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omarThe document discusses several Roman sculptures from 45 BC to 50 AD that were displayed in private homes, gardens, and public buildings. It also mentions the 18th century collector Charles Townley who made multiple trips to Italy to view sculptures and the Augustus of Prima Porta statue of the Roman emperor Augustus carved in 15 AD.
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The document discusses several Roman sculptures from 45 BC to 50 AD that were displayed in private homes, gardens, and public buildings. It also mentions the 18th century collector Charles Townley who made multiple trips to Italy to view sculptures and the Augustus of Prima Porta statue of the Roman emperor Augustus carved in 15 AD.
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Unit 2
ETRUSCANS
&
ANCIENT ROME
I. THE ETRUSCANS
Etruscan Necropolis
The tombs (partly under the ground now)
are our only source of information about amazing Etruscan culture.
[Necropolis - the city of the dead]
===================================================================
Before the Romans gained supremacy over the Italian peninsula, the latter was inhabited by many indigenous peoples. Which one was the most significant?
*...
How long back does the Etruscans history date? - *...
If you still remember the previous section (guide 5) and if you think historically, you should say here : ‘Aha, it means that the Etruscans lived at the same time when the Greeks lived, painting the vases with the geometric patterns, and carving the statues of youths with an enigmatic ‘archaic smiles’ on their lips.
When two cultures coexist as neighbors, they always interact and influence each other.
What did Etruria and Greece have in common?
*...
*...
*...
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What is the only type of architecture that survived? - *...
What were their interiors look like? - *...
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*
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What scene is depicted on top of the coffin?
*...
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Observe the faces of this couple reclining over the top of their sarcophagus. Do the spouses look ‘severe’ to you? Not really, right? Their joyful looks do not relate, in our perception, to a funerary object. It is not accidentally either that the ancient sculptors chose the scene of the banquet to be on the lid of their coffin. From what we know about the Etruscans, they seemed to be fun-loving people, spending life in numerous festivities.
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While Greek statuary was created to represent idealized human forms of athletes and gods, Ancient Roman sculpture represented real, ordinary people with their natural beauty and imperfections. The main purpose of the statuary was to immortalize, though many Greek and Roman statues were originally painted with bright colors which over the centuries lost the pigment. Greek sculptors derived the facial features from the idealized inner and intellectual characteristics, whereas the Romans inferred the personality from the physical features. As a very representative example, I suggest observing any bust of Vespasian, Roman Emperor depicted with each feature without any glorification. When comparing the statuary of the two great civilizations we can notice another significant difference. The traditions of the Roman Republic equate the nudity represented by the Greek sculpture as a dishonorable impudicity, more in favor of an iconography that represents the republican values of the citizenship.
GUIDE 6Unit 2 .docx
GUIDE 6
Unit 2
ETRUSCANS
&
ANCIENT ROME
I. THE ETRUSCANS
Etruscan Necropolis
The tombs (partly under the ground now)
are our only source of information about amazing Etruscan culture.
[Necropolis - the city of the dead]
===================================================================
Before the Romans gained supremacy over the Italian peninsula, the latter was inhabited by many indigenous peoples. Which one was the most significant?
*...
How long back does the Etruscans history date? - *...
If you still remember the previous section (guide 5) and if you think historically, you should say here : ‘Aha, it means that the Etruscans lived at the same time when the Greeks lived, painting the vases with the geometric patterns, and carving the statues of youths with an enigmatic ‘archaic smiles’ on their lips.
When two cultures coexist as neighbors, they always interact and influence each other.
What did Etruria and Greece have in common?
*...
*...
*...
When did the Romans vanquish the last of the Etruscans? - *...
ARCHITECTURE
What is the only type of architecture that survived? - *...
What were their interiors look like? - *...
Why did the Etruscans want to duplicate their earthly environment? - *...
Doesn’t it remind you about some other ancient civilization? Which one? - * ...
SCULPTURE
How did we know what the exterior of Etruscan house looked? - *...
Terms
CINERARY URN -*…
SARCOPHAGUS (pl. Sarcophagi) – *….
*
Sarcophagus from Cerveteri - c. *...
[when made?]
What scene is depicted on top of the coffin?
*...
What can you say about the facial expressions of
the spouses? Where did you see them before? -
….
That’s right; they do resemble the Greek kouros and kore from the Archaic period. What is different – the mood. The early Greek statues look very rigid and solemnly. This is why the Greek Archaic style is also called severe style.
Observe the faces of this couple reclining over the top of their sarcophagus. Do the spouses look ‘severe’ to you? Not really, right? Their joyful looks do not relate, in our perception, to a funerary object. It is not accidentally either that the ancient sculptors chose the scene of the banquet to be on the lid of their coffin. From what we know about the Etruscans, they seemed to be fun-loving people, spending life in numerous festivities.
Well, that’s it about the Etruscans. Unfortunately, you have too little in your book about this exciting culture. Yet, now you know who the Etruscans were. You know that their culture laid the foundation for Rome. You should also remember that the Etruscans borrowed a lot from the Greek culture and passed it, along with their own achievements, further down the road - to the Romans. Let us move on to the next great civilizations entering the stage of its M ...
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This document compares and contrasts ancient Greek and Roman art and architecture. It discusses key differences in preferred structures, wall construction, column styles, sculpture subjects, and painting techniques between the two cultures. Specific examples are provided of both Greek and Roman temples, portraits, and other artworks to illustrate the defining characteristics of each civilization's artistic legacy.
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The document provides an overview of Roman architecture and design from 117 AD to the 4th century AD. It discusses the Roman Empire and use of Latin as the dominant language. It then covers various aspects of Roman architecture such as building typology (e.g. basilicas, theaters), materials used (e.g. concrete, tiles), orders (Tuscan, Composite), structures (e.g. aqueducts, forums), and interior designs (e.g. mosaics, wall paintings). The document concludes with descriptions of important sites like the Colosseum in Rome.
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Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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stone age
- 1. Omar qaddoos 11T Marble statues of Pan, signed by M. Cossutius Cerdo 45-25 BC Express their private Offensive to some people Roman, about 45-25 BC
- 2. Omar qaddoos 11T They weren’t bother about their private privacy. Marble statue of a Roman priestess AD 20-50 Sculpture played an important role in both domestic and civic life in the ancient Roman Empire. Private homes, gardens and public buildings in cities such as Sardis, Ephesos, Alexandria and Cyrene. The eighteenth-century collector and connoisseur Charles Townley AD 20-50 (1737-1805) made the 'Grand Tour' to Italy no less than three times.
- 3. Omar qaddoos 11T The Townley Vase 2nd century AD Sculpture played an important role in both domestic and civic life in the Very ancient Accurate Roman Empire.
- 4. Omar qaddoos 11T Grand tour in Italy (1737-1805)
- 5. Omar qaddoos 11T The Augustus of Primaporta The Augustus of Prima Porta is Very based on the Doryphorus, a accurate famous antique statue by Polykleitos Carved in 15 AD, from a bronze Prima Porta is a suburb of Rome located 12 kilometers north of its center along the Via Flaminia. Discovered in 1863