The document summarizes the structure and key elements of the 2nd movement, Andante, of Mozart's Sonata VII in Bb Major. It follows sonata form with an exposition introducing themes in the tonic and dominant keys, a development section modulating the themes, and a recapitulation reprising the themes in the tonic key with ornamentation. The movement contains two main theme groups, develops the material in different keys before resolving in the tonic, and ends with a coda that frames the exposition and recapitulation.

1. Mozart Sonata VII in Bb Major: 2nd Movement, Andante in Eb Major 1. Exposition: 1st theme group in tonic (Eb Major)

2. 1. Exposition: 2nd theme group in Dominant (V or Bb Major)

3. Coda at the end of the exposition Pushes us back into the 1st theme or to the development. (There is a repeat sign but the pianist does not take in this recording.) 1. Exposition:

4. 2. Development: The themes are “treated” by the composer Material moves to different keys before coming to the recapitulation

5. 3. Recapitulation: The 1st theme group returns in tonic The return is not note for note but contains material from the exposition that has been ornamented

6. 3. Recapitulation: 2nd theme group returns, this time in tonic Again, not exactly the same as in the exposition. Ornamentation is added to this theme as well

7. 3. Recapitulation: Coda returns again slightly different than in the exposition Development and recapitulation repeat and end in tonic