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The document provides a list of camera shots from a film scene, including establishing shots, flashbacks, close-ups of characters and objects, point-of-view shots from the killer, long shots showing interactions between the killer and victims, and medium shots of a character being chased, grabbed, and dragged down stairs by the killer.
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Storyboard
The document provides a list of camera shots from a film scene, including establishing shots, flashbacks, close-ups of characters and objects, point-of-view shots from the killer, long shots showing interactions between characters, and shots of a character waking up and then driving to a cemetery where they are confronted by the killer. The shots describe increasing tension and violence culminating in the killer confronting and grabbing one of the main characters.
First Storyboard Draft
The document provides shooting directions for a scene involving a vampire named Marc attacking a victim named Olivia in a corridor. It outlines a series of shots showing Marc hiding and approaching Olivia from behind before grabbing her. These shots will be intercut with close-ups of Marc's teeth and a pen falling to add tension and suggest the attack.
First Storyboard Draft
The document provides shooting directions for a scene involving a vampire named Marc attacking a victim named Olivia in a corridor. It outlines a series of shots showing Olivia opening doors and walking down the corridor while being stalked by Marc, including shots of Marc hiding and coming out of hiding to approach Olivia from behind. It concludes with shots of Olivia reaching behind herself and Marc grabbing her as she instructs him to open the door.
Shot list for our music video
The document outlines the shot list for a music video to be filmed across 5 locations. For the studio, it lists 4 shots of the pianist from different angles. In the woods, it lists 7 shots of the artist lip-synching from various distances and angles. For the bedroom, it outlines 7 shots of an arguing couple from long shots to close ups. It then lists 3 shots of the actors running down stairs after leaving the bedroom. Finally, it provides 5 shots of the couple arguing in the front room from long shots to close ups of their reactions.
Filming Schedule
The document outlines the filming schedule and details for a short film, including dates, times, locations, shots, actors, costumes, props, and equipment. On May 11th, scenes will be filmed of Mia on her phone in her bedroom, an establishing shot of traffic outside her house, and a long shot of Mia walking past a gang calling her over to talk and take drugs by a train bridge. Further scenes on June 11th will show Mia meeting friends and having an argument at a bench by a canal, and interior medium shots at a house of Mia's mother drinking with her step-father holding a baby.
The Location - Shot by Shot
The document outlines 20 shots for a film scene. Shot 1 establishes the main character in a hallway. Shot 2 shows her peeking through a kitchen door. Shot 3 introduces another character in the kitchen and establishes a back-and-forth dialogue between shots. Further shots alternate between characters' points of view, follow the character through the house including up stairs, and eventually show her finding her lost teddy under a bed. The shots are planned to follow standard cinematography techniques like the rule of thirds.
Shot list
The document provides a shot list for a film involving an "Escaper" stalking and attacking a "Victim". It lists various shots that would be needed including close-ups of the Escaper getting ready, shots of the Victim alone at a bus stop with the Escaper following behind, and close-ups of the Escaper holding a knife while stalking the Victim in a park. The shot list ends with some unnamed shots involving a pavement curb, taps being turned on and off, and a tree bark.
Shot list and shooting schedule
The document outlines a shooting schedule and shot list for a film. The shot list describes 9 scenes with different shots including close-ups, mid shots, and wide shots showing conversations and interactions between characters. The shooting schedule plans to film scenes 3 through 7 on the 18th, scene 4 on the 19th, scenes 5 and 6 on the 20th, scene 8 on the 28th, and scene 9 on the 29th. Scenes 1 and 2 involving photographs will be filmed separately without the actors.
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Storyboard
The document provides a list of camera shots from a film scene, including establishing shots, flashbacks, close-ups of characters and objects, point-of-view shots from the killer, long shots showing interactions between characters, and shots of a character waking up and then driving to a cemetery where they are confronted by the killer. The shots describe increasing tension and violence culminating in the killer confronting and grabbing one of the main characters.
First Storyboard Draft
The document provides shooting directions for a scene involving a vampire named Marc attacking a victim named Olivia in a corridor. It outlines a series of shots showing Marc hiding and approaching Olivia from behind before grabbing her. These shots will be intercut with close-ups of Marc's teeth and a pen falling to add tension and suggest the attack.
First Storyboard Draft
The document provides shooting directions for a scene involving a vampire named Marc attacking a victim named Olivia in a corridor. It outlines a series of shots showing Olivia opening doors and walking down the corridor while being stalked by Marc, including shots of Marc hiding and coming out of hiding to approach Olivia from behind. It concludes with shots of Olivia reaching behind herself and Marc grabbing her as she instructs him to open the door.
Shot list for our music video
The document outlines the shot list for a music video to be filmed across 5 locations. For the studio, it lists 4 shots of the pianist from different angles. In the woods, it lists 7 shots of the artist lip-synching from various distances and angles. For the bedroom, it outlines 7 shots of an arguing couple from long shots to close ups. It then lists 3 shots of the actors running down stairs after leaving the bedroom. Finally, it provides 5 shots of the couple arguing in the front room from long shots to close ups of their reactions.
Filming Schedule
The document outlines the filming schedule and details for a short film, including dates, times, locations, shots, actors, costumes, props, and equipment. On May 11th, scenes will be filmed of Mia on her phone in her bedroom, an establishing shot of traffic outside her house, and a long shot of Mia walking past a gang calling her over to talk and take drugs by a train bridge. Further scenes on June 11th will show Mia meeting friends and having an argument at a bench by a canal, and interior medium shots at a house of Mia's mother drinking with her step-father holding a baby.
The Location - Shot by Shot
The document outlines 20 shots for a film scene. Shot 1 establishes the main character in a hallway. Shot 2 shows her peeking through a kitchen door. Shot 3 introduces another character in the kitchen and establishes a back-and-forth dialogue between shots. Further shots alternate between characters' points of view, follow the character through the house including up stairs, and eventually show her finding her lost teddy under a bed. The shots are planned to follow standard cinematography techniques like the rule of thirds.
Shot list
The document provides a shot list for a film involving an "Escaper" stalking and attacking a "Victim". It lists various shots that would be needed including close-ups of the Escaper getting ready, shots of the Victim alone at a bus stop with the Escaper following behind, and close-ups of the Escaper holding a knife while stalking the Victim in a park. The shot list ends with some unnamed shots involving a pavement curb, taps being turned on and off, and a tree bark.
Shot list and shooting schedule
The document outlines a shooting schedule and shot list for a film. The shot list describes 9 scenes with different shots including close-ups, mid shots, and wide shots showing conversations and interactions between characters. The shooting schedule plans to film scenes 3 through 7 on the 18th, scene 4 on the 19th, scenes 5 and 6 on the 20th, scene 8 on the 28th, and scene 9 on the 29th. Scenes 1 and 2 involving photographs will be filmed separately without the actors.
The Big H Shot Lists
The document outlines the shot lists for 4 scenes. Scene 1 follows Lillian at a doctor's surgery where she receives news. Scene 2 shows Lillian arriving home to her family and friends. Scene 3 introduces Oliver as Lillian bumps into him on the street and they get coffee. Scene 4 tracks Lillian and Oliver on a day trip to Brighton and London, sharing moments together by the sea and landmarks.
Draft 4 part 5
The document consists of a series of shots depicting an interaction between Valentina and an investigator during an investigation. It shows Valentina looking at a picture and answering questions from the investigator both individually and while sitting with him. Flashback shots reveal Valentina putting her number in Rafael's pocket at some earlier time. The investigator becomes increasingly stressed as Valentina whispers to him and the interaction concludes with Valentina walking away and the investigator stressed in his seat.
Part 4
The document consists of a series of shots depicting an interaction between Valentina and an investigator during an investigation. It shows Valentina looking at a picture and answering questions from the investigator both individually and while sitting with him. Flashback shots reveal Valentina putting her number in Rafael's pocket at some point. The investigator becomes increasingly stressed as Valentina whispers to him and the interaction concludes with Valentina walking away and the investigator stressed in his seat.
Photographs of filming locations
This document outlines 29 shots for filming locations that will tell the story of a character named Millie searching for her teddy bear. The shots include various angles and perspectives showing Millie moving through the house, including the hallway, kitchen, stairs, bedrooms, wardrobe and under furniture, mostly through point-of-view shots from Millie's perspective as she searches each new area. The shots range from close-ups of body parts and objects to medium and long shots capturing Millie in different areas of the home.
Storyboard
The storyboard document outlines the camera shots that will be used to film a murder scene. It begins with a tilt up revealing bodies on the ground, including two dead and one alive victim bound at the hands and feet. Various shots are described to show the killer approaching and entering the building where the victim is located. The storyboard ends with shots of the killer throwing a knife, walking toward and hitting the victim, then pushing the victim to the ground while choking them.
Filming Schedule
The document provides a shooting schedule and details for a film including date, time, location, shot type, actions, actors, costumes, props, and equipment for each scene. On May 11th, scenes include Mia on her phone, the gang calling Mia over and chatting while taking drugs by a train bridge. On June 6th, scenes include Mia arguing with friends by a canal and a close-up shot of Mia's mother drinking while her stepfather holds a baby at their house.
Shot order
The document provides a shot order for a film consisting of 28 shots totaling approximately 107 seconds. It details each shot including camera angles, movement, focus, duration and progression of shots showing a character's morning routine from waking up at home to meeting a friend in the park. Shots include close-ups of the character's face, feet and clothing as well as over the shoulder, mid and long shots from different perspectives as the character walks around her neighborhood.
The big screw up shot list
This document outlines a 27 shot film production plan. The shots include various angles and distances, from close-ups and over-the-shoulder shots to medium and far distances. Many shots involve characters Ryan and Ben interacting and fighting. The shots follow the story of Ryan's laptop overheating and exploding in an elevator, then Ryan waking on the floor and fighting with Ben before being thrown out a window. The camera movements and angles are specified to best capture the action in each shot.
Preliminary task .
The document outlines 12 shots that would be used to film a scene of a character walking through a college, entering the canteen, having a conversation with a friend, and then leaving. Each entry describes the shot type, camera direction, duration, and transition to the next shot. The shots progress from establishing long shots of the character walking, to medium shots of their conversation and reaction, and finally long shots showing them preparing to leave and exiting the canteen.
Storyboard sorority row
The document describes 10 shots from a film trailer. Shot 1 shows a door opening with no sound. Shot 2 shows a woman walking toward the camera to upbeat music. Shot 3 shows the back of a woman at a sink with bottles, walking alongside it to the same music. Shot 4 shows her hand taking a bottle where her face is briefly seen. Shot 5 shows her silhouetted walking down a corridor to the music. Shot 6 shows her in a lit room looking worried. Shot 7 follows her heeled shoes walking on carpet. Shot 8 shows her drinking from the bottle on a sofa. Shot 9 shows her drinking with her eyes closed then opening scared. Shot 10 shows a gloved hand shoving the bottle down her
AS Media Thriller Opening
The document is a shot list that follows Sabrina as she has dinner with friends, becomes anxious and leaves alone. As she walks away, the antagonist watches her from a distance. Sabrina starts running, hearing a branch snap, and stops to catch her breath when she realizes the antagonist is behind her. The antagonist grabs Sabrina, she screams, and the shot cuts to black. It then cuts to Sabrina waking up tied to a chair with the antagonist looming over her.
Revised story board
The storyboard document outlines 28 shots that will be used to film a story about a girl named Faye who is auditioning for a dance school. The shots include close-ups, medium shots, long shots, high angles, low angles, pans, zooms, and tilts to show Faye getting ready, practicing her dance, performing her audition, receiving feedback, and learning the outcome of her application.
Revised Story Board
The storyboard document outlines 28 shots that will be used to film a story about a girl named Faye who is auditioning for a dance program. The shots include close-ups, medium shots, long shots, high angles, low angles, pans, zooms, and tilts to show Faye preparing, practicing her dance, performing her audition, receiving feedback, and learning the results of her application.
Slidemedia_halaquist
Facebook allows uploading of photos, videos, and music with custom privacy settings for who can view. Instagram allows uploading photos and videos with filters, comments, tags for people and locations so followers can see. Snapchat limits videos to 10 seconds but allows changing how long photos are viewable; sending is by username rather than broadcasting to all friends like Instagram story posts.
Shot list
The document describes 25 shots from a film scene involving a hit-man chasing after a woman named Jenny. The shots include various angles and movements that show Jenny realizing she is being followed, trying to disguise herself, running up stairs with a gun, and eventually facing off against the hit-man at the end with their guns drawn, ready to shoot. Titles for the film are then shown across the screen in the final shot.
Tv drama analysis
The document summarizes a scene from a film showing two girls discussing drugs in a school bathroom. A series of shots establish that the girls are holding drugs and one seems to be pressuring the other. They are surprised to find someone listening above their stall. Angry shots and reverse shots show an argument breaking out between the three girls. The scene cuts between group shots and close ups, using techniques like the 180 degree rule, to continue the escalating confrontation over being caught with drugs at school.
Our Film Plan
This document outlines the characters, camera angles, and photo stills for a film plan. It introduces the main characters of Rutendo, Mathew, and Sophie. It describes the use of two cameras, one moving and one stationary. It then lists various camera angles that will be used, including close-ups, extreme close-ups, over the shoulder shots, and establishing shots. Photo stills are also mentioned, including black and white photos to establish the relationship between Rutendo and Mathew, as well as a photo book being opened and closed to symbolize the break in their relationship.
RAAR
La Red Andaluza de Alojamientos Rurales (RAAR) es una asociación empresarial andaluza con alrededor de 450 alojamientos asociados distribuidos por toda Andalucía. La RAAR trabaja para promover y defender los intereses de los profesionales del sector turístico rural a través de acciones de promoción conjunta, asesoramiento y formación para los propietarios de alojamientos.
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Documentary research #3
The documentary Bomber Command produced by ITV used a reflexive mode with John Sergeant providing voiceover narration to tell the story of Bomber Squadrons during World War II. Deep interviews were also included of ex-RAF soldiers describing their experiences without showing the interviewer on screen. This style of interviewing allowed the documentary to focus on the emotion of the topic without interfering through on-screen presence. The documentary covered a powerful and emotive subject matter about Bomber Command that different styles may not have been as effective for.
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El documento describe las ventajas de las herramientas colaborativas y web 2.0 en la educación, incluyendo permitir que los estudiantes interactúen con varios docentes simultáneamente para despejar dudas, controlar el aprendizaje y progreso de los estudiantes, usar materiales dinámicos y multimedia para enganchar a los estudiantes, permitir tiempos de aprendizaje flexibles según la disponibilidad del estudiante, fomentar el autoaprendizaje con el docente como tutor, permitir la interacción entre estudiantes
Presentacion ariel maestria 24
El documento trata sobre estrategias pedagógicas en ambientes virtuales de aprendizaje. Explica las generalidades y características de la educación virtual, el diseño instruccional, el uso de plataformas virtuales de aprendizaje y la educación virtual en Colombia. Su objetivo es profundizar a los docentes en el contexto de la educación virtual y facilitar el desarrollo de competencias para solucionar problemas en este contexto.
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The Big H Shot Lists
The document outlines the shot lists for 4 scenes. Scene 1 follows Lillian at a doctor's surgery where she receives news. Scene 2 shows Lillian arriving home to her family and friends. Scene 3 introduces Oliver as Lillian bumps into him on the street and they get coffee. Scene 4 tracks Lillian and Oliver on a day trip to Brighton and London, sharing moments together by the sea and landmarks.
Draft 4 part 5
The document consists of a series of shots depicting an interaction between Valentina and an investigator during an investigation. It shows Valentina looking at a picture and answering questions from the investigator both individually and while sitting with him. Flashback shots reveal Valentina putting her number in Rafael's pocket at some earlier time. The investigator becomes increasingly stressed as Valentina whispers to him and the interaction concludes with Valentina walking away and the investigator stressed in his seat.
Part 4
The document consists of a series of shots depicting an interaction between Valentina and an investigator during an investigation. It shows Valentina looking at a picture and answering questions from the investigator both individually and while sitting with him. Flashback shots reveal Valentina putting her number in Rafael's pocket at some point. The investigator becomes increasingly stressed as Valentina whispers to him and the interaction concludes with Valentina walking away and the investigator stressed in his seat.
Photographs of filming locations
This document outlines 29 shots for filming locations that will tell the story of a character named Millie searching for her teddy bear. The shots include various angles and perspectives showing Millie moving through the house, including the hallway, kitchen, stairs, bedrooms, wardrobe and under furniture, mostly through point-of-view shots from Millie's perspective as she searches each new area. The shots range from close-ups of body parts and objects to medium and long shots capturing Millie in different areas of the home.
Storyboard
The storyboard document outlines the camera shots that will be used to film a murder scene. It begins with a tilt up revealing bodies on the ground, including two dead and one alive victim bound at the hands and feet. Various shots are described to show the killer approaching and entering the building where the victim is located. The storyboard ends with shots of the killer throwing a knife, walking toward and hitting the victim, then pushing the victim to the ground while choking them.
Filming Schedule
The document provides a shooting schedule and details for a film including date, time, location, shot type, actions, actors, costumes, props, and equipment for each scene. On May 11th, scenes include Mia on her phone, the gang calling Mia over and chatting while taking drugs by a train bridge. On June 6th, scenes include Mia arguing with friends by a canal and a close-up shot of Mia's mother drinking while her stepfather holds a baby at their house.
Shot order
The document provides a shot order for a film consisting of 28 shots totaling approximately 107 seconds. It details each shot including camera angles, movement, focus, duration and progression of shots showing a character's morning routine from waking up at home to meeting a friend in the park. Shots include close-ups of the character's face, feet and clothing as well as over the shoulder, mid and long shots from different perspectives as the character walks around her neighborhood.
The big screw up shot list
This document outlines a 27 shot film production plan. The shots include various angles and distances, from close-ups and over-the-shoulder shots to medium and far distances. Many shots involve characters Ryan and Ben interacting and fighting. The shots follow the story of Ryan's laptop overheating and exploding in an elevator, then Ryan waking on the floor and fighting with Ben before being thrown out a window. The camera movements and angles are specified to best capture the action in each shot.
Preliminary task .
The document outlines 12 shots that would be used to film a scene of a character walking through a college, entering the canteen, having a conversation with a friend, and then leaving. Each entry describes the shot type, camera direction, duration, and transition to the next shot. The shots progress from establishing long shots of the character walking, to medium shots of their conversation and reaction, and finally long shots showing them preparing to leave and exiting the canteen.
Storyboard sorority row
The document describes 10 shots from a film trailer. Shot 1 shows a door opening with no sound. Shot 2 shows a woman walking toward the camera to upbeat music. Shot 3 shows the back of a woman at a sink with bottles, walking alongside it to the same music. Shot 4 shows her hand taking a bottle where her face is briefly seen. Shot 5 shows her silhouetted walking down a corridor to the music. Shot 6 shows her in a lit room looking worried. Shot 7 follows her heeled shoes walking on carpet. Shot 8 shows her drinking from the bottle on a sofa. Shot 9 shows her drinking with her eyes closed then opening scared. Shot 10 shows a gloved hand shoving the bottle down her
AS Media Thriller Opening
The document is a shot list that follows Sabrina as she has dinner with friends, becomes anxious and leaves alone. As she walks away, the antagonist watches her from a distance. Sabrina starts running, hearing a branch snap, and stops to catch her breath when she realizes the antagonist is behind her. The antagonist grabs Sabrina, she screams, and the shot cuts to black. It then cuts to Sabrina waking up tied to a chair with the antagonist looming over her.
Revised story board
The storyboard document outlines 28 shots that will be used to film a story about a girl named Faye who is auditioning for a dance school. The shots include close-ups, medium shots, long shots, high angles, low angles, pans, zooms, and tilts to show Faye getting ready, practicing her dance, performing her audition, receiving feedback, and learning the outcome of her application.
Revised Story Board
The storyboard document outlines 28 shots that will be used to film a story about a girl named Faye who is auditioning for a dance program. The shots include close-ups, medium shots, long shots, high angles, low angles, pans, zooms, and tilts to show Faye preparing, practicing her dance, performing her audition, receiving feedback, and learning the results of her application.
Slidemedia_halaquist
Facebook allows uploading of photos, videos, and music with custom privacy settings for who can view. Instagram allows uploading photos and videos with filters, comments, tags for people and locations so followers can see. Snapchat limits videos to 10 seconds but allows changing how long photos are viewable; sending is by username rather than broadcasting to all friends like Instagram story posts.
Shot list
The document describes 25 shots from a film scene involving a hit-man chasing after a woman named Jenny. The shots include various angles and movements that show Jenny realizing she is being followed, trying to disguise herself, running up stairs with a gun, and eventually facing off against the hit-man at the end with their guns drawn, ready to shoot. Titles for the film are then shown across the screen in the final shot.
Tv drama analysis
The document summarizes a scene from a film showing two girls discussing drugs in a school bathroom. A series of shots establish that the girls are holding drugs and one seems to be pressuring the other. They are surprised to find someone listening above their stall. Angry shots and reverse shots show an argument breaking out between the three girls. The scene cuts between group shots and close ups, using techniques like the 180 degree rule, to continue the escalating confrontation over being caught with drugs at school.
Our Film Plan
This document outlines the characters, camera angles, and photo stills for a film plan. It introduces the main characters of Rutendo, Mathew, and Sophie. It describes the use of two cameras, one moving and one stationary. It then lists various camera angles that will be used, including close-ups, extreme close-ups, over the shoulder shots, and establishing shots. Photo stills are also mentioned, including black and white photos to establish the relationship between Rutendo and Mathew, as well as a photo book being opened and closed to symbolize the break in their relationship.
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RAAR
La Red Andaluza de Alojamientos Rurales (RAAR) es una asociación empresarial andaluza con alrededor de 450 alojamientos asociados distribuidos por toda Andalucía. La RAAR trabaja para promover y defender los intereses de los profesionales del sector turístico rural a través de acciones de promoción conjunta, asesoramiento y formación para los propietarios de alojamientos.
Proyecto TIC en un centro educativo
Este documento presenta un proyecto TIC para un centro educativo. El proyecto tiene varias líneas de acción como alfabetización digital, uso de materiales, biblioteca escolar y formación del profesorado. Los objetivos son mejorar las habilidades del alumnado y profesorado en el uso de las TIC para el aprendizaje. El proyecto se evalúa midiendo el progreso del alumnado, profesorado y proceso de integración de las TIC en la enseñanza.
Documentary research #3
The documentary Bomber Command produced by ITV used a reflexive mode with John Sergeant providing voiceover narration to tell the story of Bomber Squadrons during World War II. Deep interviews were also included of ex-RAF soldiers describing their experiences without showing the interviewer on screen. This style of interviewing allowed the documentary to focus on the emotion of the topic without interfering through on-screen presence. The documentary covered a powerful and emotive subject matter about Bomber Command that different styles may not have been as effective for.
Herramientas colaborativas y web 2.0
El documento describe las ventajas de las herramientas colaborativas y web 2.0 en la educación, incluyendo permitir que los estudiantes interactúen con varios docentes simultáneamente para despejar dudas, controlar el aprendizaje y progreso de los estudiantes, usar materiales dinámicos y multimedia para enganchar a los estudiantes, permitir tiempos de aprendizaje flexibles según la disponibilidad del estudiante, fomentar el autoaprendizaje con el docente como tutor, permitir la interacción entre estudiantes
Presentacion ariel maestria 24
El documento trata sobre estrategias pedagógicas en ambientes virtuales de aprendizaje. Explica las generalidades y características de la educación virtual, el diseño instruccional, el uso de plataformas virtuales de aprendizaje y la educación virtual en Colombia. Su objetivo es profundizar a los docentes en el contexto de la educación virtual y facilitar el desarrollo de competencias para solucionar problemas en este contexto.
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The document provides information about alternative rock music, including its subgenres and related magazines. It discusses bands such as Nirvana, Pearl Jam, Kings of Leon, Alice in Chains, Oasis, Of Monsters and Men, and Mumford & Sons. It also covers the target demographics, popularity, and methods of artist acquisition and advertisement within the alternative rock genre.
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The document discusses the software and equipment used to create a film trailer. Pinnacle HD15 was used for editing shots, color correction, and special effects like strobing titles. The shine effect tool in Pinnacle was used to add a fiery glow to the Miramax logo. Editing techniques like match cuts and jump cuts were employed. A camera and tripod captured steady shots, while Blogger, Vimeo, and Slideshare hosted content online. Wix created a website for the film, and Fireworks a movie poster, though Photoshop may have been better suited. While the technology enabled varied shots and online distribution, Pinnacle occasionally crashed without saving work.
Capacidades CITIC en Salud y Propuestas para InnovaSaude y H2050
Capacidades CITIC en Salud y Propuestas para InnovaSaude y H2050CITIC - Centro de Investigación en Tecnologías de la Información y las Comunicaciones
El presente documento tiene por objeto presentar el listado y resumen de fichas de soluciones innovadoras presentadas por el CITIC al Sergas así como las capacidades de I+D del CITIC en el campo de la Salud.
El CITIC ha propuesto 26 Soluciones innovadoras dentro de los Planes de Innovación Sanitaria, Innovasaude y H2050, promovidos por el Sergas.
Dentro de la iniciativa Innovasaúde el CITIC ha propuesto 20 líneas de proyectos de I+D+i y dentro de la iniciativa H2050 han sido 6. Muchas de estas iniciativas son proyectos con un largo recorrido y con la madurez suficiente para poder ser objeto de transferencia al sector empresarial y/o a la sociedad.
40 entidades participantes han propuesto 143 soluciones innovadoras, 110 provienen de empresas privadas y 33 de entidades de investigación. Es de destacar que el CITIC ha presentado 26 de las 33 propuestas innovadorasHubungan Manusia dan Bumi
Dokumen tersebut membahas tentang bentuk dan pola muka bumi, termasuk luas daratan, perairan, dan ketinggian berbagai daerah. Juga dibahas tentang interpretasi peta, objek geografi, dan warna pada peta tematik kepadatan penduduk.
Presentation1
The document discusses the various technologies the student used to create their media product. They learned how to use Blogspot to organize their work and upload documents. Prezi was used to portray their work in a different format and they learned how to create paths and export pictures. Indesign helped layout their magazine correctly. Photoshop was used to edit photos professionally by changing colors and converting to JPEG. The internet provided research and access to other tools. YouTube helped with research. A camera, tripod, and mobile phone were used to take photos initially. A studio space enhanced the front cover photo.
Grandes filósofos
Los grandes filósofos de la historia de la filosofía incluyen a personas cuyas ideas, vidas y épocas han tenido una gran influencia, como Platón, Aristóteles, Descartes y Kant, entre otros, que ayudaron a dar forma al pensamiento y la sociedad a través de los siglos.
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Evaluation 2 technology
The document discusses the software and equipment used to create a film trailer. Pinnacle was used for editing shots, adding effects like color correction and strobing, and creating titles. A camera and tripod captured a variety of steady shots. Blogger, Vimeo, and Slideshare were used to upload text, videos, and powerpoints to blogs and websites. Wix created a website for the film. Fireworks designed the poster, though Photoshop may have been better. The camera and tripod enabled different shot types while Pinnacle allowed editing, though it occasionally crashed without saving work.
Evaluation tasks media question 3
The intended outcome of the film production's trailer was to engage audiences and encourage them to view the film in cinemas. The trailer aimed to advertise the film and establish part of the narrative and genre through creating mysteries. While the storyboard provided a foundation, the filmmakers decided to change shots and order during filming. Key conventions from other film posters in the thriller/horror genre were followed in creating the poster.
Evalustion 2 technology
We used Pinnacle video editing software to put shots in order, change lighting and colors, and add titles and effects to create atmosphere. A camera and tripod were used to capture a variety of steady shots. Pinnacle allowed editing of individual shots through tools like pan and zoom but occasionally crashed without saving, though more frequent saving mitigated this problem. The technology overall enabled editing and production despite some software constraints.
Storyboard for Trailer
The document provides a list of camera shots from a film scene, including establishing shots, flashbacks, close-ups of characters and objects, point-of-view shots from the killer, long shots showing interactions between characters, and shots of a killer stabbing photographs. The shots depict scenes involving characters Rizwana, Emily, and Tovia, with increasing closeness and tension culminating in a killer grabbing the character Tovia.
Barthes media trailers
Barthes was a French theorist who influenced many fields including structuralism and post-structuralism. His theory on media codes proposed that the hermeneutic code, or enigma code, refers to unexplained elements of a story that create mystery for the reader. The proairetic code, or action code, builds tension through unexplained actions that make the reader guess what will happen next. According to Barthes, leaving some scenarios and plot lines unexplained keeps audiences engaged as they try to solve the mystery.
Todorov
Tzvetan Todorov is a Franco-Bulgarian philosopher who has lived in France since 1963 with his family, writing about literary theory, thought history, and culture theory. Todorov suggests that all narratives follow a three part structure: beginning with equilibrium, progressing as something disrupts that equilibrium, and finally reaching resolution when equilibrium is restored.
Todorov
Tzvetan Todorov is a Franco-Bulgarian philosopher who has lived in France since 1963 with his family, writing about literary theory, thought history, and culture theory. Todorov suggests that all narratives follow a three-part structure of beginning with equilibrium, being disrupted by some event, and finally reaching resolution by restoring the original equilibrium.
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Must Know Postgres Extension for DBA and Developer during Migration
Mydbops Opensource Database Meetup 16
Topic: Must-Know PostgreSQL Extensions for Developers and DBAs During Migration
Speaker: Deepak Mahto, Founder of DataCloudGaze Consulting
Date & Time: 8th June | 10 AM - 1 PM IST
Venue: Bangalore International Centre, Bangalore
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* Don't miss this chance to gain practical knowledge from an industry expert and stay updated on the latest open-source database trends.
Mydbops Managed Services specializes in taking the pain out of database management while optimizing performance. Since 2015, we have been providing top-notch support and assistance for the top three open-source databases: MySQL, MongoDB, and PostgreSQL.
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Contact us: info@mydbops.com
Visit: https://www.mydbops.com/
Follow us on LinkedIn: https://in.linkedin.com/company/mydbops
For more details and updates, please follow up the below links.
Meetup Page : https://www.meetup.com/mydbops-databa...
Twitter: https://twitter.com/mydbopsofficial
Blogs: https://www.mydbops.com/blog/
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Storyboard new
- 2. Flashback
- 3. Long shot of Rizwana on phone
- 4. Over the shoulder shot of newspaper
- 5. POV shot of baseball bat
- 7. Close up
- 8. Close up of killer’s hands
- 9. Close up of Photograph of Rizwana
- 10. POV shot of Knife coming down
- 11. Long shot of Killer and Emily
- 12. Close up of killers hands
- 13. Close up of killer stabbing photograph of Emily
- 14. Medium Shot of Killer grabbing Emily
- 15. Tovia waking up in bed
- 16. Long shot of Tovia in cemetery
- 17. Medium shot of Tovia running towards car
- 18. POV shot from killer of Tovia in car
- 19. Close up of Killer grabbing Tovia
- 20. Medium shot of Tovia running from car
- 21. Medium shot of Tovia running up stairs
- 22. Close up of Tovia’s face As she is dragged down the stairs