Professional and Clean PowerPoint slides. Fully editable, perfect to impress your audience on your next presentation.
1. FULL HD Aspect Ratio: 16:9 (1900×1080)
2. Fully animated
3. Quickly, Easy and Fully Editable in PowerPoint (All Graphic Resizable and Editable)
4. Drag and Drop Images
5. Print Version Included (A4 Handouts Ready)
6. Retina Ready
7. Data charts (Editable via Excel)
8. Sync in SharePoint
9. Based on Master Slide
10. Pictures Placeholder Ready
11. PPTX and PPT Files
12. Vector icons as Shape
Note: Not need Photoshop – All Photos not included
Font type identification of hindi printed documenteSAT Journals
Abstract Optical font type identification is one of the important but often neglected problem. Due to the use of different font types OCR engine is not able to recognize the characters properly and accuracy of the system may decrease. It is not possible to reproduce old documents without knowledge of font type. Major use of different font styles in documents is to emphasis on some part of document so that any reader can notice them easily. In a document, font type changes may occur at particular points like titles, indexes, references, etc. They may be done by choosing another typeface, or changing the style or the size of the same typeface. Major applications of font type identification are document reproduction, creation of new font types, Document indexing and information retrieval, improving the recognition rate of an OCR engine. This paper presents an approach for font type identification of 5 Hindi font types as Marathi-Vakr, Shusha05, Devanagari New, Shusha02, Prem chand ki kahaniyan (Type writer written old book) Keywords: Font identification, Typographic and Structural features, Line level Identification, Devnagari font type, classifying font type.
Thomas Phinney, “Fonts. Everything is Changing. Again.”WebVisions
Just when you thought it was safe to go back in the font-water.
On September 14th, representatives from Microsoft, Adobe, Apple and Google made a joint font announcement in Warsaw: OpenType 1.8 was unveiled, featuring variable fonts, a.k.a. OpenType Font Variations, based on an all-but forgotten Apple technology, GX Variations.
Variable fonts enable type designers to create fonts that have one or more design axes, such as weight or width. Use of a design axis frees designers; for example, if there is a weight axis, a designer is free to choose any arbitrary weight within the font's design space, not just a few pre-set weights.
Many type designers have long used such technology for font design, so there is a backlog of existing typefaces that could be adapted to this technology. But two previous axis-fonts technologies did not take off: Apple's GX/AAT Typography allowed it, and Adobe's Multiple Master did as well. Why should this be different?
. . . . . . . . . . . . . . .
Thomas Phinney is President of FontLab, the font software tools company. Previously he was product manager for fonts and global typography at Adobe, and then senior product manager for Extensis. In the 2000s he was instrumental in driving the adoption of OpenType, both within Adobe and in the marketplace.
Professional and Clean PowerPoint slides. Fully editable, perfect to impress your audience on your next presentation.
1. FULL HD Aspect Ratio: 16:9 (1900×1080)
2. Fully animated
3. Quickly, Easy and Fully Editable in PowerPoint (All Graphic Resizable and Editable)
4. Drag and Drop Images
5. Print Version Included (A4 Handouts Ready)
6. Retina Ready
7. Data charts (Editable via Excel)
8. Sync in SharePoint
9. Based on Master Slide
10. Pictures Placeholder Ready
11. PPTX and PPT Files
12. Vector icons as Shape
Note: Not need Photoshop – All Photos not included
Font type identification of hindi printed documenteSAT Journals
Abstract Optical font type identification is one of the important but often neglected problem. Due to the use of different font types OCR engine is not able to recognize the characters properly and accuracy of the system may decrease. It is not possible to reproduce old documents without knowledge of font type. Major use of different font styles in documents is to emphasis on some part of document so that any reader can notice them easily. In a document, font type changes may occur at particular points like titles, indexes, references, etc. They may be done by choosing another typeface, or changing the style or the size of the same typeface. Major applications of font type identification are document reproduction, creation of new font types, Document indexing and information retrieval, improving the recognition rate of an OCR engine. This paper presents an approach for font type identification of 5 Hindi font types as Marathi-Vakr, Shusha05, Devanagari New, Shusha02, Prem chand ki kahaniyan (Type writer written old book) Keywords: Font identification, Typographic and Structural features, Line level Identification, Devnagari font type, classifying font type.
Thomas Phinney, “Fonts. Everything is Changing. Again.”WebVisions
Just when you thought it was safe to go back in the font-water.
On September 14th, representatives from Microsoft, Adobe, Apple and Google made a joint font announcement in Warsaw: OpenType 1.8 was unveiled, featuring variable fonts, a.k.a. OpenType Font Variations, based on an all-but forgotten Apple technology, GX Variations.
Variable fonts enable type designers to create fonts that have one or more design axes, such as weight or width. Use of a design axis frees designers; for example, if there is a weight axis, a designer is free to choose any arbitrary weight within the font's design space, not just a few pre-set weights.
Many type designers have long used such technology for font design, so there is a backlog of existing typefaces that could be adapted to this technology. But two previous axis-fonts technologies did not take off: Apple's GX/AAT Typography allowed it, and Adobe's Multiple Master did as well. Why should this be different?
. . . . . . . . . . . . . . .
Thomas Phinney is President of FontLab, the font software tools company. Previously he was product manager for fonts and global typography at Adobe, and then senior product manager for Extensis. In the 2000s he was instrumental in driving the adoption of OpenType, both within Adobe and in the marketplace.
A presentation about webfont services and how to stop using the same old 15 web-safe fonts we've been using for two decades. Examples from four webfont providers: FontSquirrel, Google Font API, Typekit, and Extensis WebINK. Includes implementation details.
COMPUTER LANGUAGES AND THERE DIFFERENCE Pavan Kalyan
In this ppt you will understand the difference among languages and You will know what is necessary for a language to become best in the present software filed
Font file formats: TrueType (TTF), PostScript y OpenType (OTF)David Fimia Zapata
Characteristics, history and definition of different file formats of the different fonts files types for operating systems like Windows, Mac OS and Linux. TrueType fonts (TTF) and OpenType PostScript (OTF) that can be found on the websites of free fonts to download like www.ultimatefonts.com and they have special characteristics and peculiarities to know that file format is used for each thing we can serve.
For novice programmers, it is difficult to decide on which programming language to learn first, or which one to try out next? The choice is vast and the complexities many. The author analyses various programming languages, and suggests making a choice based on the programmers’ interests and current software trends.
Can programming be liberated from the von neumman styleshady_10
John Backus.
Can programming be liberated from the von neumman style.
Conventional programming languages are growing ever more enormous, but not stronger. Inherent defects at the most basic level cause them to be both fat and weak: their primitive word-at-a-time style of programming inherited from their common ancestor --the von Neumann computer, their close coupling of semantics to state transitions, their division of programming into a world of expressions and a world of statements, their inability to effectively use powerful combining forms for building new programs from existing ones, and their lack of useful mathematical properties for reasoning about programs.
White wonder, Work developed by Eva TschoppMansi Shah
White Wonder by Eva Tschopp
A tale about our culture around the use of fertilizers and pesticides visiting small farms around Ahmedabad in Matar and Shilaj.
A presentation about webfont services and how to stop using the same old 15 web-safe fonts we've been using for two decades. Examples from four webfont providers: FontSquirrel, Google Font API, Typekit, and Extensis WebINK. Includes implementation details.
COMPUTER LANGUAGES AND THERE DIFFERENCE Pavan Kalyan
In this ppt you will understand the difference among languages and You will know what is necessary for a language to become best in the present software filed
Font file formats: TrueType (TTF), PostScript y OpenType (OTF)David Fimia Zapata
Characteristics, history and definition of different file formats of the different fonts files types for operating systems like Windows, Mac OS and Linux. TrueType fonts (TTF) and OpenType PostScript (OTF) that can be found on the websites of free fonts to download like www.ultimatefonts.com and they have special characteristics and peculiarities to know that file format is used for each thing we can serve.
For novice programmers, it is difficult to decide on which programming language to learn first, or which one to try out next? The choice is vast and the complexities many. The author analyses various programming languages, and suggests making a choice based on the programmers’ interests and current software trends.
Can programming be liberated from the von neumman styleshady_10
John Backus.
Can programming be liberated from the von neumman style.
Conventional programming languages are growing ever more enormous, but not stronger. Inherent defects at the most basic level cause them to be both fat and weak: their primitive word-at-a-time style of programming inherited from their common ancestor --the von Neumann computer, their close coupling of semantics to state transitions, their division of programming into a world of expressions and a world of statements, their inability to effectively use powerful combining forms for building new programs from existing ones, and their lack of useful mathematical properties for reasoning about programs.
White wonder, Work developed by Eva TschoppMansi Shah
White Wonder by Eva Tschopp
A tale about our culture around the use of fertilizers and pesticides visiting small farms around Ahmedabad in Matar and Shilaj.
7 Alternatives to Bullet Points in PowerPointAlvis Oh
So you tried all the ways to beautify your bullet points on your pitch deck but it just got way uglier. These points are supposed to be memorable and leave a lasting impression on your audience. With these tips, you'll no longer have to spend so much time thinking how you should present your pointers.
Transforming Brand Perception and Boosting Profitabilityaaryangarg12
In today's digital era, the dynamics of brand perception, consumer behavior, and profitability have been profoundly reshaped by the synergy of branding, social media, and website design. This research paper investigates the transformative power of these elements in influencing how individuals perceive brands and products and how this transformation can be harnessed to drive sales and profitability for businesses.
Through an exploration of brand psychology and consumer behavior, this study sheds light on the intricate ways in which effective branding strategies, strategic social media engagement, and user-centric website design contribute to altering consumers' perceptions. We delve into the principles that underlie successful brand transformations, examining how visual identity, messaging, and storytelling can captivate and resonate with target audiences.
Methodologically, this research employs a comprehensive approach, combining qualitative and quantitative analyses. Real-world case studies illustrate the impact of branding, social media campaigns, and website redesigns on consumer perception, sales figures, and profitability. We assess the various metrics, including brand awareness, customer engagement, conversion rates, and revenue growth, to measure the effectiveness of these strategies.
The results underscore the pivotal role of cohesive branding, social media influence, and website usability in shaping positive brand perceptions, influencing consumer decisions, and ultimately bolstering sales and profitability. This paper provides actionable insights and strategic recommendations for businesses seeking to leverage branding, social media, and website design as potent tools to enhance their market position and financial success.
You could be a professional graphic designer and still make mistakes. There is always the possibility of human error. On the other hand if you’re not a designer, the chances of making some common graphic design mistakes are even higher. Because you don’t know what you don’t know. That’s where this blog comes in. To make your job easier and help you create better designs, we have put together a list of common graphic design mistakes that you need to avoid.
26. Acknowledgement
A
was a quick f
project, whi
wanted to
complete in t
r to give a cop
the result to
friend to
commemorat
27. League Gothic / League Ghotic Extended
g League Gothic is a revival of an old
and one of our favorite typefaces, A
Gothic No.1. It was originally design
0 Morris Fuller Benton for the Americ
Founders Company (ATF) in 1903. Th
company went bankrupt in 1993. An
the original typeface was created b
28. PT Sans
K
PT Sans family was developed as a
the project “Public Types of R
Federation”. The fonts of this projec
open user license and can be
l
distributed. The main aim of the pr
to give possibility to the peop
Russia to read and write on
native languages. The proj
dedicated to 300-year anniversary
civil type invented by Peter the G
29. Titillium
g The aim of the project is the creation of a
collective fonts released under OFL to be
promoted and shared through a web platf
Each academic year, a dozen of
y
students are working on the proje
developing and solving problems.
The type designers interest
the amendment or revisio
Titillium are invited to coop
or develop their own varian
31. Electrum
E
J'étais bien loin d'imaginer que la réa
ce caractère prendrait autant de temp
les premiers dessins mis en ligne fin
a
De même, j'ai profité de ce
réalisation pour fixer les sc
opentypes liés aux indices
dérivés parfois utilisés en
publication. L'objectif était
32. Mekanus
K
La famille de police Mekanus est née d'u
de style ayant pour objet de combiner u
typewriting et courbes qui rappellent l'é
Durant le developpement, elle a été empat
f
manière à embellir le rendu initial. Avec le
elle a été étendues avec de nombreuses liga
servirent à écrire le script opentype, ainsi
placement PUA de manière à pouvoir
incorporées dans les polices postscrip
33. Ikarius
ß
Les polices Ikarius utilisent des hauts
caractères épaißis et droits par rappo
et se caractérisent également par un s
pour les bas de caße. Elles sont deßin
k
manière à offrir un rendu visuel équili
utilisables à la fois pour le texte et le t
Ikarius poßède un espacement reßerré
un aspect légèrement condensé. Dans
version les caractères « v, y, w » ont d
la partie supérieure comme les autres
de la police. La barre inférieure de l'œ
34. a
Cantarell
“The Cantarell is a contemporary Human
designed for on-screen reading; in parti
web pages on an HTC Dream mobile ph
device runs Google Android and therefo
f
browser supporting the exciting new we
known as @font-face.
As my very first typeface design, th
has many faults, yet it achieves the
improving readability on this device
- David Crossland
35. X11 / MIT License
en.wikipedia.org/wiki/Mit_license
kernest.com/licenses/x11-license
- commercial use
- redistribution
- derivative works
36. CMU Serif Upright Roman
&
Computer Modern Unicode fonts were c
metafont sources using mftrace with aut
backend and fontforge (former pfaedit).
purpose is to create free good quality fon
X applications supporting many languag
k
the fonts contain glyphs from Latin1 (M
vnr), Cyrillic (lh) and Greek (cbgreek w
code sets and IPA extensions (from tipa
alphabets are also welcome. Now this se
fonts. It is better to use these fonts with
enabled.
37. CMU Concrete
A
Computer Modern Unicode fonts were co
metafont sources using mftrace with auto
and fontforge (former pfaedit). Their mai
create free good quality fonts for us
k
applications supporting many languages.
fonts contain glyphs from Latin1 (Metafo
Cyrillic (lh) and Greek (cbgreek when av
and IPA extensions (from tipa). Other alp
welcome. Now this set contains 33 fonts.
use these fonts with antialiasing enabled.
38. CMU Sans Serif
G
Computer Modern Unicode fonts were convert
metafont sources using mftrace with autotrace
fontforge (former pfaedit). Their main purpose
free good quality fonts for use in X applicat
a
supporting many languages. Currently the font
glyphs from Latin1 (Metafont ec, tc, vnr), Cyr
Greek (cbgreek when available) code sets and
(from tipa). Other alphabets are also welcome
contains 33 fonts. It is better to use these fo
antialiasing enabled.
39. Web Native
hi
low
openly stroke
licensed contrast
large
x-height
open
counter
kernest.com/web-native
42. “We all love League Gothic font
from theleagueofmoveabletype.com
So I extended this famous and
awesome font...”
http://typethefont.com/post/798257771/league-ghotic-extended
43. league gothic league ghotic extended
202 glyphs 321 glyphs