The ramifications of web 2
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Mechanized Ramification
This document appears to be a presentation on mechanized ramification and Hoare logic given by Wang Shengyi at the National University of Singapore on April 17, 2015. It provides an overview of the speaker's work on mechanizing semantic libraries using separation logic in Coq. It also discusses related work on Hoare logic, including Hoare triples and rules. Examples are given to demonstrate the use of Hoare logic to reason about programs, including reversing a linked list. Loop invariants are discussed for the linked list reversal example.
Genre research
This document summarizes the history and evolution of the zombie genre in cinema. It begins with early influential films from the 1920s-1940s that helped establish tropes of the genre. George Romero is credited with beginning the modern zombie film with Night of the Living Dead in 1968, setting conventions like flesh-eating zombies and survival in an enclosed space. The genre then expanded with Italian zombie films and comedic takes in the 2000s, as well as fictional depictions of "real" zombies.
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Progressive rock began in 1969 with King Crimson's album "In the Court of the Crimson King" and attempted to extend the boundaries of rock music through complex arrangements, virtuosic musicianship, innovative technology, and influences from genres like classical, jazz, and psychedelia. Key pioneering prog bands of the 1970s included King Crimson, Genesis, Emerson Lake & Palmer, and Rush. While prog waned in popularity in the late 1970s, it maintained a cult following and saw a resurgence in the 1980s with bands like Marillion gaining mainstream success. Prog continues today with classic bands, new acts, and the use of modern technology.
Support and guidance 7
This document provides guidance on creating and pitching a media studies advanced portfolio containing a music video, digipack, and advertisement for a music genre. It instructs the student to produce graphs and analyze research on their chosen sub-genre, storyboard and create drafts of the projects, gather feedback, and create a multimedia director's pitch justifying and evidencing all creative choices through research, feedback, and examples. The director's pitch should pitch each product using evidence from research and prior work to defend video, packaging, and advertising design decisions.
Target audience research
The document discusses determining a target audience for a music video, CD packaging, and advertisement. It describes analyzing demographic and psychographic characteristics to identify who would be interested in the artist and genre. Primary research like surveys and secondary research on online channels and sales patterns should be used to understand the target audience. With this information, the main target audience and how to appeal to them can be defined. Finally, draft designs for the video, packaging, and advert should reflect the research findings and target audience.
Support and guidance 6
This document provides questions to guide reflection on research into music videos, digipacks, and adverts. It asks the reader to consider common elements across the media that establish genre, express artist attitude and reputation, and represent the artist's brand. Key areas of focus are genre characteristics, branding, and how elements denote and connote meaning.
Support and guidance 5
This document outlines assignments due in September, including:
1. Deconstructing two music advertisements to analyze how genre and branding are shown.
2. Researching an artist within the chosen genre, including their biography, discography, label, influence, and how they represent the genre.
3. Drawing research conclusions about common themes in packaging, advertising, and videos within the genre, and how the chosen artist relates to these findings.
My guilsborough media
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Recommended
Mechanized Ramification
This document appears to be a presentation on mechanized ramification and Hoare logic given by Wang Shengyi at the National University of Singapore on April 17, 2015. It provides an overview of the speaker's work on mechanizing semantic libraries using separation logic in Coq. It also discusses related work on Hoare logic, including Hoare triples and rules. Examples are given to demonstrate the use of Hoare logic to reason about programs, including reversing a linked list. Loop invariants are discussed for the linked list reversal example.
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This document summarizes the history and evolution of the zombie genre in cinema. It begins with early influential films from the 1920s-1940s that helped establish tropes of the genre. George Romero is credited with beginning the modern zombie film with Night of the Living Dead in 1968, setting conventions like flesh-eating zombies and survival in an enclosed space. The genre then expanded with Italian zombie films and comedic takes in the 2000s, as well as fictional depictions of "real" zombies.
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Progressive rock began in 1969 with King Crimson's album "In the Court of the Crimson King" and attempted to extend the boundaries of rock music through complex arrangements, virtuosic musicianship, innovative technology, and influences from genres like classical, jazz, and psychedelia. Key pioneering prog bands of the 1970s included King Crimson, Genesis, Emerson Lake & Palmer, and Rush. While prog waned in popularity in the late 1970s, it maintained a cult following and saw a resurgence in the 1980s with bands like Marillion gaining mainstream success. Prog continues today with classic bands, new acts, and the use of modern technology.
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This document provides guidance on creating and pitching a media studies advanced portfolio containing a music video, digipack, and advertisement for a music genre. It instructs the student to produce graphs and analyze research on their chosen sub-genre, storyboard and create drafts of the projects, gather feedback, and create a multimedia director's pitch justifying and evidencing all creative choices through research, feedback, and examples. The director's pitch should pitch each product using evidence from research and prior work to defend video, packaging, and advertising design decisions.
Target audience research
The document discusses determining a target audience for a music video, CD packaging, and advertisement. It describes analyzing demographic and psychographic characteristics to identify who would be interested in the artist and genre. Primary research like surveys and secondary research on online channels and sales patterns should be used to understand the target audience. With this information, the main target audience and how to appeal to them can be defined. Finally, draft designs for the video, packaging, and advert should reflect the research findings and target audience.
Support and guidance 6
This document provides questions to guide reflection on research into music videos, digipacks, and adverts. It asks the reader to consider common elements across the media that establish genre, express artist attitude and reputation, and represent the artist's brand. Key areas of focus are genre characteristics, branding, and how elements denote and connote meaning.
Support and guidance 5
This document outlines assignments due in September, including:
1. Deconstructing two music advertisements to analyze how genre and branding are shown.
2. Researching an artist within the chosen genre, including their biography, discography, label, influence, and how they represent the genre.
3. Drawing research conclusions about common themes in packaging, advertising, and videos within the genre, and how the chosen artist relates to these findings.
My guilsborough media
vincent@guilsborough.northants.sch.uk
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Good luck!
Target audience research
The document discusses targeting audiences for music without relying on stereotypes. It notes that music genres have wide, diverse fan bases across ages, races, and gender. Researchers should consider various ways audiences find and experience music, such as through radio, TV, concerts, or recommendations, and look for patterns related to these groups. The document advocates an open-minded approach without strict assumptions.
Support and guidance 3
This document provides guidance on deconstructing examples of a chosen genre by consulting videos and slideshows to analyze how different media formats are combined using denote and connote techniques.
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This document provides guidelines for researching a chosen artist, suggesting going multi-media to research the artist's history, release history, and brand image in order to structure it similarly to previous genre research.
Support and guidance 2
This document provides guidance on tasks for researching music videos within a chosen genre, including summarizing key characteristics of music videos, deconstructing four music videos within the genre using Goodwin's formula without deconstructing a video by the chosen artist, and using mixed media for two of the four deconstructions. The tasks must be completed individually by July 6th under the Research and Planning tab.
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This document provides guidance for two assignments. Students must produce a genre research slideshow and email it to Mr. Scargill by June 24th, 2012. They must also reproduce the first two minutes of a professional music video for their blog, embedding the original first, and ensuring they book any needed equipment. The music video reproduction is due by June 27th, 2012 and guidance is provided on consistency with prior assignments and equipment booking.
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This document summarizes different types of music videos and their characteristics. It identifies three main types: videos where the artist lip syncs to the song, videos that tell the story of the song, and videos that interpret the song through a narrative. Effective music videos generally reflect the genre of music, have visuals that relate to the music and lyrics, use close-ups of the artist to build their brand, and may reference looking or other media.
Genre research2
Progressive rock began in 1969 with King Crimson's album "In the Court of the Crimson King" and attempted to extend the boundaries of rock music through complex arrangements, virtuosic musicianship, and influences from genres like classical music and jazz. Key bands from 1969-1978 included King Crimson, Genesis, Emerson, Lake & Palmer, and Rush. Progressive rock faced a backlash in the late 1970s but has since seen a revival with bands new and old continuing to push musical and technical boundaries.
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The document discusses issues related to targeting audiences in the media industry. It addresses topics of gender stereotypes in gaming, lack of regulation of mature games, and debates around violence in gaming. Specifically, it notes stereotypical portrayals of women in games, issues with age ratings and enforcement, and arguments from both sides about the impact of violent video game content.
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This document summarizes different types of music videos and their characteristics. It identifies three main types: videos where the artist lip syncs to the song, videos that tell the story of the song, and videos that interpret the song through a narrative. Effective music videos generally reflect the genre of music, have visuals that relate to the music and lyrics, use close-ups of the artist to build their brand, and may reference looking or other media.
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HCL Notes und Domino Lizenzkostenreduzierung in der Welt von DLAU
Webinar Recording: https://www.panagenda.com/webinars/hcl-notes-und-domino-lizenzkostenreduzierung-in-der-welt-von-dlau/
DLAU und die Lizenzen nach dem CCB- und CCX-Modell sind für viele in der HCL-Community seit letztem Jahr ein heißes Thema. Als Notes- oder Domino-Kunde haben Sie vielleicht mit unerwartet hohen Benutzerzahlen und Lizenzgebühren zu kämpfen. Sie fragen sich vielleicht, wie diese neue Art der Lizenzierung funktioniert und welchen Nutzen sie Ihnen bringt. Vor allem wollen Sie sicherlich Ihr Budget einhalten und Kosten sparen, wo immer möglich. Das verstehen wir und wir möchten Ihnen dabei helfen!
Wir erklären Ihnen, wie Sie häufige Konfigurationsprobleme lösen können, die dazu führen können, dass mehr Benutzer gezählt werden als nötig, und wie Sie überflüssige oder ungenutzte Konten identifizieren und entfernen können, um Geld zu sparen. Es gibt auch einige Ansätze, die zu unnötigen Ausgaben führen können, z. B. wenn ein Personendokument anstelle eines Mail-Ins für geteilte Mailboxen verwendet wird. Wir zeigen Ihnen solche Fälle und deren Lösungen. Und natürlich erklären wir Ihnen das neue Lizenzmodell.
Nehmen Sie an diesem Webinar teil, bei dem HCL-Ambassador Marc Thomas und Gastredner Franz Walder Ihnen diese neue Welt näherbringen. Es vermittelt Ihnen die Tools und das Know-how, um den Überblick zu bewahren. Sie werden in der Lage sein, Ihre Kosten durch eine optimierte Domino-Konfiguration zu reduzieren und auch in Zukunft gering zu halten.
Diese Themen werden behandelt
- Reduzierung der Lizenzkosten durch Auffinden und Beheben von Fehlkonfigurationen und überflüssigen Konten
- Wie funktionieren CCB- und CCX-Lizenzen wirklich?
- Verstehen des DLAU-Tools und wie man es am besten nutzt
- Tipps für häufige Problembereiche, wie z. B. Team-Postfächer, Funktions-/Testbenutzer usw.
- Praxisbeispiele und Best Practices zum sofortigen Umsetzen
Connector Corner: Seamlessly power UiPath Apps, GenAI with prebuilt connectors
Join us to learn how UiPath Apps can directly and easily interact with prebuilt connectors via Integration Service--including Salesforce, ServiceNow, Open GenAI, and more.
The best part is you can achieve this without building a custom workflow! Say goodbye to the hassle of using separate automations to call APIs. By seamlessly integrating within App Studio, you can now easily streamline your workflow, while gaining direct access to our Connector Catalog of popular applications.
We’ll discuss and demo the benefits of UiPath Apps and connectors including:
Creating a compelling user experience for any software, without the limitations of APIs.
Accelerating the app creation process, saving time and effort
Enjoying high-performance CRUD (create, read, update, delete) operations, for
seamless data management.
Speakers:
Russell Alfeche, Technology Leader, RPA at qBotic and UiPath MVP
Charlie Greenberg, host
Driving Business Innovation: Latest Generative AI Advancements & Success Story
Are you ready to revolutionize how you handle data? Join us for a webinar where we’ll bring you up to speed with the latest advancements in Generative AI technology and discover how leveraging FME with tools from giants like Google Gemini, Amazon, and Microsoft OpenAI can supercharge your workflow efficiency.
During the hour, we’ll take you through:
Guest Speaker Segment with Hannah Barrington: Dive into the world of dynamic real estate marketing with Hannah, the Marketing Manager at Workspace Group. Hear firsthand how their team generates engaging descriptions for thousands of office units by integrating diverse data sources—from PDF floorplans to web pages—using FME transformers, like OpenAIVisionConnector and AnthropicVisionConnector. This use case will show you how GenAI can streamline content creation for marketing across the board.
Ollama Use Case: Learn how Scenario Specialist Dmitri Bagh has utilized Ollama within FME to input data, create custom models, and enhance security protocols. This segment will include demos to illustrate the full capabilities of FME in AI-driven processes.
Custom AI Models: Discover how to leverage FME to build personalized AI models using your data. Whether it’s populating a model with local data for added security or integrating public AI tools, find out how FME facilitates a versatile and secure approach to AI.
We’ll wrap up with a live Q&A session where you can engage with our experts on your specific use cases, and learn more about optimizing your data workflows with AI.
This webinar is ideal for professionals seeking to harness the power of AI within their data management systems while ensuring high levels of customization and security. Whether you're a novice or an expert, gain actionable insights and strategies to elevate your data processes. Join us to see how FME and AI can revolutionize how you work with data!
GNSS spoofing via SDR (Criptored Talks 2024)
In the realm of cybersecurity, offensive security practices act as a critical shield. By simulating real-world attacks in a controlled environment, these techniques expose vulnerabilities before malicious actors can exploit them. This proactive approach allows manufacturers to identify and fix weaknesses, significantly enhancing system security.
This presentation delves into the development of a system designed to mimic Galileo's Open Service signal using software-defined radio (SDR) technology. We'll begin with a foundational overview of both Global Navigation Satellite Systems (GNSS) and the intricacies of digital signal processing.
The presentation culminates in a live demonstration. We'll showcase the manipulation of Galileo's Open Service pilot signal, simulating an attack on various software and hardware systems. This practical demonstration serves to highlight the potential consequences of unaddressed vulnerabilities, emphasizing the importance of offensive security practices in safeguarding critical infrastructure.
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The ramifications of web 2
- 1. The shift from Producer Centred Media to Consumer Centred “We Media”
- 2. What is Media 2.0? Is it temporal or here to stay? Origins: Mid 1980s (rise of the PC)? 2003/04 (rise of Web 2.0)? Rise of cyber culture: Club Penguin, Second Life, World of Warcraft, Myspace, Facebook, Twitter Difficult to regulate.
- 3. Ramifications and Consequences Huge shifts: analogue to digital media artefact to broadcast/download Has media changed or has the audience? Is this anything new? “The new media determine a segmented, differentiated audience that, although massive in terms of numbers, is no longer a mass audience in terms of simultaneity and uniformity of the message it receives. The new media are no longer mass media…sending a limited number of messages to a homogeneous audience. Because of the multiplicity of messages and sources, the audience itself becomes more selective. The targeted audience tends to choose its messages, so deepening its segmentation.” Haitham Sabbah 1985
- 4. Ramifications and Consequences We now live in an age of trans-mediality Migration of content across media forms Sense of fragmentation New forms Computer games, simulations, SfX cinema New representations Virtual worlds, interactive multimedia New relationships between users and technology New patterns of organisation and production
- 5. Ramifications and Consequences Is New Media transforming culture? Could we infer from the above that changes are technological, textural, conventional, and therefore cultural Memes: Chuck Norris Rick Roll Lol Cats Numa Numa Dance Star Wars Kid Hitler A Meme is a unit of cultural information that is transmitted from one mind to another . The creation of images or catchphrases transmitted from person to person by web, email, social networks is known as an internet meme.
- 6. Meanings •Rise of interaction and networking •Production = less centralised and more fluid •Shift from production to produsage, or consumer to prosumer •Audience shift from passive to active
- 7. Meanings Generation Y, Digital Immigrants, Google Generation, Screenagers… Rise of Generation C (Bruns) Content, Control, Creativity, Celebrity Intercreativity (Tim Berners-Lee) Pro-ams Amateurs working to professional standards End of the artefact? End of the artefact as a finished construct? Mash-ups, etc
- 8. Some more shifts Old Media New Media Controlled by oligopolies •Controlled, potentially, by the Content scarce user. Producer controls choice •Content rich •Consumer needs to filter choice. • Controlled by produser • Abundant content • Produser controls choice
- 9. Some more shiftsNew Media Old Media • Content Creation is difficult and • Content Creation is easy and cheap - expensive - requires capital to fund anybody can do it creation - basically the “Hit” game • Gatekeepers control limited distribution • Distribution is friction free and open - - in virtually every media market there anyone can post an RSS feed are 5 top players that control 80% of distribution • Bigger audiences are better and more • Small passionate affinities/ valuable communities are WAY more valuable • The 30 second spot • Word of Mouth • One-way broadcast model - third party • Two-way - lots of real-time interaction time delayed back channel
- 10. The shift Media 1.0 was about FIND. Media 2.0 is about FILTER
- 11. Time Magazine Person of the Year 1938? 1940? 1982? 1987? 2001? 2006?