UDD talk
Economic and Tech Trends
• Agriculture  Manufacturing  Services
(information/data)  Entertainment
• Subsidies/Resistance to change leads to trade
imbalances – China/US
• Virtualization
• Convergence – tech/media/gaming/etc.
Trends
• Job creation/economic growth by sector graph
here
Recombination/Tech Convergence
• Media and Technology
Industry life cycles
• Utterback, Christensen
Competitive Advantages in Creative
Industries?
• Demand side
– Brand
– Special access to customers
• Supply side
– Special access to creative or tech talent?
– Proprietary technology
Examples
• Car ownership  Uber, Zipcar
• Agriculture – drones/robotic harvesting
• Manufacturing  Robotics (Haier’s factory with
no lights)  3D printing
• Education – Universities  MOOCs
• Music  Records/CDs/mp3  Spotify/iTunes
• Who are the most successful “creative industry”
companies? What’s their competitive advantage?
• Pixar, Disney, EA, Fashion?, Netflix,
• Creative class study and entrepreneurship
Creative Industry Studies
• Henning and Ethan’s studies of Gaming
• Hatim’s study of a design firm – time horizon
• Jialan’s study of movies
Importance of competitive advantage
• Technology entrepreneurs and de-regulation
are continuously eroding the competitive
advantages (and financial performance) of
industry incumbents.
• Average time a company spends in the S&P
500 is steadily declining
Competitive Advantages
• What is the nature of enduring (or even temporary)
competitive advantages in packaging?
• Demand side
– Special access to customers
– Design/Brand?
– Speed - Catching onto consumer trends earlier – environmental
concerns, aging population (frustration-free)
– Catching onto industry trends earlier – robotics, drone delivery,
etc.
• Supply side
– Technologies (new materials, process technologies)
Frustration-free packaging
Environmental concerns
• Organizational behavior and performance has
become increasingly susceptible to the
influence of secondary stakeholder activism—
namely community activists, advocacy groups,
religious organizations, and other non-
governmental organizations that often
represent a broader social movement.

UDD chile talk

  • 1.
  • 2.
    Economic and TechTrends • Agriculture  Manufacturing  Services (information/data)  Entertainment • Subsidies/Resistance to change leads to trade imbalances – China/US • Virtualization • Convergence – tech/media/gaming/etc.
  • 3.
    Trends • Job creation/economicgrowth by sector graph here
  • 4.
  • 5.
    Industry life cycles •Utterback, Christensen
  • 6.
    Competitive Advantages inCreative Industries? • Demand side – Brand – Special access to customers • Supply side – Special access to creative or tech talent? – Proprietary technology
  • 7.
    Examples • Car ownership Uber, Zipcar • Agriculture – drones/robotic harvesting • Manufacturing  Robotics (Haier’s factory with no lights)  3D printing • Education – Universities  MOOCs • Music  Records/CDs/mp3  Spotify/iTunes • Who are the most successful “creative industry” companies? What’s their competitive advantage? • Pixar, Disney, EA, Fashion?, Netflix, • Creative class study and entrepreneurship
  • 8.
    Creative Industry Studies •Henning and Ethan’s studies of Gaming • Hatim’s study of a design firm – time horizon • Jialan’s study of movies
  • 9.
    Importance of competitiveadvantage • Technology entrepreneurs and de-regulation are continuously eroding the competitive advantages (and financial performance) of industry incumbents. • Average time a company spends in the S&P 500 is steadily declining
  • 10.
    Competitive Advantages • Whatis the nature of enduring (or even temporary) competitive advantages in packaging? • Demand side – Special access to customers – Design/Brand? – Speed - Catching onto consumer trends earlier – environmental concerns, aging population (frustration-free) – Catching onto industry trends earlier – robotics, drone delivery, etc. • Supply side – Technologies (new materials, process technologies)
  • 16.
  • 17.
    Environmental concerns • Organizationalbehavior and performance has become increasingly susceptible to the influence of secondary stakeholder activism— namely community activists, advocacy groups, religious organizations, and other non- governmental organizations that often represent a broader social movement.