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Stephanie Borden
Table of Contents
Hotel Bom VIda . . . . . . . . . . . . . . . . . . . . . . . . . .
Substantial . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
La Perla Cafe . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Finneman Residence . . . . . . . . . . . . . . . . . . . . . . .
Sketch and Render. . . . . . . . . . . . . . . . . . . . . . . .
Furniture Model . . . . . . . . . . . . . . . . . . . . . . . . . .
Color Study. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
My Life in Pictures . . . . . . . . . . . . . . . . . . . . . . .
1-4
5-6
7-10
11-12
13-14
15-16
17-18
19-20
(Commercial design, AutoCAD, Photoshop)
(Commerical design, tenant improvement)
(Commercial design, hand drafting)
(Residential design, hand drafting)
(Hand sketching, pencil and marker rendering)
(Sketching, model building)
(Painting, sketching, design)
Hotel Bom Vida
Rio de Janeiro
1
UP
DN
DN
MECH. DECK
13.0%GRADE
DN
UP
86'-0" 24'-0" 50'-8"
71'-9"
UP
DN
R13'-71
2"
14'-101
2" 8'-61
4" 8'-113
4" 63'-81
8" 12'-95
8" 12'-95
8" 39'-0"
MEN
184.65 SF
WOMEN
MANAGERS OFFICE
140.4 SF 140.4 SF
1540.1 SF
CONFERENCE
KITCHEN
301.5 SF
RESTAURANT
1036 SF
LOBBY
OFFICE
BREAKROOM
1103 SF
202 SF
157 SF
LUGGAGE
REGISTRATION
CONFERENCE STORAGE
REAR LOBBY
108 SF
1063 SF
FITNESS CONVENIENCE
ADA BATH
356.2 SF 80.4 SF
1540.1 SF
ELEVATORS
96 SF
A
B
C
D D DD D
E
F
F
SERVER
BUILT-IN TOUCH SCREEN
REF
REF
This hotel project started with each student being assigned a
location. We then researched the location in depth and came up
with a design idea that would not only fit with the local culture
but also educate those visiting.
Rio de Janeiro, Brazil, is a very vibrant place. I added curved
walls and various accents to give the exciting feel of Rio's
culture.
The construction plan shows multiple curved walls and large
open spaces.
2Hotel Bom Vida
Hotel Bom Vida
The finishes at Hotel Bom VIda are
colorful and inspired by the local
materials.
The lobby floor is modeled after
the beaches of Ipanema with white
and black mosaic stone.
The curved walls are covered in
small multi-colored mosaic tiles.
Finish Plan - not to scale
UP
DN
DN
MECH. DECK
13.0%GRADE
DN
UP
UP
DN
MEN
184.65 SF CH 10'
WOMEN
MANAGERS OFFICE
140.4 SF 140.4 SF
1540.1 SF CH 12'
CONFERENCE
KITCHEN
301.5 SF CH 10'
RESTAURANT
1036 SF CH 12'
LOBBY
OFFICE
BREAKROOM
1103 SF CH 30'
202 SF CH 10'
157 SF CH 10'
LUGGAGE
REGISTRATION
CONFERENCE STORAGE
REAR LOBBY
108 SF CH 10'
1063 SF CH 30'
FITNESS CONVENIENCE
ADA BATH
356.2 SF CH 10' 80.4 SF CH 10'
1540.1 SF CH 10'
ELEVATORS
96 SF CH 10'
SERVER
BUILT-IN TOUCH SCREEN
REF
T1 MOSAIC WAVE PORCELAIN TILE PENTAL
T2 MULTI COLOR TILE TILE HOMER MOSAIC
T3 PRCELAIN FIELD TILE PORCELAIN TILE PENTAL
C1 CEILING GYPSUM BOARD GRAYLING CONSTRCUTION
P1 PAINT LAYTEX PAINT BENJAMIN MOORE
P2 PAINT LAYTEX PAINT BENJAMIN MOORE
P3 PAINT LAYTEX PAINT BENJAMIN MOORE
P4 PAINT LAYTEX PAINT BENJAMIN MOORE
P5 PAINT LAYTEX PAINT BENJAMIN MOORE
CP1 CARPET 1 CARPET FLOR- INERFACE FLOOING
CP2 CARPET 2 CARPET FLOR-INERFACE FLOORING
BM1 BASE MOULDING WOOD WINDSOR PLYWOOD
G1 GLASS PARTITION MULTI-COLORED GLASS SMITH GLASS
WC1 WAINSCOT TILE HOMER MOSAIC
FLOORS
WALLS
CEILING
FABRIC
LEGEND
P1
P1
P2
P2
T2
P1
T2T2
BM1
BM1
BM1
WC1WC1
T2
WC1
P2
P2 WC1
BM1
P1
CP1
CP2
CP2
T2
T2
P1
P1
P1 BM1
BM1
T2
P2 WC1
T2
P3
P3
BM1
P4
BM1
T2
BM1
BM1
BM1
P3
BM1
P3
BM1
T2
BM1
P5
BM1
P3
BM1
P3
BM1
P1
T2
P3
BM1
BM1
CH 12'
CH 12'
P3
BM1
G1
G1
P4
BM1
BM1
BM1
BM1
T4
T4
T4
T4
P3
BM1
P3
BM1
T4
P3
BM1
P3
BM1
BM1
P1
BM1
T2
P3
BM1
P3
BM1
T4
P4
P3 BM1
P4
BM1
BM1
T5
T5
T5
T5T5
T5
T1
T5
T5
T5
BM1
P3
SHEET N
DATE:
6
PROJECTNAME:HOTELMILLER&ASSOCIATES
FINISH PLAN
SCALE: 1/8" = 1'-0"
12/0
3
Hotel Bom Vida
The registration desk is usually
the first-impression of your
stay at a hotel, so I wanted it
to make an impression.
The tiles and deep green paint
provide a great opo of color
while the countertop and lights
are very sleek in contrast.
Registration Desk Elevation - not to scale
4
Substantial
5
Substantial
Gaming & Breakroom Decor
Substantial, a young digital development and design studio in the Seattle area, needed a space that would
be both fun and functional.
With their recently expanding company, it was necessary to find more space and keep a similar rustic-
modern atmosphere. To do this, we used a variety of textures and clean shapes with bright pops of color.
As project manager of my team, I monitored the progress of the designers to ensure we would reach our
two-week deadline. Though Project management is something I had not previously considered, I found it
challenging and rewarding to keep the group on track and moving toward each deadline.
6
La Perla Cafe
7
PRINCIPLES AND ELEMENTS OF DESIGN USED
ELEMENTS
• LINE − the flooring runs parallel to the East and
West walls drawing you into the space
• LIGHT − large windows bring in plenty of natural light
• COLOR − Triadic color scheme : red−violet, blue and
gold, loosely resembles the German flag
• SHAPE − squares are repeated throughout the
space represented in the tables, cabinetry and the
artwork
• TEXTURE − the walls are covered in a thatched
textured bronze−gold wallpaper providing texture
and the accent color
PRINCIPLES
• HARMONY − accent colors are spread out,
furniture is varying shaped but unified in finishes
• EMPHASIS − accent colors, large dark wood
sections: the bar and retail sections
• RHYTHM − there is repetition of shape, color
and texture throughout the space
• BALANCE − the accent walls are opposite each
other along with the accent fabric,
• PROPORTION − the café is very open and so
the cabinetry, fixtures and art are larger to
accommodate making the room feel smaller and
more comfortable
8La Perla Cafe
This commercial project was the dream of a German
couple who wanted to incorporate their heritage as well
as sell the high=end coffee they enjoy.
I loosely used the German flag to come up with a triadic
color scheme of oxblood red, royal blue and gold. The
tables and chairs are all simple, European design.
La Perla Cafe9
La Perla Cafe
La Perla Cafe was a new commercial
space for which we designed a cafe
with retail space, managers office
and conference room.
These are my elevations of the
bar seating area and view out the
front window of the cafe.
10
Finneman Residence
11
The Finneman residence project was themed
around Art Deco, a design style the family loved.
The family also have a daughter who uses a wheel
chair.
The materials chosen were based on two critera:
accessbility and style.
The main floor is Terazzo and tile in the powder
bath. The upper level has carpet throughout with
marmoleum in the bathrooms. The basement has
cork throughout with Terazzo in the studio and
marmoleum in the bath.
*Plans not to scale
Finneman Residence
Upper Level Main Level Basement
12
Sketch and Render
13
Sketch and Render
Here are two examples of visual texture created through the
application of colored pencil to line drawings. Each chair shows
a different stage in the rendering process.
The chair on the left is more fully-developed with applied
shadow, whereas the chair on the right shows only a rough
concept of applied fabric.
This rendering exercise
started with a simple
sketch of a chair.
Inspired by the clean lines
of the chair, I decided to
apply fabric that would
contrast the sleek design.
The next step was to scale
the pattern of the fabric
to the chair.
This was my first exercise in furniture sketching. The image was first
traced and then a grid applied.
The grid allows a visual breakdown of each section of the chair, making
it easier to recreate. The final step was to draw the chair free-hand.
This study on woodgrain shows an example of the use of
mixed media. Various shades of colored pencil and marker
used together create the look of a textured hardwood
floor.
14
Furniture Model
15
Furniture Model
When it was time to create a furniture model, we were given creative freedom. I knew from the beginning
that I wanted my model to have working drawers.
Once the final design had been chosen, I drew it to scale. The scale drawing was used to produce
additional isometric views of the piece that were then used to create the 3D model.
16
Color Study
17
Color Study
Using the image of the bird below, I catalogued the
ratio of colors present and used guache to visually
display them to the right.
What I catalogued was the visual ratio, not the actual
amount of each color present. Using the same ratio
and colors present, I created a new piece of art.
Using a box of ColorAid samples our task
was to match the value of the color with its
coordinating value in grey.
The bottom row was painted with guache to
match the ColorAid sample.
Analagous Complimentary Triadic
From left to right, these three paintings are
a study on composition and color schemes.
Using guache once more we were instructed
to use any value of the colors placed below
each painting.
18
My Life in Pictures
Born 1988
Graduated High School Graduated from SFCC
with a degree in business
and a direct transfer AA
Graduated from SCC with a certificate
in Commercial Baking and Pastry
Worked at Home Depot in Flooring,
Decor, Appliances and Kitchen and Bath
My sister and I buy a house in
Spokane, Washinton
Accepted to
Seattle Pacific University
19
Moved to Seattle, Washington
Traveled to
Florence, Italy
20
Joined ASID and became
SPU's Student Membership
and Publicity Chair
Joined the Falconettes
Worked at Starbucks
Worked at Greenhome Solutions
Graduate from
Seattle Pacific University
Bachelors in Interior Design

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Stephanie.Borden.Portfolio.Final

  • 2.
  • 3. Table of Contents Hotel Bom VIda . . . . . . . . . . . . . . . . . . . . . . . . . . Substantial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . La Perla Cafe . . . . . . . . . . . . . . . . . . . . . . . . . . . . Finneman Residence . . . . . . . . . . . . . . . . . . . . . . . Sketch and Render. . . . . . . . . . . . . . . . . . . . . . . . Furniture Model . . . . . . . . . . . . . . . . . . . . . . . . . . Color Study. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . My Life in Pictures . . . . . . . . . . . . . . . . . . . . . . . 1-4 5-6 7-10 11-12 13-14 15-16 17-18 19-20 (Commercial design, AutoCAD, Photoshop) (Commerical design, tenant improvement) (Commercial design, hand drafting) (Residential design, hand drafting) (Hand sketching, pencil and marker rendering) (Sketching, model building) (Painting, sketching, design)
  • 4. Hotel Bom Vida Rio de Janeiro 1
  • 5. UP DN DN MECH. DECK 13.0%GRADE DN UP 86'-0" 24'-0" 50'-8" 71'-9" UP DN R13'-71 2" 14'-101 2" 8'-61 4" 8'-113 4" 63'-81 8" 12'-95 8" 12'-95 8" 39'-0" MEN 184.65 SF WOMEN MANAGERS OFFICE 140.4 SF 140.4 SF 1540.1 SF CONFERENCE KITCHEN 301.5 SF RESTAURANT 1036 SF LOBBY OFFICE BREAKROOM 1103 SF 202 SF 157 SF LUGGAGE REGISTRATION CONFERENCE STORAGE REAR LOBBY 108 SF 1063 SF FITNESS CONVENIENCE ADA BATH 356.2 SF 80.4 SF 1540.1 SF ELEVATORS 96 SF A B C D D DD D E F F SERVER BUILT-IN TOUCH SCREEN REF REF This hotel project started with each student being assigned a location. We then researched the location in depth and came up with a design idea that would not only fit with the local culture but also educate those visiting. Rio de Janeiro, Brazil, is a very vibrant place. I added curved walls and various accents to give the exciting feel of Rio's culture. The construction plan shows multiple curved walls and large open spaces. 2Hotel Bom Vida
  • 6. Hotel Bom Vida The finishes at Hotel Bom VIda are colorful and inspired by the local materials. The lobby floor is modeled after the beaches of Ipanema with white and black mosaic stone. The curved walls are covered in small multi-colored mosaic tiles. Finish Plan - not to scale UP DN DN MECH. DECK 13.0%GRADE DN UP UP DN MEN 184.65 SF CH 10' WOMEN MANAGERS OFFICE 140.4 SF 140.4 SF 1540.1 SF CH 12' CONFERENCE KITCHEN 301.5 SF CH 10' RESTAURANT 1036 SF CH 12' LOBBY OFFICE BREAKROOM 1103 SF CH 30' 202 SF CH 10' 157 SF CH 10' LUGGAGE REGISTRATION CONFERENCE STORAGE REAR LOBBY 108 SF CH 10' 1063 SF CH 30' FITNESS CONVENIENCE ADA BATH 356.2 SF CH 10' 80.4 SF CH 10' 1540.1 SF CH 10' ELEVATORS 96 SF CH 10' SERVER BUILT-IN TOUCH SCREEN REF T1 MOSAIC WAVE PORCELAIN TILE PENTAL T2 MULTI COLOR TILE TILE HOMER MOSAIC T3 PRCELAIN FIELD TILE PORCELAIN TILE PENTAL C1 CEILING GYPSUM BOARD GRAYLING CONSTRCUTION P1 PAINT LAYTEX PAINT BENJAMIN MOORE P2 PAINT LAYTEX PAINT BENJAMIN MOORE P3 PAINT LAYTEX PAINT BENJAMIN MOORE P4 PAINT LAYTEX PAINT BENJAMIN MOORE P5 PAINT LAYTEX PAINT BENJAMIN MOORE CP1 CARPET 1 CARPET FLOR- INERFACE FLOOING CP2 CARPET 2 CARPET FLOR-INERFACE FLOORING BM1 BASE MOULDING WOOD WINDSOR PLYWOOD G1 GLASS PARTITION MULTI-COLORED GLASS SMITH GLASS WC1 WAINSCOT TILE HOMER MOSAIC FLOORS WALLS CEILING FABRIC LEGEND P1 P1 P2 P2 T2 P1 T2T2 BM1 BM1 BM1 WC1WC1 T2 WC1 P2 P2 WC1 BM1 P1 CP1 CP2 CP2 T2 T2 P1 P1 P1 BM1 BM1 T2 P2 WC1 T2 P3 P3 BM1 P4 BM1 T2 BM1 BM1 BM1 P3 BM1 P3 BM1 T2 BM1 P5 BM1 P3 BM1 P3 BM1 P1 T2 P3 BM1 BM1 CH 12' CH 12' P3 BM1 G1 G1 P4 BM1 BM1 BM1 BM1 T4 T4 T4 T4 P3 BM1 P3 BM1 T4 P3 BM1 P3 BM1 BM1 P1 BM1 T2 P3 BM1 P3 BM1 T4 P4 P3 BM1 P4 BM1 BM1 T5 T5 T5 T5T5 T5 T1 T5 T5 T5 BM1 P3 SHEET N DATE: 6 PROJECTNAME:HOTELMILLER&ASSOCIATES FINISH PLAN SCALE: 1/8" = 1'-0" 12/0 3
  • 7. Hotel Bom Vida The registration desk is usually the first-impression of your stay at a hotel, so I wanted it to make an impression. The tiles and deep green paint provide a great opo of color while the countertop and lights are very sleek in contrast. Registration Desk Elevation - not to scale 4
  • 9. Substantial Gaming & Breakroom Decor Substantial, a young digital development and design studio in the Seattle area, needed a space that would be both fun and functional. With their recently expanding company, it was necessary to find more space and keep a similar rustic- modern atmosphere. To do this, we used a variety of textures and clean shapes with bright pops of color. As project manager of my team, I monitored the progress of the designers to ensure we would reach our two-week deadline. Though Project management is something I had not previously considered, I found it challenging and rewarding to keep the group on track and moving toward each deadline. 6
  • 11. PRINCIPLES AND ELEMENTS OF DESIGN USED ELEMENTS • LINE − the flooring runs parallel to the East and West walls drawing you into the space • LIGHT − large windows bring in plenty of natural light • COLOR − Triadic color scheme : red−violet, blue and gold, loosely resembles the German flag • SHAPE − squares are repeated throughout the space represented in the tables, cabinetry and the artwork • TEXTURE − the walls are covered in a thatched textured bronze−gold wallpaper providing texture and the accent color PRINCIPLES • HARMONY − accent colors are spread out, furniture is varying shaped but unified in finishes • EMPHASIS − accent colors, large dark wood sections: the bar and retail sections • RHYTHM − there is repetition of shape, color and texture throughout the space • BALANCE − the accent walls are opposite each other along with the accent fabric, • PROPORTION − the café is very open and so the cabinetry, fixtures and art are larger to accommodate making the room feel smaller and more comfortable 8La Perla Cafe
  • 12. This commercial project was the dream of a German couple who wanted to incorporate their heritage as well as sell the high=end coffee they enjoy. I loosely used the German flag to come up with a triadic color scheme of oxblood red, royal blue and gold. The tables and chairs are all simple, European design. La Perla Cafe9
  • 13. La Perla Cafe La Perla Cafe was a new commercial space for which we designed a cafe with retail space, managers office and conference room. These are my elevations of the bar seating area and view out the front window of the cafe. 10
  • 15. The Finneman residence project was themed around Art Deco, a design style the family loved. The family also have a daughter who uses a wheel chair. The materials chosen were based on two critera: accessbility and style. The main floor is Terazzo and tile in the powder bath. The upper level has carpet throughout with marmoleum in the bathrooms. The basement has cork throughout with Terazzo in the studio and marmoleum in the bath. *Plans not to scale Finneman Residence Upper Level Main Level Basement 12
  • 17. Sketch and Render Here are two examples of visual texture created through the application of colored pencil to line drawings. Each chair shows a different stage in the rendering process. The chair on the left is more fully-developed with applied shadow, whereas the chair on the right shows only a rough concept of applied fabric. This rendering exercise started with a simple sketch of a chair. Inspired by the clean lines of the chair, I decided to apply fabric that would contrast the sleek design. The next step was to scale the pattern of the fabric to the chair. This was my first exercise in furniture sketching. The image was first traced and then a grid applied. The grid allows a visual breakdown of each section of the chair, making it easier to recreate. The final step was to draw the chair free-hand. This study on woodgrain shows an example of the use of mixed media. Various shades of colored pencil and marker used together create the look of a textured hardwood floor. 14
  • 19. Furniture Model When it was time to create a furniture model, we were given creative freedom. I knew from the beginning that I wanted my model to have working drawers. Once the final design had been chosen, I drew it to scale. The scale drawing was used to produce additional isometric views of the piece that were then used to create the 3D model. 16
  • 21. Color Study Using the image of the bird below, I catalogued the ratio of colors present and used guache to visually display them to the right. What I catalogued was the visual ratio, not the actual amount of each color present. Using the same ratio and colors present, I created a new piece of art. Using a box of ColorAid samples our task was to match the value of the color with its coordinating value in grey. The bottom row was painted with guache to match the ColorAid sample. Analagous Complimentary Triadic From left to right, these three paintings are a study on composition and color schemes. Using guache once more we were instructed to use any value of the colors placed below each painting. 18
  • 22. My Life in Pictures Born 1988 Graduated High School Graduated from SFCC with a degree in business and a direct transfer AA Graduated from SCC with a certificate in Commercial Baking and Pastry Worked at Home Depot in Flooring, Decor, Appliances and Kitchen and Bath My sister and I buy a house in Spokane, Washinton Accepted to Seattle Pacific University 19
  • 23. Moved to Seattle, Washington Traveled to Florence, Italy 20 Joined ASID and became SPU's Student Membership and Publicity Chair Joined the Falconettes Worked at Starbucks Worked at Greenhome Solutions Graduate from Seattle Pacific University Bachelors in Interior Design