction and the narrative,
although at times the two seemed to run together such as when Alma looks into the camera and the
effect of the projection malfunctioning happens. In Fight Club, David Fincher took similar post–
production actions with intercutting of pornographic images, but most of all the scene in which
Tyler Durden looks directly into the camera and delivers a monologue about self–actuality and how

Spike Lee
An auteur is a director who personal creative vision and style is expressed through films. The term
auteur is originated in France and is French for author. There are different ways in which a director
can express their vision in films and show who they are. There are many directors that are
considered to be a auteur such as: Quentin Tarintino, Tim Burton, Kathryn Bigelow, Stanley Kubrick
and Woody Allen. The director I have chosen as an auteur is Spike Lee.
Lee's Life:
Spike Lee is an American film director who has directed, produced, written and acted in Spike Lee
films such as Malcolm X, Jungle Fever, Inside Man and Love & Basketball. Spike Lee was born in
Atlanta, Georgia where he attended Morehouse College and made his first ... Show more content on
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Spike is also a successful music director and documentarian. He has directed music videos for
celebrities such as Michael Jackson, Naughty by Nature, Anita Baker and Public Enemy. He has also
directed the documentaries, Jim Brown: All–American and 4 Little Girls which was nominated
"Best Documentary". He is also known for making some great commercials for Nike, Converse,
Jaguar, Taco Bell and Ben & Jerry's.
His Personal Style:
Themes:
Spike is no stranger to controversy due to the elements he uses in his films. Most of Lee's films
consist of an African American theme and inspect the issues of race relations, political issues, urban
crime and violence. His 2nd film he made Do the Right Thing (1989) explored all of these issues.
He also explored the issues of family/father & relationships in his films Crooklyn (1994), Get on the
Bus (1996) and He Got Game (1998). In his films School Daze (1988), Do The Right Thing (1989),
Jungle Fever (1991), Get on the Bus (1996), Summer of Sam (1999) and Bamboozled (2000) he
included the issues circulating around racism. Another issue he explores is black female sexuality
which is in the films She's Gotta Have It (1986), Girl 6 (1996) and She Hates Me (2004).
Genre:
Whenever it comes to genre Spike always picks the right one. He switches them around so
sometimes his films will be a comedy, sometimes it will be a romantic comedy (a hybrid genre) or a
drama. Spike never seems to

Mise En Scene In Pedro Almodovar
glossy decorations. He also sometimes may uses unusual and shaky camera angles, specially
costumed made outfits and his prevalent uses of LGBT themes in the film. He tends to explore the
boundaries of sexuality and sexual chemistry between different kinds of people and imposes in his
film. Just as all the auteur directors such as "Alfred Hitchcock", "Tim Burton" and "Penelope Cruz",
the most important factor that indicates Pedro Almodovar is worth the titled of "auteur" is that
Almodovar uses certain actors and actress repeatedly in his films and these actor often helped him to
mark his film as an original creator of the theme. All of the above that I mentioned can be easily
seen in his "Pepi,Luci,Bom" and "Bad Education" film. ( Ollie Charles, ... Show more content on
Helpwriting.net ...
His style is that unlike other auteur director, he does his own filming by placing the camera in a lot
of different angles and also putting it all kinds of different height because he wanted to see how each
different angle would portray and bring out different kind of perspective of the subject matter. In his
film, it is easy to spot that he has a lot mixture shots of long shots, medium shots and also several
intense close up shot to make people feel anxious. "Predo Almodovar" is especially well known for
his point of view shooting in his cinematic skill and also he's expert in using technique such as zoom
in and out with his camera that would have increase dramatic effect and powerful atmosphere in that
particular scene which he has been better at compare to other

The Film Crash Was Released By Director Paul Haggis
In 2004 the film Crash was released by director Paul Haggis. What only started as a "passion peace,"
would eventually receive extreme praise. Many people loved the racial and social tensions depicted
in the film, and it eventually won three academy awards. Personally, the movie made me consider
how much tension and animosity there is because of race or religion, not just across the world, but
specifically America. Despite efforts to try and ignore these differences, it seems as though they are
unsuccessful. In addition to addressing the harsh ignorance that is prevalent in some parts of the
country, the movie does a great job of being a perfect example of the four pillars that LaGrange
College stands on. Service, excellence, diversity, and civility are all prominently displayed in the
actions of the characters throughout the entire movie. When he began creating the film, Haggis had
no idea of the significance of his piece, but it turned into one of the most influential drama films
ever written. One of the main characters in the film is portrayed by Matt Dillon. Dillon's character is
a corrupt racist police officer who doesn't care to hide his feelings about other races. The first three
scenes involving him show that he is aggressive and extremely rude. His partner even put in a
request for a new partner. Despite all of this, Officer Ryan (Dillon's characters name) is still a good
example of civility in the film. Later on in the film, we learn that Ryan's dad has been

The Place of an Auteur Director in the Nigerian Video Film...
Introduction
Films are the product of many individuals working together. This is evident in the credits that are
scrolled at the end of each finished work. I could easily say that it takes a village to make a movie.
Consequent upon the above stated, it becomes shocking to find out that there is a significant
tendency among film scholars to treat films as the product of a single individual. To toe this line of
interpretation goes to mean that the director of the film is the creative intelligence who shapes the
entire film in a manner parallel to how we think of literary works being authored.
In his essay, 'Notes on The Auteur Theory in 1962,' Andrew Sarris, one of the key proponents of
Auteur theory corroborates the above position ... Show more content on Helpwriting.net ...
In agreement with this position, Sarris, in the beginning of his essay, states:
As far as I know, there is no definition of auteur theory in English language, that is, by any
American or British critic. Truffaut has recently gone through great pains to emphasize that the
auteur theory was merely a polemical weapon for a given time and a given place and I am willing to
take him by his word. But lest I be accused of misappropriating a theory no one wants anymore, I
will give the Cahiers critics full credit for the original formulation of an idea that reshaped my
thinking on the cinema (Sarris, p.585).
This lack of theory within auteur criticism has been recognized from nearly its beginnings. Andre
Bazin, for example, complained that despite the fact that the writers of Cahiers Du Cinema have
practiced for three or four years, they have not yet produced the main corpus of its theory (emphasis
mine). Little wonder why many new books in film theory pay little or no attention to auteur theory.
One of the more influential intellectual currents which has contributed to the criticism and rejection
of auteur theory is structuralism, and following it, post structuralism. Both structuralists and
poststructuralists reject one of the

The, The Director And Narrator Of The Film, By Jamie Johnson
In the documentary The One Percent the director and narrator of the film, Jamie Johnson, gives
viewers a thought provoking look inside some of the wealthiest families in America. Johnson comes
from old money. He is the great–grandson of one of the brothers that founded Johnson and Johnson
Pharmaceuticals and his father inherited a fortune of one billion dollars. In the documentary, Jamie
Johnson takes on the character of a filmmaker seemingly disinterested by his and his family's overly
abundant wealth. Johnson 's initial purpose for making this documentary was to expose the
corruption and power of the top one percent. He wants to expose how the rich keep getting richer by
showing how his family handles their finances. He claims "Having so ... Show more content on
Helpwriting.net ...
This sign foreshadows and symbolizes the exclusive nature of the upper class that Johnson describes
later in the film. He begins to make conversation with a woman who has a British accent. A study
done by Howard Giles with the department of Psychology at the University of Bristol, states "Their
[Wallace Lambert and colleagues] work has shown that stereotyped impressions of an individual 's
personality may be formulated by listeners when presented with a speaker 's voice whose vocal
contours are representative of phonological patterns peculiar to specific group membership." (Giles)
Plainly, when people hear an accent, subconsciously they connect it with their previous experiences
involving people with that accent. Because the British are often known for their history of wealth,
power, monarchies, and luxurious culture, the average viewer of the documentary will
subconsciously and inherently connect the women 's British accent to wealth and authority. At this
point in the film, upon hearing her voice the viewer will have a broad understanding of what the
documentary is about before even being presented the formal narration of Johnson's thesis. The
spying concept, the luxurious environment, and the audio of refined music and voice all come
together as elements that make this scene extensively persuasive.
Shortly after the introduction, Johnson presents a wave of facts and statistics by using simple
graphic animations. These facts and

Female Film Directors and the British Film Industry
In this essay I will be discussing whether female filmmakers in Britain find it easier to make a
documentary feature than a fiction feature film in the current British film industry. I will be referring
to the opinions and films of Kim Longinotto, Carol Morley, Clio Barnard and Alison Stirling. I will
also be looking at the statistics from film festivals and the British Film Institute, and interviews with
various British female filmmakers. I will argue that documentaries are easier to make due to them
being less expensive to make and not requiring a large crew. I will try to show that female
filmmakers are less like to get funding for a fiction feature film due to the people that make the
decisions in terms of granting funding for ... Show more content on Helpwriting.net ...
Even more worryingly, women accounted for just 7.8% of directors on UK films in 2012, a decrease
of more than 7% year–on–year (15% in 2011)' (www.wftv.org.uk). This means that there were 165
male directors, but only 14 female directors. This equals the amount of female directors currently
working in TV drama, as reported by Directors UK. (http://www.directors.uk.com/about–
us/news/where–are–women–directors–asks–d–uk–board–member–beryl–richards–broadcast)
There are several successful women making fiction feature films within the UK, such as Clio
Barnard, Lynne Ramsay, however 'there are still relatively few British women directing feature
films. In the areas of documentary and experimental film, however, women have directed a
substantial body of work. This suggests that away from the constraints of the commercial film
industry, greater opportunities still exist to explore the representation of women's lives and their
subjective experience within Britain' (Helen Wheatley Aitken, 2005). Pratibha Parmer, a UK
documentary maker, believes that women have trouble getting into fiction filmmaking and states
that, 'some female directors have produced fictional work, but we can still say that this is the
exception rather than the rule. These are two very different worlds, and the passage between them is
not easy. There are very few women who can break through into the world of fiction filmmaking,
partly because of the enormous budgets involved, the great risks and the

Christopher Nol An American Film Director, Screenwriter,...
Laksamana Riadi
Jeff Crum
Film 1
6 December 2015
CHRISTOPHER NOLAN
Christopher Nolan is considered an English–American film director, screenwriter, and producer and
Auteur. Nolan is a man of talent who is known as one of the smartest, most creative, and successful
directors in the film industry today.He is widely recognized after his first successful feature movie
Following(1998),a noir thriller film.Which was recognized at a number of international film
festival.Common themes and actors can be seen throughout Christopher Nolan's films,he is also
famous at narrating the movie in a non linear way.In the next paragraph im going to discuss why
would i consider him as one of the best modern times auteur.
One of the qualification of being an auteur according to French New Wave film director and film
critic Francois Truffaut is that "a good director exerts such a distinctive style or promotes such a
consistent theme that his or her influence is unmistakable in the body of his or her work."This
statement,it's like it's describing Christopher Nolan and his works, especially in the writing of his
films and how he creates a relatable world within his films and matches it with a completely
unrealistic plot. For example in his film, Inception he creates a real world in which the audience can
completely relate to, setting the bulk of the film in Paris. However the plot of the film ensures that
the Parisian location is set in a dream conscious state so it is not entirely relatable to

Essay on The Romantic Notion of a Film Director
The intention of this essay is to discuss the romantic notion of a film director who has etched their
own cinematic vision into the body of their film work, and whether the theory and practice is dead
and an infringement of the spectator's imagination and is it the spectator who finds meaning in the
film. I will be closely looking at critical material, primarily André Bazin and Roland Barthes and
applying them to several case study films directed by Christopher Nolan including The Following
(1998), The Prestige (2006) and Inception (2010), to examine whether Nolan possesses the qualities
of an auteur and if so, does that imply an ideological view of what the auteur resembles or an artistic
one. The term auteur theory arose in France ... Show more content on Helpwriting.net ...
Barthes claims that the author is dead (Barthes, 1977: 208), a theoretical construction that perceives
the director as an idea, whereas, Bazin's principle method establishes cinematic realism.
The romantic idea of the auteur is described by film theoretician, André Bazin, observing the film
form as an idealistic phenomenon. Through the personal factor in artistic creation as a standard
reference, Bazin primarily refers to an essential literary and romantic conception of the artist as
central. He considers the relationship between film aesthetics and reality more important than the
director itself and places cinema above paintings. He described paintings as a similar ethical
creation to film stating a director 'can be valued according to its measurements and the celebrity of
the signature, the objective quality of the work itself was formerly held in much higher esteem.'
(Bazin, 1967: 250). Bazin contemplates the historical and social aspects that indeed hinder a
director's retribution to their own personalised film, thus en–companying their own ideological
judgement upon the world 'more so in cinema where the sociological and historical cross–currents
are countless.' (Bazin, 1967: 256)
Critic Roland Barthes, on the other hand, disagrees with the romantic notion and concludes that the
auteur is dead.

Jaws Blockbuster Effect
Known as one of the greatest and most famous films of all time, Jaws was recognized as a summer
blockbuster after its release in June 1975. Jaws, directed by Steven Spielberg, was highly known for
its outstanding cinematography, scenic music, as well as the effect it had on filmmaking history with
the tremendously small budget they had of 9 million dollars. This film created a summer blockbuster
by being the start of great suspense, action, and strong effects and explosions. Movies these days
have extreme CGI effects where many viewers may not be amazed nor shocked about, but Jaws,
being the first film with solid effects, has impacted a vast audience. Jaws and the notion of the
blockbuster have a huge connection and relation due to the impact it brought to millions of viewers
and greater films it has impacted and created. Not only has Jaws made millions of ... Show more
content on Helpwriting.net ...
"Jaws invented that form of pleasurable entertainment exactly 40 years ago this week, opening on
June 20, 1975. It also launched the career of Steven Spielberg and turned sharks, in the popular
imagination, from fish into monsters" (Marche). It is truly amazing how Spielberg was able to
accomplish such a task in being able to change billions of peoples' view on one aspect. One film
created how a shark can be viewed as a surviving animal living in the ocean on one day and a
vicious, man–eating killer the next. The suspense that is used throughout the film had an impact on
many movies today; directors today use the cuts and ideas that resemble attacks under water or
scenes out in the ocean. The huge explosions and surprising shark attacks have given directors a new
view on filming and cinematography. The effect this film had not only influenced the audience but
also Spielberg and various

How Did Directors And Film Execution Begin?
Introduction
Directors demand their films to be felt. What's the point of creating a film if it doesn't invoke
thought or feelings? Hence the discussion of filmmaking and the important role the director has in
executing a film as a body of work and or art form. However, one has to ask, how did directors and
film execution begin?
1829 was the year of inspiration in reference to illusion and or motion. The first ever
phenakistiscope or phenakitiscope was created to portray a moving picture which some called an
optical illusion. This invention was created by Joseph Antoine Ferdinand Plateau and the small toy
seemed to create motion and that's where motion pictures begin
However, directing and filmmaking began as a bet. In 1878, Englishman ... Show more content on
Helpwriting.net ...
Many were just a few seconds long. The earliest movies created for entertainment were just a few
minutes long.
My Interest in Filmmaking and Directors
My outlook on filmmaking and the role of a director have changed. I used think there wasn't much
that went into making a film or being a director. However, the skill level to execute a film as well as
direct it is very complicated. So, throughout this paper I will be discussing the different aspects of
filmmaking which the director personally oversees. Also, the history of motion pictures, the early
filmmaking experience, the history behind the first female director, music & film, actors/actresses,
scene selection, pre–production, creative vision, production, scheduling and post –production.
The History of Motion Pictures
The first machine patented in the United States that showed animated pictures or movies was a
device called the "wheel of life" or "zoopraxiscope". Patented in 1867 by William Lincoln, moving
drawings or photographs were watched through a slit in the zoopraxiscope. The Frenchman Louis
Lumiere is often credited as inventing the first motion picture camera in 1895. But in truth, several
others had made similar inventions around the same time as Lumiere. What Lumiere invented was a
portable motion–picture camera, film processing unit and projector called the Cinematographe, three
functions covered in one invention.
The Cinematographe made motion pictures

How Is The Movie Relate To The Great Gatsby
The Great Gatsby, written by F.Scott Fitzgerald, is a novel which critically discusses the Ideals of
Gatsby's Dream and rekindling the relationship between Gatsby and Daisy. In the film adaption, the
Director, Jack Clayton (1974), mimics the plot of the setting, and quotes the novel precisely,
however fails to capture the spirit of the themes being portrayed from the novel due to, some of the
aspects of the novel that differ from the movie. For example,the general expression of the settings
does not match and the characteristics of Gatsby is portrayed different compared to the film and the
novel. The general setting of Gatsby's mansion is interpreted as swanky and tasteful but in the film,
except for the parties, his mansion is imposing but lacks of taste. "His house had never seemed so
enormous to me as it did that night when we hunted through the great rooms for cigarettes. We
pushed aside curtains that were like pavilions, and felt over innumerable feet of dark wall for
electric light switches – once I tumbled with a sort of splash upon the keys of a ghostly piano."
(Fitzgerald 12) This helps in spotlighting the fact that Gatsby's wealth does not satisfy him.
Therefore his mansion seems glorious and fashionable from the outside but is ... Show more content
on Helpwriting.net ...
The director of the movie, however, fails to redirect the settings and characteristics of Gastby. As a
reader of The Great Gatsby, I think that the director did a poor job making the book into the movie.
This is because Jack Clayton missed most of the important informations from the novel, the
Gatsby's mansion did not match as well. In my opinion, watching both the movie 1974 vs. 2013, I
enjoyed watching the recent one due to having more detailed materials and reciting quotes very
precisely. As a director of the film, what I believe to be most important is how the novel was turned
into the

How Does the Director Try to Build Suspense and Scare the...
How does the director try to build suspense and scare the audience in the film Jaws?
The film Jaws, directed by Steven Spielberg, was created approximately 30 years ago. It tells the
story of a shark which attacks and kills numerous people off the north–east coast of the USA in a
small holiday resort called Amity Island. The attacks took place around the 4th of July, which in
America, is similar to the British bank holiday. During this time, many Americans and tourists from
abroad visit resorts such as Amity Island for a summer vacation.
The director of the film, Steven Spielberg builds up fear of the shark using many different
techniques. One of these techniques is the use of music. Spielberg uses a non–diegetic piece of
music which ... Show more content on Helpwriting.net ...
Again, as after the first attack on Chrissie, the audience can't believe how something so terrible is
happening when the mood set by the little boy is so calm and untroubled. This use of music and
contrasting emotions builds up tension and fear affecting the audience as it makes them feel
confused, as they can't understand how things can be so pleasant then suddenly so devastating.
Spielberg also exploits various camera techniques to build up fear and suspense in the film Jaws.
For example, during the second attack on Alex, a lot of different camera techniques and angles are
being used. The start of the scene is a tracking shot, showing Alex coming out of the sea and sitting
next to his mother on the beach. After some persuasion, his mother lets him have just 10 more
minutes in the water. Then a further tracking shot is used, as we follow Alex up the beach as he goes
and gets his lilo. The use of this camera angle, which focuses the audience's attention on Alex,
immediately makes them feel more attached to the character.
The next part of the scene shows Alex running into the sea on his lilo. The camera technique used
for this part is a medium shot from a reverse angle, showing him from behind. This camera angle
builds up fear as all the audience can see is Alex on his lilo and the bearing sea in front of him with
no–one else in sight. This immediately makes the audience realise that Alex is vulnerable and that if
something was to

Racial Stereotypes : The Film, Crash, Director Paul Haggis
The influx of immigrants throughout history has generated a diverse population in the United States.
Many immigrants go through a process of cultural assimilation in hopes of becoming more
American. Assimilating into the American society usually entails learning English, earning a better
income, and behaving in accordance to American customs and norms. However, most attempts of
integrating into American society are thwarted due to racial and ethnic prejudice, stereotypes, and
discrimination. In the film, Crash, Director Paul Haggis addresses racial inequality by conveying
instances of racial stereotypes, social class disparity, and police brutality.
The usage of racial stereotypes constructs an unreliable generalization of all members of a race.
Racial stereotypes fail to recognize the individual differences that lie within a race. Haggis
demonstrates several racial stereotypes that Asians and African Americans encounter. For example,
Asians are stereotyped as "Asian drivers". The film opens with Detective Rita, who is involved in a
car accident, exchanging racial slurs with the other driver. Rita blames the other driver for causing
the accident because she is an "Asian driver." This stems from stereotypes that Asians do not know
how to drive. Furthermore, the absence of Asian factions throughout the film parallels Asians being
the perpetual foreigner. There were only 3 instances in which Asian characters were present: an
older, Asian woman is involved in a car accident with

The Job of a Film Director Essay
The Job of a Film Director The film director has an elaborate job, classed as an art in its own sense.
Its meticulous details and multi million dollar bills at the end make a director's job truly an art. How
they can take the imagination and lay it on a roll of film is an array of elaborate casting, screening
etc. and requires a special skill. The general meaning of the word director is:
· The leader of a course of action or actions
· A person who leads someone or something
In this case I shall be writing about 'Kes' a film by Ken Loach, adapted from the book "a Kestrel for
a Knave" by Barry Hines. I shall ... Show more content on Helpwriting.net ...
Unsure of trust or higher power, Billy is forced to a state of neglect, beautifully represented with
Loach's brutal simplicity and bland surroundings.
Billy then goes out to his paper round we see that his bike has been taken by Jud. We have enough
information to know that Jud is a bully and that he cares not for any brotherly bond that they might
have. This is further used by Loach to show hate and despair. So Billy now has to run to the shop.
This is a good chance for the director to show the viewer the environment that Billy lives in; this
scene really gives 'a sense of place'. The director has established to the viewer the importance of the
location. We can see now that Simplicity is now used now in every aspect of the filming, even
cinematography. All scenes are broad and general, no closing up to anything, maybe portraying the
views of Billy. I believe there is no studio work or specially constructed sets because it contributes
to the film. It gives it an air of atmosphere, realism but most importantly Simplicity. As he runs
through the dilapidated slums of Barnsley there are three layers I think to the scene. First of all there
is Billy about to leave school, secondly there are the terraced houses the shabby homes of the
working class. This signifies his home, his barrier; he is supported (however little this may be). He
does not

Roger Deakins: A Career As A Volcano
While directors are more likely to be household names, that doesn't change the fact that there are
several notable cinematographers as well. Roger Deakins is among many that deserve recognition,
and has been a part of several projects such as "No Country for Old Men",
"Skyfall", and "Sicario". Deakins is also known for his work with the Coen brothers and Denis
Villeneuve. While directors and actors are likely the first to be remembered by name for their work
on films, the cinematographer's work is key for a successful end result. While the director often
times has the "vision" for the film, the cinematographer is responsible for painting that picture and
bringing that image to life. Many decisions fall on the cinematographer's plate regarding ... Show
While lighting can make or break the look of a scene, or movie as a whole, so can the types of
camera shots. The angles, transitions, and cuts the cinematographer chooses to use can create
completely different looks. There are several different shots used within a matter of minutes in a
film. Different shots can manage to portray completely different emotions, that of which the
character is feeling, along with the emotion the audience should feel. The shots typically shown
while characters are on screen consist of close ups, medium shots, long shots, over the shoulder
shots, low angle and high angle shots, and many more. While there are shots used to establish
characters and their feelings, there are also shots that are more often than not used to showcase
landscapes, or anything other than a character. These shots can consist of aerial shots, money shots,
and a classic point of view shot. While there is no restriction on what shot can be used for what,
some simply do a better job at portraying what it is that needs to be portrayed. Lighting and shots
used work hand in hand to create the exact image the filmmakers

The Pros And Cons Of Christopher Nolan
When "auteur directors" gets researched on Google, Christopher Nolan shows up in the list together
with other well–known directors like Alfred Hitchcock, Quentin Tarantino, and Martin Scorsese.
Christopher Nolan is a British–American film director, producer and screenwriter and seems to be
another filmmaker who takes pride in the title of auteur director. His films are a hit all around the
world and it can be argued whether or not his films are a distinct reflection of his creative vision.
Nolan was first recognized for his offbeat productions like Memento (2000) and is now responsible
for a number of blockbusters including The Dark Knight (2008) and Inception (2010). Nolan is
considered as one of the most accomplished filmmakers and an ... Show more content on
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He is particularly known for writing and directing dark, mind–bending drama and thriller films
considering his many productions. Nolan has quite a few blockbusters under his name and The
Telegraph actually titled him as "the director who can do what he wants"; with the caption
"Christopher Nolan's brainy blockbusters have earned him love not seen since Spielberg" (2010).
Nolan is very popular right now among many different types of audiences. The reason for this is
because Nolan does not only provide audiences with big action pictures, but he does so on an
intellectual level. A film like Transformers (Michael Bay, 2007, USA) for example, which is solely
about the action, and thus entertainment, is not considered to be very high in its overall purpose.
Nolan's films then stand out and he is able to keep audiences engaged in his

Film And Theatre Directors : Mise En Scene
Throughout the history of film and theatre directors have used mise–en–scene and location to
control the scene. Whether this is in front of the camera or a live audience, the components of mise–
en–scene allow the director to have full control of the action, enabling them to engage and captivate
the audience. It supports and expands the narrative, as well as creating the classic conventions we
see in different genres of film. Mise–en–scene simply means, 'putting into the scene' (Bordwell and
Thompson, 2010), and was first used in theatre direction. This has now transpired into film, and "in
controlling the mise–en–scene, the director stages the event for the camera". (Bordwell and
Thompson, 2010). It serves the purpose of creating a ... Show more content on Helpwriting.net ...
Citizen Kane, an American drama directed by Orson Welles in 1941, uses mise–en–scene and
location to tell the story of the late Charles Foster Kane, a successful newspaper publisher. Welles
effectively creates a narrative using a series of flashbacks, told from the point of view of Kane's
friends, lovers and associates during an interview with reporter Jerry Thompson. Thompson takes a
particular interest in Kane's life, and throughout the film we can see prime examples mise–en–scene
and location working together to portray a realistic storyline to the audience. In one of the most
significant scenes in Citizen Kane, the audience witnesses the decline of Kane's marriage to Emily
Monroe Norton. This is shown to the viewers via a montage of short scenes. Welles uses mise–en–
scene to shape the scene; the montage depicts the deterioration of Kane and Emily's marriage in a
powerful and thought provoking way. As the scene progresses we move through five different
scenarios, small changes from costume to posture enable the audience to follow the narrative and
see the cracks forming within their relationship.
At the beginning of the montage Kane and Emily are sat at the table for breakfast, both characters
seem to be relaxed and conversation flows effortlessly. The scene begins with the couple discussing
Kane missing a morning of work so they can prolong their time together, the audience can see that
both characters are comfortable in

Who Is Miyazaki An Auteur Movie
Miyazaki the Fashion Icon of Film
Many people may have a specific style in which they like to dress. A woman might have a signature
lipstick she enjoys wearing, a man might have a distinct cologne that stands out from the rest.
Movies are not too far apart in comparison. Sometimes people find films more enjoyable than
others, and often do not realize they come from the same director. The Auteur theory is a that
defines the director as the sole author of the entire film, adding his or her own personal style. When
it comes to the world of animation, director Hayao Miyazaki is a pioneer in auteur. His specific
directorial style is seen in many of his films in which he manages to make films enjoyable to adults
of all ages. Kiki's Delivery Service was one of director Miyazaki's first major films. During the
climax of the film Kiki's Delivery Service, director Hayao Miyazaki illustrates his signature auteur
style that makes his movies distinguished and enjoyable.
There is a significant pattern that Hayao Miyazaki has in most of his animated films that identify his
style different from western directors. First, Miyazaki is a director that prefers hand–drawn
animation to computerized animation. Other important details he demonstrates in his films are
strong female leads, original stories, and ordinary characters. In addition, Miyazaki likes to employ
the environment as an important factor in his films. Kiki's Delivery Service exhibits these specific
traits that reveal Miyazaki

Why Do Film Directors Use Metaphors In Movies?
Film is a new age media, compared to literature, where directors have more ways to bombard us
with literary devices. Precedent to movies were books; both mediums can express ideas through
symbolism and metaphors. However, film directors have a wider set of tools to express the same
idea. In this literary review, we will be identifying this. Ultimately, we will be discussing what
symbolism is, how we can identify them and how they are transformed through cinematic and
theatrical techniques. This matters because it provides us a deeper understanding on using
symbolism in movies effectively, as well as how it manipulates our emotions.
What is symbolism, and how can we identify them?
Symbolism is a complex literary device with lots of varying aspects. ... Show more content on
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Fahlenbrach (2008) expands on this idea: "Because sound is perceived temporally and faster than
the pictures, it manipulates the temporal structure of the pictures". Essentially, sound foreshadows
an event during the movie. A perfect example would be in horror movies, when ominous music
plays just before someone dies. Each emotional state has its characteristics. Kovecses (2000) added
on to say that emotional symbolism requires emotional articulation––emotions should be able to be
expressed before assigning a symbol to the emotion. Understanding emotions is done before
explaining it to the audience. Symbols should accurately or near–accurately express any idea.
Audiovisual symbolism bombards us with a common idea that the director is trying to advance
throughout the

Quentin Tarantino Research Paper
Research Paper – Quentin Tarantino
Quentin Tarantino was "born in Knoxville, Tennessee. His father, Tony Tarantino, is an Italian–
American actor and musician from New York, and his mother, Connie (McHugh), is a nurse from
Tennessee. Quentin moved with his mother to Torrance, California, when he was four years old"
(Biography). Quentin Tarantino is now known for his unique style, extreme violence, and Tarantino
often makes up brands for his films such as "Big Kahuna Burger" in his film "Pulp Fiction," and
Tarantino has been said to create his own companies because of his dislike for product placement.
Tarantino has written, directed and even co–starred in many successful works that he has produced,
but his style and trademarks truly separate ... Show more content on Helpwriting.net ...
"When I was on The View [in] (1997), Barbara Walters was asking me about the blood and stuff [in
"Kill Bill vol. 1"], and I said, "Well, you know, that's a staple of Japanese cinema." And then she
came back, "But this is America." And I go, "I don't make movies for America. I make movies for
planet Earth" (Biography). Comparatively, this quote from Tarantino is one of many reasons why
fans have fallen in love with his works; he makes films for the people, and not just one group of
people but all people. Moreover, this was not the only time that Tarantino had been questioned about
why his films are so violent, and "[in answer to film critic why his films were always extremely
violent] because it's so much fun, Jan" (Biography). Many critics and fans would agree with
Tarantino's statement, it is fun, and it is fun to watch, especially when presented in a Tarantino

So You Want My Job: Film Director John Dowdle
In October of 2015, the article "So You Want My Job: Film Director" interviewed the film director
John Dowdle over what it takes to become a film director. In the article, Dowdle argues that if a
person wants to be a film director, it is best not to master in anything else–– "The people who seem
to stick with it are the ones who have no other marketable skills." (Dowdle, ln 13). John Dowdle is a
film director, who is known for the horror film Quarantine and the action film No Escape, which
starred Owen Wilson. Despite claiming that the majority of directors have little to no other
marketable skills, Dowdle admitted that he originally wanted to be a writer, but that changed after
he went to the University of Iowa, and took a film class.

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