some images pertaining to the illusion or symbolism of depth on a 2d surface: overlapping, linear perspective, atmospheric perspective, isometric perspective, and other traits of foreground vs background
This document discusses famous paintings and the principles of art. It defines the elements of art as the tools used by artists, including line, shape, value, texture, and color. It then explains the principles of art, which are rules that govern how artists apply the elements. Some principles discussed are balance, proportion, rhythm, movement, variety, contrast, unity, and emphasis. Examples are given of famous paintings that demonstrate each principle, such as Starry Night by Van Gogh illustrating rhythm and Mona Lisa by da Vinci showing contrast.
Elements & Principles of Art Design PowerPointemurfield
The document outlines the elements and principles of art design. The elements are the basic parts that make up a work of art, including line, form, space, texture, shape, and color. The principles are concepts that affect the content and message, such as emphasis, movement, unity, rhythm, contrast, and variety. Elements structure the work and carry the message, while principles impact how the elements are used.
The document defines various artistic elements and concepts used in visual art including:
- Line: Different types of lines including outlines, contours, expressive, sketch, and calligraphic lines. Characteristics of lines like width, length, direction, focus, and feeling.
- Shape: Geometric, organic, positive, negative, static, and dynamic shapes.
- Color: Primary, secondary, tertiary colors. Analogous, complementary, monochromatic, warm, and cool colors.
- Space: Positive and negative space, picture plane, composition, and focal point.
- Perspective: Linear and nonlinear perspective using techniques like size variation, overlapping, and convergence of lines.
- Texture: Real
Unity is achieved when all parts of an artwork work together to create a sense of harmony and completeness. Elements and principles of design can be used effectively to achieve a feeling of wholeness or oneness. When an artwork has unity, it combines all of its parts into a single, cohesive whole. The document asks questions about identifying unity in various works of art through their effective use of design elements and principles to achieve a unified overall composition.
This document defines and provides examples of the elements and principles of art. The elements are line, color, value, shape, form, space, and texture. The principles are balance, emphasis, contrast, rhythm and movement, pattern and repetition, unity, and variety. They are the basic building blocks and organizational tools used to create visual artworks. Examples of artists who exemplified the use of these elements and principles in their works are provided.
This document provides information on various artworks including title, creator, date, materials, and measurements. It includes pieces from different time periods and places ranging from a 13th century Japanese scroll to 1960s sculptures by Donald Judd and poured paintings by Lynda Benglis and Helen Frankenthaler. The works cover various media such as oil paintings, drawings, sculptures, ceramics and more.
The document provides descriptions of 28 sculptures from various time periods and cultures around the world. It includes details about the title, creator, date, materials, measurements, and sometimes location of each sculpture, which range from prehistoric female figurines to contemporary installation works. The sculptures cover a wide variety of styles and include representations of the human form as well as abstract figures.
This document discusses famous paintings and the principles of art. It defines the elements of art as the tools used by artists, including line, shape, value, texture, and color. It then explains the principles of art, which are rules that govern how artists apply the elements. Some principles discussed are balance, proportion, rhythm, movement, variety, contrast, unity, and emphasis. Examples are given of famous paintings that demonstrate each principle, such as Starry Night by Van Gogh illustrating rhythm and Mona Lisa by da Vinci showing contrast.
Elements & Principles of Art Design PowerPointemurfield
The document outlines the elements and principles of art design. The elements are the basic parts that make up a work of art, including line, form, space, texture, shape, and color. The principles are concepts that affect the content and message, such as emphasis, movement, unity, rhythm, contrast, and variety. Elements structure the work and carry the message, while principles impact how the elements are used.
The document defines various artistic elements and concepts used in visual art including:
- Line: Different types of lines including outlines, contours, expressive, sketch, and calligraphic lines. Characteristics of lines like width, length, direction, focus, and feeling.
- Shape: Geometric, organic, positive, negative, static, and dynamic shapes.
- Color: Primary, secondary, tertiary colors. Analogous, complementary, monochromatic, warm, and cool colors.
- Space: Positive and negative space, picture plane, composition, and focal point.
- Perspective: Linear and nonlinear perspective using techniques like size variation, overlapping, and convergence of lines.
- Texture: Real
Unity is achieved when all parts of an artwork work together to create a sense of harmony and completeness. Elements and principles of design can be used effectively to achieve a feeling of wholeness or oneness. When an artwork has unity, it combines all of its parts into a single, cohesive whole. The document asks questions about identifying unity in various works of art through their effective use of design elements and principles to achieve a unified overall composition.
This document defines and provides examples of the elements and principles of art. The elements are line, color, value, shape, form, space, and texture. The principles are balance, emphasis, contrast, rhythm and movement, pattern and repetition, unity, and variety. They are the basic building blocks and organizational tools used to create visual artworks. Examples of artists who exemplified the use of these elements and principles in their works are provided.
This document provides information on various artworks including title, creator, date, materials, and measurements. It includes pieces from different time periods and places ranging from a 13th century Japanese scroll to 1960s sculptures by Donald Judd and poured paintings by Lynda Benglis and Helen Frankenthaler. The works cover various media such as oil paintings, drawings, sculptures, ceramics and more.
The document provides descriptions of 28 sculptures from various time periods and cultures around the world. It includes details about the title, creator, date, materials, measurements, and sometimes location of each sculpture, which range from prehistoric female figurines to contemporary installation works. The sculptures cover a wide variety of styles and include representations of the human form as well as abstract figures.
This document provides information on various abstract sculptures from different artists. It includes the creator's name, title of the work, date, materials used, and measurements. Some of the sculptures featured are Midday by Anthony Caro from 1960 made of painted steel, Green Blue by Ellsworth Kelly from 1968 made of painted aluminum, and Beginning of the World by Constantin Brancusi from around 1920 made of marble, metal, and stone. The document contains descriptions of over 30 abstract sculptures by prominent artists from the 20th century.
This document provides information on multiple artworks by various artists including paintings by Kehinde Wiley, Alice Neel, John Currin, Cindy Sherman, Chuck Close, Shahzia Sikander, Joan Brown, Jasper Johns, Wangechi Mutu, Robert Longo, Alex Katz, and Elizabeth Peyton. It lists the creator, title, date, materials, and measurements for each work. The artworks span different mediums including paintings, photographs, sculptures and include portraits, figures, and landscapes.
This document discusses different artistic media and materials used to create artwork. It defines media as the physical substances used and describes various disciplines like painting. It then summarizes key media used in 2D and 3D art forms, including drawing media like charcoal and pastels, printmaking techniques, painting methods, assemblage, installation, performance art, crafts and more. It provides examples of famous works to illustrate different media types.
This document provides guidance on analyzing artworks by focusing on various formal elements including line, color, shape, pattern, light, texture, size, and orientation. It emphasizes that not all elements will apply equally and to choose a few to focus on specific to the artwork being analyzed. Examples of artworks are provided to illustrate different elements, such as Cy Twombly's use of texture in his paintings. Guidance is given for each element, such as looking at how light is distributed or where its source originates in a work.
Rembrandt Harmenszoon van Rijn was a Dutch painter born in 1606 in Leiden, Netherlands who specialized in portraits and history paintings during the Dutch Golden Age and Baroque period in Europe. Some of his most notable works included the oil painting "The Storm on the Sea of Galilee" from 1633, the etching "The Agony in the Garden" from c. 1657, the pen and ink drawing "Old Man Leaning on a Stick" from 1632-1635, and the red and black chalk drawing "Seated Old Man" from c. 1630.
This document provides images and information about various works of art from different time periods and cultures. It includes paintings, sculptures, photographs and installations from artists such as Vincent van Gogh, Andy Warhol, Edward Weston, Louise Bourgeois, Duane Hanson, Rebecca Purdum, Susan Rothenberg, and Janine Antoni. The works represent major artistic movements and styles like Renaissance, Impressionism, Pop Art, and Conceptual Art. They also illustrate different artistic mediums like oil painting, sculpture, photography, and multimedia installations.
The document provides an overview of principles of design including unity and variety, balance, emphasis and subordination, scale and proportion, and rhythm. It discusses key concepts such as symmetrical and asymmetrical balance, visual weight and emphasis, the use of scale and proportion in composition, and creating a sense of movement through repetition. Examples of artworks are presented to illustrate applications of these different principles.
The document summarizes the steps and parts of a watercolor art lesson. It is divided into 3 parts: 1) Practice watercolor techniques, 2) Complete 3 small postcards, 3) Create 2 larger paintings interpreting the same subject realistically and creatively. Examples of professional watercolor paintings are also provided.
This document provides information on artworks created by an artist from the 1960s to the 2010s using various media such as watercolor, oil paint, graphite, color pencil, and light. The artworks range in size and include paintings, drawings, sculptures, installations, and photographs utilizing light sources like the sun, xenon bulbs, and aircraft lights. Many involve the use of non-static or direct light as a medium to create kinetic pieces that transform over time and space.
The document discusses various techniques used in painting and sculpture, including sfumato, hatching, cross-hatching, and pointillism. It provides examples of famous works that demonstrate these techniques, such as the Mona Lisa, which uses sfumato to blend colors. The document also discusses uses of light, value, and form in both painting and sculpture to create depth or emphasize certain areas. A variety of sculpture materials, styles, and artists are presented as well.
The document discusses various artistic techniques used to represent light and color, including chiaroscuro, modeling, hatching, cross-hatching, tenebrism, and the color wheel. It explores how artists have employed value scales, hue, tint, shade, complementary colors, and color temperature to realistically depict forms and scenes through the use of light and shadow. Examples are given of famous works that exemplify these different techniques.
This document provides guidelines for formal analysis of artworks. It discusses key visual elements like line, color, shape, texture, size, orientation, and composition. Line can be fine or bold, fluid or sketchy. Color can be significant or less so. Shape can be geometric or organic. Texture results from materials or handling techniques. Composition examines spatial relationships and object ordering. Formal analysis focuses on understanding works through their formal qualities rather than subjective interpretations.
The document discusses the history and evolution of picture books. It begins by defining picture books as works where both text and illustrations are equally important. Early picture books had somewhat independent stories and pictures, but modern books fully integrate the two elements. The document then covers milestones in picture book illustration and the influx of European artists in the 1930s-40s who influenced the genre. It notes picture books historically reflected a white perspective but became more diverse over time. The document concludes by discussing important awards like the Caldecott, Coretta Scott King, and Pura Belpre that recognize excellence and representation in children's literature.
The document contains descriptions of artworks by prominent Renaissance artists such as Michelangelo, Leonardo da Vinci, Raphael, Bramante, Giorgione and Titian. It includes titles, dates, mediums and dimensions for pieces ranging from sculptures and paintings to architectural plans and drawings. Many of the works are housed in major European museums like the Louvre, Uffizi and Vatican Museums. The artworks span various genres including portraits, religious scenes, and mythological or classical subjects.
Art Appreciation: Principles & Elements of ArtPaige Prater
This document provides an overview of key concepts in art appreciation taught by Professor Paige Prater. It outlines the 10 elements of art as color, form, line, mass, shape, space, texture, time/motion, value, and volume. For each element, important vocabulary and examples are defined, with analyses of works by artists such as Van Gogh, Derain, Cassatt, Seurat, and Balla. Shape and form, line types, and the 10 principles of art are also defined.
This document is a slideshow presentation about visual elements in art including line, shape, form, space, value, texture, color, and time/motion. It provides examples of works by various artists such as Elizabeth Murray, Sarah Sze, Keith Haring, Jennifer Pastor, Judy Pfaff, Henri Cartier-Bresson, Thomas Eakins, Eugene Delacroix, and others to illustrate these elements. The slideshow concludes with information about Jennifer Steinkamp's 2004 video installation "Dervish" which incorporates the visual element of time and motion.
This document provides information on various artworks created by Harriet Huong Bui between 2009-2013. It includes 20 separate entries for pieces in a variety of mediums including drawings, paintings, sculptures, and ceramics. The entries include the title, date, medium, dimensions and additional details on the creative process and concepts explored for each artwork. Overall the document outlines Harriet's visual art portfolio and body of work from her studies during this time period.
This document is a slideshow presentation about visual art and the elements of art. It includes 85 slides showing various paintings, sculptures, photographs and other artworks from different time periods and cultures. The slides demonstrate different artistic styles, techniques and uses of the basic visual elements like line, shape, form, space, texture and color. Some of the artists featured include Keith Haring, Judy Pfaff, Constantin Brancusi, Chuck Close, James Turrell, Whistler and Leonardo Da Vinci. The presentation provides examples of how different artists have utilized the fundamental components of the visual arts.
This document is a slideshow presentation about visual art and the elements of art. It includes 85 slides showing various paintings, sculptures, photographs and other artworks from different time periods and cultures. The slides demonstrate different artistic styles, techniques and uses of the fundamental elements of line, shape, form, space, color, texture and time in visual compositions across history. Key artists featured include Seurat, Dürer, Calder, Hesse and Turrell among many others. The slideshow provides examples of how different elements have been employed in artistic works from different eras.
Elements & principles - Personal and classroom use onlydworthdoty
This document provides an overview of key art elements and principles of design. It includes definitions and examples for the following:
1) The art elements of line, shape, form, space, color, and texture with brief descriptions and examples of works by artists like Mondrian, Picasso, and Oppenheim.
2) The principles of design including balance, emphasis, movement, pattern, repetition, proportion, rhythm, and unity and variety. Example works highlighting these principles are provided from artists such as Goya, Hokusai, Warhol, Magritte, and Escher.
3) For each element or principle, a brief description is given along with an image, title, artist,
1. The document discusses principles of visual composition including how horizontal and vertical lines convey calmness and activity, diagonals imply motion, and the upper half of the picture plane suggests freedom while the lower half feels grounded.
2. It also notes that the center draws the most attention, edges create tension, light backgrounds feel safe while dark backgrounds can feel dangerous, pointed shapes threaten while curved shapes feel secure, and contrasts enable things to be seen.
3. Exercises are included to practice arranging shapes to create movement, repetition and confusion, and order and disorder.
This document provides information on various abstract sculptures from different artists. It includes the creator's name, title of the work, date, materials used, and measurements. Some of the sculptures featured are Midday by Anthony Caro from 1960 made of painted steel, Green Blue by Ellsworth Kelly from 1968 made of painted aluminum, and Beginning of the World by Constantin Brancusi from around 1920 made of marble, metal, and stone. The document contains descriptions of over 30 abstract sculptures by prominent artists from the 20th century.
This document provides information on multiple artworks by various artists including paintings by Kehinde Wiley, Alice Neel, John Currin, Cindy Sherman, Chuck Close, Shahzia Sikander, Joan Brown, Jasper Johns, Wangechi Mutu, Robert Longo, Alex Katz, and Elizabeth Peyton. It lists the creator, title, date, materials, and measurements for each work. The artworks span different mediums including paintings, photographs, sculptures and include portraits, figures, and landscapes.
This document discusses different artistic media and materials used to create artwork. It defines media as the physical substances used and describes various disciplines like painting. It then summarizes key media used in 2D and 3D art forms, including drawing media like charcoal and pastels, printmaking techniques, painting methods, assemblage, installation, performance art, crafts and more. It provides examples of famous works to illustrate different media types.
This document provides guidance on analyzing artworks by focusing on various formal elements including line, color, shape, pattern, light, texture, size, and orientation. It emphasizes that not all elements will apply equally and to choose a few to focus on specific to the artwork being analyzed. Examples of artworks are provided to illustrate different elements, such as Cy Twombly's use of texture in his paintings. Guidance is given for each element, such as looking at how light is distributed or where its source originates in a work.
Rembrandt Harmenszoon van Rijn was a Dutch painter born in 1606 in Leiden, Netherlands who specialized in portraits and history paintings during the Dutch Golden Age and Baroque period in Europe. Some of his most notable works included the oil painting "The Storm on the Sea of Galilee" from 1633, the etching "The Agony in the Garden" from c. 1657, the pen and ink drawing "Old Man Leaning on a Stick" from 1632-1635, and the red and black chalk drawing "Seated Old Man" from c. 1630.
This document provides images and information about various works of art from different time periods and cultures. It includes paintings, sculptures, photographs and installations from artists such as Vincent van Gogh, Andy Warhol, Edward Weston, Louise Bourgeois, Duane Hanson, Rebecca Purdum, Susan Rothenberg, and Janine Antoni. The works represent major artistic movements and styles like Renaissance, Impressionism, Pop Art, and Conceptual Art. They also illustrate different artistic mediums like oil painting, sculpture, photography, and multimedia installations.
The document provides an overview of principles of design including unity and variety, balance, emphasis and subordination, scale and proportion, and rhythm. It discusses key concepts such as symmetrical and asymmetrical balance, visual weight and emphasis, the use of scale and proportion in composition, and creating a sense of movement through repetition. Examples of artworks are presented to illustrate applications of these different principles.
The document summarizes the steps and parts of a watercolor art lesson. It is divided into 3 parts: 1) Practice watercolor techniques, 2) Complete 3 small postcards, 3) Create 2 larger paintings interpreting the same subject realistically and creatively. Examples of professional watercolor paintings are also provided.
This document provides information on artworks created by an artist from the 1960s to the 2010s using various media such as watercolor, oil paint, graphite, color pencil, and light. The artworks range in size and include paintings, drawings, sculptures, installations, and photographs utilizing light sources like the sun, xenon bulbs, and aircraft lights. Many involve the use of non-static or direct light as a medium to create kinetic pieces that transform over time and space.
The document discusses various techniques used in painting and sculpture, including sfumato, hatching, cross-hatching, and pointillism. It provides examples of famous works that demonstrate these techniques, such as the Mona Lisa, which uses sfumato to blend colors. The document also discusses uses of light, value, and form in both painting and sculpture to create depth or emphasize certain areas. A variety of sculpture materials, styles, and artists are presented as well.
The document discusses various artistic techniques used to represent light and color, including chiaroscuro, modeling, hatching, cross-hatching, tenebrism, and the color wheel. It explores how artists have employed value scales, hue, tint, shade, complementary colors, and color temperature to realistically depict forms and scenes through the use of light and shadow. Examples are given of famous works that exemplify these different techniques.
This document provides guidelines for formal analysis of artworks. It discusses key visual elements like line, color, shape, texture, size, orientation, and composition. Line can be fine or bold, fluid or sketchy. Color can be significant or less so. Shape can be geometric or organic. Texture results from materials or handling techniques. Composition examines spatial relationships and object ordering. Formal analysis focuses on understanding works through their formal qualities rather than subjective interpretations.
The document discusses the history and evolution of picture books. It begins by defining picture books as works where both text and illustrations are equally important. Early picture books had somewhat independent stories and pictures, but modern books fully integrate the two elements. The document then covers milestones in picture book illustration and the influx of European artists in the 1930s-40s who influenced the genre. It notes picture books historically reflected a white perspective but became more diverse over time. The document concludes by discussing important awards like the Caldecott, Coretta Scott King, and Pura Belpre that recognize excellence and representation in children's literature.
The document contains descriptions of artworks by prominent Renaissance artists such as Michelangelo, Leonardo da Vinci, Raphael, Bramante, Giorgione and Titian. It includes titles, dates, mediums and dimensions for pieces ranging from sculptures and paintings to architectural plans and drawings. Many of the works are housed in major European museums like the Louvre, Uffizi and Vatican Museums. The artworks span various genres including portraits, religious scenes, and mythological or classical subjects.
Art Appreciation: Principles & Elements of ArtPaige Prater
This document provides an overview of key concepts in art appreciation taught by Professor Paige Prater. It outlines the 10 elements of art as color, form, line, mass, shape, space, texture, time/motion, value, and volume. For each element, important vocabulary and examples are defined, with analyses of works by artists such as Van Gogh, Derain, Cassatt, Seurat, and Balla. Shape and form, line types, and the 10 principles of art are also defined.
This document is a slideshow presentation about visual elements in art including line, shape, form, space, value, texture, color, and time/motion. It provides examples of works by various artists such as Elizabeth Murray, Sarah Sze, Keith Haring, Jennifer Pastor, Judy Pfaff, Henri Cartier-Bresson, Thomas Eakins, Eugene Delacroix, and others to illustrate these elements. The slideshow concludes with information about Jennifer Steinkamp's 2004 video installation "Dervish" which incorporates the visual element of time and motion.
This document provides information on various artworks created by Harriet Huong Bui between 2009-2013. It includes 20 separate entries for pieces in a variety of mediums including drawings, paintings, sculptures, and ceramics. The entries include the title, date, medium, dimensions and additional details on the creative process and concepts explored for each artwork. Overall the document outlines Harriet's visual art portfolio and body of work from her studies during this time period.
This document is a slideshow presentation about visual art and the elements of art. It includes 85 slides showing various paintings, sculptures, photographs and other artworks from different time periods and cultures. The slides demonstrate different artistic styles, techniques and uses of the basic visual elements like line, shape, form, space, texture and color. Some of the artists featured include Keith Haring, Judy Pfaff, Constantin Brancusi, Chuck Close, James Turrell, Whistler and Leonardo Da Vinci. The presentation provides examples of how different artists have utilized the fundamental components of the visual arts.
This document is a slideshow presentation about visual art and the elements of art. It includes 85 slides showing various paintings, sculptures, photographs and other artworks from different time periods and cultures. The slides demonstrate different artistic styles, techniques and uses of the fundamental elements of line, shape, form, space, color, texture and time in visual compositions across history. Key artists featured include Seurat, Dürer, Calder, Hesse and Turrell among many others. The slideshow provides examples of how different elements have been employed in artistic works from different eras.
Elements & principles - Personal and classroom use onlydworthdoty
This document provides an overview of key art elements and principles of design. It includes definitions and examples for the following:
1) The art elements of line, shape, form, space, color, and texture with brief descriptions and examples of works by artists like Mondrian, Picasso, and Oppenheim.
2) The principles of design including balance, emphasis, movement, pattern, repetition, proportion, rhythm, and unity and variety. Example works highlighting these principles are provided from artists such as Goya, Hokusai, Warhol, Magritte, and Escher.
3) For each element or principle, a brief description is given along with an image, title, artist,
1. The document discusses principles of visual composition including how horizontal and vertical lines convey calmness and activity, diagonals imply motion, and the upper half of the picture plane suggests freedom while the lower half feels grounded.
2. It also notes that the center draws the most attention, edges create tension, light backgrounds feel safe while dark backgrounds can feel dangerous, pointed shapes threaten while curved shapes feel secure, and contrasts enable things to be seen.
3. Exercises are included to practice arranging shapes to create movement, repetition and confusion, and order and disorder.
The document discusses the history and development of camouflage through various artworks and artists. It mentions early examples of camouflage in woodcut illustrations from 1840 and lithographs from 1910. It then discusses pioneers of camouflage techniques like Abbott Handerson Thayer and Norman Wilkinson from the early 20th century. More modern uses of camouflage in artwork are shown through the works of Andy Warhol, Liu Bolin, Brad Downey and Cayetano Ferrer. Videos and links are provided for additional information.
This document discusses a slot sculpture created by Isamu Noguchi, a Japanese-American artist born in 1904, and Aaron Curry, an American artist born in 1972. The text repeatedly lists the names Isamu Noguchi and Aaron Curry, suggesting it focuses on their collaborative slot sculpture featuring both of their names.
This document discusses various artists who use social engagement and public spaces in their work. It mentions works by Jenny Holzer, Gabriel Orozco, Taj Bourgeois, Banksy, Willi Dorner, Lilly McElroy, Valie Export, Alex Villar, Francis Alÿs, Haley Morris-Cafiero, Liu Bolin, and Ai Weiwei that incorporate social themes or are displayed in public/urban spaces. The artists create works that engage with communities and social/political issues or use their own bodies in public settings as part of their pieces.
The document is a passage from Lewis Carroll's Alice in Wonderland describing a conversation between a mouse and a cat named Fury. In the conversation, Fury proposes taking the mouse to trial for an unspecified offense, saying he will act as both judge and jury. The mouse objects that such a trial would be unfair without an actual jury or judge. Fury insists he will try the whole case himself and condemn the mouse to death.
This document discusses 13 different ways that art can be understood or analyzed, including representationally, through verbal supplements, genre, materials used, scale, temporality, context, relationship to art history, how it progressively reveals itself over time, iconographic tradition, formal properties, parody/irony of content categories, and biological or physiological responses. It provides examples to illustrate each of the 13 ways, citing works from artists such as Picasso, da Vinci, Duchamp, Dalí, de Kooning, and Harvey.
The document compares characteristics of left-brain and right-brain thinking. The left-brain is described as verbal, analytic, symbolic, abstract, temporal, rational, digital, and logical - involving words, step-by-step reasoning, symbols, extracting small bits of information to represent whole concepts, keeping track of time, conclusions based on reason and facts, using numbers, and linear reasoning. The right-brain is described as nonverbal, synthetic, actual, analogic, nontemporal, nonrational, spatial, intuitive, and holistic - involving no words, putting parts together into wholes, perceiving things as they are presently without symbols, seeing similarities and metaphors, no sense of time, suspending judgment, spatial
This document discusses color vocabulary and schemes. It defines terms like hue, value, tint, shade, intensity, and describes primary, secondary, monochromatic, analogous, and complementary color schemes. Warm and cool colors are also mentioned.
Protest signs and posters are an important part of peaceful demonstrations. They are used to convey a message through words, slogans or images to raise awareness about issues and causes. Effective signs are clear, concise and visually appealing to engage observers and spread the message of the protest.
The document compares characteristics of left-brain and right-brain thinking. The left-brain is described as verbal, analytic, symbolic, abstract, temporal, rational, digital, and logical, involving words, steps, symbols, small representations, time, reason, numbers, and principles of proof. The right-brain is described as nonverbal, synthetic, actual, analogic, nontemporal, nonrational, spatial, intuitive, and holistic, involving no words, putting parts together, present realities, similarities, no sense of time, suspended judgment, spatial relations, unconscious reasoning, and seeing wholes.
The document provides descriptions of artworks from different artists spanning various eras and styles including:
- Andrea Pozzo's vault painting from 1691-1699 in Rome.
- Prints by M.C. Escher from 1938 and 1961 depicting optical illusions of motion and perspective.
- Large scale murals by John Pugh from 1981 and 2000 using acrylic on stucco.
- Oil paintings by Octavio Ocampo from 1996 and 1982 depicting religious and portrait subjects.
- A pencil drawing and sculptures by Rex Whistler and Shigeo Fukuda exploring unusual compositions.
- Abstract paintings by Bridget Riley from 1961 and 1966 manipulating lines and patterns.
The document provides information on various artists who work in photorealism and hyperrealism styles, focusing on paintings they created using photo-based source material. It includes brief descriptions of individual artworks by Gerhard Richter, Richard Estes, Vija Celmins, Sigmar Polke, Marilyn Minter, Luc Tuymans, Peter Doig, Tom McGrath, Christoph Steinmeyer, Lisa Ruyter, and Alex Brown created between 1964-2006 using mediums such as oil on canvas, silkscreen, and enamel on metal. Dimensions and dates are provided for each work.
This document provides information on various still life artworks created between the 16th and 21st centuries by artists such as Rachel Ruysch, Osias Beert, Jan Davidsz. de Heem, James Ensor, Georgia O'Keeffe, Lovis Corinth, Giorgio Morandi, Lucian Freud, Giorgio de Chirico, Paul Wonner, Roy Lichtenstein, Audrey Flack, Peter Saul, Olive Ayhens, Vija Celmins and Portia Munson. The artworks depicted include flowers, fruits, shells, books, skulls and everyday objects painted or arranged in oil, acrylic and mixed media styles. Dimensions and dates are provided for each artwork
The document appears to be a title for a lecture on painting from a fall 2010 semester. In 3 sentences or less: This document is titled "Painting 1 lecture 2 fall 2010" and seems to reference the second lecture in a painting course during the fall semester of 2010. The title provides basic identifying information but no other contextual details about the lecture content or topic are included in the short document title.
This document provides information on artworks by several artists, including Gerhard Richter, Ina Geissler, Pat Steir, Brice Marden, Joan Snyder, Richmond Burton, Jonathan Lasker, Florine Stettheimer, Claude Monet, Pierre Bonnard, Henri Matisse, Emil Nolde, Chaim Soutine, and contrasts between warm and cool colors in works by Claude Monet, Pierre Bonnard, and Giorgio Morandi. It lists the title, medium, dimensions and year for each artwork.
Enhancing Adoption of AI in Agri-food: IntroductionCor Verdouw
Introduction to the Panel on: Pathways and Challenges: AI-Driven Technology in Agri-Food, AI4Food, University of Guelph
“Enhancing Adoption of AI in Agri-food: a Path Forward”, 18 June 2024
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Explore the details in our newly released product manual, which showcases NEWNTIDE's advanced heat pump technologies. Delve into our energy-efficient and eco-friendly solutions tailored for diverse global markets.
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Unlocking WhatsApp Marketing with HubSpot: Integrating Messaging into Your Ma...Niswey
50 million companies worldwide leverage WhatsApp as a key marketing channel. You may have considered adding it to your marketing mix, or probably already driving impressive conversions with WhatsApp.
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During the budget session of 2024-25, the finance minister, Nirmala Sitharaman, introduced the “solar Rooftop scheme,” also known as “PM Surya Ghar Muft Bijli Yojana.” It is a subsidy offered to those who wish to put up solar panels in their homes using domestic power systems. Additionally, adopting photovoltaic technology at home allows you to lower your monthly electricity expenses. Today in this blog we will talk all about what is the PM Surya Ghar Muft Bijli Yojana. How does it work? Who is eligible for this yojana and all the other things related to this scheme?
Efficient PHP Development Solutions for Dynamic Web ApplicationsHarwinder Singh
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The Steadfast and Reliable Bull: Taurus Zodiac Signmy Pandit
Explore the steadfast and reliable nature of the Taurus Zodiac Sign. Discover the personality traits, key dates, and horoscope insights that define the determined and practical Taurus, and learn how their grounded nature makes them the anchor of the zodiac.
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AI Transformation Playbook: Thinking AI-First for Your BusinessArijit Dutta
I dive into how businesses can stay competitive by integrating AI into their core processes. From identifying the right approach to building collaborative teams and recognizing common pitfalls, this guide has got you covered. AI transformation is a journey, and this playbook is here to help you navigate it successfully.
9. Creator: Moses, Grandma, 1860-1961 Title: Sugaring Off in Maple Orchard Date: 1940 Measurements: 18 1/8x 24 1/8 in
10. Creator: Unkoku Toeki ink on paper Measurements: (each scroll) 38-3/8" h; 18 1/4" w. Creator: Japanese; 1591-1644 Asia, East Asia, Japan Work Type: Hanging Scroll Date: Edo period, early 17th century Material: Pair of hanging scrolls with 1959.579;
12. Creator: Georges Seurat (French draftsman, 1859-1891) Title: Locomotive Date: ca. 1882 Material: conte crayon on paper
13. Creator: Andrea Mantegna Title: Dead Christ Date: circa 1490 Material: tempera on canvas Measurements: 68 x 81 cm
14. Creator: After, Andrea Mantegna, Italian, Isola di Carturo 1430/31 - 1506 Mantua Title: Bacchanal with a Wine Vat Date: ca. 1490 Material: Engraving and drypoint Measurements: 11-3/4 x 17-1/4 in. (29.8 x 43.8 cm)
15. Creator: Romare Howard Bearden, American, 1914-1988 image H: 94 cm, image W: 122 cm Title: Prevalence of Ritual: Baptism Date: 1964 Material: photograph on masonite Measurements:
20. Creator: Kerry James Marshall Date: 1992 mixed media on canvas Material: acrylic paint and Title: Slow Dance
21. Creator: Kerry James Marshall Title: Untitled (Altgeld Gardens) Date: 1995 Material: acrylic and collage on canvas Measurements: 78" x 103"
22. Creator: Kara Walker The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven Work Type: Sculpture and Installations Date: 1995 Location: Exhibited at Wooster Gardens, Spring 1996 Title: Look Away! Look Away! Look Away! / The Battle of Atlanta, Being the Narrative of a Negress in the Flames of Desire /
23.
24. Creator: Sam Reveles Title: Carta a Londinium Material: oil on canvas Measurements: 72" x 43 1/4
25. Creator: Sam Reveles Title: Wilderness Rest Date: 1998 Material: oil on canvas Measurements: 47" x 69"
26. Creator: Japan, Kamakura period Kumano Mandala Overall: 217.2cm x 80cm Date: c. 1300 Material: hanging scroll; ink and color on silk Measurements: Image: 134cm x 62cm, Culture: Asian; Far East Asian; Japanese Title: The Three Sacred Shrines at Kumano:
29. Creator: Sol LeWitt Title: Form Derived from a Cubic Rectangle Date: 1991 Material: gouache on paper
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Editor's Notes
Creator: Adams, Ansel, 1902- Title: From the South Rim, Grand Canyon National Park, Ariziona Date: [n.d.] Location: Grand Canyon (Ariz.) Subject: Grand Canyon (Ariz.) Subject: Canyons Subject: Deserts Subject: Landscape Subject: National parks and reserves Subject: Photography--20th C. A.D Collection: ARTstor Slide Gallery Source: Data from: University of California, San Diego
Creator: Adams, Ansel, 1902- Title: Woman Winnowing Grain, Taos, New Mexico Date: [n.d.] Subject: Indians of North America Subject: Photography--20th C. A.D Subject: Pueblos (housing complexes) Subject: Taos Indians Collection: ARTstor Slide Gallery Source: Data from: University of California, San Diego
Creator: Moses, Grandma, 1860-1961 Title: Sugaring Off in Maple Orchard Date: 1940 Measurements: 18 1/8x 24 1/8 in Subject: Painting--United States--20th C. A.D Collection: ARTstor Slide Gallery Source: Data from: University of California, San Diego
Creator: Sesshu, 1420-1506 Title: Long Scroll: Four Seasons: det. Material: ink painting Subject: Mountains Subject: Painting--Japan--15th C. A.D Subject: Scroll paintings Subject: Seasons Collection: ARTstor Slide Gallery Source: Data from: University of California, San Diego
Creator: Georges Seurat (French draftsman, 1859-1891) Title: Locomotive Work Type: drawing Work Type: drawings Date: ca. 1882 Material: conte crayon on paper Technique: drawing, crayon Measurements: height: 25 cm Measurements: width: 32 cm Style Period: Western: Nineteenth Century Description: Collection of E. W. Kornfeld, Bern Subject: Railroads in art Collection: Minneapolis College of Art and Design Collection ID Number: Accession: 18160 Source: Image and catalog data provided by Allan T. Kohl, Minneapolis College of Art and Design Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Andrea Mantegna Title: Dead Christ Date: circa 1490 Material: tempera on canvas Measurements: 68 x 81 cm Repository: Pinacoteca di Brera, Milan Collection: Art, Archaeology and Architecture (Erich Lessing Culture and Fine Arts Archives) ID Number: 40-08-12/24 Source: Image and original data provided by Erich Lessing Culture and Fine Arts Archives/ART RESOURCE, N.Y. Source: http://www.artres.com/c/htm/Home.aspx Source: http://www.artres.com/c/htm/TreePfLight.aspx?ID=LES Rights: Photo Credit: Erich Lessing/ART RESOURCE, N.Y. Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Romare Howard Bearden, American, 1914-1988 Title: Prevalence of Ritual: Baptism Date: 1964 Material: photograph on masonite Measurements: image H: 94 cm, image W: 122 cm Repository: Williams College Museum of Art, Williamstown, MA Repository: Museum purchase Repository: 69.14 Repository: http://www.wcma.org/ Subject: Afro-American; masks; faces Collection: Williams College Museum of Art Collection Source: Data From: Williams College Museum of Art Rights: Art (c) Romare Bearden Foundation / Licensed by VAGA, New York, NY. Rights: This work of art is protected by copyright and/or related rights and may not be reproduced in any manner, except as permitted under the ARTstor Digital Library Terms and Conditions of Use, without the prior express written authorization of VAGA, 350 Fifth Avenue, Suite 2820, New York, NY 10118. Tel.: 212-736-6666, fax: 212-736-6767, email: [email_address]
Creator: Canaletto Title: Portico and Courtyard Work Type: painting Repository: Accademia Veneziana Collection: Italian and other European Art (Scala Archives) Source: Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y. Source: http://www.artres.com/c/htm/Home.aspx Source: http://www.scalarchives.com Rights: (c) 2006, SCALA, Florence / ART RESOURCE, N.Y. Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Rivera, Diego, Mexican, 1886-1957 Title: Landscape with Cacti Work Type: Painting Date: 1931 Material: oil on canvas Measurements: 125.5 x 150cm Related Item: Ades, Dawn. Art in Latin American: the modern era, 1989, p.222, pl.10.14 Collection: Modern Latin American Art (Jacquelin Barnitz, Art and Art History Department, University of Texas, Austin) ID Number: 01-03936 Source: Image and original data provided by The University of Texas at Austin, College of Fine Arts. Contact information: Sigrid Knudsen, Curator, Visual Resources Collection, Art and Art History Dept., University of Texas at Austin, 1 University Station D1300, Austin, TX 76712-0337, (512) 471-4337 (ph), (512) 471-5539 (fax), sigrid@mail.utexas.edu. Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Rivera, Diego, Mexican, 1886-1957 Title: Crossing the Barranca Work Type: Painting Date: 1929 Material: fresco Repository: Palacio de Cortes, Cuernavaca Related Item: Cuarenta Siglos de Plastica Mexicana, essays O'Gorman, Edmundo, et. al, plt.170 Collection: Modern Latin American Art (Jacquelin Barnitz, Art and Art History Department, University of Texas, Austin) ID Number: 81-10515 Source: Image and original data provided by The University of Texas at Austin, College of Fine Arts. Contact information: Sigrid Knudsen, Curator, Visual Resources Collection, Art and Art History Dept., University of Texas at Austin, 1 University Station D1300, Austin, TX 76712-0337, (512) 471-4337 (ph), (512) 471-5539 (fax), sigrid@mail.utexas.edu. Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Kerry James Marshall Title: Slow Dance Work Type: Paintings Date: 1992 Location: Exhibited in New York, Spring 1993 Material: acrylic paint and mixed media on canvas Description: Photographer: Larry Qualls Collection: Contemporary Art (Larry Qualls Archive) Source: Image and original data provided by Larry Qualls Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Kerry James Marshall Title: Untitled (Altgeld Gardens) Work Type: Paintings Date: 1995 Location: Exhibited at Jack Shainman Gallery, Fall 1995 Material: acrylic and collage on canvas Measurements: 78" x 103" Description: Photographer: Larry Qualls Collection: Contemporary Art (Larry Qualls Archive) Source: Image and original data provided by Larry Qualls Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Kara Walker Title: Look Away! Look Away! Look Away! / The Battle of Atlanta, Being the Narrative of a Negress in the Flames of Desire / The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven Work Type: Sculpture and Installations Date: 1995 Location: Exhibited at Wooster Gardens, Spring 1996 Description: Photographer: Larry Qualls Collection: Contemporary Art (Larry Qualls Archive) Source: Image and original data provided by Larry Qualls Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Kara Walker Title: Look Away! Look Away! Look Away! / The Battle of Atlanta, Being the Narrative of a Negress in the Flames of Desire / The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven Work Type: Sculpture and Installations Date: 1995 Location: Exhibited at Wooster Gardens, Spring 1996 Description: Photographer: Larry Qualls Collection: Contemporary Art (Larry Qualls Archive) Source: Image and original data provided by Larry Qualls Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Sam Reveles Title: Carta a Londinium Work Type: Paintings Date: 2004 Location: Exhibited at CRG Gallery, Winter 2005 Material: oil on canvas Measurements: 72" x 43 1/4 Description: Photographer: Larry Qualls Collection: Contemporary Art (Larry Qualls Archive) Source: Image and original data provided by Larry Qualls Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.
Creator: Sam Reveles Title: Wilderness Rest Work Type: Paintings Date: 1998 Location: Exhibited at CRG Gallery, Fall 1998 Material: oil on canvas Measurements: 47" x 69" Description: Photographer: Larry Qualls Collection: Contemporary Art (Larry Qualls Archive) Source: Image and original data provided by Larry Qualls Rights: Please note that if this image is under copyright, you may need to contact one or more copyright owners for any use that is not permitted under the ARTstor Terms and Conditions of Use or not otherwise permitted by law. While ARTstor tries to update contact information, it cannot guarantee that such information is always accurate. Determining whether those permissions are necessary, and obtaining such permissions, is your sole responsibility.