The document provides details for a music video treatment, including the concept, narrative, characters, location, time period, props, costumes, and makeup. The concept explores the mental and social issues faced by today's generation through four characters dealing with different family problems. The narrative will show the characters' development from being constrained by their parents to finding their own voices. The vintage-style video will be shot primarily inside homes and on streets near the director's house, and will feature appropriate props and costumes to convey the characters' stories and 1980s-1990s aesthetic.
Examining the Origins of Our Dominant Ideas and Behaviors There .docxSANSKAR20
Examining the Origins of Our Dominant Ideas and Behaviors There can be a certain thrill associated with entering into the creative process. Just as with any new endeavor, mustering up the courage to try something different may result in heightened excitement. But though we set sail and take a few steps outside our familiar surroundings, we often find a way to take our old ways with us. Letting go of our old habits and perceptions can be daunting. Often, they have worked well in the past, and letting them go can feel as if we are jumping off of a trapeze without a net...or like running out into the street naked.* To compensate, we may vigorously defend our old methods and conceptions, convince ourselves that we have some sort of magical writer’s block, or simply refuse to jump into the unknown for a number of insincere reasons. It’s great to have strong ideas, opinions, and beliefs. But in order to grow, firmly ingrained beliefs, paradigms, and perceptions. • Dean Ornish ventured away from old, firmly ingrained beliefs and discovered that heart disease could be treated through diet, exercise, and meditation. At one point, a leading cardiologist asked Dr. Ornish why he wanted to try something so ‘radical’ as lifestyle changes rather than ‘something more conventional,’ such as bypass surgery. *But I’m too ugly to run into the street without clothes! I’ll just die from embarrassment! —Most likely not true. I can’t believe anybody reading this book isn’t exceptionally pleasing on the eyes—metaphorically speaking. • Thomas Edison even hired research assistants based on their ability to have an open mind. Edison would invite candidates to have a bowl of soup. If they seasoned it before tasting it, he refused to hire them because they had built in assumptions about the soup without trying it. • It was because of firmly rooted beliefs that in 1927, Harry Warner, former president of Warner Brothers, once asked, “Who the hell wants to hear actors talk?” What if I don’t want to leave my worldview behind forever?
We mustn’t forget that we are only temporarily leaving our dominant beliefs. It is only done for this particular phase of the creative process. It is done so that we can free ourselves to explore alternatives. We need not leave an idea behind forever. We can always return to our old garments in case it gets too chilly. If you truly believe your old ideas are valid and your old patterns of behavior are optimal, then they will always be there for you when you return. When we are done investigating alternatives, we are then free to once again return to our old ideas and perceptions. However, I doubt anyone at Warner Brothers continues to believe that films should all still be silent. Though I guess that may depend on who is acting in them. Origins of Our Dominant Perceptions Where do our ingrained ideas and behaviors come from? There is this great anecdote about a pygmy (a real one, not a fictitious one masquerading as a debt collector).1 For the f ...
Examining the Origins of Our Dominant Ideas and Behaviors There .docxSANSKAR20
Examining the Origins of Our Dominant Ideas and Behaviors There can be a certain thrill associated with entering into the creative process. Just as with any new endeavor, mustering up the courage to try something different may result in heightened excitement. But though we set sail and take a few steps outside our familiar surroundings, we often find a way to take our old ways with us. Letting go of our old habits and perceptions can be daunting. Often, they have worked well in the past, and letting them go can feel as if we are jumping off of a trapeze without a net...or like running out into the street naked.* To compensate, we may vigorously defend our old methods and conceptions, convince ourselves that we have some sort of magical writer’s block, or simply refuse to jump into the unknown for a number of insincere reasons. It’s great to have strong ideas, opinions, and beliefs. But in order to grow, firmly ingrained beliefs, paradigms, and perceptions. • Dean Ornish ventured away from old, firmly ingrained beliefs and discovered that heart disease could be treated through diet, exercise, and meditation. At one point, a leading cardiologist asked Dr. Ornish why he wanted to try something so ‘radical’ as lifestyle changes rather than ‘something more conventional,’ such as bypass surgery. *But I’m too ugly to run into the street without clothes! I’ll just die from embarrassment! —Most likely not true. I can’t believe anybody reading this book isn’t exceptionally pleasing on the eyes—metaphorically speaking. • Thomas Edison even hired research assistants based on their ability to have an open mind. Edison would invite candidates to have a bowl of soup. If they seasoned it before tasting it, he refused to hire them because they had built in assumptions about the soup without trying it. • It was because of firmly rooted beliefs that in 1927, Harry Warner, former president of Warner Brothers, once asked, “Who the hell wants to hear actors talk?” What if I don’t want to leave my worldview behind forever?
We mustn’t forget that we are only temporarily leaving our dominant beliefs. It is only done for this particular phase of the creative process. It is done so that we can free ourselves to explore alternatives. We need not leave an idea behind forever. We can always return to our old garments in case it gets too chilly. If you truly believe your old ideas are valid and your old patterns of behavior are optimal, then they will always be there for you when you return. When we are done investigating alternatives, we are then free to once again return to our old ideas and perceptions. However, I doubt anyone at Warner Brothers continues to believe that films should all still be silent. Though I guess that may depend on who is acting in them. Origins of Our Dominant Perceptions Where do our ingrained ideas and behaviors come from? There is this great anecdote about a pygmy (a real one, not a fictitious one masquerading as a debt collector).1 For the f ...
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
The perfect Sundabet Slot mudah menang Promo new member Animated PDF for your conversation. Discover and Share the best GIFs on Tenor
Admin Ramah Cantik Aktif 24 Jam Nonstop siap melayani pemain member Sundabet login via apk sundabet rtp daftar slot gacor daftar
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
The perfect Sundabet Slot mudah menang Promo new member Animated PDF for your conversation. Discover and Share the best GIFs on Tenor
Admin Ramah Cantik Aktif 24 Jam Nonstop siap melayani pemain member Sundabet login via apk sundabet rtp daftar slot gacor daftar
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
The Legacy of Breton In A New Age by Master Terrance LindallBBaez1
Brave Destiny 2003 for the Future for Technocratic Surrealmageddon Destiny for Andre Breton Legacy in Agenda 21 Technocratic Great Reset for Prison Planet Earth Galactica! The Prophecy of the Surreal Blasphemous Desires from the Paradise Lost Governments!
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives ProjectMarc Dusseiller Dusjagr
thGAP - Transgenic Human Germline Alternatives Project, presents an evening of input lectures, discussions and a performative workshop on artistic interventions for future scenarios of human genetic and inheritable modifications.
To begin our lecturers, Marc Dusseiller aka "dusjagr" and Rodrigo Martin Iglesias, will give an overview of their transdisciplinary practices, including the history of hackteria, a global network for sharing knowledge to involve artists in hands-on and Do-It-With-Others (DIWO) working with the lifesciences, and reflections on future scenarios from the 8-bit computer games of the 80ies to current real-world endeavous of genetically modifiying the human species.
We will then follow up with discussions and hands-on experiments on working with embryos, ovums, gametes, genetic materials from code to slime, in a creative and playful workshop setup, where all paticipant can collaborate on artistic interventions into the germline of a post-human future.
