The document summarizes how the film opening represents various social groups through its use of stereotypes common in 1940s-50s film noir. The male protagonist conforms to expectations of the genre, while the female character is depicted as either an object of desire or threat. Location and class status also adhere to typical gender norms of the time period. Editing techniques, lighting, shots, and props all invoke stereotypes of the noir style to set the scene and tone. While some elements like the typewriter sound over the music introduce atypical touches, the overall representation aims to mirror conventions of classical Hollywood films.
MAKALAH : http://management-administer.blogspot.co.id/2016/10/staffing-pimpinan-dan-kepemimpinan-lpi.html
A. Latar Belakang
Sumber daya terpenting suatu organisasi adalah sumber daya manusia yang akan memberikan tenaga, bakat, kreativitas dan usaha mereka kepada organisasi. Beberapa tugas-tugas kepemimpinan kritis manajer mencakup penarikan, penyeleksian, pengembangan dan penggunaan sumber daya manusia dalam mencapai tujuan organisasi. Tanpa sumber daya manusia yang cakap, organisasi dan manajemen akan gagal. Bagaimana manajer melaksanakan fungsi penyusunan personalia (staffing) secara efektif akan menentukan sukses atau kegagalan mereka sebagai manajer. Penyusunan personalia adalah fungsi manajemen yang berkenaan dengan penarikan, penempatan, pemberian, latihan, dan pengembangan anggota-anggota organisasi. Penyusunan personalia sangat erat dengan tugas-tugas kepemimpinan, sehingga pembahasannya, sering ditempatkan sebagai bagian dan fungsi pengarahan.
B. Rumusan Masalah
1. Bagaimana proses penataan staf?
2. Apa yang dimaksud dengan perencanaan SDM?
3. Apa saja langkah-langkah rekuitmen SDM?
4. Bagaimana proses seleksi?
5. Bagaimana pendidikan dan pelatihan SDM?
6. Apa saja manfaat penilaian SDM?
7. Bagaimana upaya peningkatan profesionalisme SDM?
8. Apa pengertian dari kepemimpinan?
9. Apa saja fungsi utama pemimpin?
10. Apa saja gaya kepemimpinan?
11. Apa saja faktor-faktor dan efektivitas yang mempengaruhi pemimpin?
12. Bagaimana pemimpin yang ideal bagi LPI?
Acorn Recovery: Restore IT infra within minutesIP ServerOne
Introducing Acorn Recovery as a Service, a simple, fast, and secure managed disaster recovery (DRaaS) by IP ServerOne. A DR solution that helps restore your IT infra within minutes.
Sharpen existing tools or get a new toolbox? Contemporary cluster initiatives...Orkestra
UIIN Conference, Madrid, 27-29 May 2024
James Wilson, Orkestra and Deusto Business School
Emily Wise, Lund University
Madeline Smith, The Glasgow School of Art
Have you ever wondered how search works while visiting an e-commerce site, internal website, or searching through other types of online resources? Look no further than this informative session on the ways that taxonomies help end-users navigate the internet! Hear from taxonomists and other information professionals who have first-hand experience creating and working with taxonomies that aid in navigation, search, and discovery across a range of disciplines.
This presentation by Morris Kleiner (University of Minnesota), was made during the discussion “Competition and Regulation in Professions and Occupations” held at the Working Party No. 2 on Competition and Regulation on 10 June 2024. More papers and presentations on the topic can be found out at oe.cd/crps.
This presentation was uploaded with the author’s consent.
This presentation, created by Syed Faiz ul Hassan, explores the profound influence of media on public perception and behavior. It delves into the evolution of media from oral traditions to modern digital and social media platforms. Key topics include the role of media in information propagation, socialization, crisis awareness, globalization, and education. The presentation also examines media influence through agenda setting, propaganda, and manipulative techniques used by advertisers and marketers. Furthermore, it highlights the impact of surveillance enabled by media technologies on personal behavior and preferences. Through this comprehensive overview, the presentation aims to shed light on how media shapes collective consciousness and public opinion.
0x01 - Newton's Third Law: Static vs. Dynamic AbusersOWASP Beja
f you offer a service on the web, odds are that someone will abuse it. Be it an API, a SaaS, a PaaS, or even a static website, someone somewhere will try to figure out a way to use it to their own needs. In this talk we'll compare measures that are effective against static attackers and how to battle a dynamic attacker who adapts to your counter-measures.
About the Speaker
===============
Diogo Sousa, Engineering Manager @ Canonical
An opinionated individual with an interest in cryptography and its intersection with secure software development.
2. HOW DOES YOUR MEDIA PRODUCT
REPRESENT CERTAIN SOCIAL GROUPS?
Gender
My narrator is male, which would conform to the standards of classical film noir of the
1940s and 50s, as the protagonists and antagonists are usually male. Similarly, how he
describes “the woman”, reflects the ideals of the time where women both in and out of film,
are either objects of desire, obstacles that need to be eliminated, or the representation of
the mother. This can been seen in the film Double Indemnity (1944), where Barbara
Stanwycks character, Phyllis Diertrichson, starts of being a sexual object to the
protagonist, Walter Neff (Fred MacMurray). Though, by the end of the film he kills her to
cover his part in her husband murder.
3. Location
The location adheres to gender roles of the 40s and 50s. As the male
character is at work in the office (breadwinner), while women are
elsewhere (Caregiver and homemaker). The figure of the woman
entering the office highlights that she is not a stereotypical
housewife, but is able stand up to and compete with men, which is
something men, supposedly, are threatened by. As seen when the
man pull his gun out at the door.
Age
In classical Hollywood films, you find that the male protagonists, of
any film genre, were usually older than their female counterparts.
In the opening, the older man is domineering, and the young woman
is seen as seductive.
4. Class/ Status
As a detective, the man does not necessarily have a high class status, as
stereotypically they were not paid much or invited on society functions. However, he
would have a lot of legal power which would allow him more access and authority. The
women does not conform to the idea of “housewife”, which lands her with the identity
of femme fatale, making her, most likely, of lower social and class status.
Ethnicity
I did not represent any other ethnic group, apart from Caucasians, because I wanted
to conform to the tropes of classical film noirs, which have limited racial
representation.
5. HOW DID IT REPRESENT “PEOPLE” IN THE
WORLD OF YOUR FILM?
Male Character
He is first seen as hard working. However, the long shot of him through the window, paired
with the use of lighting and mise-en-scene, creates a sense of mystery or suspicion. He
then becomes a violent figure when he pulls the gun out, when the woman walks in. This
creates the idea that men are the money makes, but should not always be trusted.
Female Character
Through narration the idea of the woman being dangerous and potentially violent is
established. Once she walks in, she becomes a figure of seduction and manipulation. This
suggests that women are sexual objects to men, which should either be concurred or
destroyed.
6. WERE THERE ANY STEREOTYPES OR ANTI-
STEREOTYPES IN YOUR MOVIE OPENING? IF
SO, WHERE?
I wanted to create an opening that would reflected that of a classical Hollywood film noir, which
meant that I had to play on the stereotypes of the film genre.
Props
I used iconographic elements of noir gangster films, such as an old fashions typewriter
and gun, as they could and would have been used in films of the 40’s and 50’s.
Editing
I used a stereotypical editing style to mimic that of noir films, meaning that I included
a lot of fading in and our of shots. Similarly, I placed a digital overlay to create the
look of spotting, which is seen on many films of the noir era.
7. Casting
I cast an older man and younger woman, as it played on the casting choices of the
studio system of the time. The man was stereotypically cast as the worker who solves
the mystery/ crime. Whereas, the woman became one of the type stereotypes of female
Hollywood characters, the mother figure or the seductress. I chose the latter.
Lighting
I used low key lighting to create the stereotypical noir look. I achieved this through
studio lighting and the desk light, which created a spot light on the typewriter, in turn
linking the narration to the man typing. I also used backlighting to create silhouettes,
which was often used to create suspense, as the characters identity is concealed.
8. Camera shots
The long shot of the opening titles conforms to those of studio films of the time. The screen
is split in two. On one side is a man at a type writing, which establishes the protagonist.
And the other holds the names of cast and crew.
The shot of the blinds and window a stereotypical to noirs, as they were used to create
shows on actors, which created symbolism of law enforcement or the feeling of entrapment.
Similarly, the shot of the woman smoking behind the door is stereotypical to femme
fatales, as smoke, silhouettes, and shadows are elements used to create a sense of mystery
and danger of the unknown.
Introduction
The long introduction with the jazz music is stereotypical of that of classical Hollywood.
However, by overlaying the diegetic sound of the typewriter, I created an anti-stereotype,
as films of the 40s and 50s very rarely did this in their opening titles.