Wicked stage managers
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The stage manager plays a key role in ensuring that all elements of the production of Wicked run smoothly. They work closely with all departments to check that everything is functioning properly and keep open communication about any notes or changes needed. As the primary point of contact excluding the director and choreographer, the stage manager is responsible for calling light and sound cues to coordinate with scenery, props, actors and music. After one performance, the stage manager met with the production supervisor to review notes on what went well and areas needing improvement, as well as discuss additional techniques. The production supervisor ensures each performance maintains the same quality and style as all other productions of Wicked. The daily performance report documents any issues from each show and areas for the
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The stage manager's responsibilities include being present an hour before rehearsals to set up scenes and check that all actors are present. They break the play down into parts and keep track of which actors are needed for each scene. The stage manager acts as the main point of communication, passing information between all production departments such as costumes, props, lighting, and sound. Any issues discovered during rehearsals are reported to the relevant departments by the stage manager. On performance days, the stage manager ensures all audience members have the best experience and that the show does not become stale. They call actors for scene changes and ensure everyone performs their duties correctly.
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The stage manager's responsibilities include being present an hour before rehearsals to set up scenes and check that all actors are present. They break the play down into parts and keep track of which actors are needed for each scene. The stage manager acts as the main point of communication, passing information between all production departments such as costumes, props, lighting, and sound. Any issues discovered during rehearsals are reported to the relevant departments by the stage manager. On performance days, the stage manager ensures all audience members have the best experience and that the show does not become stale. They call actors for scene changes and ensure everyone performs their duties correctly.
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As the props mistress, Ann Brown is responsible for managing the sourcing, collection, and organization of props for performances. This includes creating detailed props lists, communicating with the director, attending rehearsals, instructing actors, supervising other staff, and ensuring all props are in place. She must source props on budget, make sure they enhance the narrative, and effectively communicate with the production team.
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The document discusses the roles of the dramaturg, director, and producer in the theater production process. It describes how the dramaturg helps directors by researching plays and preparing reports. Directors work with designers on the physical production and with performers during rehearsals to block scenes and observe movement and pacing. Producers oversee the financial and business aspects of a production, raising funds, securing rights, and managing budgets. The director's role is to integrate the artistic elements, while the producer coordinates the business side.
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The stage manager coordinates all aspects of a production to ensure its successful delivery. They manage rehearsals, actors, technicians and more from rehearsal through performance, dealing with any issues.
The sound designer is responsible for all audio elements of a production. This includes editing sounds, finding sound effects, and understanding sound programs like QLAB. They must adapt their role to each specific production.
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The stage manager coordinates all aspects of a production to ensure its successful delivery. They manage rehearsals, actors, technicians and more from rehearsal through performance, dealing with any issues.
The sound designer is responsible for all audio elements of a production. This includes editing sounds, finding sound effects, and understanding sound programs like QLAB. They must adapt their role to each specific production.
The front of house manager oversees the audience experience and front of house facilities like bars and ticket sales. They are the first impression of the venue and must ensure a smooth performance.
The deputy/assistant stage manager assists the stage manager and director. They prompt actors, cue crew, and fill in for the stage manager
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The stage manager oversees all visual and technical elements of a theatrical production. This includes coordinating lighting, sound effects, costumes, and ensuring all elements work together to achieve the director's vision. The stage manager is responsible for the work of various departments like set design, costumes, and addressing any issues during performances. Effective stage management is essential for a smooth production.
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The director is an interpretive artist who unifies all elements of a theatrical production around a single concept or vision. They coordinate meetings with designers early in the process and focus their work. During auditions and rehearsals, the director works with actors on blocking, character development, and ensuring the production comes together as a cohesive whole. As technical rehearsals begin, the director's primary focus shifts to integrating technical elements while maintaining the artistic integrity of the production. By opening night, the director has handed full responsibility for maintaining the production concept and calling cues to the stage manager.
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3. Director - They have overall artistic responsibility for a production and work closely with all departments. Wide knowledge and experience in the field are valuable.
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The document describes several job roles in theatre production:
Stage Manager coordinates all aspects of a production from rehearsals through performances to ensure successful delivery. Their duties include managing schedules, props, costumes, budgets and communicating between departments.
Sound Designers and Composers create sound effects and music to fit the production concept as directed. Sound Operators operate sound equipment during rehearsals and performances, cueing effects at the proper moments.
Lighting Operators operate lights during rehearsals and performances, programming cues to create desired emotions according to the director's vision.
Front of House Managers oversee ticket sales and audience experience to maintain the production's public image and quality service.
Props
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The document describes the roles and responsibilities of various positions within the production of a musical. It begins by explaining there is a hierarchy and then lists the roles of Stage Manager, Assistant Stage Manager, Deputy Stage Manager, Sound Designer, Sound Operator, Front of House Manager, Lighting Designer, and Lighting Operator. For each role it provides details of their responsibilities and how they interact with other roles to ensure smooth execution of the production.
Gc1
The document outlines several job roles in theatre production, including stage manager, sound designer/operator, lighting operator, front of house manager, and props mistress. A stage manager coordinates all aspects of a production to ensure successful performances. They manage rehearsals, actors, technicians and liaise between departments. A sound designer plans sound effects while an operator plays them at the right time. A lighting operator programs and operates lights to match scenes and cues. The front of house manager oversees customer service. The props mistress sources and manages all props for the production.
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The producer manages all financial and creative aspects of a theatrical production, hiring employees like writers, directors, designers, and performers. The director works closely with the producer and cast to bring the script to life on stage in a way that connects with audiences. The musical director ensures the musical elements are thoroughly prepared and interpreted, conducting rehearsals and performances. Choreographers create and teach dance routines and sequences for performers in various creative works. The technical director oversees all technical equipment and production processes to ensure functionality, maintenance, organization, and safety. The deputy stage manager prompts actors and cues crew during rehearsals and performances under the direction of the stage manager. Assistant stage managers take on various responsibilities assigned by the deputy stage manager to
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The document summarizes the various roles involved in stage production behind the scenes. It describes the producer who finances and oversees the entire production. The director has the overall vision and ensures all elements come together cohesively. Other roles include the playwright, set designer, lighting designer, costume designer, sound designer, production manager, technical director, choreographer, and makeup designer, all of whom work to bring the director's vision to life and support the actors' performance.
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South African Journal of Science: Writing with integrity workshop (2024)
Wicked stage managers
- 1. ElishiaSelby ProductionArts-Wicked What do stage managers do in Wicked? The stage managerwithin Wicked workveryclose to manyof the departmentsin orderto check everythingisworking,tokeepthe show runningsmoothlyaswell as talkingdailyaboutwhatthe showneedsnote-wisetothenpassontoother departmentsof the show.Theyalsoensure thateverythingismaintainedtothe standardthat all the designershave created.Excludingthe directorand choreographertheyare the mostimportant.Theyare oftenaskedto call a lightcue to coordinate itwithscenery,propmovement,actormovement,score,conductor etc. ‘Artistic integrityof the show’ meansthat the personhascharacter. Theirartworkis theirownstyle, and theydon'ttake ideasfromothersandtry to turn themintotheirown.Theirstyle iswhatthey put together. At 2:01 I can see the stage managersat downwiththe productionsupervisor.Theyseemtobe lookingatscripts/notesandtalkingthroughwhatmayhave gone well withinthe show andwhat needsimprovingaswell asothertechniquesinwhichtheycouldinclude/addtothe performance. The role of the productionsupervisoristoensure the performance looks,soundsandfeelsthe same as any otherWicked performance. The daily performance report consistsof any issuesthatmayhave occurredduring/before orafter the show,any technical orartisticproblemsoranyareas for the creative teamtovisit.Italso containsthe performance number