Presented at the Experience Music Project Pop Conference, April 25, 2014. Audio is available here: http://aramsinnreich.typepad.com/aram_squalls/2014/04/brooklynsound.html
Ah, but you don't look like a professor! A recent statement from a (female) patient says it all, doesn't it?
Since the first women were admitted to medical schools – quite a while ago in most countries, the participation of women in clinical and academic medicine has increased steadily. Overall, women represent the majority of health care workers and also medical students in most countries of the world today. SMACC audience is almost 50% female.
However, only few women make it to the top, and with each step up the career ladder, the proportion of women decreases substantially, a phenomenon called the “glass ceiling” or the „leaky pipeline“. This is particularly true for some medical specialties such as critical care or trauma surgery, as opposed to specialties like endocrinology, pediatrics or gynecology. Although often subtle, gender discrimination against women continues to be a problem – for instance, it has been shown that a ficticious student named “John” would receive a higher salary and find a mentor easier than “Jennifer”. A manuscript written by “John” is judged more favourably than one that is authored by “Joan”, and female grant applicants with the same scientific productivity are given substantially lower scores than male applicants by reviewers (men and women). Sheryl Sandberg’s statements are as true in clinical and academic medicine as in other areas.
This talk will definitely raise your awareness for the topic.
A deck all about Brooklyn Music - Uploaded by Pedro Torres Ciliberto. http://pedrotorrescilibertoveneuzela.net
The Brooklyn Academy of Music better known as Bam is known as the home to adventurous artists and audiences. This year, it celebrates its 150 year anniversary with a lineup as rich as its history. “Well I’d like to say that BAM is extremely old but always new.” Says Pedro Torres Ciliberto, a member of BAM’s board of trustees. Mr. Pedro Torres Ciliberto continues saying, “It’s pretty amazing because, how many institutions can survive for 150 years?” “It opened in 1861 during the American Civil War. The institution survived fire, flood, the great depression, and here it stands today as a thrilling and diverse performing arts center that showcases work from all over the wor
The Perception of Failure - Guns N' Roses & Chinese Democracy & Best BuySteph Miller
A lot of Monday morning quarterbacking post release but this exclusive still was the retailer coup in entertainment that happened last century.
The ROI was negligible. The artist wouldn’t promote the work, a move that detractors used to pan the content into an early grave. The name created low-level negative international commentary. The fan base had a big delta between who loved it and who didn’t and were being squeezed by the Great Recession.
Sum total by those viewing from their particular perch was that it was an epic fail.
Musical taste aside, given all the intangibles, only Best Buy could make this release happen. Anyone sitting on our branch knew what a win it really was.
It was a competitive proving ground. The team built a machine of human capital that quickly spat out anyone without a sense of humor or work ethic.
It was no longer who was a vendor rep and who was a merchant and who was marketing and who was supply chain and who were Events and who was in the store making “the last ten feet*” work to deliver the experience for the customer.
Silos were evacuated and a meet-up was designated.
If a person is lucky. I mean really worked hard to play the odds to up their chance to be at the right place at the right time, they land a project of a lifetime. Very few people...for better or worse...can say they were a part of this.
*This post is in honor of Gary Arnold.
Ah, but you don't look like a professor! A recent statement from a (female) patient says it all, doesn't it?
Since the first women were admitted to medical schools – quite a while ago in most countries, the participation of women in clinical and academic medicine has increased steadily. Overall, women represent the majority of health care workers and also medical students in most countries of the world today. SMACC audience is almost 50% female.
However, only few women make it to the top, and with each step up the career ladder, the proportion of women decreases substantially, a phenomenon called the “glass ceiling” or the „leaky pipeline“. This is particularly true for some medical specialties such as critical care or trauma surgery, as opposed to specialties like endocrinology, pediatrics or gynecology. Although often subtle, gender discrimination against women continues to be a problem – for instance, it has been shown that a ficticious student named “John” would receive a higher salary and find a mentor easier than “Jennifer”. A manuscript written by “John” is judged more favourably than one that is authored by “Joan”, and female grant applicants with the same scientific productivity are given substantially lower scores than male applicants by reviewers (men and women). Sheryl Sandberg’s statements are as true in clinical and academic medicine as in other areas.
This talk will definitely raise your awareness for the topic.
A deck all about Brooklyn Music - Uploaded by Pedro Torres Ciliberto. http://pedrotorrescilibertoveneuzela.net
The Brooklyn Academy of Music better known as Bam is known as the home to adventurous artists and audiences. This year, it celebrates its 150 year anniversary with a lineup as rich as its history. “Well I’d like to say that BAM is extremely old but always new.” Says Pedro Torres Ciliberto, a member of BAM’s board of trustees. Mr. Pedro Torres Ciliberto continues saying, “It’s pretty amazing because, how many institutions can survive for 150 years?” “It opened in 1861 during the American Civil War. The institution survived fire, flood, the great depression, and here it stands today as a thrilling and diverse performing arts center that showcases work from all over the wor
The Perception of Failure - Guns N' Roses & Chinese Democracy & Best BuySteph Miller
A lot of Monday morning quarterbacking post release but this exclusive still was the retailer coup in entertainment that happened last century.
The ROI was negligible. The artist wouldn’t promote the work, a move that detractors used to pan the content into an early grave. The name created low-level negative international commentary. The fan base had a big delta between who loved it and who didn’t and were being squeezed by the Great Recession.
Sum total by those viewing from their particular perch was that it was an epic fail.
Musical taste aside, given all the intangibles, only Best Buy could make this release happen. Anyone sitting on our branch knew what a win it really was.
It was a competitive proving ground. The team built a machine of human capital that quickly spat out anyone without a sense of humor or work ethic.
It was no longer who was a vendor rep and who was a merchant and who was marketing and who was supply chain and who were Events and who was in the store making “the last ten feet*” work to deliver the experience for the customer.
Silos were evacuated and a meet-up was designated.
If a person is lucky. I mean really worked hard to play the odds to up their chance to be at the right place at the right time, they land a project of a lifetime. Very few people...for better or worse...can say they were a part of this.
*This post is in honor of Gary Arnold.
Following the Money Behind Intellectual Property LawAram Sinnreich
Presentation made at the #ICA17 conference in San Diego, May 28, 2017. The full draft of the paper (which is based on a forthcoming book for Yale Press) can be downloaded from http://bit.ly/AS-ICA17.
Who Gets Left Behind as Remix Goes Mainstream?Aram Sinnreich
A presentation of a paper by Fernanda Rosa and Aram Sinnreich at #AoIR2016. This paper uses longitudinal survey data to demonstrate the increasingly mainstream nature of "remix" or "configurable" culture, while also examining the lingering social inequities that are reproduced by asymmetric adoption of these emerging cultural trends.
A presentation give at #AoIR2016 by Pat Aufderheide and Aram Sinnreich sharing survey data reflecting the copyright and fair use practices of people in the visual arts professions
Slides for my "Digital Media and Culture" class, Fall 2016, essentially giving undergrads a quick refresher on what internet culture was about before they first logged on.
ICA 2016: Slicing the Pie: Towards an Equitable Music EconomyAram Sinnreich
Presentation given at the International Communication Association conference in Fukuoka, Japan, June 2016. This paper analyzes the royalties and revenues accrued by recording artists and composers who distribute their work through various online and off-line channels, and considers pending music policy decisions in light of these analyses.
ICA 2016: Resisting Surveillance: Counter Conduct of the IncarceratedAram Sinnreich
Presentation given by Jessa Lingel and Aram Sinnreich at the International Communication Conference in Fukuoka, Japan, June 2016. This presentation focuses on how incarcerated populations resist and mitigate surveillance, and what online populations can learn from their acts of "counter-conduct."
LIDA 2016: COPYRIGHT, MEDIA ETHICS, LIBERTY & PRIVACY AN INTERNATIONAL PERSPE...Aram Sinnreich
Presentation given at "Libraries in the Digital Age", June 2016: COPYRIGHT, MEDIA ETHICS, LIBERTY & PRIVACY
AN INTERNATIONAL PERSPECTIVE. Uses international survey data to examine trends in digital culture, and implications for copyright law and library policy
Ethics Evolved: An International Perspective on Copying in the Networked AgeAram Sinnreich
Analysis of data from surveys from 2006-2015 covering the awareness, consumption, engagement, opinions, ethics and laws surrounding "configurable" culture, such as mashups, remixes, machinima, memes, mods, and anime music videos.
Fair Use and Academic Freedom: Copyright Attitudes and Practices Among Commun...Aram Sinnreich
Presented at the Internet Research 16 conference in Phoenix, AZ, Oct 24, 2015.
Based on:
Sinnreich, A. & Aufderheide, P. (2015). Communication scholars and fair use: The case for discipline-wide education and institutional reform. International Journal of Communication, 9; 818-828.
Abstract:
A survey of 350 communication scholars internationally shows that, although scholars are increasingly aware of fair use and (when aware of it) benefit from the Code of Best Practices in Fair Use for Communication Scholarship, they continue to suffer from confusion and ignorance about how to apply this feature of copyright law that is crucial to their work. Most are not aware of the code, although those who use it report success. The survey results point to the need for discipline-wide education and application of the code’s affordances for institutional reform.
Resisting Sovereign Surveillance: an activist agenda from the IncarceratedAram Sinnreich
Presentation made by Jessa Lingel and Aram Sinnreich at the Internet Research 15 Conference in Daegu, Korea, 10/23/14.
Full draft of the article is available at http://j.mp/incodification.
Presentation audio: https://soundcloud.com/original-sinn/incodification_ir15
Abstract:
This paper reviews penal history in order to consider forms of resistance to mass surveillance. Because experiences of surveillance are endemic to incarcerated life, identifying tactics of resistance among these populations provides valuable insights for potential forms of counter-conduct in other circumstances of ubiquitous monitoring. We focus on three forms of protest: hunger strikes, alternate communication networks and viral dance videos, which we frame through Foucault’s theory of askesis. We introduce the term incodification as a means of describing conditions of continuous surveillance ingrained into infrastructures of everyday life, even as these conditions give rise to tactics of resistance like those identified in this paper. Our objective in introducing this term, and with our analysis as a whole, is to provoke theoretical and activist projects that account for and subvert infrastructures of incodification.
Presentation audio: https://soundcloud.com/original-sinn/posthuman_rights_cornelltech
Abstract:
The rise of digital networks is contributing to profound shifts in the way we work, play, organize, and construct our identities. The "modern individual," a convenient fiction of the 19th and 20th centuries, is giving way to a more fluid understanding of the human condition, and inspiring some thinkers to postulate that we're entering a "posthuman" age. Yet our legal, economic, and institutional systems are still tied to the notion of "individual" rights and responsibilities. How can we update these systems to accommodate such changes, and what are the risks if we don't?
Sharing in Spirit: Kopimism and the Digital EucharistAram Sinnreich
Presented at International Communication Association annual Conference, May 22, 2014:
In April, 2012, in a ceremony officiated by an “ops” wearing a Guy Fawkes mask and wielding a talking laptop, the first Kopimist wedding was performed. It marked a significant milestone for this rapidly growing religion, founded in 2010 by a Swedish philosophy student named Isak Gerson and officially recognized by Sweden less than two years later. The religion is based on the principals that copying, disseminating and reconfiguring information are not only ethically right, but are in themselves “sacred” acts of devotion. Kopimist philosophy also holds that “the internet is holy” and that “code is law” (a phrase copied from legal scholar Lawrence Lessig).
Kopimism has already raised some interesting questions and debates in both legal and religious circles. Some have grumbled that the Kopimists are simply a bunch of “pirates” cleverly using religious protection to shield them from liability for copyright infringement. Others have suggested that the religion is little more than a sophomoric rhetorical exercise, the predictable product of a precocious young philosopher. In this article, I consider these viewpoints and suggest that, if we take Kopimist doctrine at its word, we can better understand it as the crystallization of an emerging value system centered around the proliferation of digital, networked information. Like copyright, and monastic Christianity before, it, Kopimism stakes out a socioepistemological vantage point, seeking to reconcile the regulatory demands of the 20th Century’s copyright regime with the cultural ramifications of today’s global digital information infrastructure.
Based on interviews with Kopimist officials and worshippers, as well as a critical reading of the religion’s “constitution” and other doctrinal texts, I delineate the complex ethical boundaries surrounding this new belief system, and examine it in contrast to previous religious and legal systems, evaluating its points of continuity and rupture to illuminate the unique challenges to ethics and morality in an era of information abundance and continuing material and educational inequity.
On Tuesday 1/28/14, I spoke to the NYS Bar Association's IP Annual Meeting about 3D printing and its implications for industry and law. Here are the slides I used.
#Kopimism considered: Sophistry, sacrament or scam?Aram Sinnreich
Sweden recently became the first nation officially to recognize a new religion called Kopimism, based on the principal that copying, disseminating and reconfiguring information constitutes a "sacred" act. Some argue that Kopimists are a bunch of "pirates" using religion to shield them from copyright liability. Others see it as an absurd act of political theater. In this article, I suggest that it is the crystallization of an emerging cultural value system centered around digital networks. Like copyright, and monastic Christianity before it, Kopimism represents a socioepistemological solution to the irreconcilability of traditional cultural values and emerging informatic flows.
Slides for a webinar I gave on June 27, 2013 covering the state of webcasting, digital music, and online marketing, with a focus on Pandora and the potential threats presented by Apple's iTunes Radio service. Featuring a significant amount of digital music industry economic data, and mapping out the value chains for digital music distribution.
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdfTechSoup
In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
The Art Pastor's Guide to Sabbath | Steve ThomasonSteve Thomason
What is the purpose of the Sabbath Law in the Torah. It is interesting to compare how the context of the law shifts from Exodus to Deuteronomy. Who gets to rest, and why?
How to Create Map Views in the Odoo 17 ERPCeline George
The map views are useful for providing a geographical representation of data. They allow users to visualize and analyze the data in a more intuitive manner.
How to Split Bills in the Odoo 17 POS ModuleCeline George
Bills have a main role in point of sale procedure. It will help to track sales, handling payments and giving receipts to customers. Bill splitting also has an important role in POS. For example, If some friends come together for dinner and if they want to divide the bill then it is possible by POS bill splitting. This slide will show how to split bills in odoo 17 POS.
The Indian economy is classified into different sectors to simplify the analysis and understanding of economic activities. For Class 10, it's essential to grasp the sectors of the Indian economy, understand their characteristics, and recognize their importance. This guide will provide detailed notes on the Sectors of the Indian Economy Class 10, using specific long-tail keywords to enhance comprehension.
For more information, visit-www.vavaclasses.com
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
Why Doesn't the 'Brooklyn Sound' Sound Like Brooklyn?
1. WHY DOESN’TTHE
‘BROOKLYN SOUND’
SOUND LIKE BROOKLYN?
Aram Sinnreich
Rutgers University
School of Communication & Information
!
EMP Pop Conference
April 25, 2014
9. TRACKING INFLUENCES
Grizzly
Bear
Elliott Smith (Omaha)
Mercury Rev (Buffalo)
Neutral Milk Hotel (Athens)
MGMT
Flaming Lips (Oklahoma)
Sparks (LA)
David Bowie (UK)
Dirty
Projectors
Black Flag (Cali)
Brian Eno (UK)
Fela Kuti (Nigeria)
Vampire
Weekend
XTC (UK)
Peter Gabriel (UK)
Spoon (Austin)
Source:
Music Bloodline,
Rovi
10. THE GREAT MIGRATION
Ben Goldwasser,
MGMT
Ed Droste,
Grizzly Bear
Amber Coffman,
Dirty Projectors
Andrew Savage,
Parquet Courts
Rostam Batmanglij,
Vampire Weekend
11. THE BIGGER PICTURE: DEMOGRAPHICS
2000-2010:
Brooklyn's population grew by 39,000 people.
• White population grew by 38,774
• Asian population grew by 75,838.
• Black population shrank by -49,517
White growth
Asian growth
Black and Latino growth
18. THANK YOU.
Aram Sinnreich
Rutgers University
School of Communication & Information
!
EMP Pop Conference
April 25, 2014
!
Twitter: @aram
sinn@rutgers.edu