Designing with Empathy [Code & Creativity 2014]Aaron Gustafson
Every decision we make affects the way real people experience our products.
We've all heard the rallying cry for user-centered design, but even those of us who ascribe to that ideal often fall back on our own biases and instincts when it comes to making decisions about how people experience our content and our services.
Sadly, this often means we make decisions we think will be good for our “users” - that anonymous, faceless crowd - rather than actually trying to understand the perspectives, surroundings, capabilities, and disadvantages of the actual people who we are here to serve.
In this session, Aaron will explore why empathy is a good thing, how empathy empowers creativity, and how we, as a community, can inject more empathy into our work.
Designing with Empathy [Beyond Tellerrand 2013]Aaron Gustafson
Every decision we make affects the way real people experience our products. We’ve all heard the rallying cry for user-centered design, but even those of us who ascribe to that ideal often fall back on our own biases and instincts when it comes to making decisions about how people experience our content and our services. Sadly, this often means we make decisions we think will be good for our "users"—that anonymous, faceless crowd—rather than actually trying to understand the perspectives, surroundings, capabilities, and disadvantages of the actual people who we are here to serve.
In this session, Aaron Gustafson will explore why empathy is a good thing, how empathy empowers creativity, and how we, as a community, can inject more empathy into our work.
Designing with Empathy [Reasons to be Creative 2013]Aaron Gustafson
Every decision we make affects the way real people experience our products.
We've all heard the rallying cry for user-centered design, but even those of us who ascribe to that ideal often fall back on our own biases and instincts when it comes to making decisions about how people experience our content and our services.
Sadly, this often means we make decisions we think will be good for our "users" - that anonymous, faceless crowd - rather than actually trying to understand the perspectives, surroundings, capabilities, and disadvantages of the actual people who we are here to serve.
In this session, Aaron will explore why empathy is a good thing, how empathy empowers creativity, and how we, as a community, can inject more empathy into our work.
Designing with Empathy [Code & Creativity 2014]Aaron Gustafson
Every decision we make affects the way real people experience our products.
We've all heard the rallying cry for user-centered design, but even those of us who ascribe to that ideal often fall back on our own biases and instincts when it comes to making decisions about how people experience our content and our services.
Sadly, this often means we make decisions we think will be good for our “users” - that anonymous, faceless crowd - rather than actually trying to understand the perspectives, surroundings, capabilities, and disadvantages of the actual people who we are here to serve.
In this session, Aaron will explore why empathy is a good thing, how empathy empowers creativity, and how we, as a community, can inject more empathy into our work.
Designing with Empathy [Beyond Tellerrand 2013]Aaron Gustafson
Every decision we make affects the way real people experience our products. We’ve all heard the rallying cry for user-centered design, but even those of us who ascribe to that ideal often fall back on our own biases and instincts when it comes to making decisions about how people experience our content and our services. Sadly, this often means we make decisions we think will be good for our "users"—that anonymous, faceless crowd—rather than actually trying to understand the perspectives, surroundings, capabilities, and disadvantages of the actual people who we are here to serve.
In this session, Aaron Gustafson will explore why empathy is a good thing, how empathy empowers creativity, and how we, as a community, can inject more empathy into our work.
Designing with Empathy [Reasons to be Creative 2013]Aaron Gustafson
Every decision we make affects the way real people experience our products.
We've all heard the rallying cry for user-centered design, but even those of us who ascribe to that ideal often fall back on our own biases and instincts when it comes to making decisions about how people experience our content and our services.
Sadly, this often means we make decisions we think will be good for our "users" - that anonymous, faceless crowd - rather than actually trying to understand the perspectives, surroundings, capabilities, and disadvantages of the actual people who we are here to serve.
In this session, Aaron will explore why empathy is a good thing, how empathy empowers creativity, and how we, as a community, can inject more empathy into our work.
Thank you for your support of Murals & More: The Cedar Rapids Mural Trail during our recent Student Art Walk. Murals and More is truly a grassroots, citizen driven organization. We need the community's involvement to make the project a true success! Every individual who gets involved makes the project even more successful! Your volunteerism and support has and will continue to make a difference in the community.
Thank you for your support of Murals & More: The Cedar Rapids Mural Trail during our recent Student Art Walk. Murals and More is truly a grassroots, citizen driven organization. We need the community's involvement to make the project a true success! Every individual who gets involved makes the project even more successful! Your volunteerism and support has and will continue to make a difference in the community.
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1. Visualizing Pittsburgh Graffiti:
using information design to create awareness
between community member and graffiti writers
by Miso Kim and Anne Iasella
M.Des. Communication Planning and Information Design
Thesis advisor, Professor Dan Boyarski, School of Design
Thesis advisor, Professor Steve Kuhn, Department of English
2. Problem Statement
Graffiti is a complex social problem that has not been well
explored. Our goal was to help the community better
understand Pittsburgh graffiti by using information design
to provide an unbiased view of the issues.
PROBLEM STATEMENT • PITTSBURGH’S BATTLE • BARRIERS • DESIGN PROCESS • SCENARIOS • PLANS
3. Pittsburgh’s battle with graffiti in 1989
In the mid-1980s graffiti emerged in Pittsburgh. In 1989,
Pittsburgh crafted its first initiative aimed at curbing graffiti
within the city.
PROBLEM STATEMENT • PITTSBURGH’S BATTLE • BARRIERS • DESIGN PROCESS • SCENARIOS • PLANS
4. Pittsburgh’s battle with graffiti in 2004
In the last 25 years approximately six more initiatives have
been proposed to curb graffiti within Pittsburgh:
1989 anti-graffiti trust fund
1994 security guards in city parks
1995 anti-graffiti billboard campaign
1995 graffiti blitz team
1995 youth curfew measure
1997 $200,000 anti-graffiti initiative
2003 ban on the sale of materials to minors
PROBLEM STATEMENT • PITTSBURGH’S BATTLE • BARRIERS • DESIGN PROCESS • SCENARIOS • PLANS
5. Pittsburgh’s battle with graffiti in 2004
While these initiatives reduced the saturation of graffiti
within the city did little to curb it all together.
PROBLEM STATEMENT • PITTSBURGH’S BATTLE • BARRIERS • DESIGN PROCESS • SCENARIOS • PLANS
6. Pittsburgh’s battle with graffiti in 2004
Why have the city’s initiatives failed?
PROBLEM STATEMENT • PITTSBURGH’S BATTLE • BARRIERS • DESIGN PROCESS • SCENARIOS • PLANS
7. Barriers to finding a solution to Pittsburgh’s
graffiti problem
“ Communication. An understanding between council, those
who are breaking the law, and the communities themselves.
I think those who are tagging need to understand how they
are hurting people. I think council needs to understand why
they feel the necessity to tag. And I think the community
has to understand that there needs to be a middle ground.”
Bill Peduto
Member, Pittsburgh City Council
PROBLEM STATEMENT • PITTSBURGH’S BATTLE • BARRIERS • DESIGN PROCESS • SCENARIOS • PLANS
8. Barriers to finding a solution to Pittsburgh’s
graffiti problem
This lack of communication is fueled by the media sources
that provide Pittsburgh with information on the subject.
PROBLEM STATEMENT • PITTSBURGH’S BATTLE • BARRIERS • DESIGN PROCESS • SCENARIOS • PLANS
9. Distribution of Pittsburgh information re-
sources published about graffiti 2001-2004
Community Members’ Graffiti Writers’
Opinions Opinions
Post-Gazette
Tribune
Websites
PROBLEM STATEMENT • PITTSBURGH’S BATTLE • BARRIERS • DESIGN PROCESS • SCENARIOS • PLANS
10. Design Process
Our goal was to use information design to create awareness
of divergent viewpoints held by graffiti writers and commu-
nity members
PROBLEM STATEMENT • PITTSBURGH’S BATTLE • BARRIERS • DESIGN PROCESS • SCENARIOS • PLANS
11. Design Process
1. Research the problem
2. Analyze the issues
3. Design a solution
PROBLEM STATEMENT • PITTSBURGH’S BATTLE • BARRIERS • DESIGN PROCESS • SCENARIOS • PLANS
12. Design Process: Archival Research
Pittsburgh Newspapers:
Post-Gazette, Tribune, Pulp and City Paper
Books:
Spraycan Art, Taking the Train, The Art of Getting Over
Websites:
12oz prophet, Art Crimes, Wooster Collective
Government Documents:
Graffiti legislation, press releases, educational videos
Documentaries and Videos:
Stylewars, Beat Street, Wildstyle
PROBLEM STATEMENT • PITTSBURGH’S BATTLE • BARRIERS • DESIGN PROCESS • SCENARIOS • PLANS
13. Design Process: Trace Measures
Walnut Street
The Eliza Furnace Trail
The Warehouse
The Busway
PROBLEM STATEMENT • PITTSBURGH’S BATTLE • BARRIERS • DESIGN PROCESS • SCENARIOS • PLANS
14. Design Process: Interviews
Graffiti Writers Community Orgs. Property Owners Government
Member Alisha Sirk Owner Bill Peduto
CSN crew Executive Director Kawai Gifts Member
Oakland BID Pittsburgh City Council
Member Owner
CSN crew Alex Coyne Village Pizza Patti Chavez
Code Education Liaison Operations Coordinator
Member Oakland BID Manager Pittsburgh Public Works
CSN crew Top Notch Art Store
Grant Ervin Kathy Degler
Kristoffer Smith Program Manager Commander
former writer Pittsburgh Community Pittsburgh Police
Reinvestment Group
Ashley Thompson
Police Officer
Pittsburgh Police
PROBLEM STATEMENT • PITTSBURGH’S BATTLE • BARRIERS • DESIGN PROCESS • SCENARIOS • PLANS
15. Design Process
Graffiti writers and community member have radically
different views on space and how one owns it.
Reasons for creating or combatting graffiti are not well
communicated to members of the opposing group.
Perceptions of the opposing group are often driven by
generalizations and stereotypes.
PROBLEM STATEMENT • PITTSBURGH’S BATTLE • BARRIERS • DESIGN PROCESS • SCENARIOS • PLANS
16. Design Process
Our goal was to create an interactive tool that puts the
perspectives of graffiti writers and community members in
the same design space.
PROBLEM STATEMENT • PITTSBURGH’S BATTLE • BARRIERS • DESIGN PROCESS • SCENARIOS • PLANS
17. Scenarios of Interaction
Interactive Flash piece that contains three components
PROBLEM STATEMENT • PITTSBURGH’S BATTLE • BARRIERS • DESIGN PROCESS • SCENARIOS • PLANS
22. Future Plans
Over the summer completely build out interactive piece
incorporating feedback from user testing
Publish to web
Distribute
If any of the visitors are interested in this we are happy to
collaborate with them
PROBLEM STATEMENT • PITTSBURGH’S BATTLE • BARRIERS • DESIGN PROCESS • SCENARIOS • PLANS