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SHOT TYPES
Women in Black
SHOT 1
This wide, establishing shot is
showing three children during the
late nineteenth century who are
simply playing together with dolls
and the furniture. The impact of
this shot is that it shows the
audience the innocence of the
children and the high key lighting
gives the audience a sense of
security and safety. However, this
contradicts horror conventions as
stereotypically there tends to be
a lot of low key lighting and a
serious lack of innocence. In
horror, however, children are
quite often the victims as a result
of their innocence which is
emphasised by the fact that they
are playing. The fact that all three
of the characters are girls could
also be significant as it
stereotypically females are more
vulnerable.
This type of shot could be used in my film
because it gives the audience quite a lot of
context into what is happening and the
high key lighting which gives the audience
a false sense of security and so is even
more surprising when something bad
happens.
SHOT 2
This shot type is that of a close
up and it gives us more context
into what is happening. It gives
the audience more specifics into
what the children are doing. For
example, this particular child is
brushing her dolls hair. This again
makes the situation look quite
safe and the audience isn’t
particularly on edge at the
moment. The pale colours in the
shot also emphasise the time
period as there wouldn’t have
been much access to colourful
resources at the time and this is
probably what the director was
thinking about when he added in
the shot because it gives the
audience a sense of realism and
historical context to the film. The
use of the doll also adds to the
affect because it’s quite, in my
opinion, a creepy doll which
emphasises that this is a scary,
horror movie.
This close up, depending on the story line,
is something that I could use in my film
opening. It could be altered, however, to a
characters face perhaps, rather than an
object. This could emphasise a characters
emotion and cause empathy amongst the
audience.
SHOT 3
This next shot is quite a loose
frame and is at a slightly high
angle. It shows all of the children
looking at something off-camera
with facial expressions that aren’t
particularly happy, immediately
causing the audience to
immediately become tense,
especially seeing as the audience
is still not sure as to what is
happening. This can put them on
edge put also intrigue them to
carry on watching to find out
exactly what is happening. This
shot is a lot wider than the first
and so it also, to some extend,
gives us more context as to
where the children are. Whereas
before, we could only see that
they were playing in a room,
indicated by the bed, we now
know that it is a bedroom.
Again, it is possible that this could be used
in my film. But with all the children looking
at the camera, this is something that is very
specific to the plot and storyline of woman
in black.
SHOT 4
This fourth shot shows a close up
of one of the children, as she
makes her way towards the
window breaking things in her
path. This could represent the
disruption of innocence of the
children. The effect this could
have on the audience could be
that they feel tense as to what is
going to happen next and it also
can make them feel quite curious
and urge them to continue
watching the film. Again, referring
to the previous shot, it can make
them wonder what was behind
them that urged them to get up
and start walking. In terms of
using this in my film opening, a
close up could be good because
it quite often shows what a
character is thinking and how
they feel about something. This
therefore could influence the way
the audience shapes their opinion
on that character. However, this
close
up is of a doll being crushed and again is
very specific to the storyline. However, a
close up on an object may also be a good
idea. This is also a strong contrast to how
innocent was saw them in previous shots as
they are now destructive.
SHOT 5
This last shot is a wide shot of the
three children about to jump out
of a window. By this point, the
audience are no especially
curious as to what happened off
camera previously. This can have
a huge impact on the audience
because by this point all
innocence has be wiped from
these children and the audience
look at them in a different light
from how they were viewed at
the beginning of the film. In
terms of using this in my film, the
wide shot can be very useful
because it allows the audience to
get a wider perspective on the
situation at hand. For example,
this shot allows us to see that the
children are stood on a window
ledge, whereas if it were a close
up we wouldn’t be able to see
what is going on.

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Shot types

  • 2. SHOT 1 This wide, establishing shot is showing three children during the late nineteenth century who are simply playing together with dolls and the furniture. The impact of this shot is that it shows the audience the innocence of the children and the high key lighting gives the audience a sense of security and safety. However, this contradicts horror conventions as stereotypically there tends to be a lot of low key lighting and a serious lack of innocence. In horror, however, children are quite often the victims as a result of their innocence which is emphasised by the fact that they are playing. The fact that all three of the characters are girls could also be significant as it stereotypically females are more vulnerable. This type of shot could be used in my film because it gives the audience quite a lot of context into what is happening and the high key lighting which gives the audience a false sense of security and so is even more surprising when something bad happens.
  • 3. SHOT 2 This shot type is that of a close up and it gives us more context into what is happening. It gives the audience more specifics into what the children are doing. For example, this particular child is brushing her dolls hair. This again makes the situation look quite safe and the audience isn’t particularly on edge at the moment. The pale colours in the shot also emphasise the time period as there wouldn’t have been much access to colourful resources at the time and this is probably what the director was thinking about when he added in the shot because it gives the audience a sense of realism and historical context to the film. The use of the doll also adds to the affect because it’s quite, in my opinion, a creepy doll which emphasises that this is a scary, horror movie. This close up, depending on the story line, is something that I could use in my film opening. It could be altered, however, to a characters face perhaps, rather than an object. This could emphasise a characters emotion and cause empathy amongst the audience.
  • 4. SHOT 3 This next shot is quite a loose frame and is at a slightly high angle. It shows all of the children looking at something off-camera with facial expressions that aren’t particularly happy, immediately causing the audience to immediately become tense, especially seeing as the audience is still not sure as to what is happening. This can put them on edge put also intrigue them to carry on watching to find out exactly what is happening. This shot is a lot wider than the first and so it also, to some extend, gives us more context as to where the children are. Whereas before, we could only see that they were playing in a room, indicated by the bed, we now know that it is a bedroom. Again, it is possible that this could be used in my film. But with all the children looking at the camera, this is something that is very specific to the plot and storyline of woman in black.
  • 5. SHOT 4 This fourth shot shows a close up of one of the children, as she makes her way towards the window breaking things in her path. This could represent the disruption of innocence of the children. The effect this could have on the audience could be that they feel tense as to what is going to happen next and it also can make them feel quite curious and urge them to continue watching the film. Again, referring to the previous shot, it can make them wonder what was behind them that urged them to get up and start walking. In terms of using this in my film opening, a close up could be good because it quite often shows what a character is thinking and how they feel about something. This therefore could influence the way the audience shapes their opinion on that character. However, this close up is of a doll being crushed and again is very specific to the storyline. However, a close up on an object may also be a good idea. This is also a strong contrast to how innocent was saw them in previous shots as they are now destructive.
  • 6. SHOT 5 This last shot is a wide shot of the three children about to jump out of a window. By this point, the audience are no especially curious as to what happened off camera previously. This can have a huge impact on the audience because by this point all innocence has be wiped from these children and the audience look at them in a different light from how they were viewed at the beginning of the film. In terms of using this in my film, the wide shot can be very useful because it allows the audience to get a wider perspective on the situation at hand. For example, this shot allows us to see that the children are stood on a window ledge, whereas if it were a close up we wouldn’t be able to see what is going on.