The document outlines the strategy for culture in the Republic of Moldova. The main goal is to develop guidelines for a sustainable cultural process that contributes to the social and economic development of the country. Specifically, it aims to make cultural institutions more efficient, protect cultural heritage, develop the cultural and creative industries, reform cultural administration, and align the country's cultural agenda with Europe. The strategy seeks to benefit consumers of culture, future generations, artists, cultural organizations, and civil society.
Bursting the Bubble: connecting with communities making culture on their own ...Tim Jones
Slides from a presentation I made to the annual Arts & Audiences conference of the Nordic States, which in 2014 had a focus on the role of digital in audience development for the arts.
From the programme: "Bursting the community arts bubble: connecting with communities making culture on their own terms. Is the game up for the traditional model of "community art" making (& funding)? This session offers a few provocations towards re-thinking our approaches to producing "community arts", in an era when the digital shift blurs the line between professional and amateur creative, but also creates new kinds of cultural disenfranchisement."
Keynote presentation by Douglas Gautier, CEO, Adelaide Festival Centre at the 41st Social Theory, Politics and the Arts Conference, 10-12 December 2015, University of South Australia.
What role cultural institutions play in society and how this have come about ?Victoria Durrer
Tseng Sun Man presents two case studies from Hong Kong Arts Festival and Oriental Art Centre, Shanghai as part of a presentation exploring the role cultural institutions play in society. This presentation was part of an AHRC funded research network, Brokering Intercultural Exchange: Interrogating the Role of Arts and Cultural Management based at Queen's University Belfast (PI Victoria Durrer) in partnership with Heilbronn University (Co-I Raphaela Henze). www.managingculture.net
Bursting the Bubble: connecting with communities making culture on their own ...Tim Jones
Slides from a presentation I made to the annual Arts & Audiences conference of the Nordic States, which in 2014 had a focus on the role of digital in audience development for the arts.
From the programme: "Bursting the community arts bubble: connecting with communities making culture on their own terms. Is the game up for the traditional model of "community art" making (& funding)? This session offers a few provocations towards re-thinking our approaches to producing "community arts", in an era when the digital shift blurs the line between professional and amateur creative, but also creates new kinds of cultural disenfranchisement."
Keynote presentation by Douglas Gautier, CEO, Adelaide Festival Centre at the 41st Social Theory, Politics and the Arts Conference, 10-12 December 2015, University of South Australia.
What role cultural institutions play in society and how this have come about ?Victoria Durrer
Tseng Sun Man presents two case studies from Hong Kong Arts Festival and Oriental Art Centre, Shanghai as part of a presentation exploring the role cultural institutions play in society. This presentation was part of an AHRC funded research network, Brokering Intercultural Exchange: Interrogating the Role of Arts and Cultural Management based at Queen's University Belfast (PI Victoria Durrer) in partnership with Heilbronn University (Co-I Raphaela Henze). www.managingculture.net
Arts and Immigration in the Public Environment in Bulgaria Victoria Durrer
Tatiana Stoitchkova, Academy of Arts, Sofia– Bulgaria, explores the development of the relationships between cultural diversity, immigration and the cultural situation in Bulgaria. Special attention is given to - how artists see migration flows. The analysis of media content and institutional arrangements reveal discrepancies between public opinion, everyday feelings and artistic solutions. Neither is the incorporation of the diversity into the traditional programming and cultural management unambiguous. Part of the Arts and Humanities Research Council funded research networking, Brokering Intercultural Exchange: Interrogating the role of arts and cultural management. More info at www.managingculture.net
This paper aims to investigate the ways of strengthening and improving of cultural and historical heritage in order to enhance tourism attraction between cross border regions in Serbia (Vojvodina) and Hungary. In the long-run it can enhance tourism development and generate new job opportunities, contribute to the development of relevant partnership and networks, which are needed for rural tourism development.
Arts and Immigration in the Public Environment in Bulgaria Victoria Durrer
Tatiana Stoitchkova, Academy of Arts, Sofia– Bulgaria, explores the development of the relationships between cultural diversity, immigration and the cultural situation in Bulgaria. Special attention is given to - how artists see migration flows. The analysis of media content and institutional arrangements reveal discrepancies between public opinion, everyday feelings and artistic solutions. Neither is the incorporation of the diversity into the traditional programming and cultural management unambiguous. Part of the Arts and Humanities Research Council funded research networking, Brokering Intercultural Exchange: Interrogating the role of arts and cultural management. More info at www.managingculture.net
This paper aims to investigate the ways of strengthening and improving of cultural and historical heritage in order to enhance tourism attraction between cross border regions in Serbia (Vojvodina) and Hungary. In the long-run it can enhance tourism development and generate new job opportunities, contribute to the development of relevant partnership and networks, which are needed for rural tourism development.
Prezentacija "Transforming Cultural Industries" koju je Nada Švob-Đokić sa Instituta za međunarodne odnose iz Hrvatske održala na konferenciji Glocal 2009, 16. oktobra u Skopju, Makedonija.
By linking culture and tourism we come to the cultural tourism, the form of tourism with the growing interest in the world, as the number of tourists increases. These are travels motivated by cultural reasons. However, in order to talk about them, it is necessary to introduce or educate potential tourists with the possibilities of destinations, in terms of cultural content. On the other hand, in order to make this tourist-cultural experience possible, it is necessary to have adequate education of all those on the side of the offer and provision of services. Serbia has potentials for the development of cultural tourism, but in order to prevent it from remaining only at the level of potentials, education of all participants in this chain is needed. However, cultural tourism is not and should not be directed exclusively towards foreign tourists; the offer should be harmonized with the requirements of national, regional, international as well as global tourists.
1. REPUBLIC OF MOLDOVA: STRATEGY
FOR CULTURE
GOAL AND OBJECTIVES
Eugen Martin, Republic of Moldova
2. MAIN GOAL OF STRATEGY ELABORATION
WHY a Strategy right now?
3. KEY QUESTIONS
The special attention to the protection of the cultural heritage
Developing of the real market of the cultural goods and services
Encouraging of the creative cultural industry
Citizen oriented cultural management
Building of the opened and sustainable dialog with cultural actors
Improving of the sectorial development
Developing a cultural infrastructure in the regional context
Sharing responsibility with civil society on public funds management
4. QUO VADIS?
Where do we have to go?
What are the main directions of Moldovan society
development?
5. QUO VADIS?
European integration. What does this mean for the cultural
development?
Are there the limits to the principle of subsidiarity for the
cultural field?
Sustainable development. Future of the generations.
The Human rights and fundamental freedom. The freedom
of creation and expression. The right to participate in
cultural process. (Is the old mentality changed definitely?)
The cultural identity and intercultural dialogue
Cultural innovations. Modernity and traditionalism. Cultural
diversity.
6. FOR WHOM AND FOR WHAT?
Who are the direct and indirect beneficiaries of the
Strategy implementation?
7. FOR WHOM?
Direct beneficiaries:
The consumers of the cultural goods and services
Future generations
Artists and Performers
Indirect beneficiaries:
Cultural institutions
The organizers of cultural activities, the cultural
services suppliers
Civil society
Central and local public administration
8. FOR WHAT?
Cultural model for social and economic
development of the Republic of Moldova
Development of cultural goods and services
market
Competitiveness of cultural creative industries
9. THE MAIN GOAL OF THE STRATEGY
Elaborating of the guidelines for the
sustainable cultural process in Republic of
Moldova aiming to contribute to the social and
economic development of the country
10. GENERAL OBJECTIVE
Ensuring a sustainable cultural environment by
creating an effective mechanisms of cultural
heritage protection and promotion, getting culture
institutions more efficient, managing a
transparent and participative culture process
11. SPECIFIC OBJECTIVE
(SO1) Getting more efficient the process of cultural environment data collection,
analysis and monitoring of cultural development
(SO2) Stopping the degradation process of the cultural heritage and of the country’s
cultural resources
(SO3) Creating of stimulating conditions and mechanisms of cultural and creative
industries development
(SO4) Make efficient the cultural institutions
(SO5) Reforming of financing system of the cultural institutions based on the state’s
priorities and cultural projects submitted
(SO6) Improving of the cultural managers capacity building
(SO7) Reforming and modernizing the cultural process administration at national and
local levels
(SO8) Elaborating and implementing of the Integrated Information System “
e-Culture”
(OS9) Synchronizing of the cultural process in the Republic of Moldova with the
European Cultural Agenda