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Prepared by 
Baraa Merheb
SOCIAL DIFFERENCES IN 
THE ARABIAN NIGHTS : 
A REFORM 
There is, in their stories, instruction for men endued 
with understanding. It is not a tale invented, but a 
confirmation of what went before it,-a detailed 
exposition of all things, and a guide and a mercy to 
any such as believe. Qur’an, XII:111
While reading the rewrite of the Arabian Nights by 
Mahfouz, Arabian Nights And Days, I found that 
Mahfouz has woven a correlation between both, 
economic and social situation, and power and 
corruption. In the early pages of the novel, Shahrayar 
confides to his vizier Dandan: “Her stories… open up 
worlds that invite reflection.” (Mahfouz, 2) 
This quote stirred my imagination and encouraged me 
to question the hidden intentions 
of the original Shahrazad in 
Burton’s stories.
Although many critics think her stories to be a mere 
means of entertainment, or just a device to flee her 
death, Shahrazad’s stories were in fact a whole 
system of reform to the king, kingdom, and the 
whole system of government. The stories seem to 
shed light on important social aspects, divisions and 
corruption.
My goal in this paper is to show how Mahfouz’s 
rewrite offers an alternate social perspective to the 
reading and understanding of The Arabian Nights. 
I will deal mainly with the stories of Alaeddin; Or, The 
Wonderful Lamp and Ma'aruf The Cobbler And His Wife 
Fatimah from Burton's Arabian Nights, and Aladdin 
With The Moles On His Cheeks and Ma'rouf The Cobbler 
of Mahfouz's Arabian Nights And Days.
I will divide my paper into three sections: 
The first section will discuss Mahfouz's clear 
division of social classes and 
afford a close analysis of the 
poor characters and the 
corrupting effect of 
power on them, and the 
upper-class characters and the 
possible means for them to reform.
The second part will discuss the main 
characters in Burton's Nights and draw an 
understanding of their 
behaviors and motivations in the light of 
Mahfouz's revelations.
The third part will conclude by revealing a 
veiled similarity between the characters, the 
ordinary "imperfect beings", of Mahfouz and 
those exotic, alien characters of Burton.
It will also provide an explanation of what 
these characters learned from their adventures, 
mainly with supernatural forces, that tested 
their true faiths and eventually affected their 
salvation.
It will finally reveal the work of Mahfouz as 
an accurate portrait of the ugliness of 
corruption, which is exactly the underlying 
message of Shahrazad to her dominating 
king in Burton's.
In this pursuit, I will use the help of two 
important articles: 
Abu-Haidar, J. A. "Naguib Mahfouz: The Pursuit of Meaning." 
HaidarBulletin of the School of Oriental and African Studies 59.2 
(1996): 349-352. 
El-Shamy, Hasan. "A "Motif Index of Alf Laylah wa Laylah": Its 
Relevance to the Study of Culture, Society, the." Journal of 
Arabic Literature 36.3 (2005): 235-268.
Thanks for listening

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The Thousand-and-One Nights

  • 1.
  • 3. SOCIAL DIFFERENCES IN THE ARABIAN NIGHTS : A REFORM There is, in their stories, instruction for men endued with understanding. It is not a tale invented, but a confirmation of what went before it,-a detailed exposition of all things, and a guide and a mercy to any such as believe. Qur’an, XII:111
  • 4. While reading the rewrite of the Arabian Nights by Mahfouz, Arabian Nights And Days, I found that Mahfouz has woven a correlation between both, economic and social situation, and power and corruption. In the early pages of the novel, Shahrayar confides to his vizier Dandan: “Her stories… open up worlds that invite reflection.” (Mahfouz, 2) This quote stirred my imagination and encouraged me to question the hidden intentions of the original Shahrazad in Burton’s stories.
  • 5. Although many critics think her stories to be a mere means of entertainment, or just a device to flee her death, Shahrazad’s stories were in fact a whole system of reform to the king, kingdom, and the whole system of government. The stories seem to shed light on important social aspects, divisions and corruption.
  • 6. My goal in this paper is to show how Mahfouz’s rewrite offers an alternate social perspective to the reading and understanding of The Arabian Nights. I will deal mainly with the stories of Alaeddin; Or, The Wonderful Lamp and Ma'aruf The Cobbler And His Wife Fatimah from Burton's Arabian Nights, and Aladdin With The Moles On His Cheeks and Ma'rouf The Cobbler of Mahfouz's Arabian Nights And Days.
  • 7. I will divide my paper into three sections: The first section will discuss Mahfouz's clear division of social classes and afford a close analysis of the poor characters and the corrupting effect of power on them, and the upper-class characters and the possible means for them to reform.
  • 8. The second part will discuss the main characters in Burton's Nights and draw an understanding of their behaviors and motivations in the light of Mahfouz's revelations.
  • 9. The third part will conclude by revealing a veiled similarity between the characters, the ordinary "imperfect beings", of Mahfouz and those exotic, alien characters of Burton.
  • 10. It will also provide an explanation of what these characters learned from their adventures, mainly with supernatural forces, that tested their true faiths and eventually affected their salvation.
  • 11. It will finally reveal the work of Mahfouz as an accurate portrait of the ugliness of corruption, which is exactly the underlying message of Shahrazad to her dominating king in Burton's.
  • 12. In this pursuit, I will use the help of two important articles: Abu-Haidar, J. A. "Naguib Mahfouz: The Pursuit of Meaning." HaidarBulletin of the School of Oriental and African Studies 59.2 (1996): 349-352. El-Shamy, Hasan. "A "Motif Index of Alf Laylah wa Laylah": Its Relevance to the Study of Culture, Society, the." Journal of Arabic Literature 36.3 (2005): 235-268.