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Codifying HELPING PROFESSIONALS’ PRACTICES: SEA’S
CULTURAL RESILIENCE in DISASTERS AND
ATROCITIES
Art and Spirituality
Muchammadun
Dept. of Islamic Community Development, FDIK
State Islamic University of Mataram
INDONESIA
Problem Statement:
Science is not the only Western postulate. However, they are too westernised (Ragab, 2019;
David C. Lindberg, 2017)
Krystal S. Tsosie, Katrina G. Claw (2020), Soeharto (2019), Muchammadun (2019): Indigenous
knowledge needs codifying.
Sasak shadow puppets: Panji tales
Mataram State Museum
National case: in a need for PTKIN. I.e. Islamic Community Development
dept. (35 in Indonesia, varied in knowledge, skills, and ethics, not yet
standardized. OTH tacit knowledge not documented.
In particular: risks of disasters, atrocities-> participatory development.
Codifying: arrange (laws or rules)
into a systematic code.
Helping Professions: Human
service jobs: teaching, counseling,
community development.
SEA Setting:
Disastrous
Ring of fire;
Atrocities: refugees,
religious/cultural based
unrest.
Atrocities: Significant rate of child marriage and its impact, and happening in global south.
UNICEF, 2018: “The highest adolescent birth rates at the country level are seen in Lao PDR (94),
Cambodia (57), Thailand (50), Indonesia (48) and Philippines (47)”.
Easter Island
11th-12th century
British Museum
Madagascar
Ndated
Musee du Quai Branly
USING CULTURAL CAPITALS as means of SEA’S COMMUNITY EDUCATION
Reverence for the ancestors is a defining feature of Global South culture and spirituality
expressed in statues that are very similar in style:
Indonesia
12th-13th century
Thomas Murray Collection
Global South similarities:
Helping Practitioners need : (CP1) knowledge Cross Cultural Understanding (CS2)
Respect for diverse beneficiaries and Active communication with beneficiaries.
A Sasak man ritually washing (wudhu) in Lingsar springs before performing
Muslim prayer.
Local example: Religions match
local wellbeing.
The Sasak people believe Datu
Wetu Milir, a student of the
famous sixteenth century Javanese
Sufi saints, travelled to Lombok to
spread Islam.
As Islam acknowledges unseen
realms, such as angels and spirits,
it did not contradict indigenous
beliefs concerning ancestral
blessings, protection and fertility.
Local example:
The interior part shows a carved wooden dragon (naga), covered in white cloth,
inspired by indigenous cosmology.
Wetu Telu priests (pemangku) at Bayan Mosque
Creative economy
in Sasak former
textiles include
the
naga dragon
Ritual cloth (usap) with nine naga
probably symbolising points of the compass
meaning the cosmos
19th century
Bayan, Lombok
National Gallery of Australia
Local example 3: Bayan Mosque cemetery
with grave marker suggesting the stylized
shape of an ancestral figure and depiction of
drum (kendang) as part of communal
instrument.
Epitaph:
Drs. R. Irakasmamsi
Born 29-9-1958
Deceased 29-9-2011
Sasak textile arts depict a variety of figurative motifs reflecting ancestral beliefs and more recent
influences from Balinese and Javanese art.
Ritual cloth (usap) with ancestral figures
c.1900, Lombok
National Gallery Australia
Yarn winder with shadow puppet figures
early-mid 20th century, Lombok
Musee du Quai Branly
“Cloth that is regarded as sacred has to be made with ritual. The whole village is
involved in this ceremony from the first commencement of planning. The custom joins
families together because they get to know one another. There is a sense of communal
solidarity that for Islam also has a spiritual element… . For the whole day during the
weaving ceremony, a person reads out loud stories about Islam from an ancient
manuscript.”
Sacred cloth with
uncut warp (kekombong)
early 20th century
Lombok
National Gallery of Australia
Hj. Usni Indah Handayani, Mataram State Museum
Communal ties remain strong...
In our crisis themed context, it becomes cultural ethics throughout the
archipelago to gather to solve problems.
Beyond the authority of the government, this is a common good helping the
authority to accelerate community wellbeing and development.
It is from within: internal motivation and authentic drives.
Codification of Science in SEA, as part of Global South
world, displays the following features :
They have been influenced by cultural and religious
contacts with the wider world.
Through these contacts SEA knowledge and culture has
overcome some continuity and changes
However their indigenous sacred function
continues to emphasize:
(1) Ancestral ties
(2) Nuanced atmosphere of community
(3) Ritual importance.
THANK YOU
Contemporary Sasak songket textile
with ‘pineapple’ motif.
Codifying examples:
1. Advokasi recognising diversity sebagai etika kerja (ACWA,
5.1-5.8).
2. Pemahaman identitas lokal-> membantu pemahaman
klien lebih baik-> pembangunan partisipatif;

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THAKSIN.ppt

  • 1. Codifying HELPING PROFESSIONALS’ PRACTICES: SEA’S CULTURAL RESILIENCE in DISASTERS AND ATROCITIES Art and Spirituality Muchammadun Dept. of Islamic Community Development, FDIK State Islamic University of Mataram INDONESIA
  • 2. Problem Statement: Science is not the only Western postulate. However, they are too westernised (Ragab, 2019; David C. Lindberg, 2017) Krystal S. Tsosie, Katrina G. Claw (2020), Soeharto (2019), Muchammadun (2019): Indigenous knowledge needs codifying.
  • 3. Sasak shadow puppets: Panji tales Mataram State Museum National case: in a need for PTKIN. I.e. Islamic Community Development dept. (35 in Indonesia, varied in knowledge, skills, and ethics, not yet standardized. OTH tacit knowledge not documented. In particular: risks of disasters, atrocities-> participatory development. Codifying: arrange (laws or rules) into a systematic code. Helping Professions: Human service jobs: teaching, counseling, community development.
  • 4. SEA Setting: Disastrous Ring of fire; Atrocities: refugees, religious/cultural based unrest.
  • 5. Atrocities: Significant rate of child marriage and its impact, and happening in global south. UNICEF, 2018: “The highest adolescent birth rates at the country level are seen in Lao PDR (94), Cambodia (57), Thailand (50), Indonesia (48) and Philippines (47)”.
  • 6. Easter Island 11th-12th century British Museum Madagascar Ndated Musee du Quai Branly USING CULTURAL CAPITALS as means of SEA’S COMMUNITY EDUCATION Reverence for the ancestors is a defining feature of Global South culture and spirituality expressed in statues that are very similar in style: Indonesia 12th-13th century Thomas Murray Collection
  • 7. Global South similarities: Helping Practitioners need : (CP1) knowledge Cross Cultural Understanding (CS2) Respect for diverse beneficiaries and Active communication with beneficiaries.
  • 8. A Sasak man ritually washing (wudhu) in Lingsar springs before performing Muslim prayer. Local example: Religions match local wellbeing. The Sasak people believe Datu Wetu Milir, a student of the famous sixteenth century Javanese Sufi saints, travelled to Lombok to spread Islam. As Islam acknowledges unseen realms, such as angels and spirits, it did not contradict indigenous beliefs concerning ancestral blessings, protection and fertility.
  • 9. Local example: The interior part shows a carved wooden dragon (naga), covered in white cloth, inspired by indigenous cosmology. Wetu Telu priests (pemangku) at Bayan Mosque
  • 10. Creative economy in Sasak former textiles include the naga dragon Ritual cloth (usap) with nine naga probably symbolising points of the compass meaning the cosmos 19th century Bayan, Lombok National Gallery of Australia
  • 11. Local example 3: Bayan Mosque cemetery with grave marker suggesting the stylized shape of an ancestral figure and depiction of drum (kendang) as part of communal instrument. Epitaph: Drs. R. Irakasmamsi Born 29-9-1958 Deceased 29-9-2011
  • 12. Sasak textile arts depict a variety of figurative motifs reflecting ancestral beliefs and more recent influences from Balinese and Javanese art. Ritual cloth (usap) with ancestral figures c.1900, Lombok National Gallery Australia Yarn winder with shadow puppet figures early-mid 20th century, Lombok Musee du Quai Branly
  • 13. “Cloth that is regarded as sacred has to be made with ritual. The whole village is involved in this ceremony from the first commencement of planning. The custom joins families together because they get to know one another. There is a sense of communal solidarity that for Islam also has a spiritual element… . For the whole day during the weaving ceremony, a person reads out loud stories about Islam from an ancient manuscript.” Sacred cloth with uncut warp (kekombong) early 20th century Lombok National Gallery of Australia Hj. Usni Indah Handayani, Mataram State Museum Communal ties remain strong...
  • 14. In our crisis themed context, it becomes cultural ethics throughout the archipelago to gather to solve problems. Beyond the authority of the government, this is a common good helping the authority to accelerate community wellbeing and development. It is from within: internal motivation and authentic drives.
  • 15. Codification of Science in SEA, as part of Global South world, displays the following features : They have been influenced by cultural and religious contacts with the wider world. Through these contacts SEA knowledge and culture has overcome some continuity and changes However their indigenous sacred function continues to emphasize: (1) Ancestral ties (2) Nuanced atmosphere of community (3) Ritual importance. THANK YOU Contemporary Sasak songket textile with ‘pineapple’ motif.
  • 16. Codifying examples: 1. Advokasi recognising diversity sebagai etika kerja (ACWA, 5.1-5.8). 2. Pemahaman identitas lokal-> membantu pemahaman klien lebih baik-> pembangunan partisipatif;