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K E L L E Y M C A N D R E W S
B R E N T C L A R K E
D A N I E L L E M O R R I S
Through Theatre to Cinema
Montage
 Primo: photo-fragments of nature are recorded
 Secundo: The photo fragments are combined in
various ways
 Primo + Secundo = MONTAGE
 Nature
Real Doing & Pictorial Imagination
 Reactions to events
 The Mexican: Prize-Fight Scene
 Acrobatics of Expression
 Gesture -> Gymnastics
 Rage -> Somersault
 Lyricism -> “on the mast of death”
Typage
 Specific approach to events by the content of the
film.
 Root in Theatre.
 An indicator of definite affinities to real life through
camera.
Commedia Del’Arte & Typage
 Typage is the modern
development of Commedia
Del’Arte.
 Modern Film Typage is
based on the need for
presenting each new figure
in our first glimpse of him
so sharply and completely
that futher use of this
figure may be known as an
element.
Theatrical Elements
 Musicians use a scale of sounds
 The painter scales the color of the background
 The writer scales a row of sounds and words
Dialogue
 Intersections of two dialogues sharpen characters
and play, quicken tempo, and multiply the comic
possibilities.
 The Sage
 Music-Hall element
 Flaubert: Two lines of speech are interlaced
Strike
 Out of mechanical fusion, form plastic synthesis, the
attempt evolves into thematic synthesis.
 https://www.youtube.com/watch?v=jWiDciPuSW4
Down with the Story? Yes to the Story!
 Then, seemed to be an
attack on individualism
upon revolutionary
cinema.
The Story
http://www.youtube.com/watch?v=L18SnOxM7OU

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Through Theatre to Cinema

  • 1. K E L L E Y M C A N D R E W S B R E N T C L A R K E D A N I E L L E M O R R I S Through Theatre to Cinema
  • 2. Montage  Primo: photo-fragments of nature are recorded  Secundo: The photo fragments are combined in various ways  Primo + Secundo = MONTAGE  Nature
  • 3.
  • 4. Real Doing & Pictorial Imagination  Reactions to events  The Mexican: Prize-Fight Scene  Acrobatics of Expression  Gesture -> Gymnastics  Rage -> Somersault  Lyricism -> “on the mast of death”
  • 5. Typage  Specific approach to events by the content of the film.  Root in Theatre.  An indicator of definite affinities to real life through camera.
  • 6. Commedia Del’Arte & Typage  Typage is the modern development of Commedia Del’Arte.  Modern Film Typage is based on the need for presenting each new figure in our first glimpse of him so sharply and completely that futher use of this figure may be known as an element.
  • 7. Theatrical Elements  Musicians use a scale of sounds  The painter scales the color of the background  The writer scales a row of sounds and words
  • 8. Dialogue  Intersections of two dialogues sharpen characters and play, quicken tempo, and multiply the comic possibilities.  The Sage  Music-Hall element  Flaubert: Two lines of speech are interlaced
  • 9. Strike  Out of mechanical fusion, form plastic synthesis, the attempt evolves into thematic synthesis.  https://www.youtube.com/watch?v=jWiDciPuSW4
  • 10. Down with the Story? Yes to the Story!  Then, seemed to be an attack on individualism upon revolutionary cinema. The Story
  • 11.

Editor's Notes

  1. Reactions and acrobatics –pages 6 and 7
  2. The paragraph about this on page 15 would be good to read to class