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TOWARDS A MORE LOGICAL
CHOICE OF KARAOKE SONG
Charles N. “Sledgehammer” Cox
TENSION: SINGERVS AUDIENCE
Your
Mood
Audience
Mood
You Want:
• To sing your favorites
• To be understood
• To get applause
• The real kind
TheyWant:
• To hear their favorites
• To be amazed
• To feel emotion
• The real kind
MOOD IS A MOVINGTARGET, CYCLICAL
You and your song are in a maze of twisty variables, all alike.
AUDIENCE
MOOD
• Average BAC of audience?
• Proximity to last call?
• Ratio of watchers to singers?
• Ratio of mingle-able singles?
• MTB TEotH/DSB? [1]
• DMB? [2]
Cycle Repeats Every Hour
Does Not Always Line UpWith Rotation of Singers
STRATEGY: BUILDTRUST, INCREASE RISK
Billy Don’tYou
Lose My Number
Billy Ocean
Billy Joel
RISK
Your 1st Song
Your 2nd Song
Your 3rd Song
TACTICS: MATCH SONG W/ MOOD CURVE
5
AUDIENCE
MOOD “The Anthem”
• Charge, drive, inspire
• Call and response
• Strong finish (no fadeouts)
“The Glow”
• Comedy or sweet
• Sighs of nostalgia
• Restarts the cycle
“The Opener”
• Break ice, be inviting
• Expect no deep trust
• Embarrass yourself a bit
“The Simmer”
• Serious, slow
• Anger, sadness
• Preps the Anthem
HOW? BUILD YOUR RISK/MOOD MATRIX
“Dead Man’s Party”
Oingo Boingo
“Sara Smile”
Hall and Oates
“WeWill RockYou”
Queen
“Piano Man”
Billy Joel
“The Look of Love”
ABC
“Hold Me Now”
ThompsonTwins
“Love is a Battlefield”
Pat Benetar
“Sledgehammer”
Peter Gabriel
“InThe AirTonight”
PhilCollins
“Psycho Killer”
Talking Heads
“TheWay it Is”
Bruce Hornsby
“Take Me to the River”
Talking Heads
“Rock the Casbah”
The Clash
“BrokenWings”
Mister Mister
“Mama”
Genesis
“True”
Spandau Ballet
RISK
OPENER SIMMER ANTHEM GLOW
DEPLOYMENT AND SURVIVALTIPS
BE UNIQUE, BEYOU KNOWYOUR HOST YOU GETWHATYOU GIVE
TAKE RISKS, ENCOURAGE OTHERS, AND HAVE FUN!
And no Nickelback.

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Towards a more logical karaoke song choice

  • 1. TOWARDS A MORE LOGICAL CHOICE OF KARAOKE SONG Charles N. “Sledgehammer” Cox
  • 2. TENSION: SINGERVS AUDIENCE Your Mood Audience Mood You Want: • To sing your favorites • To be understood • To get applause • The real kind TheyWant: • To hear their favorites • To be amazed • To feel emotion • The real kind
  • 3. MOOD IS A MOVINGTARGET, CYCLICAL You and your song are in a maze of twisty variables, all alike. AUDIENCE MOOD • Average BAC of audience? • Proximity to last call? • Ratio of watchers to singers? • Ratio of mingle-able singles? • MTB TEotH/DSB? [1] • DMB? [2] Cycle Repeats Every Hour Does Not Always Line UpWith Rotation of Singers
  • 4. STRATEGY: BUILDTRUST, INCREASE RISK Billy Don’tYou Lose My Number Billy Ocean Billy Joel RISK Your 1st Song Your 2nd Song Your 3rd Song
  • 5. TACTICS: MATCH SONG W/ MOOD CURVE 5 AUDIENCE MOOD “The Anthem” • Charge, drive, inspire • Call and response • Strong finish (no fadeouts) “The Glow” • Comedy or sweet • Sighs of nostalgia • Restarts the cycle “The Opener” • Break ice, be inviting • Expect no deep trust • Embarrass yourself a bit “The Simmer” • Serious, slow • Anger, sadness • Preps the Anthem
  • 6. HOW? BUILD YOUR RISK/MOOD MATRIX “Dead Man’s Party” Oingo Boingo “Sara Smile” Hall and Oates “WeWill RockYou” Queen “Piano Man” Billy Joel “The Look of Love” ABC “Hold Me Now” ThompsonTwins “Love is a Battlefield” Pat Benetar “Sledgehammer” Peter Gabriel “InThe AirTonight” PhilCollins “Psycho Killer” Talking Heads “TheWay it Is” Bruce Hornsby “Take Me to the River” Talking Heads “Rock the Casbah” The Clash “BrokenWings” Mister Mister “Mama” Genesis “True” Spandau Ballet RISK OPENER SIMMER ANTHEM GLOW
  • 7. DEPLOYMENT AND SURVIVALTIPS BE UNIQUE, BEYOU KNOWYOUR HOST YOU GETWHATYOU GIVE TAKE RISKS, ENCOURAGE OTHERS, AND HAVE FUN! And no Nickelback.

Editor's Notes

  1. [1] Mean Time Between “Total Eclipse of the Heart” / “Don’t Stop Believin’” – both quotidian standbys and an indication that a mood cycle is imminent.[2] It is postulated that Dave Matthews Band songs may have similar implications to the mood curve but no conclusions are as yet available.