FredMacMurray
Babara Stanwyck
Edward G Robinson
IN
Double Idemnity
CopyrightMCMXLIV ParamountPicturesINC.
with
PorterHall
JeanHeather
Tom Powers
Byron Barr
RichardGaines
FurtunioBonanova
JohnPhilliber
Double Indemnity
ScreenplayBy
BillyWilderand
RaymoundChandler
From the novel by
JamesM.Cain
Music score MiklosRozsa
Directorof PhotographyJohnSeitzA.S.C
Editorial SupervisionDoane Harrison
Art Direction
Hans DreierandHal Pereira
ProcessPhotography. FarciotEdouart,ADC.
CostumesbyEdithHead
MakeupArtist…. WallyWestmore
SoundrecordingbyStanleyCooperandWalter
Oberst
SetDecoration….BertramGranger
Directedby
BillyWilder
All the way at the start of double indemnitytheyfade all the creditscenetotryand setthe scene.
The way theydo thisisbut a fade and thismeanswhenitchangesto the nextsetof titlesitslowly
comesto replace the nextone. Thisconnectstothe narrative of how theystart toset the storybut
as soonas you getto the start of movie theyinstantlygotocut scenesandthisgivesa feelingof the
tensiongrowingandassoonas yousee itshowsthe car speedinganditputsyouon the edge of
your seat.Asit goesfromthe fade to the cut you don’texpectitandthat givesa certainedge toit.
Alsothe storystarts off by us showingaman whohas beeninjuredandthenitgoesstraighttoa guy
rushingthrougha cityand you wouldkindof expectthisfromaFilmNoir.Thenafterthe tense
momentsof the car rushingthroughthe cityit goesback tofades. Alsothe storyshowsa man
drivingquicklythroughacityand itshowsthat it issomethingurgent.
The
J.ArthurRank
Organisation
presents
An
IndependentArtists
Picture
The Dark Man
Edward Underdown
Maxwell Reed
NatashaParry
WilliamHartnell
Barbara Murray
in
JeffreyDell’s
THE DARKMAN
CopyrightMCML IdependentArtistsLTD
Directorof PhotographyEricCross
Art DirectorGeorge Haslam
FilmEditorGeoffreyMuller
ProductionSupervisorJackHicks
1st
AssistantGeorge Mills
2nd
AssistantdirectorTedHolliday
CameraOperatorHarrold Haysom
ContinuityPamelaCarlton
CostumesPhyllisDalton
Make Up Jack Craig
Wardrobe M.E Gillett
SoundrecordistDickSmith,Laurence Clarkson
Music
By
HubertClifford
Produced
By
JulianWintle
All thoughttitlesandthe scenesof the Dark Man theyuse eithercutsscenesor fade scenes. Atthe
start theyuse fade scenestogo fromone credittoanother.But whattheydo well istheysplitthe
creditswithshortscene of acting andhere theyalsouse the fade cuts. Thismeansthat whenone
creditgoesthe nextone slowlyfadesin. Butasthe last to screengrabstheystart to use the cut
scene andthisincrease the intensityof the movie whichputsyouonthe edge of your seat.But going
back to the start withthe fade scene andthe actingscene itcreatesa calmatmosphere andalso
buildsthe scene. Whatyoucan see inthe dark man isa man isina car and gettingdriventoa house
and whenhe getsthere he killsaman forsome money.

Task 6

  • 1.
    FredMacMurray Babara Stanwyck Edward GRobinson IN Double Idemnity CopyrightMCMXLIV ParamountPicturesINC. with PorterHall JeanHeather Tom Powers Byron Barr RichardGaines FurtunioBonanova JohnPhilliber Double Indemnity
  • 2.
    ScreenplayBy BillyWilderand RaymoundChandler From the novelby JamesM.Cain Music score MiklosRozsa Directorof PhotographyJohnSeitzA.S.C Editorial SupervisionDoane Harrison Art Direction Hans DreierandHal Pereira ProcessPhotography. FarciotEdouart,ADC. CostumesbyEdithHead MakeupArtist…. WallyWestmore SoundrecordingbyStanleyCooperandWalter Oberst SetDecoration….BertramGranger
  • 3.
  • 4.
    All the wayat the start of double indemnitytheyfade all the creditscenetotryand setthe scene. The way theydo thisisbut a fade and thismeanswhenitchangesto the nextsetof titlesitslowly comesto replace the nextone. Thisconnectstothe narrative of how theystart toset the storybut as soonas you getto the start of movie theyinstantlygotocut scenesandthisgivesa feelingof the tensiongrowingandassoonas yousee itshowsthe car speedinganditputsyouon the edge of your seat.Asit goesfromthe fade to the cut you don’texpectitandthat givesa certainedge toit. Alsothe storystarts off by us showingaman whohas beeninjuredandthenitgoesstraighttoa guy rushingthrougha cityand you wouldkindof expectthisfromaFilmNoir.Thenafterthe tense momentsof the car rushingthroughthe cityit goesback tofades. Alsothe storyshowsa man drivingquicklythroughacityand itshowsthat it issomethingurgent. The J.ArthurRank Organisation presents An IndependentArtists Picture The Dark Man
  • 6.
    Edward Underdown Maxwell Reed NatashaParry WilliamHartnell BarbaraMurray in JeffreyDell’s THE DARKMAN CopyrightMCML IdependentArtistsLTD Directorof PhotographyEricCross Art DirectorGeorge Haslam FilmEditorGeoffreyMuller ProductionSupervisorJackHicks
  • 7.
    1st AssistantGeorge Mills 2nd AssistantdirectorTedHolliday CameraOperatorHarrold Haysom ContinuityPamelaCarlton CostumesPhyllisDalton MakeUp Jack Craig Wardrobe M.E Gillett SoundrecordistDickSmith,Laurence Clarkson Music By HubertClifford
  • 8.
  • 9.
    All thoughttitlesandthe scenesofthe Dark Man theyuse eithercutsscenesor fade scenes. Atthe start theyuse fade scenestogo fromone credittoanother.But whattheydo well istheysplitthe creditswithshortscene of acting andhere theyalsouse the fade cuts. Thismeansthat whenone creditgoesthe nextone slowlyfadesin. Butasthe last to screengrabstheystart to use the cut scene andthisincrease the intensityof the movie whichputsyouonthe edge of your seat.But going back to the start withthe fade scene andthe actingscene itcreatesa calmatmosphere andalso buildsthe scene. Whatyoucan see inthe dark man isa man isina car and gettingdriventoa house and whenhe getsthere he killsaman forsome money.