Bruno Latour has argued that “critique has run out of steam”, and proposes a new mode of critique as “compositionism:” bringing different practices, worlds and values to bear on each other. This paper argues that the research programme that Luc Boltanski calls the “pragmatic sociology of critique” answers both the specific problem posed by Latour and more general concerns about the relationship between practices of critique and the institutions they encounter. The paper is based upon an analysis of On Justification (Boltanski and Thévenot, 2006) and The New Spirit of Capitalism (Boltanski and Chiapello, 2005), as well as the field of inquiry that informs them. In these works, the authors present both a study of critique and a methodology for further study in that mode: both a pluralistic description of the “economies of justification” in everyday life, and a guide for effecting change. In particular, their research programme modifies critique in three ways: it acknowledges that everyday life is filled with critical moments; it draws analytical categories from the field itself; and it poses critique in a way that can be understood by those it addresses. This paper charts important methodological considerations for any study of culture that might desire to be “critical”.
12. “the critic is not the one who
debunks, but the one who
assembles”
latour (2005) why has critique run out of steam?
13. “each time [sociologists] interpret
their surveys they inform the
leviathan, transforming and
performing it”
callon and latour (1981) unscrewing the big leviathan
14. “the process of composition always
takes place in a terrain informed by
power relations”
mouffe (2013) agonistics
15. “my point is not that everything is
bad, but that everything is
dangerous”
foucault (1997) on the genealogy of ethics
16. applied pragmatic sociology of critique
thévenot, moody & lafaye (2000)
in search of a ‘green’ polity
morgan, marsden & murdoch (2006)
logics of food ecologies
fordyce & van ryn (forthcoming)
critique and ethical branding