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La Vida es Bella - N. Piovani - Set of Clarinets

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La Vida es Bella - N. Piovani - Set of Clarinets

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La vida es bella Es una película de 1997, escrita, dirigida y protagonizada por Roberto Benigni. Benigni interpreta a Guido Orefice, un judío italiano dueño de una librería, que debe emplear su fértil imaginación para proteger a su pequeño hijo de los horrores de un campo de concentración nazi. La historia está parcialmente basada en la experiencia real del padre de Benigni, que logró sobrevivir a tres años de internamiento en Bergen-Belsen. Nicola Piovani (Roma, 26 de mayo de 1946) es un compositor, director de orquesta y pianista italiano, que en 1998 ganó el Óscar a la «mejor banda sonora original dramática» por la partitura de La vita é bella, película de Roberto Benigni.
          Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Bass Clarinet         Allegro                                                                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                                                                                  10                                                               Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                                                                                                                          La Vita è Bella Nicola Piovani ©Gino Gonçals (Cover of Clarinets, Aragón,S.XXI) Adap. by Gino Gonçals Arr. Gian Silvio Lanfri
     Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                         20                                                                                                                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                                                                                                                  30                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                                                                                                                          37 2La Vita è Bella
     Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                               40                                                                                               Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                                                                                                           50                           Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                                                                            3                                     3La Vita è Bella
     Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                60                                                                                                     Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                                                                                                                 70      Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                                                                                                                        4La Vita è Bella
     Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                                                                               Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                                                                    5La Vita è Bella
  Clarinet 1ºB Allegro ( )               10                                                     20                                                                              30                                                   37          40                 La Vita è Bella Nicola Piovani Adap. by Gino Gonçals (Cover of Clarinets, Aragón,S.XXI) Arr. Gian Silvio Lanfri
                      50                                              3                  60                                      70                                                                                       2La Víta è Bella
  Clarinet 2ºB  Allegro (                                      10                                                                          20                                             30                           37             40                 La Vita è Bella Nicola Piovani Adap. by Gino Gonçals (Cover of Clarinets, Aragón,S.XXI) Arr. Gian Silvio Lanfri
                                    50                                          60                                            70                                                      2La Víta è Bella
  Clarinet 4ºB Allegro                                   10                               20                                                 30                         37              40                                                            50 La Vita è Bella Nicola Piovani Adap. by Gino Gonçals (Cover of Clarinets, Aragón,S.XXI) Arr. Gian Silvio Lanfri
                                                60                                        70                                                                             2La Víta è Bella
  Clarinet 3ºB  Allegro                                                                     10                                                                          20                               30                                                                   40                  La Vita è Bella Nicola Piovani Adap. by Gino Gonçals (Cover of Clarinets, Aragón,S.XXI) Arr. Gian Silvio Lanfri
                          50                         60                                                                               70                                                80                           2La Víta è Bella
      Allegro                                       10                                           20                                                         30                                             40                 La Vita è Bella Nicola PiovaniClarinete Bass Adap. by Gino Gonçals (Cover of Clarinets, Aragón,S.XXI) Arr. Gian Silvio Lanfri
                          50                               60                                                 70                                           80                        2La Víta è Bella

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La Vida es Bella - N. Piovani - Set of Clarinets

  • 1. La vida es bella Es una película de 1997, escrita, dirigida y protagonizada por Roberto Benigni. Benigni interpreta a Guido Orefice, un judío italiano dueño de una librería, que debe emplear su fértil imaginación para proteger a su pequeño hijo de los horrores de un campo de concentración nazi. La historia está parcialmente basada en la experiencia real del padre de Benigni, que logró sobrevivir a tres años de internamiento en Bergen-Belsen. Nicola Piovani (Roma, 26 de mayo de 1946) es un compositor, director de orquesta y pianista italiano, que en 1998 ganó el Óscar a la «mejor banda sonora original dramática» por la partitura de La vita é bella, película de Roberto Benigni.
  • 2.           Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Bass Clarinet         Allegro                                                                                            Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                                                                                  10                                                               Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                                                                                                                          La Vita è Bella Nicola Piovani ©Gino Gonçals (Cover of Clarinets, Aragón,S.XXI) Adap. by Gino Gonçals Arr. Gian Silvio Lanfri
  • 3.      Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                         20                                                                                                                 Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                                                                                                                  30                              Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                                                                                                                          37 2La Vita è Bella
  • 4.      Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                               40                                                                                               Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                                                                                                           50                           Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                                                                            3                                     3La Vita è Bella
  • 5.      Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                60                                                                                                     Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                                                                                                                 70      Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                                                                                                                        4La Vita è Bella
  • 6.      Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                                                                               Cl. 1 Cl. 2 Cl. 3 Cl. 4 B.Cl.                                                                                                    5La Vita è Bella
  • 7.   Clarinet 1ºB Allegro ( )               10                                                     20                                                                              30                                                   37          40                 La Vita è Bella Nicola Piovani Adap. by Gino Gonçals (Cover of Clarinets, Aragón,S.XXI) Arr. Gian Silvio Lanfri
  • 8.                       50                                              3                  60                                      70                                                                                       2La Víta è Bella
  • 9.   Clarinet 2ºB  Allegro (                                      10                                                                          20                                             30                           37             40                 La Vita è Bella Nicola Piovani Adap. by Gino Gonçals (Cover of Clarinets, Aragón,S.XXI) Arr. Gian Silvio Lanfri
  • 10.                                     50                                          60                                            70                                                      2La Víta è Bella
  • 11.   Clarinet 4ºB Allegro                                   10                               20                                                 30                         37              40                                                            50 La Vita è Bella Nicola Piovani Adap. by Gino Gonçals (Cover of Clarinets, Aragón,S.XXI) Arr. Gian Silvio Lanfri
  • 12.                                                 60                                        70                                                                             2La Víta è Bella
  • 13.   Clarinet 3ºB  Allegro                                                                     10                                                                          20                               30                                                                   40                  La Vita è Bella Nicola Piovani Adap. by Gino Gonçals (Cover of Clarinets, Aragón,S.XXI) Arr. Gian Silvio Lanfri
  • 14.                           50                         60                                                                               70                                                80                           2La Víta è Bella
  • 15.       Allegro                                       10                                           20                                                         30                                             40                 La Vita è Bella Nicola PiovaniClarinete Bass Adap. by Gino Gonçals (Cover of Clarinets, Aragón,S.XXI) Arr. Gian Silvio Lanfri
  • 16.                           50                               60                                                 70                                           80                        2La Víta è Bella