The future of nme
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NME magazine targets entertainment enthusiasts aged 17-30, especially men. It has a weekly circulation of over 56,000 and a readership of over 400,000. NME readers are passionate about music, with 80% feeling it is important in their lives. They enjoy discovering new bands (79%) and attending live music events and concerts. While magazines are selling fewer print copies due to the internet, NME readers are also highly engaged online, with over 90% owning computers and visiting NME's website regularly.
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Music video pitch
The document discusses a music video project for the song "Snowship" by Benjamin Francis Leftwich. It will feature 17-year-old artist Conor Baker singing and playing guitar while the video is shot on location at multiple outdoor sites to match the folk/acoustic genre. Audience research found the target viewers are aged 16-19, like folk/acoustic music, and prefer music videos on YouTube without narratives and that feature varying locations.
Analysis of music magazine covers
The document discusses magazine cover design techniques. It provides examples of magazine covers and analyzes the techniques they use to attract readers' attention and convey information. These include prominent mastheads, eye-catching images, buzz words, pull quotes, teasers and utilizing colors and fonts. The covers target specific audiences through their visual styles and content references.
Genre conventions
The document discusses creating a music video for an acoustic/folk artist based on audience feedback. It states that the genre was chosen fits the artist and audience preferences for folk/acoustic music. It notes that Laura Mulvey's Male Gaze theory would rarely apply to this genre as the videos focus on natural outdoor settings rather than emphasizing the artist. The music video will feature typical folk genre characteristics like acoustic guitars and laidback clothing, and reflect the lyrics and tone of the music through the visuals and atmosphere without objectifying the artist.
Drafts of magazine poster
The document discusses drafts of a magazine advertisement for an upcoming album release. It will feature the album title and artist's name in the same font as the album cover to create connections for the audience. Reviews will also be included to represent it as a great album, and a single and other tracks will be featured so the audience can identify with the music and hopefully purchase the album.
Music vid 2
The document provides an analysis of a music video. It notes that the use of different scenes and quick cuts helps keep the audience engaged [1]. However, the locations did not suit the up-tempo song, which made it boring to watch someone simply mime the lyrics in different spots [2]. The acting also lacked professionalism, hurting the video's quality [3]. While cutting between scenes was used, more editing techniques could have improved the video by making it "more jumpy and quick to match the song" [3].
Organisation of props
The document discusses the two props that will be used in a music video. The first prop is a black acoustic guitar, which follows genre conventions and will be played by the artist throughout the video to convey the song. The second prop is Chinese lanterns that the artist will release at the end of the video at sunset, as the song slows down, to provide a fitting ending.
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Music video pitch
The document discusses a music video project for the song "Snowship" by Benjamin Francis Leftwich. It will feature 17-year-old artist Conor Baker singing and playing guitar while the video is shot on location at multiple outdoor sites to match the folk/acoustic genre. Audience research found the target viewers are aged 16-19, like folk/acoustic music, and prefer music videos on YouTube without narratives and that feature varying locations.
Analysis of music magazine covers
The document discusses magazine cover design techniques. It provides examples of magazine covers and analyzes the techniques they use to attract readers' attention and convey information. These include prominent mastheads, eye-catching images, buzz words, pull quotes, teasers and utilizing colors and fonts. The covers target specific audiences through their visual styles and content references.
Genre conventions
The document discusses creating a music video for an acoustic/folk artist based on audience feedback. It states that the genre was chosen fits the artist and audience preferences for folk/acoustic music. It notes that Laura Mulvey's Male Gaze theory would rarely apply to this genre as the videos focus on natural outdoor settings rather than emphasizing the artist. The music video will feature typical folk genre characteristics like acoustic guitars and laidback clothing, and reflect the lyrics and tone of the music through the visuals and atmosphere without objectifying the artist.
Drafts of magazine poster
The document discusses drafts of a magazine advertisement for an upcoming album release. It will feature the album title and artist's name in the same font as the album cover to create connections for the audience. Reviews will also be included to represent it as a great album, and a single and other tracks will be featured so the audience can identify with the music and hopefully purchase the album.
Music vid 2
The document provides an analysis of a music video. It notes that the use of different scenes and quick cuts helps keep the audience engaged [1]. However, the locations did not suit the up-tempo song, which made it boring to watch someone simply mime the lyrics in different spots [2]. The acting also lacked professionalism, hurting the video's quality [3]. While cutting between scenes was used, more editing techniques could have improved the video by making it "more jumpy and quick to match the song" [3].
Organisation of props
The document discusses the two props that will be used in a music video. The first prop is a black acoustic guitar, which follows genre conventions and will be played by the artist throughout the video to convey the song. The second prop is Chinese lanterns that the artist will release at the end of the video at sunset, as the song slows down, to provide a fitting ending.
Readership profile NME
The NME is a weekly British music magazine with a circulation of 56,284. It targets men aged 17-30. NME readers are passionate about music, with 80% feeling it is important in their lives. They enjoy discovering new bands (79%) and genres like indie and live music. NME readers are also tech-savvy, with 72% having broadband and 67% shopping online in the last year. Additionally, NME readers are big fans of live music events, with 77% attending a concert in 2007 and 67% planning to go to a festival that year.
Audience research
Kerrang! reaches more young readers aged 15-24 than any other music magazine. 87% of readers buy every issue. This younger demographic is valuable but difficult for advertisers to access. In addition to music, Kerrang! is well-suited to promote films, games, technology and government messages to its passionate, trend-setting readers who spend heavily on related media.
Media packs
The document profiles the readers of two rock music magazines, Kerrang! and Metal Hammer. It finds that both magazines have a primarily young male audience, with the average reader around 22 years old. These readers are heavily engaged with rock music culture, consuming albums frequently, attending concerts regularly, and influencing their friends with music recommendations. They see their taste in music and fashion as integral to their identities. Both magazines thus provide a way for brands to effectively market to this passionate music-focused demographic.
Evidence of audience feedback
The document provides feedback from an audience survey on a music magazine. It includes the following key points:
- The audience found subscription advertisements and large center images most effective.
- Respondents viewed the magazine as "laidback" and "fun", focused on upcoming artists and current news.
- The audience skewed male, aged 17 or younger, who enjoy listening to music, exercise, and video games.
- Popular music sources were the internet and magazines like Kerrang and NME, which respondents purchase every few months.
Audience summary research
This document summarizes research conducted about the target audience for a music magazine. Key findings include:
- The target audience is mostly male, under 17 years old, and interested in music, exercise, and video games.
- Interviews found the audience prefers bands like The Pixies and Radiohead. They want articles, interviews, and information about upcoming artists.
- Research participants expect the magazine to have a modern layout with bold colors, images, and fonts. The covers should use pull quotes and photos to draw readers in.
- Double page spreads need to be informative yet light reading, using images, colors, and bold fonts to engage the audience. Photographs of artists should show them in
Target audience
- The target audience for the music magazine is primarily males aged 15-21 who listen to rap and hip hop music, especially those with an African background as many rappers are black.
- A survey of 25 people found that most were male, aged 16-17, listened to pop, rock, or R&B music, and would pay £2-3 for a music magazine, with most preferring to buy from a shop.
- Based on the survey results, the magazine will target Asian rap/hip hop artists locally in Bradford initially and then expand internationally, cost £2.50, be available both in shops and online with delivery, and include free offers to attract readers.
Questionnaire media results
From the responses, it appears that most respondents were females between 16-20 years old. Many preferred both male and female artists. Pop and indie were popular music genres. Most consumed music through streaming sites or iTunes and listened to music regularly but did not purchase magazines regularly. Many preferred bands to single artists and judged magazines by their covers but also considered content. Respondents preferred magazine prices between £1.20-£2.00.
Lyric media information
Lyric is a new monthly magazine focused on R&B, hip hop, and urban music in the UK. It provides readers with news and exclusives from the music industry, including interviews and coverage of major music events. The target audience is men aged 16-30 who are heavily invested in music based on listening, playing, and attending concerts frequently. Readers are also highly engaged with social media and new technologies related to music.
Media music magazines in the uk
The document discusses several popular UK music magazines, including their target audiences and circulation numbers. Teamrock targets alternative rock and metal fans who tend to be male with an average age of 47. Rock Sound focuses on new rock bands and reaches over 1 million younger people aged 21 on average. NME readers are mostly male students aged 23. Kerrang! has over 400,000 readers who are predominantly younger males aged 22 that faithfully purchase each issue.
Initial ideas
The document outlines initial ideas for a music magazine, including three concepts: an R&B magazine, indie rock magazine, and folk magazine. After getting feedback from peers, the folk magazine idea was favored. Key reasons included there being a gap in the market for a folk magazine and it being a more original and unique concept. The document concludes by announcing the final decision to create a folk music magazine based on peer feedback and opportunities for creativity.
Pop Mayhem Original
The document proposes a new pop music magazine called "Pop Mayhem" aimed at teenagers in North London. The magazine would be published monthly with both print and online versions. It would cover new pop music, interviews with celebrities, reviews of songs/artists, and information about music festivals and concerts in the area. The target audience is teenagers aged 15-19 who are interested in following pop music trends. The magazine hopes to become the most successful pop music publication in North London.
Research client project
This document provides a summary of research conducted for a music video project commissioned by Mediale, an international media arts festival in York, UK. The research includes:
- An analysis of the target 16-24 year old audience in York, noting their interests in music, mental health issues, and social media use.
- A survey of over 100 people regarding music video preferences, with results showing a preference for visuals over narrative and discovering new artists through music videos.
- Details on York demographics and the commission from Mediale to create an inspiring, creative, and challenging piece for audiences.
- Analyses of existing music videos focusing on visual style and effects to draw inspiration from for the
Research client project (unfinished)
Here are some production techniques I could implement for a quick film idea with 1 actor, 1 location, and some After Effects:
- Parallel Editing: Cut between the actor receiving the text "make me a cup of tea" and them hurriedly gathering supplies in the kitchen. This shows the request and response happening simultaneously.
- Overlapping Editing: When the actor flings the tea bag and pours the tea down the sink, repeat the action in an exaggerated, overlapped way to extend the scene for comedic effect.
- After Effects: Digitally enhance or add visual flair to elements like the text message, tea steeping/pouring, or actor's rushed movements. This brings an artistic element
Research into Music Magazines - task one.
The document summarizes readership demographics for several music magazines. NME readers are 69% male, with an average age of 24. Most (52%) work full-time, while 29% are students. Readers tend to be entertainment and tech enthusiasts. Kerrang! gets opinions from rock/metal artists and supports up-and-coming acts. Top of the Pops is a monthly pop magazine covering charts, gossip, fashion and more.
Music magazine & audience analysis nme
The document analyzes the audience of the music magazine NME. It finds that the median age of readers is 25 and the magazine appeals to both younger and older generations by covering modern and classic artists. Most readers are male (63%) which is reflected in the genres of rock music discussed like alternative, indie, and punk. Typical bands featured include male artists from genres like folk, rock, and reggae. Most readers have jobs in middle-income brackets and enjoy attending concerts and festivals, listening to and discovering new music, and some partake in music themselves.
Music magazine & audience analysis nme
The document analyzes the audience of the music magazine NME. It finds that the median age of readers is 25 and the magazine appeals to both younger and older generations by covering modern and classic artists. Most readers are male (63%) which is reflected in the genres of rock music discussed like alternative, indie, and punk. Typical bands featured include male artists from genres like folk, rock, and reggae. Most readers have jobs in middle-income brackets and enjoy attending concerts and festivals, listening to and discovering new music, and some partake in music and arts themselves.
The 2014 Street Photography Poll
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Questionnaire results finished
The questionnaire results showed that the magazine's target audience is 13-21 year olds. The majority of respondents associated the magazine with pop/rock music based on the colors and images used. Most also thought the informal tone and inclusion of artist names in the cover lines would make them want to read the magazine. The color theme was seen as matching pop/rock and the cover was perceived as targeting females.
My survey analysis
Chloe Baker conducted a survey of her target market for a new music magazine. She found that most respondents were teenagers aged 14-16, so she will aim the magazine at this demographic. The most popular music genres were pop and indie, so she will feature indie pop artists. Both established and up-and-coming artists will be featured. While gossip was the most popular story type, she will include a mix of interviews, tour stories, and reviews to appeal to an older audience. Free concert/festival tickets will be offered as a competition prize. The magazine will be priced between £2-£2.99 based on survey responses. Black and red were popular color choices that will help the magazine stand out visually
Media presentation
The document describes the results of a survey conducted by the author to gather information about music magazines and their target audience. 17 questionnaires were collected from people ages 16-25 in Birmingham city center. The results were analyzed and displayed in pie charts. The majority preferred R&B music and were unwilling to pay more than £3 for a magazine. Most felt magazines should be published weekly. The author concluded their target audience is ages 16-25 interested in pop, R&B and dubstep music living in areas like Hall Green.
Looking back at your preliminary task
The document summarizes the learning and improvements from a preliminary magazine project to the final product. Key areas of growth included research and planning skills, learning new software like Photoshop and InDesign, improving the color scheme, layout, images, and structure of content pages and covers to better engage readers. Design decisions for the final magazine were influenced by researching exemplar magazines like NME and applying conventions like coordinated colors, varied yet readable fonts, and creative layouts featuring large initial letters.
Planning
The document discusses plans for three photo shoots - a studio shoot of Charlotte for the front cover, a shoot of Charlotte in her garden for a double page spread, and a shoot of Conor Baker and Daisy and Bethan in Caversham Court Gardens for the contents page. Details are provided on locations, costumes, props, and desired looks and feels for the shoots. The document also discusses considerations for the magazine name and font, desired color scheme, and style of writing. Reference is made to attaching call sheets to emails outlining shoot details.
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Similar to The future of nme
Readership profile NME
The NME is a weekly British music magazine with a circulation of 56,284. It targets men aged 17-30. NME readers are passionate about music, with 80% feeling it is important in their lives. They enjoy discovering new bands (79%) and genres like indie and live music. NME readers are also tech-savvy, with 72% having broadband and 67% shopping online in the last year. Additionally, NME readers are big fans of live music events, with 77% attending a concert in 2007 and 67% planning to go to a festival that year.
Audience research
Kerrang! reaches more young readers aged 15-24 than any other music magazine. 87% of readers buy every issue. This younger demographic is valuable but difficult for advertisers to access. In addition to music, Kerrang! is well-suited to promote films, games, technology and government messages to its passionate, trend-setting readers who spend heavily on related media.
Media packs
The document profiles the readers of two rock music magazines, Kerrang! and Metal Hammer. It finds that both magazines have a primarily young male audience, with the average reader around 22 years old. These readers are heavily engaged with rock music culture, consuming albums frequently, attending concerts regularly, and influencing their friends with music recommendations. They see their taste in music and fashion as integral to their identities. Both magazines thus provide a way for brands to effectively market to this passionate music-focused demographic.
Evidence of audience feedback
The document provides feedback from an audience survey on a music magazine. It includes the following key points:
- The audience found subscription advertisements and large center images most effective.
- Respondents viewed the magazine as "laidback" and "fun", focused on upcoming artists and current news.
- The audience skewed male, aged 17 or younger, who enjoy listening to music, exercise, and video games.
- Popular music sources were the internet and magazines like Kerrang and NME, which respondents purchase every few months.
Audience summary research
This document summarizes research conducted about the target audience for a music magazine. Key findings include:
- The target audience is mostly male, under 17 years old, and interested in music, exercise, and video games.
- Interviews found the audience prefers bands like The Pixies and Radiohead. They want articles, interviews, and information about upcoming artists.
- Research participants expect the magazine to have a modern layout with bold colors, images, and fonts. The covers should use pull quotes and photos to draw readers in.
- Double page spreads need to be informative yet light reading, using images, colors, and bold fonts to engage the audience. Photographs of artists should show them in
Target audience
- The target audience for the music magazine is primarily males aged 15-21 who listen to rap and hip hop music, especially those with an African background as many rappers are black.
- A survey of 25 people found that most were male, aged 16-17, listened to pop, rock, or R&B music, and would pay £2-3 for a music magazine, with most preferring to buy from a shop.
- Based on the survey results, the magazine will target Asian rap/hip hop artists locally in Bradford initially and then expand internationally, cost £2.50, be available both in shops and online with delivery, and include free offers to attract readers.
Questionnaire media results
From the responses, it appears that most respondents were females between 16-20 years old. Many preferred both male and female artists. Pop and indie were popular music genres. Most consumed music through streaming sites or iTunes and listened to music regularly but did not purchase magazines regularly. Many preferred bands to single artists and judged magazines by their covers but also considered content. Respondents preferred magazine prices between £1.20-£2.00.
Lyric media information
Lyric is a new monthly magazine focused on R&B, hip hop, and urban music in the UK. It provides readers with news and exclusives from the music industry, including interviews and coverage of major music events. The target audience is men aged 16-30 who are heavily invested in music based on listening, playing, and attending concerts frequently. Readers are also highly engaged with social media and new technologies related to music.
Media music magazines in the uk
The document discusses several popular UK music magazines, including their target audiences and circulation numbers. Teamrock targets alternative rock and metal fans who tend to be male with an average age of 47. Rock Sound focuses on new rock bands and reaches over 1 million younger people aged 21 on average. NME readers are mostly male students aged 23. Kerrang! has over 400,000 readers who are predominantly younger males aged 22 that faithfully purchase each issue.
Initial ideas
The document outlines initial ideas for a music magazine, including three concepts: an R&B magazine, indie rock magazine, and folk magazine. After getting feedback from peers, the folk magazine idea was favored. Key reasons included there being a gap in the market for a folk magazine and it being a more original and unique concept. The document concludes by announcing the final decision to create a folk music magazine based on peer feedback and opportunities for creativity.
Pop Mayhem Original
The document proposes a new pop music magazine called "Pop Mayhem" aimed at teenagers in North London. The magazine would be published monthly with both print and online versions. It would cover new pop music, interviews with celebrities, reviews of songs/artists, and information about music festivals and concerts in the area. The target audience is teenagers aged 15-19 who are interested in following pop music trends. The magazine hopes to become the most successful pop music publication in North London.
Research client project
This document provides a summary of research conducted for a music video project commissioned by Mediale, an international media arts festival in York, UK. The research includes:
- An analysis of the target 16-24 year old audience in York, noting their interests in music, mental health issues, and social media use.
- A survey of over 100 people regarding music video preferences, with results showing a preference for visuals over narrative and discovering new artists through music videos.
- Details on York demographics and the commission from Mediale to create an inspiring, creative, and challenging piece for audiences.
- Analyses of existing music videos focusing on visual style and effects to draw inspiration from for the
Research client project (unfinished)
Here are some production techniques I could implement for a quick film idea with 1 actor, 1 location, and some After Effects:
- Parallel Editing: Cut between the actor receiving the text "make me a cup of tea" and them hurriedly gathering supplies in the kitchen. This shows the request and response happening simultaneously.
- Overlapping Editing: When the actor flings the tea bag and pours the tea down the sink, repeat the action in an exaggerated, overlapped way to extend the scene for comedic effect.
- After Effects: Digitally enhance or add visual flair to elements like the text message, tea steeping/pouring, or actor's rushed movements. This brings an artistic element
Research into Music Magazines - task one.
The document summarizes readership demographics for several music magazines. NME readers are 69% male, with an average age of 24. Most (52%) work full-time, while 29% are students. Readers tend to be entertainment and tech enthusiasts. Kerrang! gets opinions from rock/metal artists and supports up-and-coming acts. Top of the Pops is a monthly pop magazine covering charts, gossip, fashion and more.
Music magazine & audience analysis nme
The document analyzes the audience of the music magazine NME. It finds that the median age of readers is 25 and the magazine appeals to both younger and older generations by covering modern and classic artists. Most readers are male (63%) which is reflected in the genres of rock music discussed like alternative, indie, and punk. Typical bands featured include male artists from genres like folk, rock, and reggae. Most readers have jobs in middle-income brackets and enjoy attending concerts and festivals, listening to and discovering new music, and some partake in music themselves.
Music magazine & audience analysis nme
The document analyzes the audience of the music magazine NME. It finds that the median age of readers is 25 and the magazine appeals to both younger and older generations by covering modern and classic artists. Most readers are male (63%) which is reflected in the genres of rock music discussed like alternative, indie, and punk. Typical bands featured include male artists from genres like folk, rock, and reggae. Most readers have jobs in middle-income brackets and enjoy attending concerts and festivals, listening to and discovering new music, and some partake in music and arts themselves.
The 2014 Street Photography Poll
This report is the first edition of The 2014 Street Photography Poll by Lens & Shutter.
Subscribe and signup to our newsletter for an up-to-date news, articles, tutorials and more for passionate photographers : http://eepurl.com/SHfCb
Questionnaire results finished
The questionnaire results showed that the magazine's target audience is 13-21 year olds. The majority of respondents associated the magazine with pop/rock music based on the colors and images used. Most also thought the informal tone and inclusion of artist names in the cover lines would make them want to read the magazine. The color theme was seen as matching pop/rock and the cover was perceived as targeting females.
My survey analysis
Chloe Baker conducted a survey of her target market for a new music magazine. She found that most respondents were teenagers aged 14-16, so she will aim the magazine at this demographic. The most popular music genres were pop and indie, so she will feature indie pop artists. Both established and up-and-coming artists will be featured. While gossip was the most popular story type, she will include a mix of interviews, tour stories, and reviews to appeal to an older audience. Free concert/festival tickets will be offered as a competition prize. The magazine will be priced between £2-£2.99 based on survey responses. Black and red were popular color choices that will help the magazine stand out visually
Media presentation
The document describes the results of a survey conducted by the author to gather information about music magazines and their target audience. 17 questionnaires were collected from people ages 16-25 in Birmingham city center. The results were analyzed and displayed in pie charts. The majority preferred R&B music and were unwilling to pay more than £3 for a magazine. Most felt magazines should be published weekly. The author concluded their target audience is ages 16-25 interested in pop, R&B and dubstep music living in areas like Hall Green.
Similar to The future of nme (20)
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Looking back at your preliminary task
The document summarizes the learning and improvements from a preliminary magazine project to the final product. Key areas of growth included research and planning skills, learning new software like Photoshop and InDesign, improving the color scheme, layout, images, and structure of content pages and covers to better engage readers. Design decisions for the final magazine were influenced by researching exemplar magazines like NME and applying conventions like coordinated colors, varied yet readable fonts, and creative layouts featuring large initial letters.
Planning
The document discusses plans for three photo shoots - a studio shoot of Charlotte for the front cover, a shoot of Charlotte in her garden for a double page spread, and a shoot of Conor Baker and Daisy and Bethan in Caversham Court Gardens for the contents page. Details are provided on locations, costumes, props, and desired looks and feels for the shoots. The document also discusses considerations for the magazine name and font, desired color scheme, and style of writing. Reference is made to attaching call sheets to emails outlining shoot details.
Question 3
From audience feedback on a music video, the assistant learned that the bus location should be featured prominently and only one artist should be focused on to represent the folk/acoustic genre. Feedback on a magazine advert confirmed using natural lighting, a simple font, minimal text, and focusing on the artist while located outside. Feedback on a digipak recommended using consistent images and fonts from the magazine advert to connect the pieces, while using a theme of watermill images but varying some to represent the whole album.
Dipak final progress
I chose Word to create my digipak because it was simple to use and allowed me to get the best results. The front cover features an image of the artist Conor that catches the audience's attention through eye contact. Another beautiful image was used on the back for the song list. All the images flow nicely together, and an image of waves was used on the CD to stand out. The same font used in the magazine ad was applied to the text to maintain consistency. The final product follows conventions of a folk/acoustic digipak and coordinates well with other promotional materials. After feedback, two images were changed to patterns representing other songs.
Magazine advert progress
The document discusses the design choices made for a magazine advertisement poster. The font was chosen to be bold to grab attention without overpowering the main image. The text was moved to the right side to allow the centered image to stand out. The full body image was used to fully cover the poster and create a connection with the audience through eye contact. Additional text was added at the bottom in a white font with black stroke to provide information like the website and pre-order details without being overly prominent. The release date was also included at the bottom in the same font style to fit with the design.
Dipak final progress
I chose Word to create my digipak because it was simple to use and allowed me to get the best results. The front cover features an image of the artist making eye contact that catches attention. The back cover includes a beautiful background image where the song list can sit and stand out. All the images flow nicely together, and an image of waves on the CD is meant to grab attention in something unusual. The same bold yet simple font from the magazine ad was used for consistency across materials promoting the artist. The final digipak follows conventions of the genre and flows cohesively with other promotional elements.
Stages of developing my music video
The document describes the process of editing a music video to sync with a song. The editor first imported the song to plan out the timing of video clips. Scenes filmed on a bus and at a fort required precise cutting to sync the artist's lip movements with the lyrics. Transitions were also added between clips to ensure the video flowed smoothly with the music. The goal was to create perfect lip syncing and allow the video to match the natural flow of the song.
Question 3
From audience feedback on my music video, magazine advert, and digipak, I learned:
- The bus location was a favorite so I focused shots on the bus to represent the genre.
- Feedback confirmed focusing solely on my artist to represent the folk/acoustic genre through clothing and guitar.
- All elements followed folk/acoustic conventions so I emphasized the natural theme and locations.
- Feedback informed changes like focusing more on the natural locations during singing parts.
Results from audience questionnaire
The document contains a survey asking 9 questions regarding a song, music video, artist fit, use of multiple artists and locations, costumes, and props. Respondents are given yes or no or multiple choice options to provide feedback on elements of the creative work.
Audience feedback
This document contains a survey for audience feedback on a music video project. It asks whether the audience has heard the song before and if they like it, if the artist fits the intended genre, if more than one artist should be used, if covering the song is a good idea, if there should be a narrative, their favorite location out of several options, if fewer locations should be used, if the costume is suitable, and if more props should be used, requesting suggestions.
Digipak all
This document provides a brief overview of the different sections that make up a digipak, including the front and back exterior covers as well as the interior left and right covers. It also mentions the overall digipak package.
Shooting script for conor
The document contains a schedule for an academic course, listing important deadlines throughout September to December. Key deadlines include prelim research by September 10th, all research completed by September 24th, planning finished by October 22nd, filming wrapped by November 5th, and the final deadline for all coursework on December 3rd. Tutorials, required meetings with Conor, and a Partner Schools' Day are also scheduled throughout the term.
Shooting schedule
This schedule outlines the key deadlines and filming dates for a media production project. Research into media texts is due September 17th. All research must be completed by September 24th. Filming will take place on October 15th, 22nd, and 29th at various outdoor locations including the woods, along a track road, and at a watermill. The final deadline for the complete media production and all ancillary tasks is November 19th.
Shooting script
The document is a shooting script that follows an artist through a rural landscape while singing and playing guitar. It includes directions for camera shots that zoom in and out on the artist, follow the artist walking through woods and up a hill, and show the artist interacting with locations like a fort and watermill. The script captures the artist giving eye contact and expressions to the audience while singing lyrics that reference deals with the devil, cliffs, and being careful what one wishes for when young.
Coursework calender
1. The document outlines a schedule for a music video production project from September to December, including researching various aspects of the music industry, developing an audience profile, organizing shooting details, filming the video, and editing the video and additional materials like a magazine advert and digipak.
2. Key deadlines include preliminary research by September 10th, completing all planning by October 22nd, finishing filming during half term in late October, and final deadlines for the full project in early December.
3. The schedule involves researching music video conventions, the chosen song, and record labels, developing audience research and profiles, organizing shooting logistics, obtaining permissions, and editing the finished video and supplementary materials across multiple weeks.
Pulp
This document discusses Jarvis Cocker and the British band Pulp. It covers their alternative image and music style, Cocker's controversial actions at the 1996 Brit Awards, how he maintains relevance through social media and radio, and how Pulp's lyrics resonated with audiences in the 1990s. Cocker cultivates an intellectual yet relatable public persona through his witty lyrics addressing topics like class differences, drug use, and relationships.
Audience research results
The document appears to be the results of audience research on music video preferences. It includes demographic information like age and gender of respondents. It also covers topics like the aspects that appeal most in a music video, preferred media for listening to music, how often and where respondents watch music videos, preferences for narrative or multiple locations in videos, and preferred types of music video settings. The research seems aimed at understanding audience tastes to help create more engaging music video content.
It’s raining men
Geri Halliwell's music video for "It's Raining Men" was directed by Jim Canty and Jake-Sebastian Wynne. The video uses various camera shots, including long shots, mid shots, and close ups, to showcase Geri's emotions and new physique. The narrative follows Geri brightening up a boring audition as the boys and audience start dancing in the streets after she enters. Geri is represented through voyeurism and the male gaze, wearing revealing clothing to draw viewers in. While focusing on Geri's sexuality, the video also shows her kindness through a scene with her dog and elegance through a ballet scene in a white dress. The video takes intertextual
Music vid 3
This music video analysis provides three key points:
1) The video effectively reinforces the lyrics through visuals that illustrate what the lyrics say.
2) Quickly changing bright colors that flash catch the viewer's eye and help the fun, up-tempo song stick in the memory.
3) The only criticism is that the visuals don't slow down at the end like the music does, creating an abrupt ending.
Music vid 1
The video analyzes the effectiveness of different elements in a music video. It finds that creating a side story, distinguishing memories in color from hard times in black and white, and using a narrative structure were successful at engaging the audience. Fade cuts between memories and the present were also effective. However, the introduction lacked clarity and the setting during the singing was potentially boring. Overall, the editing and narrative flow worked well but additional camera angles could have improved engagement.
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原版制作(MUN毕业证书)纽芬兰纪念大学毕业证PDF成绩单一模一样
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本公司拥有海外各大学样板无数，能完美还原。
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◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
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3:国家专业人才认证中心颁发入库证书
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8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Morgan Freeman is Jimi Hendrix: Unveiling the Intriguing Hypothesis
In celebrity mysteries and urban legends. Few narratives capture the imagination as the hypothesis that Morgan Freeman is Jimi Hendrix. This fascinating theory posits that the iconic actor and the legendary guitarist are, in fact, the same person. While this might seem like a far-fetched notion at first glance. a deeper exploration reveals a rich tapestry of coincidences, speculative connections. and a surprising alignment of life events fueling this captivating hypothesis.
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Introduction to the Hypothesis: Morgan Freeman is Jimi Hendrix
The idea that Morgan Freeman is Jimi Hendrix stems from a mix of historical anomalies, physical resemblances. and a penchant for myth-making that surrounds celebrities. While Jimi Hendrix's official death in 1970 is well-documented. some theorists suggest that Hendrix did not die but instead reinvented himself as Morgan Freeman. a man who would become one of Hollywood's most revered actors. This article aims to delve into the various aspects of this hypothesis. examining its origins, the supporting arguments. and the cultural impact of such a theory.
The Genesis of the Theory
Early Life Parallels
The hypothesis that Morgan Freeman is Jimi Hendrix begins by comparing their early lives. Jimi Hendrix, born Johnny Allen Hendrix in Seattle, Washington, on November 27, 1942. and Morgan Freeman, born on June 1, 1937, in Memphis, Tennessee, have lived very different lives. But, proponents of the theory suggest that the five-year age difference is negligible and point to Freeman's late start in his acting career as evidence of a life lived before under a different identity.
The Disappearance and Reappearance
Jimi Hendrix's death in 1970 at the age of 27 is a well-documented event. But, theorists argue that Hendrix's death staged. and he reemerged as Morgan Freeman. They highlight Freeman's rise to prominence in the early 1970s. coinciding with Hendrix's supposed death. Freeman's first significant acting role came in 1971 on the children's television show "The Electric Company," a mere year after Hendrix's passing.
Physical Resemblances
Facial Structure and Features
One of the most compelling arguments for the hypothesis that Morgan Freeman is Jimi Hendrix lies in the physical resemblance between the two men. Analyzing photographs, proponents point out similarities in facial structure. particularly the cheekbones and jawline. Both men have a distinctive gap between their front teeth. which is rare and often highlighted as a critical point of similarity.
Voice and Mannerisms
Supporters of the theory also draw attention to the similarities in their voices. Jimi Hendrix known for his smooth, distinctive speaking voice. which, according to some, resembles Morgan Freeman's iconic, deep, and soothing voice. Additionally, both men share certain mannerisms. such as their calm demeanor and eloquent speech patterns.
Artistic Parallels
Musical and Acting Talents
Jimi Hendrix was regarded as one of t
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一比一原版(uw毕业证书)美国威斯康星大学麦迪逊分校毕业证如何办理
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本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(uw毕业证书)美国威斯康星大学麦迪逊分校毕业证【微信：741003700 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(uw毕业证书)美国威斯康星大学麦迪逊分校毕业证【微信：741003700 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(uw毕业证书)美国威斯康星大学麦迪逊分校毕业证【微信：741003700 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(uw毕业证书)美国威斯康星大学麦迪逊分校毕业证【微信：741003700 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
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Taylor Swift: Conquering Fame, Feuds, and Unmatched Success | CIO Women Magazine
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Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Game
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
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Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
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Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
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The future of nme
- 2. Key Facts Price £2.20 Frequency Weekly Circulation 56,284 Readership 411,000 Launch Date 1952 Male/Female 73%/27% Average Age 25 Target Market Men 17-30 NME readers love festivals/concerts
- 3. NME readers love the atmosphere of live NME Readers are entertainment enthusiasts! events • Over half of adults agree that you ‘can’t beat • 80% of NME readers feel that music is an important the atmosphere of a live performance’ and 41% part of their lives believe • 79% of NME readers like to listen to new bands a live performance is more exciting and entertaining • 63% specially choose to listen to indie/guitar bands than watching it on TV • 49% specially choose to listen to live bands in studio • 70% of gig-goers went for the atmosphere as much • 52% are interested in taking a musical as the music course/qualification • 55% of gig-goers went after buying recorded music • 36% are thinking of buying a musical instrument in the next of the artist year • 54% of gig-goers went because of the location • 53% of gig-goers went because the had a positive More about the reader past experience • 34% are working full time, 18% are working part • 77% of NME readers have been to at least one time pop/rock concert in 2007 and 26% are full time students • 80% of NME readers feel that music is an important • 62% read at least 3 out of 4 issues part of their lives • Almost half (49%) have been reading NME for at • 79% of NME readers like to listen to new bands least 3 years • 84% think the magazine gives them what they want spending an average of 46 minutes reading each issue
- 6. • 93% own a computer • 96% have access to the internet • 72% have a broadband Internet connection at home • 67% have bought something online in the last 12 months • 56% visit NME.com every day/every few days • 72% have a broadband Internet connection at home • 67% have bought something online in the last 12 months • 59% agree they like to keep up with the latest technologies
- 7. Stats show that magazines are making/selling less magazines due to the internet. Magazines soon may be forced to keep up with the 21st centaury and move to the online revenue. Yet gross amounts of money are still being made from the magazine industry so there not going just yet!
- 8. As we all know there are a lot of adverts in a magazine, so will advertising be affected by online media? Probably not, as we know youtube have started introducing adverts within there clips. So if magazines do move online advertisement will follow very swiftly after them.
- 9. I believe that there is still a very big market for magazines and I still believe there will be in years to come. Yet things may have changed from them to now, one of the big reasons being how we buy/read them. We may buy them or subscribe online to read them online, or magazines may still take pride of place in our average corner shop. Who knows, we’ll have to wait and see…