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1 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
The Rise of Creative in
a Programmatic World
How new ad formats and
data-informed creative are giving
new life to display brand advertising
©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
Table of Contents
pg. 14The challenge of optimization8
Welcome pg. 31
pg. 4Summary2
pg. 5Creative matters when it comes to display3
pg. 7Brand advertising turns to display4
pg. 9New objectives call for new formats5
pg. 11This will take some sharper tools6
pg. 12With more data comes more optimization7
pg. 17Conclusion9
pg. 18Methodology10
©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
3 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
1 WELCOME
In the past few years, the focus of the mobile
advertising industry was firmly on increasing the
efficiencies and quality of media buys.
Great platforms have already been developed
helping marketers navigate increasingly complex
ecosystem of mobile inventory, making it easier
for them to find the right audiences for their
campaigns. But with all the amazing development
of media buying technologies, the messages placed
in this mobile inventory haven't changed much.
Marketers appeared to have forgotten their old
mantra, "the right message for the right audience".
A recent "State of the industry" study, conducted
with Digiday, shows a strong desire in marketers to
change that.
High quality creative with relevant messaging is
increasingly a high priority for marketers, and
a majority of those surveyed consider the message at
least as important as the media they buy.
More importantly, they feel that the creative and
the media plan must be developed together as a part
of a common and coherent strategy. Quite literally
putting their money where their mouth is, more than
half reported an increase in 2015 budgets dedicated
to creative resources.
However, to commit even more of their budgets to
creative, marketers must see several issues solved.
Top of the list is better user experience of display
ads, closely followed by the quality and ease of ad
serving. The two are closely related, and getting ads
to preload or load faster will go a long way in terms
of user experience. Closer integrations between
media buying and creative platforms will further
increase the quality of ad experience and bring
serving closer to being seamless.
These integrations won't only help with ad serving;
they might also make media buying even more
efficient through creative intelligence.
Understanding how different creatives perform
on different inventory and optimizing both the media
buy and the creative based on such insights is the
number one feature marketers are looking for when it
comes to the platforms they use to build display ads.
So what is preventing advertisers from investing
more in creative? In most cases it's a lack of both
creative resources and products on the market that
bring true scale, making it viable in terms of ROI.
Which is a clear signal that the time of programmatic
creative is now.
Matevz Klanjsek
Co-founder & CPO, Celtra
@hyperhandsome
4 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
2 SUMMARY
As marketers move away from a click-centric worldview
and look increasingly at engagement, they’re holding
their breath to see if new high-touch ad formats will
deliver. This new breed of display ads provides a more
robust user experience while still adhering to the
standards that drive programmatic exchanges.
“We can’t design our campaigns for site visits,” said
Scott Symonds, director of media at AKQA. “We must
have the impact we’re seeking within the banner, and
rich media gives us a big palette with which to do it.”
‱	 For nearly all marketers (92%), creative messaging is more important than
ever, even within digital display ads.
‱	 For more than ÂŒ of marketers, brand advertising already accounts for two- to
three-fifths of their digital display budgets.
‱	 Year-over-year, display budgets dedicated to building creative are growing.
‱	 For ÂČ⁄₃ of respondents, not having enough creative resources is preventing true
scale for the production of dynamically optimized creative.
‱	 More than half of marketers (58%) report having insufficient operational resources
to execute dynamically optimized creative campaigns.
‱	 When it comes to new display ad formats, marketers are looking for
improved user experience and greater scalability.
‱	 One-quarter of marketers need to allocate more of their budget or resources
in order to explore dynamic creative optimization.
Whether they’re brand marketers, agency creatives
or in-house CMOs, today’s industry operatives are
keeping a close eye on new ad products. To see
why, Digiday, with our sponsor, Celtra, canvassed
the innovators pushing display advertising forward.
Several hundred marketers discussed the latest trends
in creative optimization, which features are important
to them now (and will be critical in the future), and
what’s in store for ad messaging as automation tools
become more sophisticated and widespread.
Key Findings
5 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
3 CREATIVE MATTERS
WHEN IT COMES TO DISPLAY
No one would argue that placement is important;
agencies will always be immensely concerned with
where their display ads are being served. For a long
time, this has overshadowed creative messaging,
especially given a display ad’s limited real estate.
This is no longer the case.
“A lot has been made of the ubiquity of display
ads and the challenge of banner blindness,” said
Vik Kathuria, global chief media officer at Razorfish.
What’s more important to brand display advertising
performance: creative message or placement?
To give new lift to display's efficacy, most marketers
are placing a new emphasis on substance: A majority
of respondents (78%) believe a display ad’s message
or creative was just as important as the channel or
medium through which it’s served. While agencies were
never completely ignoring creative, it’s never been
more crucial than it is today.
Even more interesting, when respondents did have a
preference of one over the other, they were more likely
to say that message and creative were more important
than channel and medium.
5%
Channel/medium
is more important than the
message & creative
14%
Message & creative
are more important than
the channel/medium
78%
Message & creative are
equally important
as the channel/medium
3%
Neither
6 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
Money can make a compelling argument, and the way
2015 budgets seem to be aligning tells a clear story:
About half of respondents plan to increase the portion
of their display budgets devoted to creative resources.
This is especially good news given that insufficient
budgets were the biggest challenge to successful
brand display advertising (according to 22 percent
of respondents).
With more money diverted toward creative capability,
we can expect the display ads of the future to be
much more relevant and therefore more engaging
than the static banner ads of old.
How will your investments in creative
resources for display change in 2015?
Will increase Will remain the same Will decrease
Other resources
38% 58% 4%
Budget
51% 42% 7%
Staff
38% 53% 9%
20%
40%
60%
80%
100%
Marketers agree: For display
ads, the message is just as
important as the medium.
7 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
4 BRAND ADVERTISING
TURNS TO DISPLAY
This heightened creative focus signals a shift in
marketers’ use of display ads beyond the objectives
they traditionally supported.
But the most prominent new development has been
the use of display ads to build brand awareness. An
overwhelming 74 percent of marketers are employing
the ads in this way.
Little more than half (54%) reported using display ads for
lead generation and acquisition purchases. Much more
popular (according to 77% of respondents) were mid-
funnel uses such as driving traffic to a brand’s site or app.
This is compounded by the fact that, for more than
one-quarter of respondents (27 percent), brand
advertising consumes 41 to 60 percent of their
overall display budgets.
What are your main objectives
for display campaigns?
20%
40%
60%
80%
100%
74%
Building
awareness
for brands,
products and/
or services
77%
Driving
traffic
to a landing
site/app
41%
Driving
ecommerce
on desktop
or mobile
31%
Driving
in-store
sales
53%
Lead
generation
or user
acquisition
20%
Establishing
dialog
with
consumers
21%
Enhancing
dialog
with
consumers
11%
Getting
feedback
from
consumers
13%
Data-mining
8 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
Symonds feels this allocation should be even higher.
“We don’t get the level of investment that we should
in terms of digital advertising assets to create high-
quality rich experiences,” he said. “It’s also what’s
holding back mobile.” The days of display as primarily
a conversion tool are over.
How much of your digital display budget goes
toward brand advertising as opposed to DR?
17%
61 - 80 percent
10%
81 - 100 percent
25%
21 - 40 percent
27%
41 - 60 percent
20%
0 - 20 percent
of marketers are now
using display ads to
build brand awareness.
74%
9 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
5 NEW OBJECTIVES
CALL FOR NEW AD PRODUCTS
It’s no secret that different formats accomplish vastly
different goals. As the role of display advertising
is redefined, and programmatic has dramatically
changed the landscape, marketers need their display
options to emphasize on relevance. That's where
immersive, data-powered HTML5 creative comes in.
“Rich media has an awful lot of functions,” said
Symonds. “For an entertainment client, it can expand
and have full video. For automotive clients, you can
start configuring a car in-banner. For CPG, it might
be games, a way to create context around a brand
with a quick in-banner experience.”
At the top of their wish list, marketers say that display
ads should improve user experience. This was
considered one of the most important features of
new display formats by 52 percent of respondents.
What capabilities are most important for a new display ad format?
52%
Better user experience
43%
Scalability
40%
Native-like
experience
40%
Ease of serving /
trafficking
25%
Feels at home with
native content
25%
More customizable
24%
Larger canvas
for creative
20%
Seamless video
experience
18%
Standardization
12%
More video formats
2%
Other
50%
40%
30%
20%
10 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
Following closely behind was scalability (42 percent).
If display ads are going to get more interactive or
creatively complex, they must meet certain standards
to ensure maximum reach.
Finally, in a programmatic environment where
placements are bought in bulk — and the same ads
are expected to plug into a variety of slots — 41
percent are focused on servability.
For most marketers, new
display formats must improve
the user's experience.
Going (and Staying) Native
The success of display advertising at scale
depends on its adherence to the native
experience. An ad can be as interactive
or high-touch as possible, but if it feels
too foreign in each unique environment —
whether on a publisher’s site or a consumer
platform — some of its effect will be lost.
Rich media display ads, such as IAB Rising
Stars, “provide a richer canvas and the ability
to really tell stories,” said Kathuria. “That’s
been a big focus for brands like Nike.”
Brand advertising has always played a crucial
role in the marketing life cycle. Now, with Ÿ
of marketers turning to creative display for
this function, these new formats have a very
bright future.
11 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
6 THIS WILL TAKE
SOME SHARPER TOOLS
As advanced as programmatic has become, it is now
time to start focusing on the creative aspect - bringing
media and creative back together; harnessing the data
to inform better creative and deliver a meaningful and
relevant message to the right user while automating
real-time optimization. But compelling, creative ads with
a strong relevant message still don't build themselves.
Marketers rely on specific technologies for building,
optimizing and analyzing their creative. To make the most
of these tools, especially when it comes to new formats,
innovation is in high demand before greater adoption is
possible. Practitioners have several clear expectations. First,
according to 40% of respondents, cross-screen capability is a
must for any display ad-building platform. Second, for 35%,
the platform must be easy to use. Finally, it must support
innovative, impactful products and formats. Fortunately,
these technologies are available, and we can already see
marketing's vanguard players adopting them.
What are the most important capabilities of the tools you're using to build display ads?
53%
Robust analytics & insights
41%
Enabled for cross-screen
34%
Innovative, impactful
ad products
34%
Ease of use
34%
Scalability
28%
Pricing
24%
Built-in creative
optimization tools
15%
Self-service
15%
Integrated with
other creative tools
15%
Widely-adopted in
the industry
8%
Availability of
managed services
2%
Other
50%
40%
30%
20%
12 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
7 WITH MORE DATA
COMES MORE OPTIMIZATION
Compatibility, convenience and format support are
obvious choices when it comes to getting a job done.
How about when a campaign is already in the field?
Or when it’s closed?
That’s when robust real-time analytics and insights
come into play. More than half (53%) identify
measurement tools as their greatest platform
requirement. Which makes sense: As display ad
objectives move beyond direct response, nuanced
perspectives on performance gain importance.
This focus on analytics is also leading to a
stronger interest in creative optimization. When
asked, 91% of respondents said that adapting
a creative message to temporal, geographic
and demographic factors was at least somewhat
important to them.
It’s already becoming a more common practice:
42% of marketers are currently able to creatively
optimize their campaigns, at least occasionally.
Another 22% are able to do it on a regular basis.
“For clients like TR Price and H&R Block, tax
season’s around the corner,” said Kathuria. “When
that happens, we’re optimizing on a daily basis. It’s
what we have to do.”
Expect creative optimization to experience even
greater adoption. In 2015, 60 percent of marketers
expect to include creative optimization as a
standard component of their display ad plans.
Q: What do we mean by
“optimizing creative”?
A: Using a platform or technology to
drive better results by adapting creative
elements of a campaign according to
data signals for greater relevancy.
Optimizing the message
to temporal, geographic or
demographic factors is
important to nearly all marketers.
13 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
With so much technology available, why are some marketers failing to optimize
their creative campaigns?
‱	 For 66% of marketers, lack of creative resources is preventing them from
achieving true scale.
‱	 More than half of respondents (58%) have insufficient operational resources.
More money allocated to brand display ads and the growing demand for programmatic
creative technology will significantly contribute to moving past these roadblocks.
Barriers to Optimization
How often do you use data signals to
adapt creative messages in your ads?*
*Data signals such as time of the day, location, day of week and other audience data.
22%
On a regular basis
10%
Never
27%
Rarely
41%
Occasionally
14 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
8 THE CHALLENGE
OF OPTIMIZATION
When they are optimizing, 62% of marketers are using
specific tools to optimize most of their campaigns.
They’re just as likely to be optimizing creative
both before a campaign begins (using findings
from previous campaigns) and on-the-fly during
a campaign’s run (tinkering with performance
to overcome hurdles and take advantage of
opportunities as they arise).
What’s it all for?
Increasing engagement — an objective aided by
new display ad formats — is the main reason for most
marketers’ use of optimization (59%). This is followed
closely by increasing conversions (52%).
If nothing else, this again signals that display can
accommodate multiple objectives, from awareness
to direct response.
Why do you use creative optimization?
>1%
Other
33%
To optimize performance
of existing campaigns
55%
Both to optimize performance
of existing campaigns
&
to gain insights and knowledge
for future campaigns
12%
To gain insights & knowledge
for future campaigns
15 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
When optimizing creative campaigns, what are your primary goals?
58%
To increase engagement
52%
To increase conversions
29%
To increase purchase intent
12%
To increase time spent on ad
3%
Other
27%
To improve CTR
19%
To deliver more relevant content
The features that are most important to marketers
regarding optimization technology should be familiar
themes by now: robust analytics and insights (72% of
respondents), ease of use (71%) and scalability (57%).
These are important to marketers across the board.
But marketers have not gone all-in on dynamic
creative optimization, or DCO. In fact, 42% of
respondents prioritize A/B testing over DCO.
Just Πrely equally on both.
There are a variety of reasons why this is the case. First,
there’s a lack of operational resources. This is bound
to recede as budgets increase. The same can be said
for a lack of creative resources. The third challenge
isn’t solved as easily. Respondents reported that often,
campaigns are simply too small (45%) and there isn’t
enough client interest (43%) to merit the devotion of
resources to creative optimization.
“Brand advertising could be anywhere from 30
percent all the way up to 70 percent,” said Kathuria.
“It’s a wide range that goes back to campaign
objectives. So Patrón versus Nike, it’s going to vary
greatly by client and campaign.”
Still, the need for a dynamic customization platform is
strongly felt in the industry.
“It’s hard to do manual production and hardcode ten
versions of an ad,” said Symonds. “We need to get
more dynamic.”
16 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
It’s not about making 100
ads; it’s about having templates
so it’s componentized so you can
change the message focus quickly.
— Scott Symonds, AKQA
What are your top challenges
when optimizing display creative?
20%
40%
60%
80%
100%
26%
Not enough
interest
within the
organization
43%
Not enough
interest on
the client
side
8%
I’m unaware of
optimization’s
benefits
67%
Lack of
operational
resources
58%
Lack of
creative
resources
45%
Campaigns
are too
small for
optimization
38%
Goals aren't
aligned with
optimization
8%
Bad previous
experience(s)
with optimization
7%
Other
17 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
9 CONCLUSION
Our research shows that more marketers are turning
to display ads to tackle multiple objectives, including
building brand awareness once thought to be
beyond display's capability. To reach their objectives,
more attention to message and creative execution is
a growing part of their campaign equations.
With display playing a larger and larger role in brand
advertising campaigns, the ability to optimize and
adapt is essential. The old “set it and forget it” strategy
no longer works.
“We have too many clients trying to use a broadcast
mentality with digital when it’s actually a post-
broadcast, much more targetable platform,” said
Symonds. “We shouldn’t be creating one-size-fits-all
ads; we should be segmenting and tailoring and
being more CRM-focused.”
Still, there's room for improvement, particularly in
terms of awareness. It's not enough to have new,
high-impact interactive formats that support a
diversity of applications.
To operate effectively in a media environment
witnessing the overhaul of display ads, today's
savviest marketers are looking at programmatic
creative to overcome challenges at every step, from
ad-building to optimization. As others follow suite,
the gains to the industry will be immediate — and,
of course, measurable.
Awareness investment in
digital has been very small, but
toolsets for general awareness
advertising are much better
than they used to be.
— Scott Symonds, AKQA
18 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
10 METHODOLOGY
A sample of 379 digital media and marketing professionals participated in this study through a combination
of convenience and snowball sampling. Of these respondents, 28 percent were from media agencies and 18
percent were from creative agencies. 78 percent were at the director level or higher with diverse responsibilities,
including marketing, media planning and operations and analytics. Surveys were distributed by email, site
placement and social media from November 3, 2014 to November 21, 2014.
Celtra Inc., empowers agencies, media suppliers
and brand leaders alike with an integrated, truly
scalable cross-screen HTML5 technology for
brand advertising on smartphones, tablets and
desktop. Celtra's platform, AdCreator 4, is built
to run large-scale and complex campaigns. It
is a single platform for streamlined ad creation,
performance optimized serving and consolidated
reporting with common metrics across all screens.
Digiday is a media company and community
for professionals who work in the digital media,
marketing and advertising industry. Digiday’s mission
is to connect the industry with insightful analysis
and perspective, as well as each other. Digiday
provides key insights and information through our
online publications and conferences that cover the
changes, trends - and why they matter.
Industry survey by Celtra, powered by Digiday
19 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
Website
Twitter
Facebook
Celtra Content Channel
celtra.com
@CeltraMobile
facebook.com/celtra
digiday.com/content-channel/celtra
©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com

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The Rise of Creative in a Programmatic World

  • 1. 1 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com The Rise of Creative in a Programmatic World How new ad formats and data-informed creative are giving new life to display brand advertising ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
  • 2. Table of Contents pg. 14The challenge of optimization8 Welcome pg. 31 pg. 4Summary2 pg. 5Creative matters when it comes to display3 pg. 7Brand advertising turns to display4 pg. 9New objectives call for new formats5 pg. 11This will take some sharper tools6 pg. 12With more data comes more optimization7 pg. 17Conclusion9 pg. 18Methodology10 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com
  • 3. 3 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com 1 WELCOME In the past few years, the focus of the mobile advertising industry was firmly on increasing the efficiencies and quality of media buys. Great platforms have already been developed helping marketers navigate increasingly complex ecosystem of mobile inventory, making it easier for them to find the right audiences for their campaigns. But with all the amazing development of media buying technologies, the messages placed in this mobile inventory haven't changed much. Marketers appeared to have forgotten their old mantra, "the right message for the right audience". A recent "State of the industry" study, conducted with Digiday, shows a strong desire in marketers to change that. High quality creative with relevant messaging is increasingly a high priority for marketers, and a majority of those surveyed consider the message at least as important as the media they buy. More importantly, they feel that the creative and the media plan must be developed together as a part of a common and coherent strategy. Quite literally putting their money where their mouth is, more than half reported an increase in 2015 budgets dedicated to creative resources. However, to commit even more of their budgets to creative, marketers must see several issues solved. Top of the list is better user experience of display ads, closely followed by the quality and ease of ad serving. The two are closely related, and getting ads to preload or load faster will go a long way in terms of user experience. Closer integrations between media buying and creative platforms will further increase the quality of ad experience and bring serving closer to being seamless. These integrations won't only help with ad serving; they might also make media buying even more efficient through creative intelligence. Understanding how different creatives perform on different inventory and optimizing both the media buy and the creative based on such insights is the number one feature marketers are looking for when it comes to the platforms they use to build display ads. So what is preventing advertisers from investing more in creative? In most cases it's a lack of both creative resources and products on the market that bring true scale, making it viable in terms of ROI. Which is a clear signal that the time of programmatic creative is now. Matevz Klanjsek Co-founder & CPO, Celtra @hyperhandsome
  • 4. 4 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com 2 SUMMARY As marketers move away from a click-centric worldview and look increasingly at engagement, they’re holding their breath to see if new high-touch ad formats will deliver. This new breed of display ads provides a more robust user experience while still adhering to the standards that drive programmatic exchanges. “We can’t design our campaigns for site visits,” said Scott Symonds, director of media at AKQA. “We must have the impact we’re seeking within the banner, and rich media gives us a big palette with which to do it.” ‱ For nearly all marketers (92%), creative messaging is more important than ever, even within digital display ads. ‱ For more than ÂŒ of marketers, brand advertising already accounts for two- to three-fifths of their digital display budgets. ‱ Year-over-year, display budgets dedicated to building creative are growing. ‱ For ÂČ⁄₃ of respondents, not having enough creative resources is preventing true scale for the production of dynamically optimized creative. ‱ More than half of marketers (58%) report having insufficient operational resources to execute dynamically optimized creative campaigns. ‱ When it comes to new display ad formats, marketers are looking for improved user experience and greater scalability. ‱ One-quarter of marketers need to allocate more of their budget or resources in order to explore dynamic creative optimization. Whether they’re brand marketers, agency creatives or in-house CMOs, today’s industry operatives are keeping a close eye on new ad products. To see why, Digiday, with our sponsor, Celtra, canvassed the innovators pushing display advertising forward. Several hundred marketers discussed the latest trends in creative optimization, which features are important to them now (and will be critical in the future), and what’s in store for ad messaging as automation tools become more sophisticated and widespread. Key Findings
  • 5. 5 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com 3 CREATIVE MATTERS WHEN IT COMES TO DISPLAY No one would argue that placement is important; agencies will always be immensely concerned with where their display ads are being served. For a long time, this has overshadowed creative messaging, especially given a display ad’s limited real estate. This is no longer the case. “A lot has been made of the ubiquity of display ads and the challenge of banner blindness,” said Vik Kathuria, global chief media officer at Razorfish. What’s more important to brand display advertising performance: creative message or placement? To give new lift to display's efficacy, most marketers are placing a new emphasis on substance: A majority of respondents (78%) believe a display ad’s message or creative was just as important as the channel or medium through which it’s served. While agencies were never completely ignoring creative, it’s never been more crucial than it is today. Even more interesting, when respondents did have a preference of one over the other, they were more likely to say that message and creative were more important than channel and medium. 5% Channel/medium is more important than the message & creative 14% Message & creative are more important than the channel/medium 78% Message & creative are equally important as the channel/medium 3% Neither
  • 6. 6 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com Money can make a compelling argument, and the way 2015 budgets seem to be aligning tells a clear story: About half of respondents plan to increase the portion of their display budgets devoted to creative resources. This is especially good news given that insufficient budgets were the biggest challenge to successful brand display advertising (according to 22 percent of respondents). With more money diverted toward creative capability, we can expect the display ads of the future to be much more relevant and therefore more engaging than the static banner ads of old. How will your investments in creative resources for display change in 2015? Will increase Will remain the same Will decrease Other resources 38% 58% 4% Budget 51% 42% 7% Staff 38% 53% 9% 20% 40% 60% 80% 100% Marketers agree: For display ads, the message is just as important as the medium.
  • 7. 7 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com 4 BRAND ADVERTISING TURNS TO DISPLAY This heightened creative focus signals a shift in marketers’ use of display ads beyond the objectives they traditionally supported. But the most prominent new development has been the use of display ads to build brand awareness. An overwhelming 74 percent of marketers are employing the ads in this way. Little more than half (54%) reported using display ads for lead generation and acquisition purchases. Much more popular (according to 77% of respondents) were mid- funnel uses such as driving traffic to a brand’s site or app. This is compounded by the fact that, for more than one-quarter of respondents (27 percent), brand advertising consumes 41 to 60 percent of their overall display budgets. What are your main objectives for display campaigns? 20% 40% 60% 80% 100% 74% Building awareness for brands, products and/ or services 77% Driving traffic to a landing site/app 41% Driving ecommerce on desktop or mobile 31% Driving in-store sales 53% Lead generation or user acquisition 20% Establishing dialog with consumers 21% Enhancing dialog with consumers 11% Getting feedback from consumers 13% Data-mining
  • 8. 8 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com Symonds feels this allocation should be even higher. “We don’t get the level of investment that we should in terms of digital advertising assets to create high- quality rich experiences,” he said. “It’s also what’s holding back mobile.” The days of display as primarily a conversion tool are over. How much of your digital display budget goes toward brand advertising as opposed to DR? 17% 61 - 80 percent 10% 81 - 100 percent 25% 21 - 40 percent 27% 41 - 60 percent 20% 0 - 20 percent of marketers are now using display ads to build brand awareness. 74%
  • 9. 9 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com 5 NEW OBJECTIVES CALL FOR NEW AD PRODUCTS It’s no secret that different formats accomplish vastly different goals. As the role of display advertising is redefined, and programmatic has dramatically changed the landscape, marketers need their display options to emphasize on relevance. That's where immersive, data-powered HTML5 creative comes in. “Rich media has an awful lot of functions,” said Symonds. “For an entertainment client, it can expand and have full video. For automotive clients, you can start configuring a car in-banner. For CPG, it might be games, a way to create context around a brand with a quick in-banner experience.” At the top of their wish list, marketers say that display ads should improve user experience. This was considered one of the most important features of new display formats by 52 percent of respondents. What capabilities are most important for a new display ad format? 52% Better user experience 43% Scalability 40% Native-like experience 40% Ease of serving / trafficking 25% Feels at home with native content 25% More customizable 24% Larger canvas for creative 20% Seamless video experience 18% Standardization 12% More video formats 2% Other 50% 40% 30% 20%
  • 10. 10 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com Following closely behind was scalability (42 percent). If display ads are going to get more interactive or creatively complex, they must meet certain standards to ensure maximum reach. Finally, in a programmatic environment where placements are bought in bulk — and the same ads are expected to plug into a variety of slots — 41 percent are focused on servability. For most marketers, new display formats must improve the user's experience. Going (and Staying) Native The success of display advertising at scale depends on its adherence to the native experience. An ad can be as interactive or high-touch as possible, but if it feels too foreign in each unique environment — whether on a publisher’s site or a consumer platform — some of its effect will be lost. Rich media display ads, such as IAB Rising Stars, “provide a richer canvas and the ability to really tell stories,” said Kathuria. “That’s been a big focus for brands like Nike.” Brand advertising has always played a crucial role in the marketing life cycle. Now, with Ÿ of marketers turning to creative display for this function, these new formats have a very bright future.
  • 11. 11 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com 6 THIS WILL TAKE SOME SHARPER TOOLS As advanced as programmatic has become, it is now time to start focusing on the creative aspect - bringing media and creative back together; harnessing the data to inform better creative and deliver a meaningful and relevant message to the right user while automating real-time optimization. But compelling, creative ads with a strong relevant message still don't build themselves. Marketers rely on specific technologies for building, optimizing and analyzing their creative. To make the most of these tools, especially when it comes to new formats, innovation is in high demand before greater adoption is possible. Practitioners have several clear expectations. First, according to 40% of respondents, cross-screen capability is a must for any display ad-building platform. Second, for 35%, the platform must be easy to use. Finally, it must support innovative, impactful products and formats. Fortunately, these technologies are available, and we can already see marketing's vanguard players adopting them. What are the most important capabilities of the tools you're using to build display ads? 53% Robust analytics & insights 41% Enabled for cross-screen 34% Innovative, impactful ad products 34% Ease of use 34% Scalability 28% Pricing 24% Built-in creative optimization tools 15% Self-service 15% Integrated with other creative tools 15% Widely-adopted in the industry 8% Availability of managed services 2% Other 50% 40% 30% 20%
  • 12. 12 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com 7 WITH MORE DATA COMES MORE OPTIMIZATION Compatibility, convenience and format support are obvious choices when it comes to getting a job done. How about when a campaign is already in the field? Or when it’s closed? That’s when robust real-time analytics and insights come into play. More than half (53%) identify measurement tools as their greatest platform requirement. Which makes sense: As display ad objectives move beyond direct response, nuanced perspectives on performance gain importance. This focus on analytics is also leading to a stronger interest in creative optimization. When asked, 91% of respondents said that adapting a creative message to temporal, geographic and demographic factors was at least somewhat important to them. It’s already becoming a more common practice: 42% of marketers are currently able to creatively optimize their campaigns, at least occasionally. Another 22% are able to do it on a regular basis. “For clients like TR Price and H&R Block, tax season’s around the corner,” said Kathuria. “When that happens, we’re optimizing on a daily basis. It’s what we have to do.” Expect creative optimization to experience even greater adoption. In 2015, 60 percent of marketers expect to include creative optimization as a standard component of their display ad plans. Q: What do we mean by “optimizing creative”? A: Using a platform or technology to drive better results by adapting creative elements of a campaign according to data signals for greater relevancy. Optimizing the message to temporal, geographic or demographic factors is important to nearly all marketers.
  • 13. 13 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com With so much technology available, why are some marketers failing to optimize their creative campaigns? ‱ For 66% of marketers, lack of creative resources is preventing them from achieving true scale. ‱ More than half of respondents (58%) have insufficient operational resources. More money allocated to brand display ads and the growing demand for programmatic creative technology will significantly contribute to moving past these roadblocks. Barriers to Optimization How often do you use data signals to adapt creative messages in your ads?* *Data signals such as time of the day, location, day of week and other audience data. 22% On a regular basis 10% Never 27% Rarely 41% Occasionally
  • 14. 14 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com 8 THE CHALLENGE OF OPTIMIZATION When they are optimizing, 62% of marketers are using specific tools to optimize most of their campaigns. They’re just as likely to be optimizing creative both before a campaign begins (using findings from previous campaigns) and on-the-fly during a campaign’s run (tinkering with performance to overcome hurdles and take advantage of opportunities as they arise). What’s it all for? Increasing engagement — an objective aided by new display ad formats — is the main reason for most marketers’ use of optimization (59%). This is followed closely by increasing conversions (52%). If nothing else, this again signals that display can accommodate multiple objectives, from awareness to direct response. Why do you use creative optimization? >1% Other 33% To optimize performance of existing campaigns 55% Both to optimize performance of existing campaigns & to gain insights and knowledge for future campaigns 12% To gain insights & knowledge for future campaigns
  • 15. 15 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com When optimizing creative campaigns, what are your primary goals? 58% To increase engagement 52% To increase conversions 29% To increase purchase intent 12% To increase time spent on ad 3% Other 27% To improve CTR 19% To deliver more relevant content The features that are most important to marketers regarding optimization technology should be familiar themes by now: robust analytics and insights (72% of respondents), ease of use (71%) and scalability (57%). These are important to marketers across the board. But marketers have not gone all-in on dynamic creative optimization, or DCO. In fact, 42% of respondents prioritize A/B testing over DCO. Just ÂŒ rely equally on both. There are a variety of reasons why this is the case. First, there’s a lack of operational resources. This is bound to recede as budgets increase. The same can be said for a lack of creative resources. The third challenge isn’t solved as easily. Respondents reported that often, campaigns are simply too small (45%) and there isn’t enough client interest (43%) to merit the devotion of resources to creative optimization. “Brand advertising could be anywhere from 30 percent all the way up to 70 percent,” said Kathuria. “It’s a wide range that goes back to campaign objectives. So PatrĂłn versus Nike, it’s going to vary greatly by client and campaign.” Still, the need for a dynamic customization platform is strongly felt in the industry. “It’s hard to do manual production and hardcode ten versions of an ad,” said Symonds. “We need to get more dynamic.”
  • 16. 16 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com It’s not about making 100 ads; it’s about having templates so it’s componentized so you can change the message focus quickly. — Scott Symonds, AKQA What are your top challenges when optimizing display creative? 20% 40% 60% 80% 100% 26% Not enough interest within the organization 43% Not enough interest on the client side 8% I’m unaware of optimization’s benefits 67% Lack of operational resources 58% Lack of creative resources 45% Campaigns are too small for optimization 38% Goals aren't aligned with optimization 8% Bad previous experience(s) with optimization 7% Other
  • 17. 17 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com 9 CONCLUSION Our research shows that more marketers are turning to display ads to tackle multiple objectives, including building brand awareness once thought to be beyond display's capability. To reach their objectives, more attention to message and creative execution is a growing part of their campaign equations. With display playing a larger and larger role in brand advertising campaigns, the ability to optimize and adapt is essential. The old “set it and forget it” strategy no longer works. “We have too many clients trying to use a broadcast mentality with digital when it’s actually a post- broadcast, much more targetable platform,” said Symonds. “We shouldn’t be creating one-size-fits-all ads; we should be segmenting and tailoring and being more CRM-focused.” Still, there's room for improvement, particularly in terms of awareness. It's not enough to have new, high-impact interactive formats that support a diversity of applications. To operate effectively in a media environment witnessing the overhaul of display ads, today's savviest marketers are looking at programmatic creative to overcome challenges at every step, from ad-building to optimization. As others follow suite, the gains to the industry will be immediate — and, of course, measurable. Awareness investment in digital has been very small, but toolsets for general awareness advertising are much better than they used to be. — Scott Symonds, AKQA
  • 18. 18 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com 10 METHODOLOGY A sample of 379 digital media and marketing professionals participated in this study through a combination of convenience and snowball sampling. Of these respondents, 28 percent were from media agencies and 18 percent were from creative agencies. 78 percent were at the director level or higher with diverse responsibilities, including marketing, media planning and operations and analytics. Surveys were distributed by email, site placement and social media from November 3, 2014 to November 21, 2014. Celtra Inc., empowers agencies, media suppliers and brand leaders alike with an integrated, truly scalable cross-screen HTML5 technology for brand advertising on smartphones, tablets and desktop. Celtra's platform, AdCreator 4, is built to run large-scale and complex campaigns. It is a single platform for streamlined ad creation, performance optimized serving and consolidated reporting with common metrics across all screens. Digiday is a media company and community for professionals who work in the digital media, marketing and advertising industry. Digiday’s mission is to connect the industry with insightful analysis and perspective, as well as each other. Digiday provides key insights and information through our online publications and conferences that cover the changes, trends - and why they matter. Industry survey by Celtra, powered by Digiday
  • 19. 19 ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com Website Twitter Facebook Celtra Content Channel celtra.com @CeltraMobile facebook.com/celtra digiday.com/content-channel/celtra ©2015 | Industry survey by Celtra, powered by Digiday | www.celtra.com