Time & Movement in Scrolls
•Download as PPTX, PDF•
0 likes•201 views
The document discusses several artists and their works related to the themes of time and movement, including Cai Guo-Qiang and his works "Time Scroll", "Project to Extend the Great Wall 10,000 Meters", and "Sky Ladder". It also mentions Lan Zhenghui and his works, as well as Diana Wong, Nobuhiro Nakanishi, and Pia Männikko, though it provides no details about their specific works.
Report
Share
Report
Share
Recommended
Discover the discovery
This document provides a high-level overview of the shuttle processing steps before flight, including:
1) The external tank arrives by barge and is moved to the Vertical Assembly Building (VAB) for preparation.
2) Solid rocket boosters and shuttle engines are attached to the external tank in the VAB.
3) The shuttle is then lifted and attached to the external tank.
4) The payload is prepared separately in the Payload Preparation Room and then transported to the launch pad for insertion into the shuttle.
Shuttle Discovery Prep
This document provides a high-level overview of the shuttle processing steps before flight, including:
1) The external tank arrives by barge and is moved to the Vertical Assembly Building (VAB) where it is prepared.
2) The solid rocket boosters are attached to the external tank in the VAB.
3) The shuttle engines are attached to the solid rocket boosters and the shuttle is lifted and attached to the external tank to form the complete stack.
4) Meanwhile, the payload is processed in the Payload Preparation Room and then transported to the launch pad to be inserted into the shuttle.
5) The shuttle and external tank are moved horizontally from the VAB to the launch pad atop
Basic Work Ethics
This document is a collection of photo credits attributed to two photographers, bcymet and RLHyde. Most of the photos are credited to RLHyde, with a few credited to bcymet at the beginning and end of the document. The document encourages the reader to get started creating their own presentation using Haiku Deck on SlideShare.
USING INK WASH and EDITING WITH GESSO
Random ink wash as background, purposeful ink wash as image, drawing on top of washes, using Gesso as a reductive drawing tool
Space and Composition in Scrolls
Empty space can often be a powerful compositional tool and can serve as a balance for more detailed work.
Introduction to Figure Drawing
The document lists several artists including Michelangelo, Pierre-Paul Prud-hon, Vincent, Jim Dine who is listed twice, student work, Karen Darling, Elin Bengston, William Blake, Raphael, and Jenny Saville. The document appears to be a list of artists but provides no other context about the artists or why they are listed.
Contemporary Text Artists
The document lists the names of 16 artists: Mel Bochner, Janet Silk, Squeak Carnwath, Il Lee, Sol LeWitt, Deborah Nehmad, Joel Shapiro, Lawrence Weiner (listed twice), Allyson Strafella, Kry Bastian, Susan Bocanegra, Annabel Daou, Elena del Rivero, John Laxdal, Mark Bradford, and Lorna Simpson. It also mentions drawings in a Netherlandish letter and the names Jeff Wolin and Kathy Ernst (listed twice).
Dewitt Jordan
This document lists the titles of various artworks including figure studies, portraits, nudes, landscapes, and murals. The works span different genres and styles including Rembrandt, Sunday Morning, Polish Princess, Hellhound, Birth of the Blues, Mississippi Mud, Cotton Pickers, River Rats, Cotton Landing, and a Memphis mural.
Recommended
Discover the discovery
This document provides a high-level overview of the shuttle processing steps before flight, including:
1) The external tank arrives by barge and is moved to the Vertical Assembly Building (VAB) for preparation.
2) Solid rocket boosters and shuttle engines are attached to the external tank in the VAB.
3) The shuttle is then lifted and attached to the external tank.
4) The payload is prepared separately in the Payload Preparation Room and then transported to the launch pad for insertion into the shuttle.
Shuttle Discovery Prep
This document provides a high-level overview of the shuttle processing steps before flight, including:
1) The external tank arrives by barge and is moved to the Vertical Assembly Building (VAB) where it is prepared.
2) The solid rocket boosters are attached to the external tank in the VAB.
3) The shuttle engines are attached to the solid rocket boosters and the shuttle is lifted and attached to the external tank to form the complete stack.
4) Meanwhile, the payload is processed in the Payload Preparation Room and then transported to the launch pad to be inserted into the shuttle.
5) The shuttle and external tank are moved horizontally from the VAB to the launch pad atop
Basic Work Ethics
This document is a collection of photo credits attributed to two photographers, bcymet and RLHyde. Most of the photos are credited to RLHyde, with a few credited to bcymet at the beginning and end of the document. The document encourages the reader to get started creating their own presentation using Haiku Deck on SlideShare.
USING INK WASH and EDITING WITH GESSO
Random ink wash as background, purposeful ink wash as image, drawing on top of washes, using Gesso as a reductive drawing tool
Space and Composition in Scrolls
Empty space can often be a powerful compositional tool and can serve as a balance for more detailed work.
Introduction to Figure Drawing
The document lists several artists including Michelangelo, Pierre-Paul Prud-hon, Vincent, Jim Dine who is listed twice, student work, Karen Darling, Elin Bengston, William Blake, Raphael, and Jenny Saville. The document appears to be a list of artists but provides no other context about the artists or why they are listed.
Contemporary Text Artists
The document lists the names of 16 artists: Mel Bochner, Janet Silk, Squeak Carnwath, Il Lee, Sol LeWitt, Deborah Nehmad, Joel Shapiro, Lawrence Weiner (listed twice), Allyson Strafella, Kry Bastian, Susan Bocanegra, Annabel Daou, Elena del Rivero, John Laxdal, Mark Bradford, and Lorna Simpson. It also mentions drawings in a Netherlandish letter and the names Jeff Wolin and Kathy Ernst (listed twice).
Dewitt Jordan
This document lists the titles of various artworks including figure studies, portraits, nudes, landscapes, and murals. The works span different genres and styles including Rembrandt, Sunday Morning, Polish Princess, Hellhound, Birth of the Blues, Mississippi Mud, Cotton Pickers, River Rats, Cotton Landing, and a Memphis mural.
Tension and Harmony in Composition
Be aware of how shapes, lines, colors and choice of subject influence the tension or harmonies or rhythms in your work.
Dan Beudean; David Dodge Lewis & Ephraim Rubenstein
Dan Beudean is a client of the law firm David Dodge Lewis & Ephraim Lewis & Rubenstein. The document appears to list Dan Beudean as a client and the law firm he is represented by, which is David Dodge Lewis & Ephraim Lewis & Rubenstein.
Tension & harmony
Think about how tension between pictorial elements can add interest to your piece, and how repetitive shapes or colors can add harmony.
Modeling the Figure
Modeling involves building up forms through shading to create the illusion of volume on a two-dimensional surface. The document recommends building figures from the inside out using techniques like stick figures, scribbling, ovals, and angles learned in previous weeks. It emphasizes sculpting the figure with charcoal and using darker shading on receding parts of the form, with examples from artists like Rembrandt, Raphael, Shin Kwang Ho, Chuck Close, and Picasso. Tonight's exercise is fingerprint modeling.
Implied line & shape
The document discusses the difference between actual lines and implied lines in artwork. Actual lines are physical connections between points, while implied lines refer to the path the viewer's eye follows through shapes, colors, textures, or values in a piece. Several artists are then listed as examples, including Gericault, Raphael, Rubens, Picasso, Jess Collins, Elisabeth Segre, Kurt Schwitters, Lee Krasner, Lance Carlson, Alex Hamilton, and Marty Skocilich.
Expressive figure
So you've practiced drawing the figure for a few months - now what? Try being more expressive in your drawings by letting accidents and abstractions happen.
Voice and Visions Final Summ 2015
This document appears to be a list of names of students who participated in the final critique for the Voice & Vision class at SFAI during the summer of 2015. There are 17 unique names listed, some with multiple listings. The document provides an inventory of students but no other context or descriptions.
Gursky, Heffernan, Goings, Blacharczyk
This document lists 4 artists - Andreas Gursky who creates large scale photographs, Julie Heffernan who works in oil on canvas around 6' x 6' in size, Ralph Goings who uses oil and watercolor as mediums, and Barbara Blacharczyk who employs pencil and charcoal in her artwork.
Time & mov't
The document lists the names Izhar Patkin, Andre Petterson, Cai Guo Qiang, Nobuhiro Nakanishi, and Pia Männikko, with each name appearing multiple times in the list.
33 Artists in 3 Acts, Act II
This document provides reading assignments for two class discussions on October 17th and October 31st. It lists the names of 13 artists such as Elmgreen & Dragset, Maurizio Catellan, Laurie Simmons, Carroll Dunham, Francis Alys, Cindy Sherman, Jennifer Dalton, William Powhida, and Rashid Johnson and references some of their specific works like "Marriage" and "Still from Tiny Furniture" that are likely related to the assigned readings.
Reductive Drawing
How erasing or working over existing drawings creates new surface texture, layers, and added interest
Figure planes
This document provides guidance on finding planes and shading in figures. It advises to think of figures as made up of cubic shapes and highlights planes in body parts like the head, foot, and hand. The document also emphasizes the importance of composition, suggesting that the figure should fit comfortably on the page and focus attention through negative space and unusual shading. Examples are provided of figures utilizing space and planes effectively.
Why Work in Series?
Examines the work of several contemporary artists, showing examples of variations on a theme.
Working in Sereis - Introduction
The document lists the names of various artists, including Adam Kennedy, Ana Teresa Fernandez, Jacob Hashimoto, Thornton Dial, Nina Abney, Michael Borremans, Larry Thomas, Maggie Lowenski, Giancarlo Bargoni, and Trenton Doyle Hancock. Each artist's name is repeated three times in the document.
Perspective - stacked cubes
This document provides art homework instructions focusing on still life drawings of milk or juice cartons from a short range perspective. Students are asked to pay attention to composition, perspective, range of values, and use of background shading in their drawings, noticing the subtle shifts in value that describe the planes of the carton without outlining them.
Mixed Media Workshop 11 1-15
The document is a sign-in sheet for a mixed media workshop held on November 1st, 2015 and instructed by Pamela Lanza. It lists the names of 27 attendees, including Linda Moriarity, Ed Schnaars, Lee Grygo, Shahla Motamedi, Vera Gates, and Dorothy Dana. Some attendees are listed multiple times or have "Mystery Artist" written in to indicate they did not provide their name.
USING SPACE IN DRAWING
This document lists the names of various artists who work with large scale drawings including Andrew Wyeth, Douglas Kinsey, Robert Longo, Kehinde Wiley, Egon Schiele, Justine Miller, Karen Hackenmiller, Larry Thomas, Hannah Hur, Squeak Carnwath, Nuncio Paci, Matt Woodward, Dominic Magill, Cathy Hegman, and Golucho. The document does not provide any additional context about these artists or their large scale drawings.
Artists of "Drawing Conclusions" from Modern Edition
Current trends in drawing represent a reaction against conceptual and theoretical approaches, favoring a more hands-on style of mark-making. Some influential artists in this movement include Darren Almond, Martin Creed, and Rachel Whitehead, whose work is less conceptual. Contemporary drawing has also been influenced by "Low Brow" art like cartoons, comics, and tattoo art, as seen in the work of Ray Pettibon and Robert Williams. The emergence of Pop Surrealism is another trend characterized by obsessive detail, as seen in the pattern-filled drawings of artists like Paul Noble, Camille Rose Garcia, and Sara Thustra. Overall, contemporary drawing rejects the restraint of conceptual art in favor of a more democratic
TEXT AS BACKGROUND: UNUSUAL ASSOCIATIONS
Using text as a textural element or as a patterned background for other imagery creates associations between the found words and the applied images.
Studying the Masters
The document lists various artists and their works that students have studied, including Ghirlandaio who was Michelangelo's teacher, Gericault's "Raft of the Medusa", Van Gogh's "The Sower" which Vincent studied, Raimondi's "Judgment of Paris", Manet's "Luncheon on the Grass", works by Courbet, Picasso's study of Courbet, Giorgione and Titian's "Venus of Urbino", Manet's "Olympia", works by Mel Ramos, Larry Rivers, Cezanne which students studied, George Bellows' "Stag at Sharkey's", works by Rembrandt, and Vincent
Repurposed & Collaged Drawings
The document discusses several artists who create collaged and re-purposed drawings including Barbara Moody, Cheryl Richey, Dorota Jedrusik, Lee Krasner, Judy Foosaner, Jackie Berridge, Dawn Clements, and Raymond Saa. It notes techniques like piecing together old drawings, working with gesso, ink, and charcoal, and using tears and cuts in collaged pieces. It encourages trying to put together contiguous images to create a large work or a collection of small drawings.
"Half-life" Drawing
The document discusses abstraction in art and describes several series of drawings that demonstrate increasing abstraction. It provides examples of series by Piet Mondrian and Picasso that simplify forms into geometric shapes over multiple drawings of the same subject. Another example described is a "half-life" drawing series where the same subject is drawn for progressively shorter periods of time. Students are assigned to create their own series of increasingly abstract drawings from a single subject over multiple drawings.
More Related Content
Viewers also liked
Tension and Harmony in Composition
Be aware of how shapes, lines, colors and choice of subject influence the tension or harmonies or rhythms in your work.
Dan Beudean; David Dodge Lewis & Ephraim Rubenstein
Dan Beudean is a client of the law firm David Dodge Lewis & Ephraim Lewis & Rubenstein. The document appears to list Dan Beudean as a client and the law firm he is represented by, which is David Dodge Lewis & Ephraim Lewis & Rubenstein.
Tension & harmony
Think about how tension between pictorial elements can add interest to your piece, and how repetitive shapes or colors can add harmony.
Modeling the Figure
Modeling involves building up forms through shading to create the illusion of volume on a two-dimensional surface. The document recommends building figures from the inside out using techniques like stick figures, scribbling, ovals, and angles learned in previous weeks. It emphasizes sculpting the figure with charcoal and using darker shading on receding parts of the form, with examples from artists like Rembrandt, Raphael, Shin Kwang Ho, Chuck Close, and Picasso. Tonight's exercise is fingerprint modeling.
Implied line & shape
The document discusses the difference between actual lines and implied lines in artwork. Actual lines are physical connections between points, while implied lines refer to the path the viewer's eye follows through shapes, colors, textures, or values in a piece. Several artists are then listed as examples, including Gericault, Raphael, Rubens, Picasso, Jess Collins, Elisabeth Segre, Kurt Schwitters, Lee Krasner, Lance Carlson, Alex Hamilton, and Marty Skocilich.
Expressive figure
So you've practiced drawing the figure for a few months - now what? Try being more expressive in your drawings by letting accidents and abstractions happen.
Voice and Visions Final Summ 2015
This document appears to be a list of names of students who participated in the final critique for the Voice & Vision class at SFAI during the summer of 2015. There are 17 unique names listed, some with multiple listings. The document provides an inventory of students but no other context or descriptions.
Gursky, Heffernan, Goings, Blacharczyk
This document lists 4 artists - Andreas Gursky who creates large scale photographs, Julie Heffernan who works in oil on canvas around 6' x 6' in size, Ralph Goings who uses oil and watercolor as mediums, and Barbara Blacharczyk who employs pencil and charcoal in her artwork.
Time & mov't
The document lists the names Izhar Patkin, Andre Petterson, Cai Guo Qiang, Nobuhiro Nakanishi, and Pia Männikko, with each name appearing multiple times in the list.
33 Artists in 3 Acts, Act II
This document provides reading assignments for two class discussions on October 17th and October 31st. It lists the names of 13 artists such as Elmgreen & Dragset, Maurizio Catellan, Laurie Simmons, Carroll Dunham, Francis Alys, Cindy Sherman, Jennifer Dalton, William Powhida, and Rashid Johnson and references some of their specific works like "Marriage" and "Still from Tiny Furniture" that are likely related to the assigned readings.
Reductive Drawing
How erasing or working over existing drawings creates new surface texture, layers, and added interest
Figure planes
This document provides guidance on finding planes and shading in figures. It advises to think of figures as made up of cubic shapes and highlights planes in body parts like the head, foot, and hand. The document also emphasizes the importance of composition, suggesting that the figure should fit comfortably on the page and focus attention through negative space and unusual shading. Examples are provided of figures utilizing space and planes effectively.
Why Work in Series?
Examines the work of several contemporary artists, showing examples of variations on a theme.
Working in Sereis - Introduction
The document lists the names of various artists, including Adam Kennedy, Ana Teresa Fernandez, Jacob Hashimoto, Thornton Dial, Nina Abney, Michael Borremans, Larry Thomas, Maggie Lowenski, Giancarlo Bargoni, and Trenton Doyle Hancock. Each artist's name is repeated three times in the document.
Perspective - stacked cubes
This document provides art homework instructions focusing on still life drawings of milk or juice cartons from a short range perspective. Students are asked to pay attention to composition, perspective, range of values, and use of background shading in their drawings, noticing the subtle shifts in value that describe the planes of the carton without outlining them.
Mixed Media Workshop 11 1-15
The document is a sign-in sheet for a mixed media workshop held on November 1st, 2015 and instructed by Pamela Lanza. It lists the names of 27 attendees, including Linda Moriarity, Ed Schnaars, Lee Grygo, Shahla Motamedi, Vera Gates, and Dorothy Dana. Some attendees are listed multiple times or have "Mystery Artist" written in to indicate they did not provide their name.
USING SPACE IN DRAWING
This document lists the names of various artists who work with large scale drawings including Andrew Wyeth, Douglas Kinsey, Robert Longo, Kehinde Wiley, Egon Schiele, Justine Miller, Karen Hackenmiller, Larry Thomas, Hannah Hur, Squeak Carnwath, Nuncio Paci, Matt Woodward, Dominic Magill, Cathy Hegman, and Golucho. The document does not provide any additional context about these artists or their large scale drawings.
Artists of "Drawing Conclusions" from Modern Edition
Current trends in drawing represent a reaction against conceptual and theoretical approaches, favoring a more hands-on style of mark-making. Some influential artists in this movement include Darren Almond, Martin Creed, and Rachel Whitehead, whose work is less conceptual. Contemporary drawing has also been influenced by "Low Brow" art like cartoons, comics, and tattoo art, as seen in the work of Ray Pettibon and Robert Williams. The emergence of Pop Surrealism is another trend characterized by obsessive detail, as seen in the pattern-filled drawings of artists like Paul Noble, Camille Rose Garcia, and Sara Thustra. Overall, contemporary drawing rejects the restraint of conceptual art in favor of a more democratic
TEXT AS BACKGROUND: UNUSUAL ASSOCIATIONS
Using text as a textural element or as a patterned background for other imagery creates associations between the found words and the applied images.
Studying the Masters
The document lists various artists and their works that students have studied, including Ghirlandaio who was Michelangelo's teacher, Gericault's "Raft of the Medusa", Van Gogh's "The Sower" which Vincent studied, Raimondi's "Judgment of Paris", Manet's "Luncheon on the Grass", works by Courbet, Picasso's study of Courbet, Giorgione and Titian's "Venus of Urbino", Manet's "Olympia", works by Mel Ramos, Larry Rivers, Cezanne which students studied, George Bellows' "Stag at Sharkey's", works by Rembrandt, and Vincent
Viewers also liked (20)
Dan Beudean; David Dodge Lewis & Ephraim Rubenstein
Dan Beudean; David Dodge Lewis & Ephraim Rubenstein
Artists of "Drawing Conclusions" from Modern Edition
Artists of "Drawing Conclusions" from Modern Edition
More from pamlanza
Repurposed & Collaged Drawings
The document discusses several artists who create collaged and re-purposed drawings including Barbara Moody, Cheryl Richey, Dorota Jedrusik, Lee Krasner, Judy Foosaner, Jackie Berridge, Dawn Clements, and Raymond Saa. It notes techniques like piecing together old drawings, working with gesso, ink, and charcoal, and using tears and cuts in collaged pieces. It encourages trying to put together contiguous images to create a large work or a collection of small drawings.
"Half-life" Drawing
The document discusses abstraction in art and describes several series of drawings that demonstrate increasing abstraction. It provides examples of series by Piet Mondrian and Picasso that simplify forms into geometric shapes over multiple drawings of the same subject. Another example described is a "half-life" drawing series where the same subject is drawn for progressively shorter periods of time. Students are assigned to create their own series of increasingly abstract drawings from a single subject over multiple drawings.
Disparate Elements, Contemporary Surrealism
This document provides instructions for an art assignment asking students to create a minimum of two surrealist drawings incorporating disparate visual elements from unrelated photographs. The pieces can be separate or combined into a diptych or larger multi-panel work. Examples are given of artists who have created diptychs, triptychs, or multi-panel works that either continue a single image or theme across panels or use independent images. Recommended drawing media include mixed media.
Drawing on Acetate Overlay
The document provides instructions for an art exercise involving drawing on clear acetate sheets that are placed over photographs. Students will use markers and pens on the acetate to incorporate and manipulate the images from the photos below. Examples are given of various contemporary artists who have used this acetate drawing technique in their own works, demonstrating different ways the photos can be obscured, incorporated into cutouts, or used as guides for tracing. Tips are provided on adhering the acetate sheets while drawing and which mediums work best for bonding acetate to paper or other acetate layers.
Acetate Overlay Drawings
The document provides instructions for an art exercise involving drawing on clear acetate sheets that are placed over photographs. Students will use markers or other media to draw on the acetate, and can then remove the underlying photo or layer multiple acetates. Examples are given of different techniques like using alcohol to erase marker on acetate, drawing the shapes seen in cloud photos, and painting on the underside of the acetate to obscure the photo. Tips are provided on adhering acetate to paper or other surfaces. The goal is for students to experiment with the various effects that can be created through drawing on and manipulating acetate over photographs.
Layers of Information
The document discusses how overlaying images can add mystery and free artists from literal interpretations. It provides examples of works that build layers of information:
- The Archimedes Palimpsest was originally a 10th century copy of Archimedes that was overwritten in the 13th century, but modern imaging has revealed the original text.
- Hibiki Miyazaki's work has a transparent toy battle horse and swords painted over text that explains the image.
- Helen Ward uses obscured bottom text as a pattern and "secret message" under dreamlike dripping images.
Why Do Master's Studies
Rather than copying, learning by studying and rendering the works of masters, with particular attention to composition, line, and technical challenges
Chance Encounters Introduction
This document discusses contemporary approaches to drawing that expand traditional definitions. It lists various artists and techniques that challenge conventions, including recordings of subway motion by William Anastasi, wall drawings instructed but not created by Sol LeWitt, works using materials like tape, gunpowder, and earth. It advocates collaborating with other artists, combining different styles, appropriating other works, and allowing spontaneity in drawing to discover new ideas and constantly grow as an artist.
Delicious Ambiguity
This document lists the names of 16 artists and 1 student. It includes Terry Allen, Travis Somerville, Fred Stonehouse, Banksy, Jess Reno, Basquiat, Janis Walker, Giosuè Quadrini, Laly Mille, Despina Stokou, Joan Fullerton, Geri Rebstock, Tom O’Neill, Squeak Carnwath, Leslie Dill, Jane Davies, and one student.
Combining elements from former drawings to create new ones
The document lists the names of 12 contemporary drawing artists and describes some techniques they use that combine disparate elements or approaches from multiple sources into a single drawing, such as drawing with both hands, overlapping washes of ink, including multiple drawings on one page, using reductive or non-representational styles, collaborative drawings between artists, and using non-traditional materials like coffee. It also announces an upcoming experimental drawing exhibition in fall 2018.
REFLECTIVE SURFACES & CONTEMPORARY DRAWING ARTISTS, PART 2
The document lists the names of several contemporary drawing artists and mentions some of their mediums. It appears to be notes related to a class on contemporary drawing artists that includes reflections on unusual objects and combined drawings as part of the homework. Artists mentioned include Jeff Raymond, Alex Hamilton, Ali Osborne, Harvey Tulcensky who uses ballpoint pen, Natalia Pivko, Vitaly Pushnitsky, Zeng Xiajun who uses ink on paper, and Beili Liu who works with blown ink on paper.
Drawing Drapery; Contemporary Drawing Part 1
Loose line meets contour meets selective shading in drapery study; work by contemporary drawing artists, part 1.
Industrial Objects and Paper Bags
Finding rhythms of light and dark in still life objects; contour line, shapes of folds and crevices in paper bags.
COMPOSITION
This document discusses various compositional techniques for arranging elements on a two-dimensional picture plane, including diagonal, radial, concentric, symmetric, asymmetric, and vertical compositions. It provides examples of each technique drawn by artists like Jim Dine, Ginny Grayson, and Giorgio Morandi. The final sentences assign homework to experiment with compositional techniques using hanging objects and letting light or shadow be an important element.
MASTER STUDIES vs. MASTER COPIES
This document lists various artists and their works, as well as examples of how students and other artists studied and were influenced by the masters. It includes Michelangelo studying under Ghirlandaio, Van Gogh being influenced by Japanese prints, Picasso studying the works of Velazquez and Courbet, and examples of student sketches copying and analyzing works by Rembrandt, Cezanne, Bellows, and Van Gogh. The purpose is to show artists learning from the masters by close observation and interpretation of their techniques.
DRAWING FILM STILLS UPSIDE-DOWN
Draw a hpto keeping it upside-down the entire time. Turning it right-side up to make corrections or to tighten up your drawing to make it more exact defeats the important multiple purposes of the exercise:
• To stop thinking in terms of rendering objects, and start seeing large shapes of light and dark
• To note how placement of those shapes carves up the picture plane
• To understand how the placement of values defines and energizes the composition
• To abstract the photo into a drawing – not a photorealist drawing, but one with your own kinds of lines and choices and interpretation
COMPOSITION & SHADING
The document discusses various compositional techniques for shading in artwork. It provides examples from different artists to illustrate concepts like grouping objects to form rectangles within rectangles, objects touching or going off the edges of the picture plane, selective shading with contour lines only indicating some objects, close-ups emphasizing shape and blocking out light and dark areas, and using backgrounds to set off objects and create edges without outlining. It recommends doing thumbnail sketches to plan compositions and using the full range of values from darkest to lightest when shading, with darker values for receding objects and lighter for those coming forward. Background tones can shift depending on nearby objects to set them off through value contrast.
DRAWING WITHOUT FEAR! Week 1: Basic shapes
This document provides guidance on drawing techniques for students. It discusses drawing still lifes, contour drawing, gesture drawing, and studying master artists' works. Students are encouraged to practice different techniques like blind contour drawing and shading to improve hand-eye coordination. They are also assigned homework to set up their own still life at home using ordinary objects.
Not Flat Workshop May 2018
The NOT FLAT workshop at the Asheville Art Museum in May 2018 explored concepts beyond the flat, two-dimensional surface. Participants experimented with techniques that incorporated texture, dimensionality, and other sculptural elements into their artwork. The goal was to challenge traditional notions of painting and drawing and push creative boundaries in new directions.
Don't Box Me In Final Critique
Students in a class critique their final projects and provide feedback to each other on their work. Ali Campbell, Becca Campbell, Kate Chassner, Jacob Fisher, Louise Glickman, and Pat Johnson are listed as having participated in the critique by providing their projects for feedback and reviewing their classmates' work.
More from pamlanza (20)
Combining elements from former drawings to create new ones
Combining elements from former drawings to create new ones
REFLECTIVE SURFACES & CONTEMPORARY DRAWING ARTISTS, PART 2
REFLECTIVE SURFACES & CONTEMPORARY DRAWING ARTISTS, PART 2
Recently uploaded
INTRODUCTION TO HOSPITALS & AND ITS ORGANIZATION
The document discuss about the hospitals and it's organization .
Brand Guideline of Bashundhara A4 Paper - 2024
It outlines the basic identity elements such as symbol, logotype, colors, and typefaces. It provides examples of applying the identity to materials like letterhead, business cards, reports, folders, and websites.
NIPER 2024 MEMORY BASED QUESTIONS.ANSWERS TO NIPER 2024 QUESTIONS.NIPER JEE 2...
NIPER JEE PYQ
NIPER JEE QUESTIONS
MOST FREQUENTLY ASK QUESTIONS
NIPER MEMORY BASED QUWSTIONS
How to Download & Install Module From the Odoo App Store in Odoo 17
Custom modules offer the flexibility to extend Odoo's capabilities, address unique requirements, and optimize workflows to align seamlessly with your organization's processes. By leveraging custom modules, businesses can unlock greater efficiency, productivity, and innovation, empowering them to stay competitive in today's dynamic market landscape. In this tutorial, we'll guide you step by step on how to easily download and install modules from the Odoo App Store.
Creation or Update of a Mandatory Field is Not Set in Odoo 17
In this slide we will discuss Creation or Updation of a mandatory field is not set in Odoo 17.
skeleton System.pdf (skeleton system wow)
🔥🔥🔥🔥🔥🔥🔥🔥🔥
إضغ بين إيديكم من أقوى الملازم التي صممتها
ملزمة تشريح الجهاز الهيكلي (نظري 3)
💀💀💀💀💀💀💀💀💀💀
تتميز هذهِ الملزمة بعِدة مُميزات :
1- مُترجمة ترجمة تُناسب جميع المستويات
2- تحتوي على 78 رسم توضيحي لكل كلمة موجودة بالملزمة (لكل كلمة !!!!)
#فهم_ماكو_درخ
3- دقة الكتابة والصور عالية جداً جداً جداً
4- هُنالك بعض المعلومات تم توضيحها بشكل تفصيلي جداً (تُعتبر لدى الطالب أو الطالبة بإنها معلومات مُبهمة ومع ذلك تم توضيح هذهِ المعلومات المُبهمة بشكل تفصيلي جداً
5- الملزمة تشرح نفسها ب نفسها بس تكلك تعال اقراني
6- تحتوي الملزمة في اول سلايد على خارطة تتضمن جميع تفرُعات معلومات الجهاز الهيكلي المذكورة في هذهِ الملزمة
واخيراً هذهِ الملزمة حلالٌ عليكم وإتمنى منكم إن تدعولي بالخير والصحة والعافية فقط
كل التوفيق زملائي وزميلاتي ، زميلكم محمد الذهبي 💊💊
🔥🔥🔥🔥🔥🔥🔥🔥🔥
مصحف القراءات العشر أعد أحرف الخلاف سمير بسيوني.pdf
مصحف أحرف الخلاف للقراء العشرةأعد أحرف الخلاف بالتلوين وصلا سمير بسيوني غفر الله له
THE SACRIFICE HOW PRO-PALESTINE PROTESTS STUDENTS ARE SACRIFICING TO CHANGE T...
The recent surge in pro-Palestine student activism has prompted significant responses from universities, ranging from negotiations and divestment commitments to increased transparency about investments in companies supporting the war on Gaza. This activism has led to the cessation of student encampments but also highlighted the substantial sacrifices made by students, including academic disruptions and personal risks. The primary drivers of these protests are poor university administration, lack of transparency, and inadequate communication between officials and students. This study examines the profound emotional, psychological, and professional impacts on students engaged in pro-Palestine protests, focusing on Generation Z's (Gen-Z) activism dynamics. This paper explores the significant sacrifices made by these students and even the professors supporting the pro-Palestine movement, with a focus on recent global movements. Through an in-depth analysis of printed and electronic media, the study examines the impacts of these sacrifices on the academic and personal lives of those involved. The paper highlights examples from various universities, demonstrating student activism's long-term and short-term effects, including disciplinary actions, social backlash, and career implications. The researchers also explore the broader implications of student sacrifices. The findings reveal that these sacrifices are driven by a profound commitment to justice and human rights, and are influenced by the increasing availability of information, peer interactions, and personal convictions. The study also discusses the broader implications of this activism, comparing it to historical precedents and assessing its potential to influence policy and public opinion. The emotional and psychological toll on student activists is significant, but their sense of purpose and community support mitigates some of these challenges. However, the researchers call for acknowledging the broader Impact of these sacrifices on the future global movement of FreePalestine.
Accounting for Restricted Grants When and How To Record Properly
In this webinar, member learned how to stay in compliance with generally accepted accounting principles (GAAP) for restricted grants.
220711130083 SUBHASHREE RAKSHIT Internet resources for social science
Internet resources for social science
How to Setup Default Value for a Field in Odoo 17
In Odoo, we can set a default value for a field during the creation of a record for a model. We have many methods in odoo for setting a default value to the field.
A Visual Guide to 1 Samuel | A Tale of Two Hearts
These slides walk through the story of 1 Samuel. Samuel is the last judge of Israel. The people reject God and want a king. Saul is anointed as the first king, but he is not a good king. David, the shepherd boy is anointed and Saul is envious of him. David shows honor while Saul continues to self destruct.
Diversity Quiz Prelims by Quiz Club, IIT Kanpur
Prelims of Diversity Quiz, conducted by Quiz Club, IIT Kanpur in collaboration with Unmukt on 22 June 2024.
Recently uploaded (20)
NIPER 2024 MEMORY BASED QUESTIONS.ANSWERS TO NIPER 2024 QUESTIONS.NIPER JEE 2...
NIPER 2024 MEMORY BASED QUESTIONS.ANSWERS TO NIPER 2024 QUESTIONS.NIPER JEE 2...
How to Download & Install Module From the Odoo App Store in Odoo 17
How to Download & Install Module From the Odoo App Store in Odoo 17
Creation or Update of a Mandatory Field is Not Set in Odoo 17
Creation or Update of a Mandatory Field is Not Set in Odoo 17
مصحف القراءات العشر أعد أحرف الخلاف سمير بسيوني.pdf
مصحف القراءات العشر أعد أحرف الخلاف سمير بسيوني.pdf
THE SACRIFICE HOW PRO-PALESTINE PROTESTS STUDENTS ARE SACRIFICING TO CHANGE T...
THE SACRIFICE HOW PRO-PALESTINE PROTESTS STUDENTS ARE SACRIFICING TO CHANGE T...
Accounting for Restricted Grants When and How To Record Properly
Accounting for Restricted Grants When and How To Record Properly
220711130083 SUBHASHREE RAKSHIT Internet resources for social science
220711130083 SUBHASHREE RAKSHIT Internet resources for social science
220711130088 Sumi Basak Virtual University EPC 3.pptx
220711130088 Sumi Basak Virtual University EPC 3.pptx
Time & Movement in Scrolls
- 2. Cai Guo Qiang - Time Scroll
- 3. Cai Guo Qiang - Time Scroll
- 4. Cai Guo Qiang - Time Scroll
- 5. Cai Guo Qiang - Time Scroll
- 6. Cai Guo-Qiang – Time Scroll
- 7. Cai Guo-Qiang - detail
- 8. Cai Guo-Qiang – Project to Extend the Great Wall 10,000 Meters
- 9. Cai Guo-Qiang – Great Wall
- 10. Cai Guo-Qiang – Sky ladder
- 11. Lan Zhenghui
- 12. Lan Zhenghui
- 13. Lan Zhenghui
- 14. Lan Zhenghui
- 15. Lan Zhenhhui
- 16. Diana Wong
- 17. Diana Wong
- 18. Diana Wong
- 23. Pia Männikko
- 24. Pia Männikko
- 25. Pia Männikko
- 26. Pia Männikko