social realism
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Social realism films focus on modern social issues through various ideological perspectives. Common themes include money, drugs, class, religion, and politics. These films are typically filmed on location using non-professional actors and sometimes improvised scripts. They explore wider social issues through emotional, dramatic stories of individual triumph over adversity. Key elements include location shooting, wide shots, regional identities, and exploration of social issues through personal stories.
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Genre research social realism genre
Social realism is a film genre that aims to portray realistic depictions of everyday life. It focuses on settings, characters, and social issues that are grounded in contemporary society from a certain perspective. Typical social realism films feature working-class characters dealing with social issues like gang culture, violence, or economic hardship. These issues often cause disequilibrium that is resolved by the end of the film, though sometimes in a way that ensures the situation cannot be repeated.
Social Realism
Social realism films focus on issues in modern society, changing over time as societies issues change. They use unknown actors and working class characters set in run down areas to seem realistic. Social realism films deal with issues like drugs, poverty, crime, and sexuality while targeting different audiences, sometimes teenagers and sometimes everyone. They are often funded by government and production companies and use underground music instead of mainstream artists.
Codes and Conventions of British Social Realism
British Social Realism films employ several codes and conventions including location shooting instead of studios, wide shots, non-professional actors, semi-improvised scripts, balancing humor and seriousness, exploring wider social issues through individual stories, and portraying the erosion of regional identities. These techniques aim to portray realistic stories that examine social problems through the lens of personal struggles and triumphs over adversity.
What is Social Realism?
Social realism is a film genre that aims to depict realistic portrayals of life, especially for underrepresented groups. It focuses on contemporary social issues through stories set in the current time. Directors of social realism films, like Ken Loach and Shane Meadows, want to shed light on social injustices such as economic hardship and discrimination. Their films are meant to represent attitudes and struggles of ordinary people, especially the working class, during a particular period in history.
Codes and Conventions of Mystery Romance with Reference to Existing Films
This document discusses the typical codes and conventions of mystery and romance genres in film. For romance films, common elements include urban settings, diegetic music that reflects the mood, editing techniques like shot reverse shot, characters like the romantic leads and their friends/families, and props like flowers. Mystery films often have isolated settings, involve solving a crime through clues, feature dramatic music, use close-ups and moving shots during tense moments, employ low-key lighting, and include props related to investigations. Both genres are compared to the film Big Eyes, which features a female artist protagonist, romantic relationships, and music/narration in the opening.
Social realism conventions
Social realism films typically feature stories about working class individuals dealing with social issues like poverty, drugs, and crime. They are shot on location rather than in a studio to feel realistic, and use non-professional actors and handheld cameras. Characters are usually teenagers experiencing hardships. Cinematography includes wide shots and establishing shots to provide context and a "fly on the wall" perspective. Sound, props, and costumes aim to feel authentic to the characters and settings. Editing is minimal to maintain realism and continuity in following characters' lives.
Social realism as a genre 2 SECTION B
The document provides information about the genre of social realism in film. It defines social realism as a realistic portrayal of British society that depicts social and economic hardship through unvarnished pictures of real people's lives and struggles. It lists some key conventions of social realism films including realistic settings and events, believable filming techniques, gritty urban locations, and focusing on working class activities and heroes. Examples of notable social realism films from Britain are provided such as Billy Elliot and Kes.
Fish Tank
Social realism is a genre that aims to portray realistic depictions of everyday life, often focusing on working-class characters and social issues. It typically uses handheld camera work, unknown actors, and gritty urban settings to represent the struggles of ordinary people. Films in the social realism genre commonly deal with controversial topics like poverty, relationships, and minority groups that were not typically represented in other films at the time. The genre became prominent in British cinema starting in the late 1950s as filmmakers sought to authentically capture the realities of working-class lives on screen.
Recommended
Genre research social realism genre
Social realism is a film genre that aims to portray realistic depictions of everyday life. It focuses on settings, characters, and social issues that are grounded in contemporary society from a certain perspective. Typical social realism films feature working-class characters dealing with social issues like gang culture, violence, or economic hardship. These issues often cause disequilibrium that is resolved by the end of the film, though sometimes in a way that ensures the situation cannot be repeated.
Social Realism
Social realism films focus on issues in modern society, changing over time as societies issues change. They use unknown actors and working class characters set in run down areas to seem realistic. Social realism films deal with issues like drugs, poverty, crime, and sexuality while targeting different audiences, sometimes teenagers and sometimes everyone. They are often funded by government and production companies and use underground music instead of mainstream artists.
Codes and Conventions of British Social Realism
British Social Realism films employ several codes and conventions including location shooting instead of studios, wide shots, non-professional actors, semi-improvised scripts, balancing humor and seriousness, exploring wider social issues through individual stories, and portraying the erosion of regional identities. These techniques aim to portray realistic stories that examine social problems through the lens of personal struggles and triumphs over adversity.
What is Social Realism?
Social realism is a film genre that aims to depict realistic portrayals of life, especially for underrepresented groups. It focuses on contemporary social issues through stories set in the current time. Directors of social realism films, like Ken Loach and Shane Meadows, want to shed light on social injustices such as economic hardship and discrimination. Their films are meant to represent attitudes and struggles of ordinary people, especially the working class, during a particular period in history.
Codes and Conventions of Mystery Romance with Reference to Existing Films
This document discusses the typical codes and conventions of mystery and romance genres in film. For romance films, common elements include urban settings, diegetic music that reflects the mood, editing techniques like shot reverse shot, characters like the romantic leads and their friends/families, and props like flowers. Mystery films often have isolated settings, involve solving a crime through clues, feature dramatic music, use close-ups and moving shots during tense moments, employ low-key lighting, and include props related to investigations. Both genres are compared to the film Big Eyes, which features a female artist protagonist, romantic relationships, and music/narration in the opening.
Social realism conventions
Social realism films typically feature stories about working class individuals dealing with social issues like poverty, drugs, and crime. They are shot on location rather than in a studio to feel realistic, and use non-professional actors and handheld cameras. Characters are usually teenagers experiencing hardships. Cinematography includes wide shots and establishing shots to provide context and a "fly on the wall" perspective. Sound, props, and costumes aim to feel authentic to the characters and settings. Editing is minimal to maintain realism and continuity in following characters' lives.
Social realism as a genre 2 SECTION B
The document provides information about the genre of social realism in film. It defines social realism as a realistic portrayal of British society that depicts social and economic hardship through unvarnished pictures of real people's lives and struggles. It lists some key conventions of social realism films including realistic settings and events, believable filming techniques, gritty urban locations, and focusing on working class activities and heroes. Examples of notable social realism films from Britain are provided such as Billy Elliot and Kes.
Fish Tank
Social realism is a genre that aims to portray realistic depictions of everyday life, often focusing on working-class characters and social issues. It typically uses handheld camera work, unknown actors, and gritty urban settings to represent the struggles of ordinary people. Films in the social realism genre commonly deal with controversial topics like poverty, relationships, and minority groups that were not typically represented in other films at the time. The genre became prominent in British cinema starting in the late 1950s as filmmakers sought to authentically capture the realities of working-class lives on screen.
Bsr
British Social Realism films portray everyday working class lives in a gritty and unvarnished style. They depict social and economic hardships realistically, using unknown actors and locations associated with poverty, crime, and struggle. Typical themes include protagonists trying to better their situation by overcoming challenges like drugs, crime, unemployment, and family dysfunction. Through emotional stories, these films aim to shed light on wider social and political issues of the time.
Bsr1
British social realism films portray everyday working class characters struggling with difficulties in gritty, urban dramas depicting real life. They aim to challenge social and cultural issues in Britain through unvarnished depictions of poverty, drugs, crime, and other hardships. These films typically explore wider social issues through emotional individual stories, use unknown actors and low budgets to enhance realism, and are filmed on location in run-down urban areas using techniques like handheld cameras and natural lighting to immerse viewers in the characters' worlds.
Urban stories answer edited
The document discusses several urban stories portrayed in films that deal with issues of power, poverty, and conflict arising from social and cultural environments. It analyzes two films - City of God, set in Rio de Janeiro about gang violence among poor youth, and La Haine, set in the outskirts of Paris about ethnic minority groups living with limited opportunities. Both films depict societies lacking identity due to Western globalization, and characters descending into violence, crime, or lethargy due to their social conditions and upbringings in unequal, discriminatory environments dominated by more powerful ideologies.
Genre in British Social Realism
British social realism developed over the 20th century to depict the lives and experiences of ordinary British people. Key moments included early films showing everyday life in the early 1900s and documentaries from the 1930s-40s that influenced later mainstream films. The 1950s Free Cinema movement and 1960s British New Wave brought social issues like class, gender, and economic challenges to the forefront through films focused on working class characters. Directors like Mike Leigh and Ken Loach examined the impact of policies like Thatcherism and consumerism on communities and family life. While formulas emerged, many films provided complex portraits of British society.
Social realism 2nd
Social realism is an artistic movement that depicts social and economic hardships through unvarnished portraits of life struggles, often depicting working class lives as heroic. As a film genre, social realism aims to accurately portray life and society through realistic settings, events, film techniques, and characters. It commonly uses non-professional actors, semi-improvised scripts, and actual locations to achieve authenticity and draw audiences into the stories. Popular British social realism films include Trainspotting, Billy Elliot, Kes, Fish Tank, and This is England, with Trainspotting providing a realistic and impactful view of the struggles of young drug addicts.
Social realism research
Social realism is an artistic movement that depicts social and economic hardships through unvarnished portraits of life struggles, often depicting working class lives as heroic. As a film genre, social realism aims to accurately portray life and society through realistic settings, events, film techniques, and characters. It commonly uses non-professional actors, semi-improvised scripts, and actual locations to achieve authenticity and draw audiences into the stories. Popular British social realism films include Trainspotting, Billy Elliot, Kes, Fish Tank, and This is England, with Trainspotting providing a realistic and impactful view of the struggles of young drug addicts.
La Haine first analysis
This document provides an overview of common issues, contexts, and representations explored in urban stories films. It discusses themes of cultures dominated by powerful ideologies, feelings of insignificance, and conflicts arising from social/cultural environments. For the film La Haine, it notes the context of 1990s Paris housing estates and police brutality. It examines representations of ethnic young men and how characters like Hubert reject crime but are impacted by circumstances beyond their control. Students are tasked with analyzing 1-2 scenes from the films through discussion of techniques, themes and the social issues they raise.
Verisimilitude
Verisimilitude refers to how realistic or truthful a narrative appears. It comes from the Latin words for "truth" and "similar." Verisimilitude in film is important for creating believability, and it can be achieved through generic conventions that audiences expect or through reflecting broader social norms. Certain film genres rely more on cultural verisimilitude for realism, while aspects that violate culture norms may attract audiences the most. Cinéma vérité documentaries aim for maximum verisimilitude through capturing experiences in an unedited, unobtrusive manner as possible to portray events as they unfold without camera influence.
Presentation on social realism
Social realism depicts social and racial injustice and economic hardship through unvarnished depictions of life's struggles, often portraying working class lives as heroic. It is difficult to define as it is politically and historically contingent. While it aims to accurately represent reality, what constitutes "truth" is contested. Social realism examines themes and issues through the lens of the time period it was produced in order to understand why certain topics were more prominent then versus later periods.
British Social Realism
British Social Realism films focus on realistic portrayals of working class life and social issues. Some common conventions of the genre include using unknown or non-professional actors, portraying social classes and locations accurately, and addressing themes like poverty, drugs, sex and crime. The target audience for social realism films varies depending on the specific film, but often appeals both to younger viewers due to portrayals of teenagers, as well as older audiences who remember the time periods depicted. Some classic examples that exemplify the genre include Kes, Billy Elliot, and This is England.
History of romance genre
Romance originated from myths involving knights and dragons and was first written in novels. One of the earliest and most famous romances was William Shakespeare's Romeo and Juliet, written in the 1500s. Romance genres typically depict scenarios involving love at first sight, teen love, forbidden love, obsession, passionate love, sacrifice, and destructive love, often ending in tragedy or happily ever after. The genre aims to take audiences on an emotional journey by pulling on their heartstrings. While kissing was initially frowned upon in early films like the first kiss scene in 1896's "The Kiss," romance films have increasingly focused more on kissing and sexuality over time, which some view as losing the genre's original aspirational nature.
Representation and Ideology in Film
This document discusses ideology and its representation in film. It defines ideology as a set of dominant beliefs in society like capitalism, patriotism, and religion. Karl Marx believed the bourgeoisie class manipulated ideology to benefit their wealth and control the lower classes. Antonio Gramsci's theory of cultural hegemony also suggested the ruling class manipulates society's value systems. In film, ideology can be seen in the representation of different social groups. Working class characters are often shown as unemployed, alcoholic, or foolish while upper class characters appear happy and well-behaved. Superhero films promote individualism and patriotism. The document proposes a film called "After Hours" that represents ideology as unattainable by showing a character who
Mashud q3
The media product represents young gangs in the opening scenes and upper-class businessmen in a later meeting. It is set in urban London to represent young people and social issues they face. The opening depicts struggling and relying on others, which can lead to real-life violence and problems. The goal is for the target audience to recognize societal issues raised as the young characters face stereotypes. Overall, the media product represents social groups in a negative but realistic way through violence and money to portray the harshness of reality.
Mashud q2media evaluation
The media product represents young gangs in the opening scenes and upper-class businessmen in a later meeting. It is set in urban London to represent young people and social issues they face. The opening depicts struggling and relying on others, which can lead to real-life violence and problems. The goal is for the target audience to recognize societal issues raised as the young characters face stereotypes. Overall, the media product represents social groups in a negative but realistic way through violence and money to portray the harshness of reality.
Initial idea's and Research
Our social realism trailer will focus on a group of teenagers between 15-30 years old who attend a party that ends in tragedy. It will show the stereotypical portrayal of this age group through their costumes, location in real neighborhoods, and use of non-professional local actors. The story follows the characters until one is hit and killed by a drunk driver, sentencing their friend to prison and leaving their girlfriends to live without them. It aims to represent serious contemporary issues like alcohol, drugs, and accidents in an authentic way through semi-improvised dialogue and gritty visual style.
Genre research social realism
Social realism is an international film genre that focuses on realistic portrayals of social issues like unemployment, poverty, and drugs through fictional stories. Early British films in the genre from the 1900s depicted unemployment among returning soldiers. Social realism films typically use unknown actors and are shot on real locations to reinforce their realistic style, as they often have small budgets that can't afford famous actors or elaborate sets. They aim to portray the struggles of working-class people in a way audiences can relate to.
Summary of urban stories 2014
This document provides context and analysis of the films La Haine and City of God. For both films, it examines themes of power, poverty, and conflict within urban environments. It summarizes key plot points, characters, and scenes. It also analyzes how the films portray issues of ethnicity, gender, class, and violence within the contexts of France and Brazil. The document uses examples and details from the films to illustrate its points about the social, political, and historical contexts portrayed.
Romantic Genre Essay
The romantic genre has evolved since the early silent films of the 1890s. Romantic films in the 1920s-1950s began to portray more complex love stories. Over time, filmmakers introduced subgenres to romantic films like romantic comedies (rom-coms) to appeal to wider audiences. A common plotline in rom-coms involves two people disliking each other initially and realizing their love by the end. Producers continue experimenting with storylines like in the film 50 First Dates to keep audiences interested. While pure romantic films are now rare, the 2004 film The Notebook is an example of a successful modern romantic film following a classic plot of forbidden love. Advances in technology have allowed filmmakers
Question 1
This document summarizes how the production of the thriller "Invisible Lives" uses and develops conventions of real media products. It draws inspiration from films like "The Third Man" in its location and use of low-key lighting. The costumes of the male stalker and female victims are inspired by films such as "Once Upon a Time in America," "The Girl with the Dragon Tattoo," and "Kill Bill Vol 1." While reinforcing some stereotypes of gender, it challenges stereotypes of age by using young victims and an older male perpetrator. Though it doesn't use a conventional claustrophobic location, it employs the genre convention of dark, wet streets in its opening scenes.
Assignment 3
The document discusses the drama genre in film. It notes that the purpose of drama is to get audiences thinking and convey moral messages or address controversial issues. Common conventions include depictions of single parents, abuse, violence, illness, and addiction. The genre first emerged in the late 1800s as a way to seriously address topics without offense. Examples of classic dramas from different decades are provided. The document also discusses drama subgenres like teen drama and crime drama, and notes hybrid genres can mix drama with other genres for interest.
Look back in anger
John Osborne wrote Look Back in Anger in 1956, drawing on his own experiences. It follows Jimmy Porter, a working class man married to Alison from an upper middle class family. Jimmy vents his anger at society through bitter tirades against Alison and her friend Helena. The play was considered revolutionary for using informal language and portraying disaffected youth. It helped launch the "Angry Young Men" movement in British theater.
"Look back in anger" - John Osborne
The play "Look Back in Anger" follows Jimmy Porter, an angry young man living in England with his wife Alison. Jimmy constantly insults and provokes both Alison and their friend Cliff through his rants. Alison reveals to Cliff that she is pregnant, though hasn't told Jimmy. Over time, Jimmy's outbursts escalate and Alison decides to leave with her friend Helena, though has second thoughts. In the final act, Alison returns after losing the baby, and finds that her suffering has allowed her and Jimmy to reconnect.
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Bsr
British Social Realism films portray everyday working class lives in a gritty and unvarnished style. They depict social and economic hardships realistically, using unknown actors and locations associated with poverty, crime, and struggle. Typical themes include protagonists trying to better their situation by overcoming challenges like drugs, crime, unemployment, and family dysfunction. Through emotional stories, these films aim to shed light on wider social and political issues of the time.
Bsr1
British social realism films portray everyday working class characters struggling with difficulties in gritty, urban dramas depicting real life. They aim to challenge social and cultural issues in Britain through unvarnished depictions of poverty, drugs, crime, and other hardships. These films typically explore wider social issues through emotional individual stories, use unknown actors and low budgets to enhance realism, and are filmed on location in run-down urban areas using techniques like handheld cameras and natural lighting to immerse viewers in the characters' worlds.
Urban stories answer edited
The document discusses several urban stories portrayed in films that deal with issues of power, poverty, and conflict arising from social and cultural environments. It analyzes two films - City of God, set in Rio de Janeiro about gang violence among poor youth, and La Haine, set in the outskirts of Paris about ethnic minority groups living with limited opportunities. Both films depict societies lacking identity due to Western globalization, and characters descending into violence, crime, or lethargy due to their social conditions and upbringings in unequal, discriminatory environments dominated by more powerful ideologies.
Genre in British Social Realism
British social realism developed over the 20th century to depict the lives and experiences of ordinary British people. Key moments included early films showing everyday life in the early 1900s and documentaries from the 1930s-40s that influenced later mainstream films. The 1950s Free Cinema movement and 1960s British New Wave brought social issues like class, gender, and economic challenges to the forefront through films focused on working class characters. Directors like Mike Leigh and Ken Loach examined the impact of policies like Thatcherism and consumerism on communities and family life. While formulas emerged, many films provided complex portraits of British society.
Social realism 2nd
Social realism is an artistic movement that depicts social and economic hardships through unvarnished portraits of life struggles, often depicting working class lives as heroic. As a film genre, social realism aims to accurately portray life and society through realistic settings, events, film techniques, and characters. It commonly uses non-professional actors, semi-improvised scripts, and actual locations to achieve authenticity and draw audiences into the stories. Popular British social realism films include Trainspotting, Billy Elliot, Kes, Fish Tank, and This is England, with Trainspotting providing a realistic and impactful view of the struggles of young drug addicts.
Social realism research
Social realism is an artistic movement that depicts social and economic hardships through unvarnished portraits of life struggles, often depicting working class lives as heroic. As a film genre, social realism aims to accurately portray life and society through realistic settings, events, film techniques, and characters. It commonly uses non-professional actors, semi-improvised scripts, and actual locations to achieve authenticity and draw audiences into the stories. Popular British social realism films include Trainspotting, Billy Elliot, Kes, Fish Tank, and This is England, with Trainspotting providing a realistic and impactful view of the struggles of young drug addicts.
La Haine first analysis
This document provides an overview of common issues, contexts, and representations explored in urban stories films. It discusses themes of cultures dominated by powerful ideologies, feelings of insignificance, and conflicts arising from social/cultural environments. For the film La Haine, it notes the context of 1990s Paris housing estates and police brutality. It examines representations of ethnic young men and how characters like Hubert reject crime but are impacted by circumstances beyond their control. Students are tasked with analyzing 1-2 scenes from the films through discussion of techniques, themes and the social issues they raise.
Verisimilitude
Verisimilitude refers to how realistic or truthful a narrative appears. It comes from the Latin words for "truth" and "similar." Verisimilitude in film is important for creating believability, and it can be achieved through generic conventions that audiences expect or through reflecting broader social norms. Certain film genres rely more on cultural verisimilitude for realism, while aspects that violate culture norms may attract audiences the most. Cinéma vérité documentaries aim for maximum verisimilitude through capturing experiences in an unedited, unobtrusive manner as possible to portray events as they unfold without camera influence.
Presentation on social realism
Social realism depicts social and racial injustice and economic hardship through unvarnished depictions of life's struggles, often portraying working class lives as heroic. It is difficult to define as it is politically and historically contingent. While it aims to accurately represent reality, what constitutes "truth" is contested. Social realism examines themes and issues through the lens of the time period it was produced in order to understand why certain topics were more prominent then versus later periods.
British Social Realism
British Social Realism films focus on realistic portrayals of working class life and social issues. Some common conventions of the genre include using unknown or non-professional actors, portraying social classes and locations accurately, and addressing themes like poverty, drugs, sex and crime. The target audience for social realism films varies depending on the specific film, but often appeals both to younger viewers due to portrayals of teenagers, as well as older audiences who remember the time periods depicted. Some classic examples that exemplify the genre include Kes, Billy Elliot, and This is England.
History of romance genre
Romance originated from myths involving knights and dragons and was first written in novels. One of the earliest and most famous romances was William Shakespeare's Romeo and Juliet, written in the 1500s. Romance genres typically depict scenarios involving love at first sight, teen love, forbidden love, obsession, passionate love, sacrifice, and destructive love, often ending in tragedy or happily ever after. The genre aims to take audiences on an emotional journey by pulling on their heartstrings. While kissing was initially frowned upon in early films like the first kiss scene in 1896's "The Kiss," romance films have increasingly focused more on kissing and sexuality over time, which some view as losing the genre's original aspirational nature.
Representation and Ideology in Film
This document discusses ideology and its representation in film. It defines ideology as a set of dominant beliefs in society like capitalism, patriotism, and religion. Karl Marx believed the bourgeoisie class manipulated ideology to benefit their wealth and control the lower classes. Antonio Gramsci's theory of cultural hegemony also suggested the ruling class manipulates society's value systems. In film, ideology can be seen in the representation of different social groups. Working class characters are often shown as unemployed, alcoholic, or foolish while upper class characters appear happy and well-behaved. Superhero films promote individualism and patriotism. The document proposes a film called "After Hours" that represents ideology as unattainable by showing a character who
Mashud q3
The media product represents young gangs in the opening scenes and upper-class businessmen in a later meeting. It is set in urban London to represent young people and social issues they face. The opening depicts struggling and relying on others, which can lead to real-life violence and problems. The goal is for the target audience to recognize societal issues raised as the young characters face stereotypes. Overall, the media product represents social groups in a negative but realistic way through violence and money to portray the harshness of reality.
Mashud q2media evaluation
The media product represents young gangs in the opening scenes and upper-class businessmen in a later meeting. It is set in urban London to represent young people and social issues they face. The opening depicts struggling and relying on others, which can lead to real-life violence and problems. The goal is for the target audience to recognize societal issues raised as the young characters face stereotypes. Overall, the media product represents social groups in a negative but realistic way through violence and money to portray the harshness of reality.
Initial idea's and Research
Our social realism trailer will focus on a group of teenagers between 15-30 years old who attend a party that ends in tragedy. It will show the stereotypical portrayal of this age group through their costumes, location in real neighborhoods, and use of non-professional local actors. The story follows the characters until one is hit and killed by a drunk driver, sentencing their friend to prison and leaving their girlfriends to live without them. It aims to represent serious contemporary issues like alcohol, drugs, and accidents in an authentic way through semi-improvised dialogue and gritty visual style.
Genre research social realism
Social realism is an international film genre that focuses on realistic portrayals of social issues like unemployment, poverty, and drugs through fictional stories. Early British films in the genre from the 1900s depicted unemployment among returning soldiers. Social realism films typically use unknown actors and are shot on real locations to reinforce their realistic style, as they often have small budgets that can't afford famous actors or elaborate sets. They aim to portray the struggles of working-class people in a way audiences can relate to.
Summary of urban stories 2014
This document provides context and analysis of the films La Haine and City of God. For both films, it examines themes of power, poverty, and conflict within urban environments. It summarizes key plot points, characters, and scenes. It also analyzes how the films portray issues of ethnicity, gender, class, and violence within the contexts of France and Brazil. The document uses examples and details from the films to illustrate its points about the social, political, and historical contexts portrayed.
Romantic Genre Essay
The romantic genre has evolved since the early silent films of the 1890s. Romantic films in the 1920s-1950s began to portray more complex love stories. Over time, filmmakers introduced subgenres to romantic films like romantic comedies (rom-coms) to appeal to wider audiences. A common plotline in rom-coms involves two people disliking each other initially and realizing their love by the end. Producers continue experimenting with storylines like in the film 50 First Dates to keep audiences interested. While pure romantic films are now rare, the 2004 film The Notebook is an example of a successful modern romantic film following a classic plot of forbidden love. Advances in technology have allowed filmmakers
Question 1
This document summarizes how the production of the thriller "Invisible Lives" uses and develops conventions of real media products. It draws inspiration from films like "The Third Man" in its location and use of low-key lighting. The costumes of the male stalker and female victims are inspired by films such as "Once Upon a Time in America," "The Girl with the Dragon Tattoo," and "Kill Bill Vol 1." While reinforcing some stereotypes of gender, it challenges stereotypes of age by using young victims and an older male perpetrator. Though it doesn't use a conventional claustrophobic location, it employs the genre convention of dark, wet streets in its opening scenes.
Assignment 3
The document discusses the drama genre in film. It notes that the purpose of drama is to get audiences thinking and convey moral messages or address controversial issues. Common conventions include depictions of single parents, abuse, violence, illness, and addiction. The genre first emerged in the late 1800s as a way to seriously address topics without offense. Examples of classic dramas from different decades are provided. The document also discusses drama subgenres like teen drama and crime drama, and notes hybrid genres can mix drama with other genres for interest.
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Look back in anger
John Osborne wrote Look Back in Anger in 1956, drawing on his own experiences. It follows Jimmy Porter, a working class man married to Alison from an upper middle class family. Jimmy vents his anger at society through bitter tirades against Alison and her friend Helena. The play was considered revolutionary for using informal language and portraying disaffected youth. It helped launch the "Angry Young Men" movement in British theater.
"Look back in anger" - John Osborne
The play "Look Back in Anger" follows Jimmy Porter, an angry young man living in England with his wife Alison. Jimmy constantly insults and provokes both Alison and their friend Cliff through his rants. Alison reveals to Cliff that she is pregnant, though hasn't told Jimmy. Over time, Jimmy's outbursts escalate and Alison decides to leave with her friend Helena, though has second thoughts. In the final act, Alison returns after losing the baby, and finds that her suffering has allowed her and Jimmy to reconnect.
Themes in John Osborne's, ''Look Back In Anger''
This document provides a summary of John Osborne's 1956 play "Look Back in Anger". It discusses the play as an example of Kitchen Sink Drama that focused on the lives of ordinary working class people. It outlines the play's themes of alienation, the "Angry Young Man", class conflict, and loss of childhood experienced by the characters. Biographical information is provided on playwright John Osborne and the themes explored in the play including anger, masculinity in art, and the decline of the British Empire.
Horror
The horror genre aims to create negative emotions in viewers by exploring primal fears of cannibals, demons, serial killers, ghosts, zombies and torture. Common elements include haunted locations like houses, hotels and caves, with props like knives, chainsaws and shotguns. Classic horror films date back to the early 20th century with titles like Dr. Jekyll and Mr Hyde, Frankenstein and The Wolf Man, while modern examples include The Shining, The Exorcist, Saw and Paranormal Activity.
Deconstruction of Solah Shringar with reference to "The Scarlet Letter"
The document compares and contrasts the symbolic punishment of "A" given to Hester Prynne in The Scarlet Letter to the traditional 16 items of "Solah Shringar" expected of married Hindu women. It questions whether these symbols internalized by society truly represent crimes or sins committed, when in reality they are forms of archetypal control imposed upon women but not men. While Hester and Indian women initially feel insulted by these expected roles, over time they become so internalized that the women no longer see them as harmful though they are forms of socially enforced identity.
Pygmalion: Analysis
1) The play Pygmalion is based on the Greek myth of Pygmalion and centers around Eliza Doolittle, a poor flower girl who is taken in by Professor Higgins to be transformed into a lady.
2) At the start of the play Eliza is vulgar and uneducated but ambitious. Through Higgins' lessons, she gains polished speech and manners, but also becomes more independent and assertive.
3) While Higgins is proud of his work transforming Eliza, he remains emotionally detached and fails to recognize her role in his success, which upsets her and leads to their conflict at the end of the play.
Look back in angerppt
The document provides background information on John Osborne's 1956 play "Look Back in Anger". It introduces the two main motifs of the "Angry Young Man" and "Kitchen Sink Drama". The play was groundbreaking for depicting the domestic lives and raw emotions of the working class in postwar Britain. The main character, Jimmy Porter, came to epitomize the disaffected youth of the time and their anger towards the declining British class system and empire. The play captured the mood of social change in 1950s Britain.
John Osborne, Look Back in Anger, Liceo Attilio Bertolucci-ppt Venturini-Ferrari
John Osborne's 1956 play Look Back in Anger transformed English theatre. It depicted the post-World War 2 climate in Britain through the tumultuous relationship between Jimmy and his wife Alison. Jimmy, part of the new working class, rails against the British establishment through his passionate monologues. The play innovated by taking place entirely in a run-down attic flat and focusing on the domestic lives of ordinary Britons. It explored themes like the decline of patriarchal families, class conflict, and Britain adjusting to its diminished global status following the end of its empire.
Don’t look back in anger
This document provides a musical analysis of the Oasis song "Don't Look Back in Anger" in 3 paragraphs or less:
The song uses a verse-chorus structure with guitar, bass, drums, piano and backing strings. It is in the key of C major and uses a diatonic harmony with some chromatic chords. The melody is pentatonic in the verse and uses a hexachord in the chorus, with a falling contour and syncopation.
The texture is homophonic with simple chords in the accompaniment and decorated bass line. The rhythm is in common 4/4 time. The word setting is mostly syllabic with ornamentation on final words.
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Deconstruction of Solah Shringar with reference to "The Scarlet Letter"
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John Osborne, Look Back in Anger, Liceo Attilio Bertolucci-ppt Venturini-Ferrari
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Similar to social realism
Social realism
Social realism aims to provide a truthful depiction of everyday life, focusing on average people and issues typically avoided in mainstream films. It shows taboo themes and unrepresented groups to highlight social issues and make commentary. Locations, characters, and stories are typically gritty and bleak to realistically portray the lives of the working class. Cinematography, lighting, sound, and other aesthetic choices are simple and naturalistic to maintain verisimilitude and avoid distracting from the social messages. The goal is to educate audiences about real problems rather than provide escapism.
Social realism
The document discusses the genre of social realism. Social realism films explore real life situations and difficulties through dramatic stories that focus on wider social issues. They use non-professional actors, location shooting over studios, semi-improvised scripts, and serious themes. The discussed short film "Enough" will use these techniques to portray the domestic abuse experienced by the main character and allow the audience to connect with her struggles.
Social realism
The document discusses the genre of social realism. Social realism films explore real life situations and difficulties through dramatic stories that focus on wider social issues. They use non-professional actors, location shooting over studios, semi-improvised scripts, and serious themes. The discussed short film "Enough" will use these techniques to portray the domestic abuse experienced by the main character and allow the audience to connect with her struggle.
Social realism
The document discusses the genre of social realism. Social realism films explore real life situations and difficulties through dramatic stories that focus on wider social issues. They use non-professional actors, location shooting over studios, semi-improvised scripts, and serious tones. The goal is to allow audiences to connect with characters and their struggles to survive daily challenges. Examples given of social realism films include Fish Tank and I Daniel Blake.
Codes and conventions
Social Realism focuses on realistic portrayals of working class lives and social issues. It uses techniques like handheld camera shots, natural lighting, and locations and clothing that feel authentic. Micro features contribute to this realism, like lighting that sets moods and clothing that provides context about characters' backgrounds. For example, the main character in Fish Tank wears dark colors that reflect her sad mood. Sound is also used authentically, with recognizable noises like cars that show trouble, and dialogue and accents that provide context about characters' social class and origins.
Media Question 1 - Conventions of real media products
This document discusses the genres, codes, conventions, and target audience of the film "VERSES". It examines how the film draws from the genres of social realism and coming-of-age films through its focus on working class characters and themes of growing up. While the teaser trailer follows many conventions like using unknown actors and montage editing, it challenges some conventions by omitting a voiceover or focus on sex/drugs. The target audience is identified as males and females aged 16-24 who can relate to the teenage protagonist dealing with career choices.
Media question 1
This document discusses the genres, codes, and conventions used in the media product "VERSES". It examines how the film draws from the genres of social realism and coming-of-age films through its focus on working class characters and themes of growing up. While the teaser trailer follows many conventions like using unknown actors and montage editing, it challenges some conventions by omitting a voiceover and focusing less on sex, drugs, and rebellion typical of the genres. The target audience is identified as males and females aged 16-24 who can relate to the teenage protagonist navigating career decisions.
Codes and conventions realism (1)
This document discusses several codes and conventions of social realism films in Britain. It notes that these films typically represent the lower working class through their clothing and settings. They also use unknown, non-famous actors and film in actual urban locations rather than studios to make the stories more relatable. The films deal with realistic issues but add humor, and target teenage/young adult audiences who can relate to the characters. Dialogue is sometimes semi-improvised and regional identities/accents are used to set the location. Cinematography also uses natural lighting and hand-held camera shots for a simplistic style compared to Hollywood films.
Codes and conventions British social realism
This document discusses several codes and conventions of social realism films in Britain. It notes that these films typically represent the lower working class through their clothing and settings. They also use unknown, non-famous actors and film in actual urban locations rather than studios to make the stories more relatable. The films deal with realistic issues but add humor, and focus on teenage audiences who can relate to the characters. Dialogue is sometimes semi-improvised and regional accents and identities are featured to capture different areas of Britain. Cinematography uses natural lighting and hand-held camera shots for a simplistic, realistic feel.
Codes and conventions realism
This document discusses several codes and conventions of social realism films in Britain. It notes that these films typically represent the lower working class through their clothing and settings. They also use unknown, non-famous actors and film in actual urban locations rather than studios to make the stories more relatable. The films deal with realistic issues but add humor, and focus on teenage audiences who can relate to the characters. Dialogue is sometimes semi-improvised and regional accents and identities are featured to capture different areas of Britain. Cinematography uses natural lighting and hand-held camera shots for a simplistic, realistic feel.
Genre research
The document discusses conventions of British independently made drama films and how the group's production will follow these conventions. It will focus on the life of a working class individual living in a rural Midlands community to highlight isolation and represent social issues like depression, alcoholism, and fatherless children. This challenges stereotypes while producing emotional responses in the educated, niche audience for whom social realism films are targeted.
Genre research
Social realism films incorporate real-world social issues and struggles to portray realistic stories and characters. They cover controversial topics like drugs, abuse, poverty, and more. These films usually focus on working-class characters undergoing significant life challenges. Unknown or lesser-known actors are often used to add authenticity. Directors try to convey political or social messages through the films. Audiences can vary significantly depending on the content and era portrayed in each film. Characters typically belong to subcultures representative of the depicted time period. Cinematography aims for realistic, immersed perspectives. Props, clothing, and soundtracks help characterize subcultures and personalities of that era in an artistic yet authentic way.
Evaluation question 1
The document discusses how the film uses and challenges conventions of real media in its portrayal of character, costume, location, editing, and lack of special effects. It aims to present the main character as a stereotypical urban youth through trackie bottoms and hoodie at a run-down location, while also showing his determination through parallel editing of his life and football. No special effects were included to maintain the social realism genre convention of low budgets and realistic reflections of society.
Social realism
This document discusses definitions and approaches to social realism. It notes that social realism is difficult to define as it is politically and historically dependent. Several theorists are discussed who attempted to define elements of realism in film and media. André Bazin believed realism allows finding personal realities through techniques like depth of shot. Branston and Stafford say realism captures accurate events and conveys societal messages. Several films and art forms from the late 19th century aimed to depict truth or reality through realistic conventions. Theories of filmmakers like Kracauer and Gerhadie viewed realism as representing daily life with minimal embellishment.
Social realism
This document discusses definitions and approaches to social realism. It notes that social realism is difficult to define as it is politically and historically dependent. Several theorists are discussed who attempted to define elements of realism in film and media. André Bazin believed realism allows finding personal realities through techniques like depth of shot. Branston and Stafford argue realism requires accurately capturing real events and conveying a message about society. The document examines different views on how realism attempts to represent truth and everyday life through conventions.
Evaluation Question 1
This document discusses how a media production used and challenged conventions of the social realism genre. It examines the conventions around actors, topics, settings, and credits. The production met conventions such as using unknown actors, portraying the lives of young people in deprived areas, and showing different social classes. It challenged conventions like minimal editing. The document reflects on how the production could have better met conventions and applied theoretical frameworks like auteur theory and hegemony theory.
Section b genre SECTION B
The document discusses conventions of social realism films including:
- Realistic settings that depict working class lives and economic hardship
- Believable filming techniques with gritty urban locations
- Focus on how location and characters' choices shape the narratives
- Key characters are often working class heroes who try to overcome struggles
What is social realism?
Social realism depicts contemporary life to comment on social or political issues through realistic art. Social realist films often deal with issues like drugs, sex, poverty, and crime, and use run-down areas as locations. The target audience of social realist films varies by the film's conventions, from younger audiences attracted to films with young actors, to older audiences of 50+ attracted to films like "This Happy Breed." Main conventions include using run-down locations, wide shots, non-professional actors, semi-improvised scripts, and exploring wider social issues through personal stories.
What is social realism
Social realism in art and film depicts contemporary life to comment on social and political issues. Social realist films often focus on topics like drugs, sex, poverty, and crime, and are set in run-down areas to appear realistic. The target audience of social realist films varies depending on the content and actors, ranging from younger viewers attracted to films with youthful casts, to older audiences. Key conventions include using real locations, wide shots, non-professional actors, semi-improvised scripts, and exploring wider social issues through personal stories.
Evaluation1
This media product uses conventions from the thriller and social realism genres to construct its film opening. It follows conventions such as using a handheld camera, non-professional actors, and semi-improvised scripts. However, it also challenges some conventions through the use of point-of-view shots and symbolic shots. The film opening aims to set a mysterious tone through connecting to thriller and urban drama genres while also focusing on realistic backgrounds and characters typical of social realism films. Sound, clothing, and camera angles are employed conventionally to develop characters and foreshadow events in line with these genres.
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Media Question 1 - Conventions of real media products
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3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Divertidamente SLIDE muito lindo e criativo, pptx
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social realism
- 2. Social realism is a film that focuses on issues that represents the modern society. This through different ideologies. Many themes that are used include money, drugs, class, religion and political views. These are very popular views, however were not always involved in early social realism storyline films. SOCIAL REALISM
- 3. Both of these film posters show the main characters within the film. It shows them in normal everyday clothes, this makes the characters seem real. Additionally, the use of non professional actors makes the audience engage more because they relate people in there everyday life. These posters of the films show the characters in a negative mood and showing some of the emotional aspects. CHARACTERS
- 4. Location shooting (not studio) Wide shots Non professional actors Sometimes improvised scripts Humour and seriousness The erosion of regional identities Wider social issues explored via emotional and dramatic individual stories Triumph over adversity CODES AND CONVENTIONS OF SOCIAL REALISM ARE;
- 5. These are used in order to make the film seem more real due to the fact it represents real life conversations. It can sometimes be serious and humorous and this is to deal with issues relating to a lot of peoples issues like unemployment, gangs and it incorporates SEMI IMPROVISED SCRIPTS
- 6. Social realism films are filmed in real life locations such as housing estates and parks. They usually don’t have a studio like big Hollywood films. By doing this it enables to film to be more realistic and lets the audience relate to it more due to the real life scenes. An example of this is fish tank which was filmed in a council estate. LOCATIONS
- 7. USE OF SHOTS Social realism films tend to use a lot of wide shots. This is so that the audience can understand where the film is and where its set.
- 8. The film would use the appropriate accents and language to link with setting and overall atmosphere. This to make sure people know what the film is about and its storyline. REGIONAL IDENTITIES