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SPREADSHEETS

+&

stories
"Fuehlometer"	
  (Feel-­‐o-­‐meter)	
  
or	
  "Public	
  Face":	
  Julius	
  von	
  Bismarck,	
  
Benjamin	
  Maus,	
  and	
  Richard	
  Wilhelmer

Lindau	
  Island,	
  Germany	
  2010
Berlin,	
  Germany	
  2012-­‐2013
Algorithm	
  created	
  by	
  Frauhenhofer	
  Ins@tute
richardwilhelmer.com/projects/fuhl-­‐o-­‐meter

emotions = DATA
DATA challenges are NOT NEW challenges

27%
EXPERTISE

24%
23%

TIME/PRIORITIES

DATA

TECHNOLOGY

22%
6%

MONEY

CHALLENGES MOST CITED BY NONPROFITS (related to data)
NTEN,	
  The	
  State	
  of	
  Nonprofit	
  Data,	
  p.14	
  (2012)
WE COLLECT IT but WE DON’T USE IT

99%
TRACK METRICS
(IN SOME FORM)

26%
USE DATA TO
INFORM DECISIONS
(ARTS/CULTURE)

HOW MUCH OF YOUR DATA IS PUT TO WORK?

NTEN,	
  The	
  State	
  of	
  Nonprofit	
  Data,	
  p.14	
  (2012)
{ lesson no. 1 }
DATA does not equal ANSWERS
70% of CHANGE projects FAIL

Adapted	
  from	
  McKinsey	
  &	
  Co.
SENSE MAKING IS NEEDED

MEASURE

What is inherent?
What is conditional?
What do I want to do differently?

ASSESS

Framework for Thinking

REACT

?

!

RESPOND

Latest Thing to
“change the world”

David	
  Poole	
  “The	
  Impact	
  of	
  New	
  Technologies	
  on	
  the	
  Arts”	
  (2013)
WHAT HAPPENS AFTER THE HYPE?

Adapted	
  from	
  Gartner,	
  Inc.	
  (1995)
“As we proceed towards profit & progress
with data, let us encourage artists,
noelists, performers & poets to take
an active role in the conersation.”
—Jer orp
New York Times Data Artist in Residence

“Big	
  data	
  is	
  not	
  the	
  new	
  oil,”	
  HBR	
  blog	
  (2012)
REFLECTING ABSENCE
9/11 memorial by Michael Arad

2,982 names + 1,200 adjacency requests
THE NAMES ARRANGEMENT
algorithm by Jer Thorp
9/11	
  Memorial	
  by	
  architect	
  Michael	
  Arad.	
  Photo	
  source	
  whitehouse.gov	
  
TALENTS for THE ROBOTIC AGE:
WHAT HUMANS can BRING to the TABLE

Marty	
  Neumeier	
  (2012)
“Adopt a humble attitude and
look at the problem om
a number of perspectives.”
—Marty Neumeier

	
  Metaskills:	
  Five	
  Talents	
  for	
  the	
  Robo:c	
  Age	
  (2012)
TRY DIFFERENT HATS

!!!!!

Edward	
  De	
  Bono,	
  Six	
  Thinking	
  Hats	
  (1985)
MORE BRAINS ARE BETTER THAN ONE

!!!!!!!!!!

Edward	
  De	
  Bono,	
  Six	
  Thinking	
  Hats	
  (1985)
{ lesson no. 2 }
SYSTEMS shape OUTCOMES
BE WARY of TIDY METRICS
for COMPLEX PROBLEMS

INDICATORS = cutting CUBES out of CLOUDS
AMBIGUITY is more INCLUSIVE = NEW IDEAS

REALITY = ENGAGING COMPLEXITY
“ere is nothing worse than a sharp
image of a fuzzy concept.”
—Ansel Adams

	
  quoted	
  by	
  Ann	
  Markusen:	
  “Fuzzy	
  Indicators,	
  Proxy	
  Data,”	
  Createquity.com	
  	
  (11-­‐09-­‐2012)
“As any good social scientist knows,
we aren’t dealing with a laboratory
here where the effects only of arts
interventions can be isolated om
other factors at work…”
—Ann Markusen

	
  “Fuzzy	
  Indicators,	
  Proxy	
  Data,”	
  Createquity.com	
  	
  (11-­‐09-­‐2012)
ACTIONS exist in a COMPLEX ECOSYSTEM

? = DATA*
So

What do we
BELIEVE

?

?

Where is our
PLACE

Now

?
Now

Now

who is
OUR who?
So

?

So

How will we
SUCCEED

?

?

who is
THEIR
who?

What do we
NEED

*nothing happens without people
Adapted	
  from	
  the	
  Monitor	
  Ins?tute	
  (2013)	
  with	
  thanks	
  to	
  Kevin	
  Hughes	
  (2012)
WE GET WHAT WE ASK FOR

“Systems, like the three wishes in
a fairy tale have a terrible tendency
to produce exactly & only what
you ask them to produce.”
—Dana Meadows

Thinking	
  In	
  Systems:	
  A	
  Primer	
  (2008)
{ lesson no. 3 }
MEASURE what MATTERS
GOOD CLINICAL RESEARCH

ASK AN IMPORTANT QUESTION

&
ANSWER IT RELIABLY

Tenet	
  of	
  “good	
  clinical	
  research”	
  cited	
  by	
  The	
  Lancet,	
  leading	
  medical	
  journal
GOOD ARTS LEADERSHIP

what will we change?
ASK AN IMPORTANT QUESTION

&
ANSWER IT RELIABLY

responsively

*Annabel	
  Beerel,	
  Leadership	
  and	
  Change	
  Management	
  (2009)
ASK: WHAT WILL YOU CHANGE?
ANSWER: RESPONSIVELY

[how?]

ASK good*
QUESTIONS
+
LISTEN
+
SHARE
+
RESPOND

*define good?
CHANGE = LOSS
Active

EMOTIONAL INTENSITY

Anger
Response: legitimize — anger
comes from loss of control, don’t
take personally, listen

Acceptance
Bargaining

Denial
Response: avoid confrontation,
strengthen relationship, focus on
smaller/first steps

Response: don’t (will redefine the
change), “there can be no deal”

Exploration
Response: test new options, acknowledge
progress, build confidence

Immobilization

n

tio
Reac
e
hang

C
ative

Neg

Passive

Response: reward and acknowledge progress,
identify lessons learned, prepare for new change

Depression

HOPE

Response: provide support, note resources available,
encourage responsibility, reframe to test

TIME

Q: must leaders manage individual
transition through the grief cycle?
Adapted	
  from	
  Change	
  Consul3ng	
  Associates,	
  Kubler-­‐Ross,	
  On	
  Death	
  and	
  Dying,	
  Conner,	
  Managing	
  at	
  the	
  Speed	
  of	
  Change	
  and	
  IMA,	
  Inc.	
  
CHANGE = LIFE

A: only if they are dying!
In longitudinal studies on
loss, nearly 50% of the
population report no
debilitating grief at all.
Another 20% recover on
their own with no lasting
debilitation.
Only 1/3 of the population
is debilitated by loss.
Research	
  by	
  George	
  Bonanno	
  2002-­‐2012	
  cited	
  by	
  Andrew	
  Zolli	
  
CHANGE = FEAR & PLEASURE

BRAIN
FRONT

{

let’s do this!

K

Amygdala
(fear)

{

Basel Structures
(pleasure)

BA
C

what’s going on?!

Adapted	
  from	
  James	
  Zull,	
  The	
  Art	
  of	
  Changing	
  the	
  Brain,	
  p.	
  57	
  (2002)
“People actually LIKE change.
ey just don’t like to BE changed.”
—Marty Neumeier

	
  Metaskills:	
  Five	
  Talents	
  for	
  the	
  Robo:c	
  Age	
  (2012)
USE DATA TO SUPPORT ARTS!
SPREADSHEETS

+&

stories

thank you
Snow Dowd
Arts Leadership MFA
Seattle University 2013

snow@theMAKERS.com
www.slideshare.net/snowdowd
Experience	
  Music	
  Project
TRG	
  Case	
  Study,	
  SeaHle	
  WA

Online	
  9cket	
  purchases	
  
up	
  from	
  1%	
  to	
  22%	
  and	
  
growing	
  in	
  2013.
Tripled	
  patron	
  data	
  
captures.
Admissions	
  revenue	
  
increased	
  $1.5	
  million	
  in	
  
two	
  years—up	
  37%.
Per	
  9cket	
  revenue	
  up	
  
27%	
  since	
  2010.
hap://www.trgarts.com
hap://www.empmuseum.org

strategy = DATA
Invest	
  YYC:	
  
City	
  of	
  Calgary,	
  Alberta
Crowd-­‐funding	
  for	
  local	
  arts	
  
projects.
Launched	
  Feb	
  26,	
  2013.
Approx.	
  $400,000	
  invested	
  to	
  
develop	
  custom	
  code	
  base	
  
now	
  available	
  as	
  a	
  “white	
  
label”	
  solu9on.
www.investyyc.com

choice = DATA
CultureBlocks:	
  
Philadelphia,	
  PA
Research	
  2009-­‐2012

Public	
  access	
  site	
  
launched	
  April	
  30,	
  2013
Office	
  of	
  Arts,	
  Culture	
  &	
  Crea@ve	
  
Economy	
  w/	
  collabora@on	
  from	
  SIAP
funding	
  from	
  NEA,	
  Our	
  Town,	
  ArtPlace

Data	
  sets	
  from	
  local	
  &	
  
na9onal	
  sources.
Layered,	
  filtered,	
  custom	
  
maps	
  +	
  reports.
www.cultureblocks.com

place = DATA
Splash:	
  Sea[le,	
  WA
Mul9-­‐year	
  financials	
  
available	
  in	
  friendly	
  
data	
  visualiza9ons
and	
  PDF	
  downloads.
Compelling	
  personal	
  
stories	
  about	
  
individuals	
  being	
  
helped.
splash.org/achildsright

sharing = DATA
Proving.it:	
  Splash
Sea[le,	
  WA
Online	
  mapping	
  to	
  
document	
  over	
  700	
  
clean	
  water	
  projects	
  
in	
  7	
  countries.	
  
www.proving.it

proof = DATA
Improving	
  Care	
  
with	
  Data:
Sea[le	
  Children’s	
  
Hospital
Implemen@ng	
  IBM	
  PureData™	
  
System	
  for	
  Analy@cs	
  

Real-­‐3me	
  pa3ent	
  data	
  
and	
  treatment	
  with	
  up-­‐
to-­‐date	
  informa3on	
  on	
  
outcomes	
  for	
  specific	
  
interven3ons.
www.brightlightconsul@ng.co
m/clients/client-­‐stories/
seaale-­‐childrens-­‐hospital

care = DATA
Hole	
  in	
  Space:	
  Kit	
  Galloway,	
  Kit	
  &	
  
Sherrie	
  Rabinowitz
Los	
  Angeles	
  /	
  New	
  York,	
  
November	
  1980
Funded	
  by	
  The	
  Broadway	
  Department	
  Store,	
  NEA,	
  other	
  
private	
  sponsors.

Public	
  Communica9on	
  Sculpture	
  
at	
  Lincoln	
  Center,	
  NYC	
  and	
  
Century	
  City,	
  LA	
  for	
  three	
  3	
  days.
No	
  signage,	
  explana9on	
  or	
  
sponsor	
  logos.
www.youtube.com/watch?v=QSMVtE1QjaU
Photography	
  |	
  ©	
  Galloway,	
  Kit;	
  Rabinowitz,	
  Sherrie

connection = DATA
Social	
  Progress	
  Index
Launched	
  April	
  11,	
  2013
Skoll	
  World	
  Forum,	
  Oxford	
  UK

Created	
  by	
  Michael	
  
Porter	
  (Harvard	
  
Business	
  School)	
  as	
  
an	
  alterna9ve	
  to	
  
ranking	
  on	
  GDP.	
  
Social	
  Progress	
  
Capacity	
  Index	
  in	
  
development.
Network	
  of	
  partners	
  in	
  50	
  
countries.	
  Goal	
  to	
  grow	
  to	
  at	
  
least	
  120	
  countries.
www.socialprogressimpera?ve.org

life = DATA

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Spreadsheets And Stories: STP & A presentation, Oct 26, 2013

  • 2. "Fuehlometer"  (Feel-­‐o-­‐meter)   or  "Public  Face":  Julius  von  Bismarck,   Benjamin  Maus,  and  Richard  Wilhelmer Lindau  Island,  Germany  2010 Berlin,  Germany  2012-­‐2013 Algorithm  created  by  Frauhenhofer  Ins@tute richardwilhelmer.com/projects/fuhl-­‐o-­‐meter emotions = DATA
  • 3. DATA challenges are NOT NEW challenges 27% EXPERTISE 24% 23% TIME/PRIORITIES DATA TECHNOLOGY 22% 6% MONEY CHALLENGES MOST CITED BY NONPROFITS (related to data) NTEN,  The  State  of  Nonprofit  Data,  p.14  (2012)
  • 4. WE COLLECT IT but WE DON’T USE IT 99% TRACK METRICS (IN SOME FORM) 26% USE DATA TO INFORM DECISIONS (ARTS/CULTURE) HOW MUCH OF YOUR DATA IS PUT TO WORK? NTEN,  The  State  of  Nonprofit  Data,  p.14  (2012)
  • 5. { lesson no. 1 } DATA does not equal ANSWERS
  • 6. 70% of CHANGE projects FAIL Adapted  from  McKinsey  &  Co.
  • 7. SENSE MAKING IS NEEDED MEASURE What is inherent? What is conditional? What do I want to do differently? ASSESS Framework for Thinking REACT ? ! RESPOND Latest Thing to “change the world” David  Poole  “The  Impact  of  New  Technologies  on  the  Arts”  (2013)
  • 8. WHAT HAPPENS AFTER THE HYPE? Adapted  from  Gartner,  Inc.  (1995)
  • 9. “As we proceed towards profit & progress with data, let us encourage artists, noelists, performers & poets to take an active role in the conersation.” —Jer orp New York Times Data Artist in Residence “Big  data  is  not  the  new  oil,”  HBR  blog  (2012)
  • 10. REFLECTING ABSENCE 9/11 memorial by Michael Arad 2,982 names + 1,200 adjacency requests THE NAMES ARRANGEMENT algorithm by Jer Thorp 9/11  Memorial  by  architect  Michael  Arad.  Photo  source  whitehouse.gov  
  • 11. TALENTS for THE ROBOTIC AGE: WHAT HUMANS can BRING to the TABLE Marty  Neumeier  (2012)
  • 12. “Adopt a humble attitude and look at the problem om a number of perspectives.” —Marty Neumeier  Metaskills:  Five  Talents  for  the  Robo:c  Age  (2012)
  • 13. TRY DIFFERENT HATS !!!!! Edward  De  Bono,  Six  Thinking  Hats  (1985)
  • 14. MORE BRAINS ARE BETTER THAN ONE !!!!!!!!!! Edward  De  Bono,  Six  Thinking  Hats  (1985)
  • 15. { lesson no. 2 } SYSTEMS shape OUTCOMES
  • 16. BE WARY of TIDY METRICS for COMPLEX PROBLEMS INDICATORS = cutting CUBES out of CLOUDS
  • 17. AMBIGUITY is more INCLUSIVE = NEW IDEAS REALITY = ENGAGING COMPLEXITY
  • 18. “ere is nothing worse than a sharp image of a fuzzy concept.” —Ansel Adams  quoted  by  Ann  Markusen:  “Fuzzy  Indicators,  Proxy  Data,”  Createquity.com    (11-­‐09-­‐2012)
  • 19. “As any good social scientist knows, we aren’t dealing with a laboratory here where the effects only of arts interventions can be isolated om other factors at work…” —Ann Markusen  “Fuzzy  Indicators,  Proxy  Data,”  Createquity.com    (11-­‐09-­‐2012)
  • 20. ACTIONS exist in a COMPLEX ECOSYSTEM ? = DATA* So What do we BELIEVE ? ? Where is our PLACE Now ? Now Now who is OUR who? So ? So How will we SUCCEED ? ? who is THEIR who? What do we NEED *nothing happens without people Adapted  from  the  Monitor  Ins?tute  (2013)  with  thanks  to  Kevin  Hughes  (2012)
  • 21. WE GET WHAT WE ASK FOR “Systems, like the three wishes in a fairy tale have a terrible tendency to produce exactly & only what you ask them to produce.” —Dana Meadows Thinking  In  Systems:  A  Primer  (2008)
  • 22. { lesson no. 3 } MEASURE what MATTERS
  • 23. GOOD CLINICAL RESEARCH ASK AN IMPORTANT QUESTION & ANSWER IT RELIABLY Tenet  of  “good  clinical  research”  cited  by  The  Lancet,  leading  medical  journal
  • 24. GOOD ARTS LEADERSHIP what will we change? ASK AN IMPORTANT QUESTION & ANSWER IT RELIABLY responsively *Annabel  Beerel,  Leadership  and  Change  Management  (2009)
  • 25. ASK: WHAT WILL YOU CHANGE? ANSWER: RESPONSIVELY [how?] ASK good* QUESTIONS + LISTEN + SHARE + RESPOND *define good?
  • 26. CHANGE = LOSS Active EMOTIONAL INTENSITY Anger Response: legitimize — anger comes from loss of control, don’t take personally, listen Acceptance Bargaining Denial Response: avoid confrontation, strengthen relationship, focus on smaller/first steps Response: don’t (will redefine the change), “there can be no deal” Exploration Response: test new options, acknowledge progress, build confidence Immobilization n tio Reac e hang C ative Neg Passive Response: reward and acknowledge progress, identify lessons learned, prepare for new change Depression HOPE Response: provide support, note resources available, encourage responsibility, reframe to test TIME Q: must leaders manage individual transition through the grief cycle? Adapted  from  Change  Consul3ng  Associates,  Kubler-­‐Ross,  On  Death  and  Dying,  Conner,  Managing  at  the  Speed  of  Change  and  IMA,  Inc.  
  • 27. CHANGE = LIFE A: only if they are dying! In longitudinal studies on loss, nearly 50% of the population report no debilitating grief at all. Another 20% recover on their own with no lasting debilitation. Only 1/3 of the population is debilitated by loss. Research  by  George  Bonanno  2002-­‐2012  cited  by  Andrew  Zolli  
  • 28. CHANGE = FEAR & PLEASURE BRAIN FRONT { let’s do this! K Amygdala (fear) { Basel Structures (pleasure) BA C what’s going on?! Adapted  from  James  Zull,  The  Art  of  Changing  the  Brain,  p.  57  (2002)
  • 29. “People actually LIKE change. ey just don’t like to BE changed.” —Marty Neumeier  Metaskills:  Five  Talents  for  the  Robo:c  Age  (2012)
  • 30. USE DATA TO SUPPORT ARTS!
  • 31. SPREADSHEETS +& stories thank you Snow Dowd Arts Leadership MFA Seattle University 2013 snow@theMAKERS.com www.slideshare.net/snowdowd
  • 32. Experience  Music  Project TRG  Case  Study,  SeaHle  WA Online  9cket  purchases   up  from  1%  to  22%  and   growing  in  2013. Tripled  patron  data   captures. Admissions  revenue   increased  $1.5  million  in   two  years—up  37%. Per  9cket  revenue  up   27%  since  2010. hap://www.trgarts.com hap://www.empmuseum.org strategy = DATA
  • 33. Invest  YYC:   City  of  Calgary,  Alberta Crowd-­‐funding  for  local  arts   projects. Launched  Feb  26,  2013. Approx.  $400,000  invested  to   develop  custom  code  base   now  available  as  a  “white   label”  solu9on. www.investyyc.com choice = DATA
  • 34. CultureBlocks:   Philadelphia,  PA Research  2009-­‐2012 Public  access  site   launched  April  30,  2013 Office  of  Arts,  Culture  &  Crea@ve   Economy  w/  collabora@on  from  SIAP funding  from  NEA,  Our  Town,  ArtPlace Data  sets  from  local  &   na9onal  sources. Layered,  filtered,  custom   maps  +  reports. www.cultureblocks.com place = DATA
  • 35. Splash:  Sea[le,  WA Mul9-­‐year  financials   available  in  friendly   data  visualiza9ons and  PDF  downloads. Compelling  personal   stories  about   individuals  being   helped. splash.org/achildsright sharing = DATA
  • 36. Proving.it:  Splash Sea[le,  WA Online  mapping  to   document  over  700   clean  water  projects   in  7  countries.   www.proving.it proof = DATA
  • 37. Improving  Care   with  Data: Sea[le  Children’s   Hospital Implemen@ng  IBM  PureData™   System  for  Analy@cs   Real-­‐3me  pa3ent  data   and  treatment  with  up-­‐ to-­‐date  informa3on  on   outcomes  for  specific   interven3ons. www.brightlightconsul@ng.co m/clients/client-­‐stories/ seaale-­‐childrens-­‐hospital care = DATA
  • 38. Hole  in  Space:  Kit  Galloway,  Kit  &   Sherrie  Rabinowitz Los  Angeles  /  New  York,   November  1980 Funded  by  The  Broadway  Department  Store,  NEA,  other   private  sponsors. Public  Communica9on  Sculpture   at  Lincoln  Center,  NYC  and   Century  City,  LA  for  three  3  days. No  signage,  explana9on  or   sponsor  logos. www.youtube.com/watch?v=QSMVtE1QjaU Photography  |  ©  Galloway,  Kit;  Rabinowitz,  Sherrie connection = DATA
  • 39. Social  Progress  Index Launched  April  11,  2013 Skoll  World  Forum,  Oxford  UK Created  by  Michael   Porter  (Harvard   Business  School)  as   an  alterna9ve  to   ranking  on  GDP.   Social  Progress   Capacity  Index  in   development. Network  of  partners  in  50   countries.  Goal  to  grow  to  at   least  120  countries. www.socialprogressimpera?ve.org life = DATA