The Top Skills That Can Get You Hired in 2017LinkedIn
We analyzed all the recruiting activity on LinkedIn this year and identified the Top Skills employers seek. Starting Oct 24, learn these skills and much more for free during the Week of Learning.
#AlwaysBeLearning https://learning.linkedin.com/week-of-learning
BETWEEN NARRATIVE AND RHETORIC IN MOVIE TRAILER (Ambitos de la Comunicación)Jon Dornaleteche
Paper published in the scientific journal "Ambitos de la Comunicación" www.ambitoscomunicacion.com
The aim of this paper is to better understand the relationship between narrative thinking and rhetoric in movie trailers. For that purpose, an experiment on trailer comprehension and preference was conducted with 239 students. On one hand,
variables concerning narrative comprehension of the story the trailers show were measured and, on the other hand, those regarding the appreciation of the trailers by the students were measured as well. Two different trailers of the same movie were edited in order to control the narrative structure of the trailers (the independent variable).
THE JOE ROGAN EXPERIENCE: LA REVOLUCIÓN PODCAST (ICONO 14)Jon Dornaleteche
Artículo publicado en la revista científica www.icono14.net sobre el podcast JRE. La llegada de las nuevas Tecnologías de la Información y la Comunicación (TICs) ha generado una cambio de modelo en la forma en la que producimos y consumimos información. El papel de interlocutor único asignado a los medios de comunicación se ve amenazado por la emergencia de emisores individuales que en pocos años han adquirido niveles de influencia social similares a los ejercidos por muchos profe- sionales vinculados a corporaciones mediáticas internacionales. En este artículo se discuten las características de este nuevo formato y hasta qué punto podría suponer un cambio del modelo medio-céntrico en la sociedad de consumo televisiva. Para ello, analizamos la evolución del podcast independiente The Joe Rogan Experience, un programa de infoentretenimiento multicanal iniciado en el salón de una casa en Los Ángeles en 2009 y reciente ganador del premio al mejor podcast de humor de iTunes en 2012.
The Top Skills That Can Get You Hired in 2017LinkedIn
We analyzed all the recruiting activity on LinkedIn this year and identified the Top Skills employers seek. Starting Oct 24, learn these skills and much more for free during the Week of Learning.
#AlwaysBeLearning https://learning.linkedin.com/week-of-learning
BETWEEN NARRATIVE AND RHETORIC IN MOVIE TRAILER (Ambitos de la Comunicación)Jon Dornaleteche
Paper published in the scientific journal "Ambitos de la Comunicación" www.ambitoscomunicacion.com
The aim of this paper is to better understand the relationship between narrative thinking and rhetoric in movie trailers. For that purpose, an experiment on trailer comprehension and preference was conducted with 239 students. On one hand,
variables concerning narrative comprehension of the story the trailers show were measured and, on the other hand, those regarding the appreciation of the trailers by the students were measured as well. Two different trailers of the same movie were edited in order to control the narrative structure of the trailers (the independent variable).
THE JOE ROGAN EXPERIENCE: LA REVOLUCIÓN PODCAST (ICONO 14)Jon Dornaleteche
Artículo publicado en la revista científica www.icono14.net sobre el podcast JRE. La llegada de las nuevas Tecnologías de la Información y la Comunicación (TICs) ha generado una cambio de modelo en la forma en la que producimos y consumimos información. El papel de interlocutor único asignado a los medios de comunicación se ve amenazado por la emergencia de emisores individuales que en pocos años han adquirido niveles de influencia social similares a los ejercidos por muchos profe- sionales vinculados a corporaciones mediáticas internacionales. En este artículo se discuten las características de este nuevo formato y hasta qué punto podría suponer un cambio del modelo medio-céntrico en la sociedad de consumo televisiva. Para ello, analizamos la evolución del podcast independiente The Joe Rogan Experience, un programa de infoentretenimiento multicanal iniciado en el salón de una casa en Los Ángeles en 2009 y reciente ganador del premio al mejor podcast de humor de iTunes en 2012.
Presentación visual de mi charla TEDx "La educación bastarda" donde hago un diagnóstico de la situación actual de la enseñanza universitaria en relación al nuevo paradigma en una sociedad en la que el "cambio es la única constante", aprendizaje es ubicuo y el acceso a la información prácticamente ilimitado. La educación bastarda es el aprendizaje que ocurre dentro y fuera de las instituciones educativas pero que todavía "no es reconocido" como tal y que a efectos legales no tiene validez. La educación bastarda es producto de la promiscuidad y el mestizaje y lucha contra el "incesto" que todavía se promueve en las aulas de información endogámica y obsoleta. La educación bastarda propone un modelo donde alumnxs y profesorxs moldean su experiencia de aprendizaje y convierten el proceso en un acontecimiento creativo que todos los años cambia, que siempre es diferente.
Presentación para el taller de composición musical celebrado en Abril de 2014 en la Universidad de Valladolid (Campus María Zambrano). Se trata de un keynote ilustrado sin apenas texto. La idea fundamental es que todo objeto, hasta la misma tierra, tiene su propia frecuencia. Todos vibramos de una determinada manera... se trata de que descubramos cómo. :) Después de esta breve presentación nos pusimos a tocar que es de lo que se trataba...
Retórica básica para el "MASHUP THINKING" I por Jon DornlatetetxeJon Dornaleteche
En esta presentación encontraréis la definición de Mashup thinking para realizar la parte del trabajo final para la asignatura de Hª de la Comunicación social
"STORYBOARD THINKING" I por el Prof. Dr. Jon Dornaletetxe (Universidad de Val...Jon Dornaleteche
Esto es un ejemplo de como activar el pensamiento creativo mediante el uso del storyboard thinking. En este primer capítulo se describe:
1. La importancia de conseguir buenas imágenes vinculadas simbólicamente al contenido del pensamiento que se quiera expresar.
2. La importancia de integrar correctamente el texto con la imagen.
3. La importancia de seleccionar una buena tipografía que añada contenido semántico al razonamiento en forma de juego retórico.
4. La importancia de generar pequeñas ficciones dentro de la presentación para apoyar nuestras ideas.
Proyecto de innovación docente HANDMADE TRAILERSJon Dornaleteche
Presentación para el seminario de innovación docente en narrativa audiovisual celebrado el 21 y 22 de octubre de 2010 en la Universidad Complutense de Madrid.
El flim de Caché y su trailer. Dialéctica de un desencuentro.Jon Dornaleteche
Capítulo del libro "Caleidoscopio cinematográfico. Caché en la obra de Michael Haneke". Publicaciones Universidad de Valladolid.
*Versión con erratas.
Autores: Jesús Bermejo Berros y Jon Dornaleteche
Ethnobotany and Ethnopharmacology:
Ethnobotany in herbal drug evaluation,
Impact of Ethnobotany in traditional medicine,
New development in herbals,
Bio-prospecting tools for drug discovery,
Role of Ethnopharmacology in drug evaluation,
Reverse Pharmacology.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
Instructions for Submissions thorugh G- Classroom.pptxJheel Barad
This presentation provides a briefing on how to upload submissions and documents in Google Classroom. It was prepared as part of an orientation for new Sainik School in-service teacher trainees. As a training officer, my goal is to ensure that you are comfortable and proficient with this essential tool for managing assignments and fostering student engagement.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdfTechSoup
In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
Presentación visual de mi charla TEDx "La educación bastarda" donde hago un diagnóstico de la situación actual de la enseñanza universitaria en relación al nuevo paradigma en una sociedad en la que el "cambio es la única constante", aprendizaje es ubicuo y el acceso a la información prácticamente ilimitado. La educación bastarda es el aprendizaje que ocurre dentro y fuera de las instituciones educativas pero que todavía "no es reconocido" como tal y que a efectos legales no tiene validez. La educación bastarda es producto de la promiscuidad y el mestizaje y lucha contra el "incesto" que todavía se promueve en las aulas de información endogámica y obsoleta. La educación bastarda propone un modelo donde alumnxs y profesorxs moldean su experiencia de aprendizaje y convierten el proceso en un acontecimiento creativo que todos los años cambia, que siempre es diferente.
Presentación para el taller de composición musical celebrado en Abril de 2014 en la Universidad de Valladolid (Campus María Zambrano). Se trata de un keynote ilustrado sin apenas texto. La idea fundamental es que todo objeto, hasta la misma tierra, tiene su propia frecuencia. Todos vibramos de una determinada manera... se trata de que descubramos cómo. :) Después de esta breve presentación nos pusimos a tocar que es de lo que se trataba...
Retórica básica para el "MASHUP THINKING" I por Jon DornlatetetxeJon Dornaleteche
En esta presentación encontraréis la definición de Mashup thinking para realizar la parte del trabajo final para la asignatura de Hª de la Comunicación social
"STORYBOARD THINKING" I por el Prof. Dr. Jon Dornaletetxe (Universidad de Val...Jon Dornaleteche
Esto es un ejemplo de como activar el pensamiento creativo mediante el uso del storyboard thinking. En este primer capítulo se describe:
1. La importancia de conseguir buenas imágenes vinculadas simbólicamente al contenido del pensamiento que se quiera expresar.
2. La importancia de integrar correctamente el texto con la imagen.
3. La importancia de seleccionar una buena tipografía que añada contenido semántico al razonamiento en forma de juego retórico.
4. La importancia de generar pequeñas ficciones dentro de la presentación para apoyar nuestras ideas.
Proyecto de innovación docente HANDMADE TRAILERSJon Dornaleteche
Presentación para el seminario de innovación docente en narrativa audiovisual celebrado el 21 y 22 de octubre de 2010 en la Universidad Complutense de Madrid.
El flim de Caché y su trailer. Dialéctica de un desencuentro.Jon Dornaleteche
Capítulo del libro "Caleidoscopio cinematográfico. Caché en la obra de Michael Haneke". Publicaciones Universidad de Valladolid.
*Versión con erratas.
Autores: Jesús Bermejo Berros y Jon Dornaleteche
Ethnobotany and Ethnopharmacology:
Ethnobotany in herbal drug evaluation,
Impact of Ethnobotany in traditional medicine,
New development in herbals,
Bio-prospecting tools for drug discovery,
Role of Ethnopharmacology in drug evaluation,
Reverse Pharmacology.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
Instructions for Submissions thorugh G- Classroom.pptxJheel Barad
This presentation provides a briefing on how to upload submissions and documents in Google Classroom. It was prepared as part of an orientation for new Sainik School in-service teacher trainees. As a training officer, my goal is to ensure that you are comfortable and proficient with this essential tool for managing assignments and fostering student engagement.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdfTechSoup
In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
Students, digital devices and success - Andreas Schleicher - 27 May 2024..pptxEduSkills OECD
Andreas Schleicher presents at the OECD webinar ‘Digital devices in schools: detrimental distraction or secret to success?’ on 27 May 2024. The presentation was based on findings from PISA 2022 results and the webinar helped launch the PISA in Focus ‘Managing screen time: How to protect and equip students against distraction’ https://www.oecd-ilibrary.org/education/managing-screen-time_7c225af4-en and the OECD Education Policy Perspective ‘Students, digital devices and success’ can be found here - https://oe.cd/il/5yV
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
For more information, visit-www.vavaclasses.com
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
The Indian economy is classified into different sectors to simplify the analysis and understanding of economic activities. For Class 10, it's essential to grasp the sectors of the Indian economy, understand their characteristics, and recognize their importance. This guide will provide detailed notes on the Sectors of the Indian Economy Class 10, using specific long-tail keywords to enhance comprehension.
For more information, visit-www.vavaclasses.com
Sectors of the Indian Economy - Class 10 Study Notes pdf
THE SEMIOTIC STATUS OF MOVIE TRAILERS
1. 10th WORLD CONGRESS OF SEMIOTICS
A CORUÑA, 2009
THE SEMIOTIC STATUS OF
MOVIE TRAILERS
Jon Dornaletetxe Ruiz
2. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
index
1. Background
2. History
3. Definition
4. Types of movie trailers
5. Conclusions
3. 10th World Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
1. Background
4. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
1. Background
- Lisa Kernan (U. Texas)
- Vinzenz Hediger (U. Ruhr)
- C. Daniela Maier (ABS Aarhus)
- Jon Dornaleteche (U. Valladolid)
5. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
1. Background
- Lisa Kernan (U. Texas)
!
Historic
- Vinzenz Hediger (U. Ruhr)
- C. Daniela Maier (ABS Aarhus)
- Jon Dornaleteche (U. Valladolid)
6. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
1. Background
- Lisa Kernan (U. Texas)
!
Historic
- Vinzenz Hediger (U. Ruhr)
- C. Daniela Maier (ABS Aarhus) !
Semiotic
- Jon Dornaleteche (U. Valladolid)
7. 10th World Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
2. History
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10th Word Congress of Semiotics
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THE SEMIOTIC STATUS OF MOVIE TRAILERS
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9. 10th World Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
3. Definition
10. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
3. Definition
trailer
11. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
3. Definition
MARKETING
TOOL
trailer
12. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
3. Definition
MOVIE
MARKET
MARKETING
TOOL
trailer
13. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
3. Definition
MOVIE
MARKET
MARKETING AROUSE
TOOL INTEREST
trailer
14. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
3. Definition
MOVIE
MARKET
MARKETING AROUSE
TOOL INTEREST
trailer
AUDIO-VISUAL
ADVERTISING
15. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
3. Definition
MOVIE
MARKET
MARKETING AROUSE
TOOL INTEREST
trailer
AUDIO-VISUAL AUDIO-VISUAL
ADVERTISING PRODUCTS
16. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
3. Definition
made with
AUDIO-VISUAL AUDIO-VISUAL
AD PRODUCT
of
17. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
3. Definition
made with
AUDIO-VISUAL AUDIO-VISUAL
AD PRODUCT
of
18. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
3. Definition
made with
AUDIO-VISUAL AUDIO-VISUAL
AD PRODUCT
of
19. 10th World Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
20. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
types of trailers
21. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
types of trailers
CREATIVE
- original
22. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
types of trailers
CREATIVE
- original
CLIP
- complete
23. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
types of trailers
CREATIVE
- original
CLIP
STANDARD
- complete
THEATRICAL TEASER
- 2’00’’-2’30’’ - 40’’-1’20’’
24. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
types of trailers
CREATIVE
- original
CLIP
STANDARD
- complete
THEATRICAL TEASER
- 2’00’’-2’30’’ - Soundtrack - 40’’-1’20’’
- Voice over
- grid editing
- graphic art
25. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
types of trailers
CREATIVE
- original
CLIP MAKING OF
STANDARD
- complete - 2’30’’- 4’30’’
THEATRICAL TEASER
- 2’00’’-2’30’’ - Soundtrack - 40’’-1’20’’
- Voice over
- grid editing
- graphic art
26. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
types of trailers
CREATIVE TV
- original - 5’’-30’’
CLIP MAKING OF
STANDARD
- complete - 2’30’’- 4’30’’
THEATRICAL TEASER
- 2’00’’-2’30’’ - Soundtrack - 40’’-1’20’’
- Voice over
- grid editing
- graphic art
27. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
PRAGMATIC
SENSE
“RHETORIC STRATEGIES”
28. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
PRAGMATIC
SENSE
“RHETORIC STRATEGIES”
29. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
PRAGMATIC
SENSE
“RHETORIC STRATEGIES”
Diegetics
- story
- character
- genre (meta)
30. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
PRAGMATIC
SENSE
“RHETORIC STRATEGIES”
Diegetics Extra diegetics
- story - director
- character - actors
- genre (meta) - p. company
- critics
- genre
31. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
PRAGMATIC
SENSE
“RHETORIC STRATEGIES”
Diegetics Esthetics Extra diegetics
- story - editing - director
- character - graphics - actors
- genre (meta) - quality - p. company
- genre - critics
- genre
32. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
SEMIOTIC STATUS
S O
I
33. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
SEMIOTIC STATUS
Trailer S O
- Types
- Formats
I
34. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
SEMIOTIC STATUS
Trailer S O Movie
- Types - Diegesis
- Formats
I
35. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
SEMIOTIC STATUS
Trailer S O Movie
- Types - Diegesis
- Formats
I
relating schema
- Metonymic, analogic, metaphoric
36. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
CREATIVE TRAILER
Trailer S O Movie
- autonomous
I
37. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
CREATIVE TRAILER
Trailer S O Movie
- autonomous
I
Metaphoric, alegoric, analogical
“phoem, novel”
38. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
CLIP TRAILER
Trailer S O Movie
- compleat
part
I
39. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
CLIP TRAILER
Trailer S O Movie
- compleat
part
I
Metonymy, indexical
“first chapter of a novel”
40. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
STANDARD TRAILER
Trailer S O Movie
- grid
editing
I
41. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
STANDARD TRAILER
Trailer S O Movie
- grid
editing
I
Creative Metonymy
“creative mixture of several parragraphs”
42. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
43. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
44. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
45. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
46. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
47. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
48. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
49. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
50. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
51. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
52. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
53. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
54. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
55. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
56. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
57. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
58. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
59. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
60. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
61. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
62. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
63. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
64. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
65. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
66. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer
67. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer TRANSTEXTUALITY
- Hypertextuality
- Paratextuality
- Metatextuality
68. X Congreso Mundial de Semiótica, A Coruña 2009
EL STATUS SEMIÓTICO DEL TRAILER CINEMATOGRÁFICO
4. Types of movie trailers
Movie
Trailer TRANSTEXTUALITY
- Hypertextuality
CREATIVITY
- Paratextuality
CREDIBILITY
! - Metatextuality
69. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
4. Types of movie trailers
MAKING OF
Trailer S O Movie
- behind
the scenes
- interviews
- actual material
of the movie I
Meta-metonymic
“interview with the author of a novel”
“watching the author writting”
70. 10th World Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
5. CONCLUSIONS
71. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
5. Conclusions
Metonymy vs analogy
72. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
5. Conclusions
Metonymy vs analogy
indexicality vs iconicity
73. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
5. Conclusions
Metonymy vs analogy
indexicality vs iconicity
Credibility vs creativity
74. 10th Word Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
5. Conclusions
Metonymy vs analogy
indexicality vs iconicity
Credibility vs creativity
“CREATIVE METONYMY”
75. 10th World Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
“Movie trailers are perfect
movies because they never let
you down”.
Jean-Luc Godard
76. 10th World Congress of Semiotics
THE SEMIOTIC STATUS OF MOVIE TRAILERS
www.apple.com/trailers
¡¡Thank you very much for
your attention!!
jon@hmca.uva.es
mimame@gmail.com