Visual poetry from www.sis kj.com Sec 1 - Rafi
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The document contains three examples of visual poetry. The first is a poem with repeating lines describing hearing a birth in the next room and questions around who is being born. The second poem is about a tree shedding its bark layers and emerging softer before following an eagle's current to the sun and melting into its sculptor. The third section thanks the reader in multiple languages for enjoying the examples of visual poetry.
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- The narrator is sitting alone in his chamber late at night, pondering books of lore to distract himself from grief over the loss of his lover Lenore.
- He hears a tapping at his chamber door and upon opening it finds nothing, but then hears the word "Lenore" whispered.
- Later, a raven flies into his chamber and perches above the door, uttering only the word "Nevermore" in response to the narrator's questions.
- The narrator, increasingly unsettled, demands that the raven tell him if he will ever be reunited with Lenore in the afterlife, to which it again responds "Nevermore," driving
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Visual poetry from www.sis kj.com Sec 1 - Kim SY
This visual poem is composed of three sections. The first section is a prayer asking God to help the speaker rise up like a lark and sing of God's victories. The second section questions the identity of a child born in the next room who can be heard but not seen. The third section describes a pine tree shedding its bark and melting into the sun's light before being called to return to seed.
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- Later, a raven flies into his chamber and perches above the door, uttering only the word "Nevermore" in response to the narrator's questions.
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2) The speaker questions the raven, who continues to reply only "Nevermore," leaving the speaker distraught over memories of his lost love Lenore.
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Direction: Read and annotate The Raven. Then answer the questions that follow it.
Name: ______________________________ Due: October 16th, 2018
Behrend English 11
Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
`'Tis some visitor,' I muttered, `tapping at my chamber door -
Only this, and nothing more.'
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; - vainly I had sought to borrow
From my books surcease of sorrow - sorrow for the lost Lenore -
For the rare and radiant maiden whom the angels name Lenore -
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me - filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
`'Tis some visitor entreating entrance at my chamber door -
Some late visitor entreating entrance at my chamber door; -
This it is, and nothing more,'
Presently my soul grew stronger; hesitating then no longer,
`Sir,' said I, `or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you' - here I opened wide the door; -
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, `Lenore!'
This I whispered, and an echo murmured back the word, `Lenore!'
Merely this and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
`Surely,' said I, `surely that is something at my window lattice;
Let me see then, what thereat is, and this mystery explore -
Let my heart be still a moment and this mystery explore; -
'Tis the wind and nothing more!'
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door -
Perched upon a bust of Pallas just above my chamber door -
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
`Though thy crest be shorn and shaven, thou,' I said, `art sure no craven.
Ghastly grim and ancient raven wandering from the nightly shore -
Tell me what thy lordly name is on the Night's Plutonian shore!'
Quoth the raven, `Nevermore.'
Much I marvelled th.
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1) A mysterious raven visits a man late at night and perches above his chamber door.
2) The raven only says the word "Nevermore" in response to the man's questions.
3) The man becomes increasingly disturbed and unsettled by the raven's constant croaking of "Nevermore" as a response.
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The poem describes a lonely narrator who is visited one night by a mysterious raven. The narrator is grieving the loss of his lover, Lenore. The raven perches above the narrator's chamber door and only says the word "Nevermore" in response to the narrator's questions. The narrator becomes increasingly disturbed and unsettled by the raven's ominous presence and cryptic responses. In the end, the narrator is unable to rid himself of the raven or escape from the shadow it casts over him.
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2. It describes how Abdul Alhazred, a young shepherd, discovered three magical symbols on a floating stone that summoned serpents. He was given knowledge from this encounter.
3. The document outlines some of the spells and knowledge contained in the Necronomicon, including how to summon demons and travel to other realms. It warns that the book contains dangerous secrets that have destroyed past civilizations.
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The Raven
The narrator is grieving the loss of his lover Lenore when a raven mysteriously appears at his chamber door. The raven is able to speak, uttering only the word "Nevermore" in response to the narrator's questions. The narrator grows increasingly disturbed by the raven's constant repetition of this melancholy word and realization that the raven will never leave his chamber door.
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Similar to Visual poetry from www.sis kj.com Sec 1 - Rafi
The haunted palace
1) The speaker encounters a raven sitting on a bust above his chamber door. When asked its name, the raven replies "Nevermore."
2) The speaker questions the raven, who continues to reply only "Nevermore," leaving the speaker distraught over memories of his lost love Lenore.
3) The speaker recalls a trip with his soulmate Psyche to a tomb marked "Ulalume," realizing it was on the anniversary of his lost love Lenore's death.
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The Raven by Edgar Allen Poe
Direction: Read and annotate The Raven. Then answer the questions that follow it.
Name: ______________________________ Due: October 16th, 2018
Behrend English 11
Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
`'Tis some visitor,' I muttered, `tapping at my chamber door -
Only this, and nothing more.'
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; - vainly I had sought to borrow
From my books surcease of sorrow - sorrow for the lost Lenore -
For the rare and radiant maiden whom the angels name Lenore -
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me - filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
`'Tis some visitor entreating entrance at my chamber door -
Some late visitor entreating entrance at my chamber door; -
This it is, and nothing more,'
Presently my soul grew stronger; hesitating then no longer,
`Sir,' said I, `or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you' - here I opened wide the door; -
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, `Lenore!'
This I whispered, and an echo murmured back the word, `Lenore!'
Merely this and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
`Surely,' said I, `surely that is something at my window lattice;
Let me see then, what thereat is, and this mystery explore -
Let my heart be still a moment and this mystery explore; -
'Tis the wind and nothing more!'
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door -
Perched upon a bust of Pallas just above my chamber door -
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
`Though thy crest be shorn and shaven, thou,' I said, `art sure no craven.
Ghastly grim and ancient raven wandering from the nightly shore -
Tell me what thy lordly name is on the Night's Plutonian shore!'
Quoth the raven, `Nevermore.'
Much I marvelled th.
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It is a night with no stars visible due to heavy cloud cover. A powerful storm is raging with roaring winds that contain the souls of millions of escaped lunatics tearing trees from their roots. The sea has also joined the frenzy, kicking up huge waves trying to reach the dark sky. Flashes of fearful light reveal thousands of deadly black shades spreading sorrow and despair as they dance madly with joy. The poet prays to Mother Kali, a terrible yet powerful goddess, to come and put an end to the monstrous situation.
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This document provides examples and definitions of different types of figurative language including personification, simile, and metaphor. It includes examples of each with short passages demonstrating their use. Key points covered include:
- Definitions of personification, simile, and metaphor
- Examples of each type with comparisons like "as black as coal" for simile and giving human traits to objects for personification
- Exercises asking the reader to create their own examples of each type of figurative language
The raven
1) A mysterious raven visits a man late at night and perches above his chamber door.
2) The raven only says the word "Nevermore" in response to the man's questions.
3) The man becomes increasingly disturbed and unsettled by the raven's constant croaking of "Nevermore" as a response.
Poem
This poem by Edgar Allan Poe tells the story of Prince Prospero's attempts to escape a deadly plague known as the "Red Death" by hiding away in a locked abbey with 1000 other nobles. Prospero believes the abbey is securely protected against the pestilence. However, during a masked ball, a mysterious figure dressed as the Red Death infiltrates their party, exposing them all to the disease and leading to their demise. The poem serves as a commentary on mankind's futile attempts to avoid death and the inevitability of mortality.
The Raven
The poem describes a lonely narrator who is visited one night by a mysterious raven. The narrator is grieving the loss of his lover, Lenore. The raven perches above the narrator's chamber door and only says the word "Nevermore" in response to the narrator's questions. The narrator becomes increasingly disturbed and unsettled by the raven's ominous presence and cryptic responses. In the end, the narrator is unable to rid himself of the raven or escape from the shadow it casts over him.
From out of the burning bush
This document appears to be a collection of poems by Migdal Eden. The poems cover a wide range of topics related to Israel including landscapes, cities, wars, and personal reflections. Some of the poems have very short, single line verses while others have longer multi-line stanzas. The collection includes over 50 individually titled poems.
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The document contains a collection of poems and reflections submitted by students in an English 11 class. The poems cover various themes including nature, relationships, human emotions, and philosophical musings. Prose passages discuss topics like intelligence, existence of God, desire for explanations, and daily routines. Overall, the document shows a range of creative self-expressions from teenagers on different subjects.
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This summary analyzes Juan Villanueva's poem "Scenes from the Movie GIANT" which describes a fight scene from the 1956 film Giant. The poem depicts the scene in intricate detail. The journal entry asks the reader to choose one or two stanzas from the poem, rewatch the corresponding scene from the film, and compare how the poem's version differs from the actual movie version. The analysis should focus on one specific detail from the poem and film, and discuss how reading the poem affects the interpretation of the fight scene.
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2. It describes how Abdul Alhazred, a young shepherd, discovered three magical symbols on a floating stone that summoned serpents. He was given knowledge from this encounter.
3. The document outlines some of the spells and knowledge contained in the Necronomicon, including how to summon demons and travel to other realms. It warns that the book contains dangerous secrets that have destroyed past civilizations.
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This poem explores the mystery and fear of nature through imagery of wells and the sea. The speaker recalls being drawn to wells as a child but also feeling awe and fear of their depth and unknown contents. Nature is portrayed as a "stranger" with an ominous, haunted quality that cannot be fully known or understood, even by those closest to it. The more one observes nature, the less it can be simplified or comprehended.
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This document provides biographies and poems by several authors. It begins with a biography of Anthony Weir, an Irish hermit artist and poet. Next are excerpts of poems by Mawlana Jalal ad-Din Muhammad Rumi translated into English. Following that are original poems by Tatjana Debeljacki, a Serbian poet.
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The narrator is grieving the loss of his lover Lenore when a raven mysteriously appears at his chamber door. The raven is able to speak, uttering only the word "Nevermore" in response to the narrator's questions. The narrator grows increasingly disturbed by the raven's constant repetition of this melancholy word and realization that the raven will never leave his chamber door.
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The poem references mythology and religious symbols associated with the Lovers card, such as Krishna, Buddha and the Goddess of Fortune. It describes longing for an "Indian lover" and the dangers of betrayal represented by Judas. The poem depicts sadness and broken dreams through imagery of shadows, mountains crashing, and visions that break up daydreams.
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Visual poetry is a form of poetry that uses visual arrangements of text, images, and symbols to convey meaning and effect. It aims to make readers more engaged with the poem by providing a visual representation of the topic. The document provides examples of different styles of visual poetry, including poems shaped like a star, seagull, square, mirror, sun rays, fish, and apple tree to represent the topics of the poems. It also includes two poems written by the author - one about having ideas and the other retelling the story of Hansel and Gretel in a visual format.
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This document provides 10 examples of visual poetry created by Maxwell. Each example shows a different visual poem without words, conveying meaning through images and design on the page rather than traditional text.
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This document provides 10 examples of visual poems by Hansel Bryan Lie from Sec 1. Each example explores a different visual poetic form without descriptions or analysis of the individual poems. The document serves as a collection of visual poetry samples.
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This document discusses idioms, which are expressions with meanings that cannot be understood from the literal definitions of the individual words. The document notes that there are estimated to be over 25,000 English idioms. It then provides definitions and examples for 12 common idioms, including "raining cats and dogs", "spill the beans", "piece of cake", "cry over spilt milk", "an arm and a leg", "don't judge a book by its cover", "couch potato", and "barking up the wrong tree". The author indicates they enjoy several of these idioms due to their creativity, humor, or attractiveness.
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This document defines and provides the meanings for common idioms and sayings. It explains idioms like "best thing since sliced bread" meaning a good innovation, "caught between two stools" meaning difficulty choosing between alternatives, and "bite off more than you can chew" meaning taking on too big of a task. It also covers idioms for rare occurrences, deception, visual presentations being worth many words, and taking credit for others' work. The document aims to help people understand these common phrases through their definitions.
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Singapore School, Kebon Jeruk
Affiliated to Singapore International School (Indonesia)
Jl Meruya Ilir No.89 Meruya Utara Kebon Jeruk Jakarta Barat 11620, Indonesia
Phone: (021) 5867570 / 49 Fax: (021) 5867573
Website: http://www.sis-kj.com
Email: contact@siskjonline.org
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Affiliated to Singapore International School (Indonesia)
Jl Meruya Ilir No.89 Meruya Utara Kebon Jeruk Jakarta Barat 11620, Indonesia
Phone: (021) 5867570 / 49 Fax: (021) 5867573
Website: http://www.sis-kj.com
Email: contact@siskjonline.org
For more information on SIS Kebon Jeruk visit www.sis-kj.com or www.facebook.com/siskjonline
International Cambridge A level school in Jakarta - Junior College
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Singapore School, Kebon Jeruk
Affiliated to Singapore International School (Indonesia)
Jl Meruya Ilir No.89 Meruya Utara Kebon Jeruk Jakarta Barat 11620, Indonesia
Phone: (021) 5867570 / 49 Fax: (021) 5867573
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Email: contact@siskjonline.org
Schools & pathways
Singapore School, Kebon Jeruk
Affiliated to Singapore International School (Indonesia)
Jl Meruya Ilir No.89 Meruya Utara Kebon Jeruk Jakarta Barat 11620, Indonesia
Phone: (021) 5867570 / 49 Fax: (021) 5867573
Website: http://www.sis-kj.com
Email: contact@siskjonline.org
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Thanks to the Windsor Apartment team and Mrs Fields Cookies for a fun day in a beautiful building. Our students, mums, dads and guest from other schools enjoyed the cookies decoration demonstration and the competition to find the Chef's favorites.
Singapore School, Kebon Jeruk
Affiliated to Singapore International School (Indonesia)
Jl Meruya Ilir No.89 Meruya Utara Kebon Jeruk J
akarta Barat 11620, Indonesia
Phone: (021) 5867570 / 49 Fax: (021) 5867573
Website: http://www.sis-kj.com
Email: contact@siskjonline.org
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SIS Kebon Jeruk launched Aqualand for preschool and primary students on 8th of April 2014. No other school in West Jakarta has an Aqualand for their students’ enjoyment and physical health.
Singapore School, Kebon Jeruk
Affiliated to Singapore International School (Indonesia)
Jl Meruya Ilir No.89 Meruya Utara Kebon Jeruk Jakarta Barat 11620, Indonesia
Phone: (021) 5867570 / 49 Fax: (021) 5867573
Website: http://www.sis-kj.com
Email: contact@siskjonline.org
Singapore School Kebon Jeruk Aqualand Test Drive
SIS Kebon Jeruk held a test drive event at Aqualand for preschool students on April 8th, 2014 from 10:00-11:00 AM to launch the water park. The event aimed to bring joy to students and allow them to learn, play and enjoy themselves through interactive activities at Aqualand.
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Visual poetry from www.sis kj.com Sec 1 - Rafi
- 1. Visual Poetry By: Rafi Ramadhan K.
- 2. examples of visual poetry Who Are you Who is born In the next room So loud to my own That I can hear the womb Opening and the dark run Over the ghost and the dropped son Behind the wall thin as a wren’s bone? In the birth bloody room unknown To the burn and turn of time And the heart print of man Bows no baptism But dark alone Blessing on The wild Child.
- 3. Who Are you Who is born In the next room So loud to my own That I can hear the womb Opening and the dark run Over the ghost and the dropped son Behind the wall thin as a wren’s bone? In the birth bloody room unknown To the burn and turn of time And the heart print of man Bows no baptism But dark alone Blessing on The wild Child.
- 4. Upon a glade of sun-sculpted Pine forest, rooted in stone, Layers of my bark peel away, Inviting a softer surface to emerge. I climb Far into the sky, following an eagle’s current To the sun– I melt into my sculptor... Nestled by Her vision, I hear a new call: "Go back to seed, and I will bring you Home."
- 5. Thank You... спасибо,Terima Kasih,谢谢,mulțumesc, dankie,danke hope you like it :)