What is a trailer?
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A trailer is an advertisement for an upcoming film that is shown in cinemas. There are two types of trailers: teaser trailers which are 40-60 seconds and give viewers information about the genre, director, and release date. Full trailers are longer and focus more on the plot. Trailers were originally shown at the end of films but now play before movies start to entice audiences to watch featured films. The purpose of trailers is to make viewers want to see the movie by giving a brief sense of the plot, genre, and starring actors without revealing too much.
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Thoughts on-storyboard
The document discusses the importance of a storyboard for a 1-minute movie trailer. The storyboard will include at least 40 shots and show what each shot will look like through brief descriptions and drawings. It is crucial as it will establish the sequence of shots, such as close-ups or establishing shots, and describe what will be depicted in each shot, such as character actions. The storyboard provides a plan for how the trailer will be constructed and filmed through the story it tells using individual shots.
Evaluation - question 1
The film conforms to conventions of sci-fi/thriller films by using suspenseful music, quick cuts, and sound effects. It follows a protagonist trying to restore order by eliminating aliens invading Earth. Shots were planned to keep the protagonist's identity hidden and make the audience question what they are doing. The opening scene introduces the lone main character in a deserted suburban area to set the scene, similar to I Am Legend. Sound effects of alien invasions and gunshots were added, and negative effects were used to show the alien's thermal vision, as seen in Predator. A simple title sequence was created in After Effects to have the title emerge from darkness as if something is following it.
Thriller action genre features
The document discusses key elements of action/thriller genre films and trailers. It notes that action/thriller films typically feature props like guns, are fast-paced, and include an antagonist villain opposing a protagonist hero. For the trailer, it recommends including a voiceover to tease the story, shots that showcase action without revealing the plot, and appropriate sound effects. Location selection is also important to enable fast shots that match the genre.
Media studies evaluation final.
The document discusses how a student's media product for a teaser trailer challenges and develops conventions of real teaser trailers. The student researched conventions like teaser trailers being 30-50 seconds and giving audiences a glimpse of the film. The student chose to base their horror/thriller teaser trailer on classic horrors like Psycho rather than relying on modern special effects. While including a central villain as is conventional, the student hints the villain is a woman, challenging the convention that villains are usually men. The student incorporates some conventions like suspenseful non-diegetic sounds but aims to portray a classic rather than modern horror.
Teaser and feature trailer differences
A teaser trailer is released before the feature trailer, is typically less than a minute long, and may not include actual film footage. A feature trailer is longer at 3-4 minutes, includes footage from the film, reveals characters and hints at the plot. While teaser trailers can confuse viewers and feature trailers may reveal too much of the plot, this document discusses using a three-way split screen in a feature trailer to hint at a decision without revealing the ending.
Timeline of a film opening
The document discusses conventions for film openings and slasher horror films. It notes that film openings typically include the director's name, title, producers, and production company. It also establishes characters and settings. Slasher horror film conventions include using a weapon like a knife as the plot device, including a masked killer to hide their identity, using intense music to build suspense, starting calmly and ending badly, and using shots that show the killer's power over vulnerable victims. Fast pacing and unexpected noises are used to build additional suspense. The document then explains that the creator constructed a timeline of the opening credits of "Insidious" to show a generically conventional film opening and give a better understanding of what one would look
Film trailer anlaysis #2
The trailer uses fast-paced editing and a contrast between happy, upbeat music and tense, ominous sounds to build suspense. It provides just enough glimpses of the plot to intrigue viewers without giving too much away. Scenes of characters preparing and then being chased cut together rapidly to excite audiences and leave them wanting more information.
Research fmp
The Shutter Island trailer effectively conveys the psychological thriller genre in under 3 minutes. It establishes the basic plot of U.S. Marshal Teddy Daniels (Leonardo DiCaprio) investigating a psychiatric facility on a remote island for missing patients. Through its use of ominous music, dark lighting and mysterious dialogue, the trailer builds an unsettling atmosphere and leaves viewers with many questions. It implies the hospital staff may be hiding sinister activities while also hinting that Teddy could be losing his grip on reality. Though it reveals only selective scenes, the trailer intrigues audiences to learn more about what's truly happening on Shutter Island. The filmmaker analyzes how the trailer misdirects viewers and maintains mystery, techniques they aim
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Thoughts on-storyboard
The document discusses the importance of a storyboard for a 1-minute movie trailer. The storyboard will include at least 40 shots and show what each shot will look like through brief descriptions and drawings. It is crucial as it will establish the sequence of shots, such as close-ups or establishing shots, and describe what will be depicted in each shot, such as character actions. The storyboard provides a plan for how the trailer will be constructed and filmed through the story it tells using individual shots.
Evaluation - question 1
The film conforms to conventions of sci-fi/thriller films by using suspenseful music, quick cuts, and sound effects. It follows a protagonist trying to restore order by eliminating aliens invading Earth. Shots were planned to keep the protagonist's identity hidden and make the audience question what they are doing. The opening scene introduces the lone main character in a deserted suburban area to set the scene, similar to I Am Legend. Sound effects of alien invasions and gunshots were added, and negative effects were used to show the alien's thermal vision, as seen in Predator. A simple title sequence was created in After Effects to have the title emerge from darkness as if something is following it.
Thriller action genre features
The document discusses key elements of action/thriller genre films and trailers. It notes that action/thriller films typically feature props like guns, are fast-paced, and include an antagonist villain opposing a protagonist hero. For the trailer, it recommends including a voiceover to tease the story, shots that showcase action without revealing the plot, and appropriate sound effects. Location selection is also important to enable fast shots that match the genre.
Media studies evaluation final.
The document discusses how a student's media product for a teaser trailer challenges and develops conventions of real teaser trailers. The student researched conventions like teaser trailers being 30-50 seconds and giving audiences a glimpse of the film. The student chose to base their horror/thriller teaser trailer on classic horrors like Psycho rather than relying on modern special effects. While including a central villain as is conventional, the student hints the villain is a woman, challenging the convention that villains are usually men. The student incorporates some conventions like suspenseful non-diegetic sounds but aims to portray a classic rather than modern horror.
Teaser and feature trailer differences
A teaser trailer is released before the feature trailer, is typically less than a minute long, and may not include actual film footage. A feature trailer is longer at 3-4 minutes, includes footage from the film, reveals characters and hints at the plot. While teaser trailers can confuse viewers and feature trailers may reveal too much of the plot, this document discusses using a three-way split screen in a feature trailer to hint at a decision without revealing the ending.
Timeline of a film opening
The document discusses conventions for film openings and slasher horror films. It notes that film openings typically include the director's name, title, producers, and production company. It also establishes characters and settings. Slasher horror film conventions include using a weapon like a knife as the plot device, including a masked killer to hide their identity, using intense music to build suspense, starting calmly and ending badly, and using shots that show the killer's power over vulnerable victims. Fast pacing and unexpected noises are used to build additional suspense. The document then explains that the creator constructed a timeline of the opening credits of "Insidious" to show a generically conventional film opening and give a better understanding of what one would look
Film trailer anlaysis #2
The trailer uses fast-paced editing and a contrast between happy, upbeat music and tense, ominous sounds to build suspense. It provides just enough glimpses of the plot to intrigue viewers without giving too much away. Scenes of characters preparing and then being chased cut together rapidly to excite audiences and leave them wanting more information.
Research fmp
The Shutter Island trailer effectively conveys the psychological thriller genre in under 3 minutes. It establishes the basic plot of U.S. Marshal Teddy Daniels (Leonardo DiCaprio) investigating a psychiatric facility on a remote island for missing patients. Through its use of ominous music, dark lighting and mysterious dialogue, the trailer builds an unsettling atmosphere and leaves viewers with many questions. It implies the hospital staff may be hiding sinister activities while also hinting that Teddy could be losing his grip on reality. Though it reveals only selective scenes, the trailer intrigues audiences to learn more about what's truly happening on Shutter Island. The filmmaker analyzes how the trailer misdirects viewers and maintains mystery, techniques they aim
Opening title sequence evaluation 1
The document discusses how the author's media product used, developed, or challenged conventions of real horror opening title sequences. Some ways the author used conventions included using camera shots of a room to create suspense similar to American Horror Story, and using a bold plain font for the title to emphasize the mysterious horror genre. The author developed conventions by using blood splattered on walls without a clear source, and having blood on the floor and weapons. Additional ways included only showing parts of characters to maintain suspense, and panning across a room to reveal details without giving away the full story.
Film opening title sequence proposal form
1) The document is a proposal for a horror film opening title sequence for a college course.
2) The student proposes a "slasher-horror" genre film with dark, low lighting and shots of the antagonist walking at night. Props will include notes and news articles related to the killer's victims.
3) The target audience is identified as students and above, as the film aims to appeal to both genders but may not interest young children or the elderly.
Film opening codes & conventions
This document discusses film opening codes and conventions. It begins by explaining what the website Art of the Title is and how it can be used to analyze different elements of film opening sequences, such as genre, characters, and mise-en-scene. It then discusses some key things that title sequences typically aim to establish, such as the genre, time period, and narrative style of the film. Finally, it outlines some common conventions of title sequences, including including production company logos, actor names, and techniques used to capture audience attention and set the tone, such as typography, sounds, and visual elements that communicate genre.
Shot lists
The document discusses different types of shots that can be used in filmmaking, including long shots, establishing shots, close-ups, over the shoulder shots, mid shots, high angle shots, and low shots. It explains how each shot type will be used in the narrator's thriller trailer, such as using a close-up to show the lifeless expression on a dead body and using a high angle shot briefly to show the antagonist running from the scene of the murder. The shots are chosen to set the scene, convey emotion, add mystery, and effectively pace the trailer.
Body of lies - Codes and conventions in the opening scene
The opening scene of Body of Lies begins with a quote that is not yet explained. It then sets a tense tone with fast-paced music. Within the first 40 seconds, the viewer is confused by hearing Arabic in Manchester, England. The first person shown is dimly lit, a convention in thrillers used for villains. Stereotypes of Muslim terrorists are shown by their appearance and stated goal of avenging American wars. Contrasting scenes of a possibly terrorist hideout and a SWAT team on a rooftop use conventions like lighting, camera angles and sound effects to build tension and drama.
Question 1
The document analyzes the opening frames of a horror film to show how it conforms to genre conventions. Key shots include an unfocused house view to build suspense without revealing details, beach shots to establish the eerie setting, and character introductions using a first-person handheld style similar to popular horror films. Random cuts to a character running and panting are meant to hint at danger and potentially scare viewers. The opening ends by cutting to black for three seconds of uncertainty before revealing the main title in a style comparable to other horror films.
Paranonormal activity trailer analysis
The trailer for Paranormal Activity 2 uses techniques to build suspense and anticipation in viewers. It begins with 10 seconds of blank screen and fuzzy camera effects to mimic the found footage style of the first film. After showing a key scene from the previous movie, it depicts audiences in a theater reacting fearfully to the first film, encouraging viewers to want a similar experience. The trailer cuts between different rooms in a house at night, with subtle sounds and movements hinting at a growing threat, before a loud noise startles and a time jump raises questions. These mystery elements aim to entice viewers to watch the sequel to get answers.
The Collection
The document discusses how movie trailers provide information to viewers about a film's release date, characters, and genre. Trailers commonly reveal the release season or year, introduce main characters in medium close ups, and give glimpses of action scenes and weapons to indicate genres like thriller or horror. Trailers also display text to inform viewers about the writers or director and provide brief descriptions of the plot.
Edit czzzzzz
Shot reverse shot is a technique used in conversations where the camera cuts between one character talking and their reaction, then cuts to the other character and back again. 180 degree rule is important for continuity where the camera must stay on one side of an imaginary line between characters to avoid jump cuts. Match on action cuts between a character reaching for something off screen to the next shot revealing what they reached for.
Film trailers
Trailers have been used since the early 1900s to promote upcoming films. Originally shown after the main feature, trailers would entice audiences to return to theaters for upcoming installments. Through the decades, trailers evolved from still images to faster editing styles that mirrored changes in filmmaking. Today, trailers provide a teaser of a film's plot and characters to attract audiences. Effective trailers follow classic narrative structures, building tension through glimpses of conflict before the resolution is revealed. They aim to "inject" audiences with exciting clips to persuade viewers to watch the full film.
Edit c
Shot reverse shot is a technique used in conversations where the camera cuts between one character talking and their reaction, then cuts to the other character and back again. 180 degree rule is important for continuity where the camera must stay on one side of an imaginary line between characters to avoid jump cuts. Match on action cuts between a character reaching for something off screen to the next shot revealing what they reached for.
Edit c
This document discusses several important editing concepts used in film and television including:
1) Shot reverse shot is used in conversations to cut between characters as they talk and react to one another.
2) Matching involves cutting between shots where one object or action blends into another, such as steam blending into steam.
3) The 180 degree rule is important for continuity and prevents jump cuts by restricting filming to one side of an imaginary line around the action.
4) Match on action cuts between shots where a character reaches for something off screen to the object being reached for.
Genre research
The document discusses the thriller genre of film and how to create an effective opening scene for a thriller film. It notes that thriller films aim to create a sense of mystery and enigma. Examples are given of successful opening scenes from films like The Purge, Se7en, and Inception that build mystery without giving away plot details. The conclusion emphasizes the importance of including elements like location, costume, and an overall sense of mystery in order to draw in the target audience and make them want to watch more.
Camera shots
An establishing shot sets the location or setting at the beginning of an opening sequence using a wide or long shot. These shots can make locations seem isolated and cut off from civilization, creating suspense. Point-of-view shots involve the audience by showing what the victim sees and give the impression of being stalked or watched. Close-ups are effective for showing facial expressions and reactions to involve viewers in the fear and horror.
The dark knight opening analysis
This opening scene analysis discusses the mise-en-scene, sound, and camera work in the opening scene of The Dark Knight. Key props like money and masks are used to establish the criminals. Bright lighting is unusual but allows the audience to follow the action. Gunshots and screams are amplified to increase tension. Long shots show the setting and criminals' intentions, while mid shots establish their relationships despite masks. Invisible editing creates a seamless flow of action.
Amelia Gould's Advanced Productions Evaluation
The document provides details about Amelia Gould's advanced media studies project to create a film trailer, accompanying magazine cover, and poster. It outlines her research process, including analyzing existing trailers, magazines, and posters. It describes the programs used to create the projects. The document then provides specifics about the trailer, including how it develops and challenges conventions through the use of rhetorical questions, shots, cuts, music, and tension building techniques. Finally, it discusses the magazine cover and poster draft designs and how they complement the trailer.
Kill bill
Quentin Tarantino uses nonlinear storytelling techniques like flashbacks and flashforwards in the opening scenes of Kill Bill. This allows the audience to understand events that happened before to lead up to the current situation. The opening scene shows the Bride crying in black and white to set the scene in the past, before cutting to Bill's shoes approaching in color to transition to the present. Split screens are also used to establish tension, showing the Bride unaware of an impending threat as ominous music plays. Tarantino references other films through shots and styles to set tones and allude to the power dynamics between characters.
Kill bill vol 1 questions
This document discusses how Quentin Tarantino uses nonlinear storytelling in Kill Bill compared to Todorov's theory of narrative having a beginning, middle, and end. It provides examples of how Tarantino jumps around in the timeline, such as starting with the Bride's attempted murder then jumping to the end where she kills Vernita Green. The document also discusses how this nonlinear structure keeps the audience engaged compared to a strictly linear approach. Finally, it notes that the cultural references and iconography in Kill Bill are inspired by Japanese culture and martial arts films.
Industry Mobilty Solutions
Indus Aviation Systems LLP (IAS) is proposing a mobility tracking solution for an automobile manufacturer and their logistics partner. The solution involves two case studies:
1. Returnable bin logistics tracking using NFC cards on bins and handheld devices to scan bins and update locations in real-time as bins move between sites. This allows real-time tracking of bin locations and quantities.
2. A supervisor surveillance and warehouse inventory management solution using devices to track supervisor rounds at plant racks and automatically communicate inventory needs to the warehouse for delivery. This improves efficiency by streamlining the bin replenishment process and ensuring supervisor accountability.
IAS believes these solutions address key challenges around bin tracking, supervisor oversight
Quo Vadis Lehre?
Präsentation über E-Learning-Aktivitäten an der TU Graz, interne Veranstaltung, November 2013
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Opening title sequence evaluation 1
The document discusses how the author's media product used, developed, or challenged conventions of real horror opening title sequences. Some ways the author used conventions included using camera shots of a room to create suspense similar to American Horror Story, and using a bold plain font for the title to emphasize the mysterious horror genre. The author developed conventions by using blood splattered on walls without a clear source, and having blood on the floor and weapons. Additional ways included only showing parts of characters to maintain suspense, and panning across a room to reveal details without giving away the full story.
Film opening title sequence proposal form
1) The document is a proposal for a horror film opening title sequence for a college course.
2) The student proposes a "slasher-horror" genre film with dark, low lighting and shots of the antagonist walking at night. Props will include notes and news articles related to the killer's victims.
3) The target audience is identified as students and above, as the film aims to appeal to both genders but may not interest young children or the elderly.
Film opening codes & conventions
This document discusses film opening codes and conventions. It begins by explaining what the website Art of the Title is and how it can be used to analyze different elements of film opening sequences, such as genre, characters, and mise-en-scene. It then discusses some key things that title sequences typically aim to establish, such as the genre, time period, and narrative style of the film. Finally, it outlines some common conventions of title sequences, including including production company logos, actor names, and techniques used to capture audience attention and set the tone, such as typography, sounds, and visual elements that communicate genre.
Shot lists
The document discusses different types of shots that can be used in filmmaking, including long shots, establishing shots, close-ups, over the shoulder shots, mid shots, high angle shots, and low shots. It explains how each shot type will be used in the narrator's thriller trailer, such as using a close-up to show the lifeless expression on a dead body and using a high angle shot briefly to show the antagonist running from the scene of the murder. The shots are chosen to set the scene, convey emotion, add mystery, and effectively pace the trailer.
Body of lies - Codes and conventions in the opening scene
The opening scene of Body of Lies begins with a quote that is not yet explained. It then sets a tense tone with fast-paced music. Within the first 40 seconds, the viewer is confused by hearing Arabic in Manchester, England. The first person shown is dimly lit, a convention in thrillers used for villains. Stereotypes of Muslim terrorists are shown by their appearance and stated goal of avenging American wars. Contrasting scenes of a possibly terrorist hideout and a SWAT team on a rooftop use conventions like lighting, camera angles and sound effects to build tension and drama.
Question 1
The document analyzes the opening frames of a horror film to show how it conforms to genre conventions. Key shots include an unfocused house view to build suspense without revealing details, beach shots to establish the eerie setting, and character introductions using a first-person handheld style similar to popular horror films. Random cuts to a character running and panting are meant to hint at danger and potentially scare viewers. The opening ends by cutting to black for three seconds of uncertainty before revealing the main title in a style comparable to other horror films.
Paranonormal activity trailer analysis
The trailer for Paranormal Activity 2 uses techniques to build suspense and anticipation in viewers. It begins with 10 seconds of blank screen and fuzzy camera effects to mimic the found footage style of the first film. After showing a key scene from the previous movie, it depicts audiences in a theater reacting fearfully to the first film, encouraging viewers to want a similar experience. The trailer cuts between different rooms in a house at night, with subtle sounds and movements hinting at a growing threat, before a loud noise startles and a time jump raises questions. These mystery elements aim to entice viewers to watch the sequel to get answers.
The Collection
The document discusses how movie trailers provide information to viewers about a film's release date, characters, and genre. Trailers commonly reveal the release season or year, introduce main characters in medium close ups, and give glimpses of action scenes and weapons to indicate genres like thriller or horror. Trailers also display text to inform viewers about the writers or director and provide brief descriptions of the plot.
Edit czzzzzz
Shot reverse shot is a technique used in conversations where the camera cuts between one character talking and their reaction, then cuts to the other character and back again. 180 degree rule is important for continuity where the camera must stay on one side of an imaginary line between characters to avoid jump cuts. Match on action cuts between a character reaching for something off screen to the next shot revealing what they reached for.
Film trailers
Trailers have been used since the early 1900s to promote upcoming films. Originally shown after the main feature, trailers would entice audiences to return to theaters for upcoming installments. Through the decades, trailers evolved from still images to faster editing styles that mirrored changes in filmmaking. Today, trailers provide a teaser of a film's plot and characters to attract audiences. Effective trailers follow classic narrative structures, building tension through glimpses of conflict before the resolution is revealed. They aim to "inject" audiences with exciting clips to persuade viewers to watch the full film.
Edit c
Shot reverse shot is a technique used in conversations where the camera cuts between one character talking and their reaction, then cuts to the other character and back again. 180 degree rule is important for continuity where the camera must stay on one side of an imaginary line between characters to avoid jump cuts. Match on action cuts between a character reaching for something off screen to the next shot revealing what they reached for.
Edit c
This document discusses several important editing concepts used in film and television including:
1) Shot reverse shot is used in conversations to cut between characters as they talk and react to one another.
2) Matching involves cutting between shots where one object or action blends into another, such as steam blending into steam.
3) The 180 degree rule is important for continuity and prevents jump cuts by restricting filming to one side of an imaginary line around the action.
4) Match on action cuts between shots where a character reaches for something off screen to the object being reached for.
Genre research
The document discusses the thriller genre of film and how to create an effective opening scene for a thriller film. It notes that thriller films aim to create a sense of mystery and enigma. Examples are given of successful opening scenes from films like The Purge, Se7en, and Inception that build mystery without giving away plot details. The conclusion emphasizes the importance of including elements like location, costume, and an overall sense of mystery in order to draw in the target audience and make them want to watch more.
Camera shots
An establishing shot sets the location or setting at the beginning of an opening sequence using a wide or long shot. These shots can make locations seem isolated and cut off from civilization, creating suspense. Point-of-view shots involve the audience by showing what the victim sees and give the impression of being stalked or watched. Close-ups are effective for showing facial expressions and reactions to involve viewers in the fear and horror.
The dark knight opening analysis
This opening scene analysis discusses the mise-en-scene, sound, and camera work in the opening scene of The Dark Knight. Key props like money and masks are used to establish the criminals. Bright lighting is unusual but allows the audience to follow the action. Gunshots and screams are amplified to increase tension. Long shots show the setting and criminals' intentions, while mid shots establish their relationships despite masks. Invisible editing creates a seamless flow of action.
Amelia Gould's Advanced Productions Evaluation
The document provides details about Amelia Gould's advanced media studies project to create a film trailer, accompanying magazine cover, and poster. It outlines her research process, including analyzing existing trailers, magazines, and posters. It describes the programs used to create the projects. The document then provides specifics about the trailer, including how it develops and challenges conventions through the use of rhetorical questions, shots, cuts, music, and tension building techniques. Finally, it discusses the magazine cover and poster draft designs and how they complement the trailer.
Kill bill
Quentin Tarantino uses nonlinear storytelling techniques like flashbacks and flashforwards in the opening scenes of Kill Bill. This allows the audience to understand events that happened before to lead up to the current situation. The opening scene shows the Bride crying in black and white to set the scene in the past, before cutting to Bill's shoes approaching in color to transition to the present. Split screens are also used to establish tension, showing the Bride unaware of an impending threat as ominous music plays. Tarantino references other films through shots and styles to set tones and allude to the power dynamics between characters.
Kill bill vol 1 questions
This document discusses how Quentin Tarantino uses nonlinear storytelling in Kill Bill compared to Todorov's theory of narrative having a beginning, middle, and end. It provides examples of how Tarantino jumps around in the timeline, such as starting with the Bride's attempted murder then jumping to the end where she kills Vernita Green. The document also discusses how this nonlinear structure keeps the audience engaged compared to a strictly linear approach. Finally, it notes that the cultural references and iconography in Kill Bill are inspired by Japanese culture and martial arts films.
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Body of lies - Codes and conventions in the opening scene
Body of lies - Codes and conventions in the opening scene
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Industry Mobilty Solutions
Indus Aviation Systems LLP (IAS) is proposing a mobility tracking solution for an automobile manufacturer and their logistics partner. The solution involves two case studies:
1. Returnable bin logistics tracking using NFC cards on bins and handheld devices to scan bins and update locations in real-time as bins move between sites. This allows real-time tracking of bin locations and quantities.
2. A supervisor surveillance and warehouse inventory management solution using devices to track supervisor rounds at plant racks and automatically communicate inventory needs to the warehouse for delivery. This improves efficiency by streamlining the bin replenishment process and ensuring supervisor accountability.
IAS believes these solutions address key challenges around bin tracking, supervisor oversight
Quo Vadis Lehre?
Präsentation über E-Learning-Aktivitäten an der TU Graz, interne Veranstaltung, November 2013
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Similar to What is a trailer?
What is a promotional package media
The document discusses different elements that make up a promotional package for movies. It explains that a promotional package aims to attract audiences and includes things like film posters, trailers, and magazine reviews. Film posters come in teaser and main versions and aim to intrigue audiences with images and minimal text. Trailers also come in teaser and main versions and provide short previews of the film without revealing too much of the plot. Magazine reviews provide critics' opinions on whether films are worth watching. The document then analyzes examples of promotional packages for specific movies to illustrate these elements.
Analysis of a teaser and theatrical trailer
The document analyzes and compares the teaser and theatrical trailers for the film Inception. Both trailers tell the audience the name of the film at the end to build suspense. They also reveal the starring actor, Leonardo DiCaprio, through title cards. The trailers showcase exciting action scenes and use dramatic music to suggest it is a thriller. The theatrical trailer additionally features a voiceover from DiCaprio to engage viewers. Both trailers increase in pace at the end to create drama and leave audiences wanting more information about the upcoming film.
Trailers
Trailers are advertisements that promote upcoming feature films. They are shown before movies begin in theaters to create awareness and excitement about the film. Trailers tell a condensed version of the film's story in under 2 and a half minutes using exciting and noteworthy scenes. They follow a three-act structure to set up the premise, drive the story, and end with a climactic montage set to music to inspire audiences to watch the full film. Trailers consist of selected shots from the movie and are not necessarily in the order they appear to build intrigue without revealing spoilers. Most audiences now view trailers online, especially on YouTube, or they are linked from social media sites.
Promo Package Research A2
A promotional package aims to attract an audience's attention to a product being promoted through a collection of media like magazine reviews, trailers, and posters. It helps build hype for films before their release. Elements of a film promotional package include premiers, social media, merchandise, posters, trailers, reviews, and interviews. Magazine reviews are important for giving readers opinions on films. Trailers aim to intrigue audiences about a film's plot without revealing too much. Posters are essential for providing information to those who haven't seen trailers.
Transition project
This document defines key terms related to film trailers and short films. It explains that trailers are 2-3 minute previews of upcoming films used to generate hype and attract target audiences. Short films are amateur or professional films no longer than 40 minutes. Both trailers and short films include credits, sound/sound effects, narrative, and character introductions. The document also lists common film genres and notes that the codes and conventions used in trailers and short films are genre-dependent to emphasize the genre to viewers.
Summer tt analysis of trailer conventions
A teaser trailer is typically between 30 seconds and 1 minute long. It uses fast-paced editing and genre-appropriate music to set the tone. Teaser trailers show key action scenes and dialogue to give a sense of the storyline while focusing on the main characters, usually ending by revealing the film title. They aim to pique audience interest in the film without giving everything away.
Trailers and credits
Titles are used at the beginning of movies and trailers to give viewers information about the storyline and grab their attention. Credits shown at the end of trailers introduce the cast and crew and highlight awards or critical praise to persuade viewers that the movie is good. Titles in trailers for dramatic movies often leave viewers with questions about what will happen to characters to generate interest, while credits promote the people involved in the film's production. The style and placement of titles and credits are designed to fit the narrative and tone of the trailer.
What are film trailers
Film trailers are made to give viewers an idea of what a movie will be like and entice them to watch it. They work by showing scenes that provide clues about the genre, actors, plot, and setting. Trailers are normally released a couple weeks before the movie but can be earlier for teaser trailers. Viewers can watch trailers online, on television, or before other movies in theaters. Trailers target all audiences unless age-rated for younger viewers.
What are film trailers ant
Film trailers are made to give viewers an idea of what a movie will be like and draw people to watch it. They work by showing scenes that provide insight into the genre, actors, plot, and setting. Trailers are normally released a couple weeks before the movie but can be further in advance if they are just a teaser. Viewers can see trailers on the internet, television, or before other movies in theaters. Trailers target all audiences unless age-rated for younger viewers.
What are film trailers ant
Film trailers are made to give viewers an idea of what a movie will be like and entice them to watch it. They work by showing scenes that provide insight into the genre, actors, plot, and setting of the film. Trailers are typically released a couple weeks before a movie but can be earlier for teaser trailers. Viewers can watch trailers on the internet, television, or before other movies in theaters. Trailers are intended for general audiences unless a film has an age rating restriction.
Title
Titles are shown at the beginning of trailers and provide information like the movie or production company name. They can also provide context about the storyline. Credits are shown at the end and list important details such as the cast, producers, and social media. Titles are used throughout trailers to inform the audience about quotes, release dates, and reviews. They identify actors, popular production companies, and the distribution company to attract viewers. Titles and credits are formatted differently based on the movie genre to set expectations and fit with the genre's conventions.
Trailer credits and titles 2
Titles in movie trailers introduce the storyline or characters to interest the audience, while credits acknowledge those involved in the film's production. Titles typically appear 10 seconds into a trailer and last up to 10 seconds each, with pacing depending on the genre. Credits usually appear later in the trailer or middle. Horror and thriller titles often leave narrative enigmas to create suspense and excitement, fitting their genres. Font styles now depend on the individual film's storyline rather than genre conventions.
Trailer credits and titles 2
Titles in movie trailers introduce the storyline or characters to interest the audience. Credits give recognition to those involved in making the movie like directors and actors. Titles usually appear 10 seconds into a trailer and last up to 10 seconds, while credits appear towards the end or middle of trailers. Both aim to engage the audience - titles entice viewers about the plot, and credits highlight acclaimed creators to suggest quality and attract interest.
Trailer credits and titles 2
Titles in movie trailers introduce the storyline or characters to interest the audience. Credits give recognition to those involved in making the movie like directors and actors. Titles usually appear 10 seconds into a trailer and last up to 10 seconds, while credits are shown towards the end or middle of trailers. Both titles and credits aim to entice audiences to watch the movie by providing context and acknowledging those who worked on it.
Marketing battleship
The document discusses film trailers and how they are used to market upcoming movies. Trailers are previews that aim to entice audiences by showing the best parts of the film and featuring famous characters. They are released in theaters, on television, and online in order to generate widespread awareness of the new film. Effective trailers work to pique viewers' interest in a unique way and hint at the film's genre through elements like music, emotions, and costumes. The Battleship trailer discussed was leaked early enough to build excitement leading up to the film's release.
teaser trailer introduction
A teaser trailer is a short trailer released early in a film's marketing campaign to create awareness and excitement for an upcoming film. Teasers are usually 30-60 seconds and show brief clips and glimpses of the film without revealing major plot points. In contrast, full trailers are longer at a few minutes and provide more footage and hints about the film's story. The purpose of a teaser is to let audiences know a related film is in production without giving everything away so it leaves them wanting more information.
Film trailers
The document discusses film trailers, including their purpose and conventions. Film trailers are an effective way to promote movies and lure audiences through television and the internet. They work best when they show compelling scenes that give viewers a sense of what the film is about without revealing too much of the plot. Trailers usually include production logos, the film title, age ratings, character introductions, music, release dates, and captions of people involved to attract specific audiences. An ideal trailer is around 1-2 minutes long, balances information and mystery, and captures the mood of the film through emotion rather than just plot.
Codes and conventions
The document discusses various codes and conventions used in film trailers, including casting/crew credits, narrative, pace, voiceovers, soundtracks, target audiences, production/distribution logos and companies, quotes, props, and genre-specific dialogue. Trailers typically include short cast/crew credits, a brief narrative to intrigue viewers without revealing too much, and pace that builds tension. Soundtracks, voiceovers, and dialogue aim to clearly convey the film's genre to attract the intended target audience. Logos and company branding help viewers identify the production quality and potential success.
Conventions of a horror trailer
This document discusses the conventions of horror movie trailers. It explains that trailers are designed to promote films in a visual way by showing exciting clips out of chronological order. There are two main types of trailers - teaser trailers that are short and released early during filming, and longer theatrical trailers released later. Effective horror trailers use shots from the film with dialogue or voiceover to set the scene, dramatic music to create atmosphere, text cards for information or atmosphere, and end with a scare to leave viewers wanting more. The structure of trailers shows an initial equilibrium, a disruption of events, but does not reveal the final resolution to avoid spoilers.
Task 3
The document analyzes the teaser trailer for The Hunger Games: Mockingjay Part 2. It discusses how the trailer builds tension through its increasing pace and changing camera shots. It also examines how the trailer uses intertitles to excite fans about themes from the films like freedom. The document then compares this trailer to older ones like Shrek and The Wolf of Wall Street, noting similarities in establishing scenes but differences in voiceovers and pacing.
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Presentation1
The document discusses how movie trailers appeal to their target audiences. It provides examples of how trailers for the movies The Conjuring, The Woman in Black, and Dark Skies aim their trailers at teenagers and young adults through the use of relatable settings and characters. Trailers connect with audiences by including university students, families, children, and depictions of everyday life that viewers can relate to based on their age and experiences. This helps the trailers engage with and maintain their target audiences.
Evaluation question 5
The document discusses how a marketing campaign targets a female audience aged 17-25. It uses models wearing vintage-inspired clothing in natural colors, with calm makeup and a lipstick accent, to reflect the target audience's style. Details like a nose ring and outdoor settings are meant to attract the target audience and invite them to engage with the brand.
Evaluation question 5
The document discusses visual elements used in advertising to target a specific audience. Natural colors, classic vintage clothing, and minimal makeup are described as reflecting the hobbies and style of the target, identified as women ages 17-25. Directly addressing the audience and using models that reflect the audience's self-image are also outlined as ways to invite the target demographic in.
Evaluation question 5
The document discusses targeting a female audience aged 17-25 through the use of imagery, models, colors, and styles that reflect the interests of that demographic. Dip dye coloring, vintage denim, natural makeup, and nose rings are some of the features used to appeal to and invite in the target audience.
Evaluation question 2
The document evaluates how a music magazine represents its target social groups. The magazine targets male and female teenagers aged 17-25 who enjoy music beyond chart hits and regularly attend festivals. The front cover features a 17-year-old girl dressed in an indie style to represent the target audience. Her casual look and makeup reflect current trends for this age group. Images throughout portray ordinary teenagers at concerts to make the audience feel represented and welcome.
Evaluation question 2
The document evaluates how a music magazine represents its target social groups. The magazine targets male and female teenagers aged 17-25 who enjoy music beyond chart hits and regularly attend festivals. The front cover features a 17-year-old girl dressed in an indie style to represent the target audience. Her casual clothing, trendy hair and makeup, and outdoor setting are meant to appeal to and reflect the lifestyle of the target demographic. Images and articles throughout the magazine similarly aim to be relatable to the audience.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
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The immediate aftermath of the Dwayne Johnson kidnappin
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
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Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
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In the early 20
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1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
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What is a trailer?
- 1. WHAT IS A TRAILER?
- 2. WHAT IS A TRAILER? A trailer is an advertisement or commercial for a film that is to be screened in the future at a cinema. There are two different types of trailer, a teaser trailer and a full trailer. A teaser trailer usually last from 40-60 seconds. It gives the audience an indication into the genre, the director, and most importantly, when it is being released in cinemas. Where as a full trailer focuses in a lot more detail of the plot…
- 3. …The term trailer comes from the fact that they were originally ‘trailed’ onto the end of a feature film screening. However this did not last long as the audience would tend to leave the theatre straight after the film had ended.
- 4. WHAT IS THE PURPOSE? The purpose of a film trailer is to make you want to see the movie, and there are a number of techniques that are used in order to lure the viewer…
- 5. …These include giving a brief idea of the plot without giving anything away, telling the audience what genre the movie is and showing them some of the main actors/actresses. The chances are if someone knows one of their favorite actors are starring in a film, they will be more interested in it, and possibly in seeing it.