SlideShare a Scribd company logo
1 of 10
Sean O’Malley, Channa Gauci,
Samantha Lloyd & Juno Forster
The focus of the teen drama is to examine the
trials and tribulations suffered by young people
working their way through adolescence (Green
2005). According to Davis and Dickinson (2004),
the genre of teen television is an “inseparable
feature of the society within which it exists”.
"That's why Hollywood stars get paid the big
bucks: we can't look like them, but they can act
like us." (Teachout T 2013)
“If the worst thing in your life is somebody
makes you go to a dance, then I’d say you have a
pretty good life.” (Jeff Rosso, Freaks and Geeks)
-Clip-
Jake Kasdan (director) on the visual style of the
show,
…creating a sense of “reality” by letting the
“camera hang back and create this sense of an
objective observer, that it’s just real and we’re
watching it happen.” (cited in Blastedgoat 2009)
“Shows that directly confront the prevailing TV
paradigms of their era rarely succeed, no matter
how good they are. But even in this pilot, what
makes the show so good is the internal tension
between the desire to accurately reflect the
adolescent experience of the characters (and, by
proxy, Paul Feig, the writer who has created
them) and the need to be a network drama.”
(Todd VanDerWerff 2013)
Blastedgoat. (2009). freaks and geeks: the best-cancelled television show in history. Available:
http://blastedgoat.wordpress.com/freaks-and-geeks-the-best-cancelled-show-in-television-history/. Last
accessed 09/09/13.
Caldwell, JC. 1995. Televisuality: Style, Crisis and Authority in American Television. New Brunswick, NJ: Rutgers
University Press
Davis G and Dickinson K (Eds). 2004. Teen TV: Genre, Consumption and Identity. London:
British Film Institute
Green, Joshua. “Acts of Translation: Young People, American Teen Dramas and Australian
Televisionhttp://eprints.qut.edu.au/16143/Accessed:0 7/09/13
Jones, D 2011, ‘THE TELEVISION TEEN DRAMA AS FOLKTALE’, Journalism, Media and Philosophy, Nelson
Mandela Metropolitan University.
Kovey F, “Uncommonly Ordinary” Pop Matters, http://www.popmatters.com/review/freaks-and-geeks/
accessed: 04/09/13
Lloyd, Robert. "2 Good 2 Be 4gotten An Oral History Of Freaks And Geeks." Vantiy Fair Jan.2013: 84. Acadmic
OneFile. Web. 8 Sept. 2013
Teachout, Terry. "'Freaks and Geeks': The Honest Agony Of Embarrassment." New York Times 11 Mar.2001: 35.
Academic OneFile. Web.8 Sept. 2013.
Todd VanDerWerff. (2013). Pilot. Available: http://www.avclub.com/articles/pilot,98313/. Last accessed
07/09/13.

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TV Cultures Assignment "Freaks and Geeks"

  • 1. Sean O’Malley, Channa Gauci, Samantha Lloyd & Juno Forster
  • 2.
  • 3. The focus of the teen drama is to examine the trials and tribulations suffered by young people working their way through adolescence (Green 2005). According to Davis and Dickinson (2004), the genre of teen television is an “inseparable feature of the society within which it exists”.
  • 4. "That's why Hollywood stars get paid the big bucks: we can't look like them, but they can act like us." (Teachout T 2013)
  • 5. “If the worst thing in your life is somebody makes you go to a dance, then I’d say you have a pretty good life.” (Jeff Rosso, Freaks and Geeks)
  • 7.
  • 8. Jake Kasdan (director) on the visual style of the show, …creating a sense of “reality” by letting the “camera hang back and create this sense of an objective observer, that it’s just real and we’re watching it happen.” (cited in Blastedgoat 2009)
  • 9. “Shows that directly confront the prevailing TV paradigms of their era rarely succeed, no matter how good they are. But even in this pilot, what makes the show so good is the internal tension between the desire to accurately reflect the adolescent experience of the characters (and, by proxy, Paul Feig, the writer who has created them) and the need to be a network drama.” (Todd VanDerWerff 2013)
  • 10. Blastedgoat. (2009). freaks and geeks: the best-cancelled television show in history. Available: http://blastedgoat.wordpress.com/freaks-and-geeks-the-best-cancelled-show-in-television-history/. Last accessed 09/09/13. Caldwell, JC. 1995. Televisuality: Style, Crisis and Authority in American Television. New Brunswick, NJ: Rutgers University Press Davis G and Dickinson K (Eds). 2004. Teen TV: Genre, Consumption and Identity. London: British Film Institute Green, Joshua. “Acts of Translation: Young People, American Teen Dramas and Australian Televisionhttp://eprints.qut.edu.au/16143/Accessed:0 7/09/13 Jones, D 2011, ‘THE TELEVISION TEEN DRAMA AS FOLKTALE’, Journalism, Media and Philosophy, Nelson Mandela Metropolitan University. Kovey F, “Uncommonly Ordinary” Pop Matters, http://www.popmatters.com/review/freaks-and-geeks/ accessed: 04/09/13 Lloyd, Robert. "2 Good 2 Be 4gotten An Oral History Of Freaks And Geeks." Vantiy Fair Jan.2013: 84. Acadmic OneFile. Web. 8 Sept. 2013 Teachout, Terry. "'Freaks and Geeks': The Honest Agony Of Embarrassment." New York Times 11 Mar.2001: 35. Academic OneFile. Web.8 Sept. 2013. Todd VanDerWerff. (2013). Pilot. Available: http://www.avclub.com/articles/pilot,98313/. Last accessed 07/09/13.