Task 7 - overlaying sound
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Jake Hyatt describes how to overlay audio in Reaper. He opened the Media Explorer to easily listen to sound effects without having to use a separate program. He dragged sounds from the library onto different tracks to create a dialogue. Some clips were too long, so he shortened them by adjusting the edges until the clips were the right length. Finally, he added a fade to the second track by adjusting the corners to gradually increase and decrease the volume of the audio over time.
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Programming sounds into my game
Jake Hyatt inserted sounds into their game by right clicking the sounds tab and creating sound files, giving them appropriate names. They added code to play specific sounds when rooms start and end, enemies and players die upon contact, and when enemies and players shoot. The code plays single instances of sounds to avoid overlapping or looping that could become irritating to listeners.
Programming Sound Into 2D Game
The document discusses programming sound into a 2D game in Game Maker. It describes loading a custom science fiction soundtrack sound file created in Reaper. It then details adding an event to the "play" button in room 2 to both advance to the next room and play the sound when clicked, testing it to confirm it works during gameplay.
Evidence of Programming Sound into a 2D Game
The document discusses how to add sound effects to a 2D game created in Game Maker. It describes loading a science fiction soundtrack sound file created in Reaper into the game's sound properties. It then details adding an event to the "play" button in room 2 of the game to both advance to the next room and play the loaded sound when clicked, testing to confirm it works during gameplay.
Evidence of Programming Sounds into 2D Games
The document discusses programming sound into a 2D game made with Game Maker. It describes loading a custom science fiction soundtrack sound file created in Reaper into the game's sound properties. It then details adding an event to the "play" button in room 2 to both advance to the next room and play the loaded sound when clicked, testing it to confirm it works during gameplay.
Annotated screenshots game maker
I start by loading in a sound and replacing an already existing in-game sound without needing new sprites or commands. I then created my own background music sound by adding an event and selecting a sound to repeat continuously in the game. Here I changed the sound for the player's plane movement in a similar way, creating a new sound action and setting it to loop at a lower volume than the background music. This final part describes setting a louder death sound effect to play when the player dies while allowing the game to continue.
Programming my sounds into my game
I loaded a pre-made top down shooter level and added sound files to the sounds folder. To play background music on a continuous loop, I created a background music object set to play at the start of each level and stop on player death. I added death and firing sounds to play when the player explodes and shoots respectively. The final game had all sounds working properly and activating at the right times.
Old anotationss
I loaded a pre-made top down shooter level and added sound files to the sounds folder. To play background music on a continuous loop, I created a background music object set to play at the start of each level and stop on player death. I added death and firing sounds to play when the player explodes and shoots respectively. The final game had all sounds working properly and activating at the right times.
IG3 PROGRAMMING ANNOTATIONS
Elliot loaded a pre-made top-down shooter level and replaced the original sounds with custom sounds. They created a background music object to play the music on a continuous loop until the player dies. Elliot also added a death sound to the player explosion object and sounds to other objects to play when activated. However, the background music would play multiple times when restarting levels, so Elliot added an event to stop the music when the player dies.
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Programming sounds into my game
Jake Hyatt inserted sounds into their game by right clicking the sounds tab and creating sound files, giving them appropriate names. They added code to play specific sounds when rooms start and end, enemies and players die upon contact, and when enemies and players shoot. The code plays single instances of sounds to avoid overlapping or looping that could become irritating to listeners.
Programming Sound Into 2D Game
The document discusses programming sound into a 2D game in Game Maker. It describes loading a custom science fiction soundtrack sound file created in Reaper. It then details adding an event to the "play" button in room 2 to both advance to the next room and play the sound when clicked, testing it to confirm it works during gameplay.
Evidence of Programming Sound into a 2D Game
The document discusses how to add sound effects to a 2D game created in Game Maker. It describes loading a science fiction soundtrack sound file created in Reaper into the game's sound properties. It then details adding an event to the "play" button in room 2 of the game to both advance to the next room and play the loaded sound when clicked, testing to confirm it works during gameplay.
Evidence of Programming Sounds into 2D Games
The document discusses programming sound into a 2D game made with Game Maker. It describes loading a custom science fiction soundtrack sound file created in Reaper into the game's sound properties. It then details adding an event to the "play" button in room 2 to both advance to the next room and play the loaded sound when clicked, testing it to confirm it works during gameplay.
Annotated screenshots game maker
I start by loading in a sound and replacing an already existing in-game sound without needing new sprites or commands. I then created my own background music sound by adding an event and selecting a sound to repeat continuously in the game. Here I changed the sound for the player's plane movement in a similar way, creating a new sound action and setting it to loop at a lower volume than the background music. This final part describes setting a louder death sound effect to play when the player dies while allowing the game to continue.
Programming my sounds into my game
I loaded a pre-made top down shooter level and added sound files to the sounds folder. To play background music on a continuous loop, I created a background music object set to play at the start of each level and stop on player death. I added death and firing sounds to play when the player explodes and shoots respectively. The final game had all sounds working properly and activating at the right times.
Old anotationss
I loaded a pre-made top down shooter level and added sound files to the sounds folder. To play background music on a continuous loop, I created a background music object set to play at the start of each level and stop on player death. I added death and firing sounds to play when the player explodes and shoots respectively. The final game had all sounds working properly and activating at the right times.
IG3 PROGRAMMING ANNOTATIONS
Elliot loaded a pre-made top-down shooter level and replaced the original sounds with custom sounds. They created a background music object to play the music on a continuous loop until the player dies. Elliot also added a death sound to the player explosion object and sounds to other objects to play when activated. However, the background music would play multiple times when restarting levels, so Elliot added an event to stop the music when the player dies.
Edited annotationss
The document summarizes the process of programming sounds into a top-down shooter game. The key steps included: removing original sounds, adding custom sounds, creating a background music object to play on a loop until player death, adding a death sound to the player explosion object, and adding object-specific sounds to play when activated. Additionally, an event was created to stop the background music when the player dies to prevent overlapping music on level restart.
Programing the sounds into my game
To program sounds into a game, select the audio file to replace in the game maker sound tab, open the sound properties to browse and select the audio file, then program the audio into the game so it can be played with all other sounds added and exported.
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Super mario bros sound analysis
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Programming sounds into my game annotation
1) The document describes Amy Brockbank adding 6 sounds to her game, including explosions, lasers, hits and ambient music.
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3) Amy tests each sound to ensure it works properly in the game, such as explosions playing for enemy hits and lasers firing when the player shoots. The ambient music loops as background music.
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The last of us analysis
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The document provides analysis of sounds from the video game DeadSpace 3. It summarizes:
1) The setting changes from outside in the wind and snow to inside near vehicles, suggesting the character moves from a mountain to a city.
2) The sounds were likely field recordings edited in the studio or created by Foley artists and sound designers, such as the gunshots and impacts.
3) The mood shifts from confusion to tension to anger, created by dialogue, heartbeats, and gunshots, with an orchestral score adding to the drama.
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The document summarizes the process of programming sounds into a top-down shooter game. The key steps included: removing original sounds, adding custom sounds, creating a background music object to play on a loop until player death, adding a death sound to the player explosion object, and adding object-specific sounds to play when activated. Additionally, an event was created to stop the background music when the player dies to prevent overlapping music on level restart.
Programing the sounds into my game
To program sounds into a game, select the audio file to replace in the game maker sound tab, open the sound properties to browse and select the audio file, then program the audio into the game so it can be played with all other sounds added and exported.
Documentgame
The document discusses setting up ambient sounds and triggered sounds in a game world. Ambient sounds were imported and scaled to different areas to change as the player moves between platforms. Triggered sounds were also set up using the kismet feature to play specific sounds when the player enters designated areas. Screenshots show importing sounds, creating trigger events, and allocating trigger areas.
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The document discusses importing and assigning sound assets in a game. The author discovered that .wav files allow for overlapping multiple sounds while .mp3 is better for background music due to smaller file size. Sounds are imported by clicking the audio icon. The first sound, 'Doors_open', plays when starting a new game by assigning it to a release event on the 'play_game_obj' button, so it plays immediately after clicking rather than before.
Super mario bros sound analysis
Super Mario Bros. Level 1-1 uses background music and sound effects to enhance the gameplay experience. The background theme sets the mood, smash noises indicate when blocks are broken, and the music changes to reflect power-ups or the completion of a level, helping guide the player and acknowledge achievements.
Nerve Slide Show 04 19 2009 97 03
The document discusses Yo-Yo's new single "Morning Comes" which features Ray J and was produced by Eric Sermon and DJ Quik. It mentions her upcoming EP "Black Butterfly" which is set for release in April. Yo-Yo is promoting the single herself to build buzz ahead of the release.
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The document describes creating sounds in Game Maker called "level start" and "level end" and loading an unnamed sound from a USB drive to those sounds. It then shows using the "level start" and "level end" sounds in an object to play when a character enters or exits a level, so the sound from the USB drive will play at those points.
Programming sounds into my game annotation
1) The document describes Amy Brockbank adding 6 sounds to her game, including explosions, lasers, hits and ambient music.
2) For each sound, Amy adds it to the game's sound library, renames it, selects compression options, and codes it into the game using audio commands to specify when it plays.
3) Amy tests each sound to ensure it works properly in the game, such as explosions playing for enemy hits and lasers firing when the player shoots. The ambient music loops as background music.
Sound design planning
The document discusses sound design plans for an opening sequence and flashback scenes in a film. It outlines adding sound effects like crows and flies at the start and a heart monitor in the first flashback to make the scenes more realistic. Subtle, sinister music is requested for shots leading to the second flashback, building up pace to be chilling without copyright issues. Different tense music may be needed in flashback scenes to show the protagonist's trauma. Sound effects will come from Freesound.org and music from YouTube via a converter.
Lighting Set up
This lighting plan diagram shows the layout of a living room and performing studio with furniture including sofas, dining table, chairs, and a television. The living room contains sofas arranged around a dining table and chairs, while the performing studio contains a chair layout. Both rooms are separated by a door and have a window in the living room.
Game interface
The game controls use the SPACE bar to jump and ENTER to shoot. These keys were chosen because they are in natural positions and commonly used for jumping and shooting in other games. When the player collides with an obstacle or falls, they are taken to a death page where they can press SPACE to restart. The game is designed for computer only since the controls are easier to use on a bigger screen compared to mobile. When hit, the music stops and a slashing sound plays, while a bullet sound notifies the player when they fire their shot.
What have you learnt about technologies from the
We have learned about several online technologies for creating our radio broadcast product, including:
- YouTube for research of previous broadcasts
- Wix for our website and blog
- Audacity to record our broadcast
- Adobe Premiere Pro to edit our recording together
- Zoom Recorder to capture our voices
These technologies allow us to be more creative, easily edit our work, and get quicker audience feedback to improve our product.
Clm1
This document provides instructions for creating a music video that plays across multiple slides in a PowerPoint presentation. It outlines steps to insert a video clip into a presentation, set the animation to play continuously, and configure the video to play across a specified number of slides using additional effect options. The objective is to learn how to set playback options for an audio clip to create a music video that transitions seamlessly across slides.
Manipulation 3 breakdown
The document describes altering common sounds by heightening their pitch to create unnatural mechanical or alien noises. A door squeak was made to sound like a turning on and off machine. A computer fan was similarly altered but made to seem like a different device. Coins rattling had their pitch heightened further and repeated louder, imagining a larger machine.
How To Ustream Your Computer Mic Or Computer
How to alternate between your computer mic and your computer audio (what comes out of your speakers).
Edited sound breakdown
This short document discusses downloading effects to finish a sound and mentions downloading a keyboard screen to create sounds. However, it does not provide enough context or details to generate a meaningful 3 sentence summary.
Iain game maker
The document discusses programming different sounds into a game made with Game Maker. It describes adding a sound to play when an arrow is created to signify an archer firing, adding background music to play on game start and loop while the player is alive, scripting a sound to play when an enemy is defeated, coding a sound to play when the character jumps, and adding two sounds to play when the character shoots flames on pressing the attack button.
Iain game maker
The document discusses programming different sounds into a game made with Game Maker. It describes adding a one-time sound to play when an arrow is created to signify an archer firing, adding background music to loop from the start of the game tied to the player's alive status, using code to play a sound when an enemy is defeated, playing a sound on each jump, and playing two sounds when an attack button is pressed - a flame noise and a triple hit noise for firing 3 fireballs.
Sophie Cubase Presentation
The document provides instructions for creating a song using Cubase software. It explains how to open a new project, add instruments, draw notes on the beat grid, copy and paste sections to build the song, and adjust effects like equalization and reverb. The final section lists additional features like a software mixer, digital effects, importing midi files, adjusting note velocity, and adding notes with a mouse.
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More from Jakeyhyatt123
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The scene takes place outdoors between a young girl and a man. They check on a buck and their mood shifts from relief to curiosity to tension as dreadful music plays. A third character appears aiming a gun, creating a hostile atmosphere. The girl feels fear and runs away on a horse as the man lets her go, revealing he knows she previously killed members of his group. Sound effects like wind, footsteps and panting were likely field recorded or done by Foley artists, while music was made with MIDI instruments and dialogue was studio recorded then edited.
Dead space 3 analysis
The document provides analysis of sounds from the video game DeadSpace 3. It summarizes:
1) The setting changes from outside in the wind and snow to inside near vehicles, suggesting the character moves from a mountain to a city.
2) The sounds were likely field recordings edited in the studio or created by Foley artists and sound designers, such as the gunshots and impacts.
3) The mood shifts from confusion to tension to anger, created by dialogue, heartbeats, and gunshots, with an orchestral score adding to the drama.
Dead island analysis
The soundtrack uses various production techniques to help establish the setting, mood, and narrative of the game. Field recordings of insects were used to indicate the character was initially outside, while studio recordings of dialogue and sound effects show the character moving between different aggressive locations like a club and bathroom. Foley artistry and additional studio recordings were likely used to create impact sounds like thuds. The music and a human growl/groan provide clues about the zombie/cannibalism genre. All dialogue was probably studio recorded and later edited to introduce the main characters.
Task 4
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Task 7 4 plugins
Jake Hyatt experimented with manipulating different sounds using VST plugins in his digital audio workstation. He began with a dog bark that remained recognizable but gained static and grittiness after applying the "battery acid" plugin. A man's laugh treated with the "losttechnology" plugin remained a laugh but took on an alien-like quality. Applying the "wow& flutter" plugin to a machine gun sound transformed it into something with a space-like feel. Finally, a cow moo processed with the "reflex free" plugin gained a large echo effect.
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Que Cards
The document outlines an audio recording titled "Unicorn Slayer" that serves as an introduction for a fantasy adventure game. It describes the main characters, including the teenage witch Mixxy who becomes the heroine, and her unusual bird companion Potoo. The recording introduces the inciting incident where Mixxy's carelessness causes magical seeds to be destroyed, angering the evil unicorn leader Camellias. The audio production will feature dialogue between characters, narration, and sound effects to tell the story and create atmosphere through the changing music. Studio recording and Foley techniques will be used to capture the necessary audio pieces.
Final presentation
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Personal statement
Jake Hyatt wants to work in the game industry as a 3D modeler or storyline writer. He believes these are his strongest skills. To break into the industry, he needs to focus intensely on developing one skill to stand out. He is willing to dedicate free time to practicing and improving one ability. Jake feels he has a creative imagination and wide knowledge that could provide original ideas. While he lacks work experience in gaming, he is looking for a part-time job to learn about the workplace firsthand. His personal skills of being hardworking, dedicated, and punctual will also help him succeed in this competitive field.
Legal and ethical document
Jake Hyatt, a student at Salford City College Eccles Sixth Form Centre, completed a legal and ethical checklist for a BTec Level 3 Extended Diploma unit on drawing concept art for computer games. The checklist declares that Jake's work called "Daydream" was checked for decency, appropriate representation of race, gender, religion and sexuality, and was found to meet standards. Jake signed and dated the declaration on February 27, 2015.
First draft
Three detectives - Winchester, Hughes, and Hanlock - are investigating a serial killer murder case where the victims' hearts have been removed. They realize their prime suspect is impossible to have committed the latest murder since they had already shot and killed him. After extensive research, they determine the killer is actually a werewolf. They track the werewolf, revealed to be a man named Billy-Joe, to an abandoned warehouse. When confronted, Billy-Joe transforms into a werewolf before their eyes. The detectives and werewolf now stare each other down, prepared for a final confrontation.
Unit 73 assignment brief
This document provides an assignment brief for a qualification in creative media production. The assignment involves producing audio assets for computer game cut sequences, including recording dialogue and sound effects, and editing them together. It consists of 11 tasks, such as researching sound design terms, analyzing existing game audio, scriptwriting, recording dialogue in a studio, editing sounds using software, and programming the finished audio into a game. The tasks assess learning outcomes related to understanding sound design, pre-production documentation, communication skills, and applying audio production skills to industry standards. The deadline for completion is June 5th, 2015.
Sound recording glossary
This document provides definitions for audio and sound design terms as part of a glossary assignment. It includes:
- Definitions for terms like Foley artistry, sound libraries, audio file formats like .wav and .mp3, audio limitations like mono and stereo audio, audio recording systems, MIDI, software sequencers, plug-ins, and audio sampling concepts.
- For each term, it also provides details on how the definition relates to the student's own production practice, such as how file formats allow easy transfer of audio or how limitations could impact a project.
- The definitions are from online research and each includes a URL source. This glossary is intended to help the student better understand key concepts
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Jake hyatt Y1 gd engine_terminology
This document contains a glossary of terms related to video game design produced by a student named Jake Hyatt. It includes definitions of common terms like alpha, beta, demo, debug, and gold as they relate to the game development process. For each term, Jake provides an internet definition as well as a description of how the term applies to his own work developing a game. The glossary covers topics such as game engines, testing, physics, lighting, and more.
Y1 unit 70 assesment brief
The document outlines the tasks and requirements for a unit on game engines. The student must submit a report explaining the purposes and components of game engines using industry terminology. They must also create a playable 2D game level using Game Maker and a 3D game level using Unity, both following industry practices and standards. The tasks are graded based on criteria around explaining game engines concepts, creating game levels, and demonstrating skills to a professional level.
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3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
一比一原版布拉德福德大学毕业证（bradford毕业证）如何办理
一模一样【微信：A575476】【布拉德福德大学毕业证（bradford毕业证）成绩单Offer】【微信：A575476】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：A575476】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：A575476】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
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官方认证美国旧金山州立大学毕业证学位证书案例原版一模一样
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本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Task 7 - overlaying sound
- 1. Jake Hyatt Unit: 73 Task 7 Overlaying Audio: To start off whenI firstopenedReaper, Iclickedonthe “view”tabandselected“MediaExplorer”so that all the soundeffectswere atthe bottomof the screen andI couldeasilylistentothemjustby clickingontheminsteadof waitingforVLCto loadup andtake me intoa separate window than Reaper. To create thissimple piece of dialougeIdraggedthe soundsthatI wantedfromthe soundlibrary ontodifferenttracksbysimplydragginganddroppingthemintoreaper.Some of the audioclipsmay have beentoolongso I had to shortenthembyhoveringoverthe leftorrightedge until Isaw the twoopposisingarrowswhichthenallowedme toshortenthemuntil Iwashappywiththe audiothat was produced.FinallyIaddedanaudiofade to the audioon the secondtrack by hoveringoverthe
- 2. Jake Hyatt Unit: 73 Task 7 top leftorright corneruntil Isaw the quartercircle withopposingarrowsoneitherside which alloowedme tocreate a fade inand out (the redlines) sothatthe soundwouldgraduallygetlouder but the graduallygetquietertowardsthe enduntil the lastaudiotracktookover.