Style Sheet
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The document provides style and branding guidelines for a digipak and advert including specifying logos, fonts, colors, and their usages. The digipak features the band's logo in red, yellow, and black along with track listings and disc titles. The record label logo appears in black on red. Main colors include red, yellow, black, and white. Fonts are specified for websites, legal text, and logos. The advert also details font usage for titles, dates, and quotes along with specifying various colors for text, backgrounds, and social media logos.
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![Faux Pas logo is a custom graphic on both discs
Colours:
- #a52c2c Red [Titles, quotes and website]
- #e7ef00 Yellow [Backing for Red]
- #f8ff00 Yellow [Date]
- #30322d Gray [Background]
- #3c5a99 Blue [Facebook]
- #1da1f2 Light Blue [Twitter]
- #fbc76c Orange/#c13288 Pink/#5b6bb2 Purple [Instagram]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
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Evaluation Q2
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Evaluation Question 2
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Evaluation Question 1
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Evaluation Question 2
The document discusses how the creator effectively combined their main product (a music video) with ancillary texts (a digipak and advert) to promote a band. They aimed to create continuity between the products by using similar live performance imagery and color schemes. While it was easier to connect the digipak and advert as printed media, the music video was distinguished through its inclusion of a storyline while still incorporating live footage to maintain links to the other products. Audience research found a wide range of interests were served through this balanced approach. In the end, the products were deemed to work well together while retaining their individual qualities and fully representing the band.
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Evaluation Question 1
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Unsigned artists have many options to share their music online and gain exposure. Social media platforms like Facebook, Instagram, and Twitter allow artists to share their music with hundreds or thousands of people. SoundCloud and YouTube are also popular platforms for unsigned artists, where they can upload audio tracks and videos. Bandcamp allows artists to sell their music directly to fans. Websites help artists promote their music, social media, Bandcamp, and other online activities in one place. Local radio can also help get an unsigned artist's name known in their community.
Evaluation Question 3
The document summarizes feedback received from audiences on student work, including a music video, digipak, and advert. Feedback was received through YouTube comments, Facebook, and interviews. YouTube feedback noted good editing, mise-en-scene, and relatability. Interviews praised the music video's storyline, flow, and genre conventions. Areas for improvement included adding more closure, thoughtful mise-en-scene, and stronger musical links. Students learned that anonymous feedback may provide more honest criticism to further improve their work.
Evaluation Question 4
The student used various media technologies throughout the construction, research, planning, production, and evaluation stages of their project. During construction, they used Blogger to upload files and embed content from SlideShare, YouTube, and images. In research, they employed Survey Monkey, Facebook, Microsoft Office, YouTube, iMovie, and Vimeo. Planning incorporated SoundCloud, Facebook Messenger, Photoshop, and audio recording on an iPhone. Production featured Adobe Premier Pro, a Nikon DSLR camera, iPhone filming, and YouTube uploading. Evaluation analyzed footage in Premier Pro and shared on social media, while writing was done in Word and PowerPoint on a laptop.
Evaluation Question 3
The document summarizes feedback received from audiences on social media and interviews about a band's promotional package, which included a music video, digipak, and magazine advert. The feedback was generally positive, praising the video's storyline, editing, and professional quality of the products. Some constructive criticism included making the digipak less cluttered, improving font readability, and potentially brightening the magazine advert. The band found the feedback insightful and helpful for improving their work.
Stylesheet
The document provides style guidelines for a digipak release including color codes, font types, and element placements. Red, yellow, black, and white are the primary colors to be used with red as the dominant color. The Faux Pas logo is a custom graphic to be used on both discs. Additional details specify font styles for titles, legal text, and logos as well as social media color codes.
Magazine Advert Analysis
1) Magazine advertisements are a popular way for artists to promote their albums using conventional portrait images and information like the album title and release date placed at the bottom.
2) Ads typically use the album cover image to associate the advertisement with the album. Additional details like song titles can further entice audiences.
3) Visual elements in ads like colors, fonts, and imagery aim to represent the theme or style of the album to attract particular audiences. Consistency between the ad and album packaging helps recognition.
Don't Look Back Analysis
The document provides an in-depth analysis of the music video for "Don't Look Back Into the Sun" by The Libertines. It examines how the video uses techniques like live performances, references to lyrics, costumes, and character development to tell a story and fit within typical conventions of music videos. Many elements line up with the six conventions identified by Andrew Goodwin, such as genre characteristics, relationships between music/lyrics and visuals, close-ups of artists, and notions of looking. The analysis finds the video largely follows these conventions while also developing a narrative focused on two mysterious main characters.
Evaluation Q3
Tom received feedback on his music video and ancillary texts from Facebook, YouTube comments, and interviews. He learned that the storyline and mixing of live performance and storyline in the video worked well. Some suggestions included adding a new note at the end of the video. The digipak and advert effectively created a brand identity that linked the products together. Constructive feedback included minimizing effects on the digipak and improving font readability. The feedback helped Tom evaluate his work and identify areas for potential improvement in future projects.
Digipak Analysis
The digipak cover for a Libertines album features a medium shot of two band members, one making direct eye contact with the camera. This creates intimacy between the artist and viewer. The band's name appears in a consistent font used across their albums. The CD disc keeps things simple with the band name and copyright information in white text on black. It lacks additional design elements found on most discs. The back cover contrasts with brighter colors and a group photo of all four band members, reinforcing the band as a unit. It includes the track list again and a barcode in an uncommon top-right position. Overall, the covers emphasize the relationship between the artists and consumers through consistent imagery and fonts.
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Evaluation Q4
Throughout his project, Tom used various media technologies in the research and planning stages. He used Blogger to compile all of his work and findings in one place. He also used Slideshare to embed documents like PowerPoints into his blog posts. During research, he created surveys using Survey Monkey and conducted research online using Google. He shared his survey on social media to reach more participants. He presented his findings using Microsoft Word and PowerPoint. He analyzed existing music videos on YouTube and created reaction videos using iMovie. All of these technologies helped with research, planning, and presenting his work.
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The document provides a shooting schedule for filming shots of a protagonist over three days - Friday, Saturday, and Sunday. On Friday, shots will be filmed at a college, including of the protagonist walking around campus and receiving exam results. Saturday's shots will be filmed in town, including by a river, in a museum garden, browsing in shops, and getting new clothes. Sunday's shots will be at the protagonist's house, including waking up, making coffee, finding an old guitar, and giving a present to his mother. The schedule lists over 50 shots planned to tell the story.
Risk Assessment
The document outlines the risks identified for an upcoming film shoot and proposes actions to mitigate those risks. It identifies 29 hazards and assigns each a risk factor based on severity and likelihood. For hazards rated 3 or higher, it proposes actions such as using tripods to avoid dropped cameras, staying away from derelict buildings and machinery, ensuring good rest to prevent fatigue, and having a non-smoking filming area. Most risks can be removed through communication and following the agreed safety precautions. However, the risk from public weapons cannot be fully removed. Overall the document shows thorough risk assessment and planning to improve safety for the film shoot.
Evaluation Q2
The combination of the band's main product (music video) and ancillary texts (digipak and magazine advert) was effective in creating a brand identity. Live performance was featured prominently in the ancillary texts through images to link them, while the music video included both live performance and a storyline to appeal to more types of audiences. Other connections between the ancillary texts included shared fonts, cover image, and color scheme. While consistency helped make the brand more memorable and professional, variety in the music video opened it up to a wider range of potential fans. Overall, the combination of products successfully created a brand and synergistic entry points to the band.
Evaluation Question 2
The document discusses the effectiveness of combining a band's main product (music video) with ancillary texts (digipak and magazine advert). Live performance footage is used extensively across all three products to create continuity and establish the band's identity. The same live performance images from a concert appear in the video, digipak, and magazine advert. Fonts, color schemes, and cover images are also kept consistent between the ancillary texts to clearly link them together. While the products share common elements, some variety is included to avoid them becoming too similar. The use of a cohesive storyline in the video also aims to make the overall package more engaging.
Original Pitch - Courteeners
This document provides an initial proposal for a music video for the English indie rock band The Courteeners. It outlines plans to create a "best of" compilation album titled "Lost Causes - The Best of The Courteeners" including their most popular songs. It also plans to include a DVD with behind the scenes footage and music videos. Specifically, it proposes using the song "Not Nineteen Forever" for the music video due to its good storyline and rhythm that lends itself to a strong narrative. The proposed video narrative follows a struggling young male protagonist dealing with life stresses through drug abuse, coming to realize he needs to sort his life out by the end.
Evaluation Question 1
This document summarizes the key conventions and techniques used in the student's music video, digipak, and magazine advertisement for an indie rock band. For the music video, they incorporated live performance footage, synchronized cuts with the music, and related visuals to lyrics. The digipak featured consistent imagery and fonts to link it to the video and brand the band. The magazine ad placed the band name prominently, included an edited central image, promoted social media, and featured reviews/ratings. Overall, the multi-product promotional package demonstrated research into conventions of the indie rock genre.
Evaluation Question 2
The document discusses how the creator effectively combined their main product (a music video) with ancillary texts (a digipak and advert) to promote a band. They aimed to create continuity between the products by using similar live performance imagery and color schemes. While it was easier to connect the digipak and advert as printed media, the music video was distinguished through its inclusion of a storyline while still incorporating live footage to maintain links to the other products. Audience research found a wide range of interests were served through this balanced approach. In the end, the products were deemed to work well together while retaining their individual qualities and fully representing the band.
Lyric Analysis
This is an analysis of the lyrics of our chosen song. We did this in order to build a base for our story.
Evaluation Question 1
In which ways does your media product use, develop or challenge forms and conventions of real media products?
6. Unsigned Music Artists
Unsigned artists have many options to share their music online and gain exposure. Social media platforms like Facebook, Instagram, and Twitter allow artists to share their music with hundreds or thousands of people. SoundCloud and YouTube are also popular platforms for unsigned artists, where they can upload audio tracks and videos. Bandcamp allows artists to sell their music directly to fans. Websites help artists promote their music, social media, Bandcamp, and other online activities in one place. Local radio can also help get an unsigned artist's name known in their community.
Evaluation Question 3
The document summarizes feedback received from audiences on student work, including a music video, digipak, and advert. Feedback was received through YouTube comments, Facebook, and interviews. YouTube feedback noted good editing, mise-en-scene, and relatability. Interviews praised the music video's storyline, flow, and genre conventions. Areas for improvement included adding more closure, thoughtful mise-en-scene, and stronger musical links. Students learned that anonymous feedback may provide more honest criticism to further improve their work.
Evaluation Question 4
The student used various media technologies throughout the construction, research, planning, production, and evaluation stages of their project. During construction, they used Blogger to upload files and embed content from SlideShare, YouTube, and images. In research, they employed Survey Monkey, Facebook, Microsoft Office, YouTube, iMovie, and Vimeo. Planning incorporated SoundCloud, Facebook Messenger, Photoshop, and audio recording on an iPhone. Production featured Adobe Premier Pro, a Nikon DSLR camera, iPhone filming, and YouTube uploading. Evaluation analyzed footage in Premier Pro and shared on social media, while writing was done in Word and PowerPoint on a laptop.
Evaluation Question 3
The document summarizes feedback received from audiences on social media and interviews about a band's promotional package, which included a music video, digipak, and magazine advert. The feedback was generally positive, praising the video's storyline, editing, and professional quality of the products. Some constructive criticism included making the digipak less cluttered, improving font readability, and potentially brightening the magazine advert. The band found the feedback insightful and helpful for improving their work.
Stylesheet
The document provides style guidelines for a digipak release including color codes, font types, and element placements. Red, yellow, black, and white are the primary colors to be used with red as the dominant color. The Faux Pas logo is a custom graphic to be used on both discs. Additional details specify font styles for titles, legal text, and logos as well as social media color codes.
Magazine Advert Analysis
1) Magazine advertisements are a popular way for artists to promote their albums using conventional portrait images and information like the album title and release date placed at the bottom.
2) Ads typically use the album cover image to associate the advertisement with the album. Additional details like song titles can further entice audiences.
3) Visual elements in ads like colors, fonts, and imagery aim to represent the theme or style of the album to attract particular audiences. Consistency between the ad and album packaging helps recognition.
Don't Look Back Analysis
The document provides an in-depth analysis of the music video for "Don't Look Back Into the Sun" by The Libertines. It examines how the video uses techniques like live performances, references to lyrics, costumes, and character development to tell a story and fit within typical conventions of music videos. Many elements line up with the six conventions identified by Andrew Goodwin, such as genre characteristics, relationships between music/lyrics and visuals, close-ups of artists, and notions of looking. The analysis finds the video largely follows these conventions while also developing a narrative focused on two mysterious main characters.
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Evaluation Q3
Tom received feedback on his music video and ancillary texts from Facebook, YouTube comments, and interviews. He learned that the storyline and mixing of live performance and storyline in the video worked well. Some suggestions included adding a new note at the end of the video. The digipak and advert effectively created a brand identity that linked the products together. Constructive feedback included minimizing effects on the digipak and improving font readability. The feedback helped Tom evaluate his work and identify areas for potential improvement in future projects.
Digipak Analysis
The digipak cover for a Libertines album features a medium shot of two band members, one making direct eye contact with the camera. This creates intimacy between the artist and viewer. The band's name appears in a consistent font used across their albums. The CD disc keeps things simple with the band name and copyright information in white text on black. It lacks additional design elements found on most discs. The back cover contrasts with brighter colors and a group photo of all four band members, reinforcing the band as a unit. It includes the track list again and a barcode in an uncommon top-right position. Overall, the covers emphasize the relationship between the artists and consumers through consistent imagery and fonts.
Music Video Analysis - Not So Sad
This document analyzes the music video for "Not So Sad" by the indie rock band Faux Pas based on six conventions of music videos identified by Andrew Goodwin. The video takes place entirely in one location, appearing to be a band member's living room, with no storyline, due to the band's lack of budget and being unsigned. While fitting the convention of a live performance, it lacks professional elements and other conventions like reference to voyeurism, due to the band's inexperience. Rotations of the band members changing clothes are unexplained. The video concludes with thanks and a "blooper" scene. Overall, though amateurish, it is a valid attempt at a music video for an unsigned band.
Magazine Advert Analysis
1) Magazine advertisements are a popular way for artists to promote their albums using conventional portrait images and information like the album title and release date placed at the bottom.
2) Ads typically use the album cover image to associate the advertisement with the album. Additional details like song names can entice audiences.
3) Visual elements in ads often relate to the album title or theme through imagery and colors to represent the style of music.
Music video analysis don't look back into the sun
The document provides an in-depth analysis of the music video for "Don't Look Back Into the Sun" by The Libertines. It examines how the video uses techniques like live performances, references to lyrics, costumes, and mystery to tell the story of two characters. Most of the six common music video conventions outlined by Andrew Goodwin are present, with the exception of focusing on female bodies. The analysis identifies how elements like sunglasses, locations, and cuts between live and prerecorded footage advance the narrative and meaning of the song.
Response to brief 2
The document provides details for three promotional items for a musician: a music video for the song "Anywhere" by Passenger, a website homepage, and a digipak for a greatest hits album. The music video storyline follows a long-distance couple who miss each other greatly when apart and enjoy their time together. Short, fast-cut shots will be used to match the upbeat song. The website homepage template will prominently feature the artist's name and allow users to listen to song snippets. It will include images and navigation tabs. The digipak will include 14 popular songs across one disc and a second "Best of" DVD disc compiling favorite moments from tours.
Response to Brief
The document provides details for promoting a new album release, including creating a music video for the song "Anywhere" by Passenger, designing a website homepage, and producing a digipak. The music video storyline would focus on a long-distance relationship, with fast-paced editing to match the upbeat song. For the website, Wix or Jimdo would be used to feature the artist and song snippets. The digipak would include a "Greatest Hits" album and bonus DVD capturing tour highlights to promote Passenger's work.
Portfolio Evaluation
Tom Ibbott evaluated his magazine project. He analyzed how his magazine used and developed conventions from real magazines in its content, layouts, and formats. He represented various social groups like teenagers, EDM fans, and the middle class. He challenged some stereotypes about these groups. Finally, he discussed that Bauer Media, BBC/Immediate Media, or Time Inc. UK would be suitable media institutions to distribute his magazine because of their experience producing similar magazines.
Evaluation
The document is an evaluation of a magazine created by the author. It discusses various conventions used in real magazines and how the author employed or challenged these conventions in their own magazine. Specifically, it covers conventions around mastheads, fonts, color schemes, photography, date lines, pull quotes, and watermarks. The author analyzes how they applied each convention and why to best suit their target audience and make their magazine appealing and readable.
5. the pitch pdf
The magazine will be called "Beat" to represent music genres through a single recognizable musical term. It will focus on a variety of music genres to appeal to different audiences rather than focusing on one genre. The magazine will be published every other Monday to allow sufficient time for quality articles and photos while still providing a regular release schedule. It will cost £2.99 to seem affordable while still earning a profit over its two week shelf life. The magazine will use emphasis, color, images, and other design elements to draw readers' attention to important information and showcase a range of styles.
The Pitch
The magazine will be called "Beat" to represent music genres through a single recognizable musical term. It will focus on a variety of music genres to appeal to different audiences rather than focusing on one genre. The magazine will be published every other Monday to allow sufficient time for quality articles and photos while still providing a regular release schedule. It will cost £2.99 to seem affordable while still earning a profit over its two week shelf life. The magazine will use emphasis through bold text, varied color schemes, photo frames, pull quotes and other techniques to draw readers' attention to important information and stories across its diverse collection of music coverage.
Textual Analysis
The document analyzes the front cover and contents page of the September 2015 issue of Q Magazine to understand its design elements and how they are used to attract readers and sell copies. Key elements on the front cover include the consistent logo and color scheme, photos and descriptions of featured artists, and headlines advertising main stories. The contents page uses images, page numbers, and brief descriptions to guide readers to articles while maintaining a consistent banner and layout across issues. Both pages aim to entice readers with previews of artists and stories while establishing a recognizable brand identity.
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Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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Style Sheet
- 1. Stylesheet Digipak: - The Right Thing: Main “Faux Pas” logo, tracklist, “Not So Sad” title and both disc names o In combinations of Red #a42927, Yellow #e7ef00 and Black #00000 - Taken By Vultures: “Ru” Record Label o Black #000000 on Red #a42927 background Colours: - #a42927 Red - #e7ef00 Yellow - #000000 Black - #fffffb White Fonts: - HACKED: Websites - Calibri: Legal - Taken by Vultures: “Ru” Logo Advert Fonts: - The Right Thing: “Not So Sad" - Blacklisted: Date and Quotes - HACKED: Websites
- 2. Faux Pas logo is a custom graphic on both discs Colours: - #a52c2c Red [Titles, quotes and website] - #e7ef00 Yellow [Backing for Red] - #f8ff00 Yellow [Date] - #30322d Gray [Background] - #3c5a99 Blue [Facebook] - #1da1f2 Light Blue [Twitter] - #fbc76c Orange/#c13288 Pink/#5b6bb2 Purple [Instagram]