This document analyzes a student-created trailer for a thriller film called "Silent Town". It summarizes the key elements of the trailer including the title, locations, costumes, props, camerawork, editing, captions, genre, characters, effects, length, and sound. It also analyzes the accompanying magazine cover and poster that were created to promote the film. The analysis explains how these elements develop and challenge conventions of real thriller media.
This document analyzes a trailer created for a thriller genre film called "Silent Town". It summarizes the key elements of the trailer including the title, locations used, costumes, props, camerawork, editing, captions, genre, characters, special effects, length, and sound. The analysis explains how these elements were used to develop and challenge conventions of real thriller trailers.
The document analyzes the conventions used in the trailer for the horror film "Sinister" through its camerawork, sound, mise-en-scene, editing, genre conventions, and format conventions. It notes that the camerawork uses zooms and wide shots to create tension and suspense. Non-diegetic sounds are used to scare the audience, while diegetic screams convey a character's fear. Elements like a pale antagonist, low key lighting, and a violent axe prop follow horror genre conventions. Fast editing keeps viewers on edge, and the trailer avoids revealing the ending to make audiences want to see the full movie.
The document analyzes several movie trailers and discusses conventions they use. It notes how the "Paper Towns" trailer uses slow motion shots of Margo to portray her as beautiful and establish intrigue. Transitions create mystery around her character. Relatable settings like suburbs and schools build verisimilitude. The "Hitman: Agent 47" trailer opens with a dramatic zoom on a barcode on the main character's neck, setting up intrigue. Costumes distinguish protagonists from antagonists. The "Maze Runner: Scorch Trials" trailer uses CGI to create a futuristic dystopia. Flashbacks transition with fades, and costumes distinguish the statuses of adults versus teenagers. Powerful voiceovers
The document analyzes the trailer for the 2004 horror film "Saw". It summarizes the key techniques used in the trailer to convey the narrative and genre. These include using dark lighting and isolated locations to set an atmospheric and suspenseful tone. Dialogue and sound effects are relied on over music to draw the audience in. Jump scares and a building musical score increase tension. While brief, the trailer leaves viewers questioning and wanting to learn more, achieving its goal of enticing people to watch the full film.
The document analyzes the trailer for the 2004 horror film "Saw." Some key points made:
- The trailer is 1 minute and 57 seconds long and effectively conveys the genre and basic plot in a short time through techniques like camera angles, audio, and transitions.
- Locations shown are dark, run-down places that set the horror atmosphere. Lighting is also dark to create suspense.
- Sound effects like heartbeats and screams build tension. Dialogue provides narrative and background on the killer Jigsaw.
- Mis en scene details like the victims' scruffy clothing versus Jigsaw's suit imply a power dynamic.
- The trailer leaves the audience with
The document analyzes the trailer for the 2004 horror film "Saw." Some key points made:
- The trailer is 1 minute and 57 seconds long and effectively conveys the genre and basic plot in a short time through techniques like camera angles, audio, and transitions.
- Locations shown are dark, run-down places that set the horror atmosphere. Lighting is also dark to create suspense.
- Sound effects like heartbeats and screams build tension. Dialogue provides narrative and background on the killer Jigsaw.
- Mis en scene details like the victims' scruffy clothing versus Jigsaw's suit imply a power dynamic.
- The trailer leaves many questions un
Textual analysis of 2 soap opera trailersewalker1252
This document provides an analysis of two soap opera trailers from Hollyoaks and Eastenders. For each trailer, it summarizes the use of verbal codes like dialogue and soundtrack, non-verbal codes like lighting, costumes and setting, and technical codes like camera angles and shot types. It evaluates the strengths of each trailer, noting elements it would repeat like changing soundtracks and fast cuts, or exploit like a powerful opening line or short trailer length.
The Forest - Film Trailer Analysis (horror)lauryndainton
The trailer summarizes a supernatural horror film called The Forest. It establishes that the film takes place in a forest known as a "suicide forest" and features actresses Natalie Dormer and Taylor Kinney. Through its use of camera techniques, editing, music and setting, the trailer builds a sense of mystery, tension and fear to draw viewers into the film's plot and promote it as a unique supernatural horror story based on a real-life location.
This document analyzes a trailer created for a thriller genre film called "Silent Town". It summarizes the key elements of the trailer including the title, locations used, costumes, props, camerawork, editing, captions, genre, characters, special effects, length, and sound. The analysis explains how these elements were used to develop and challenge conventions of real thriller trailers.
The document analyzes the conventions used in the trailer for the horror film "Sinister" through its camerawork, sound, mise-en-scene, editing, genre conventions, and format conventions. It notes that the camerawork uses zooms and wide shots to create tension and suspense. Non-diegetic sounds are used to scare the audience, while diegetic screams convey a character's fear. Elements like a pale antagonist, low key lighting, and a violent axe prop follow horror genre conventions. Fast editing keeps viewers on edge, and the trailer avoids revealing the ending to make audiences want to see the full movie.
The document analyzes several movie trailers and discusses conventions they use. It notes how the "Paper Towns" trailer uses slow motion shots of Margo to portray her as beautiful and establish intrigue. Transitions create mystery around her character. Relatable settings like suburbs and schools build verisimilitude. The "Hitman: Agent 47" trailer opens with a dramatic zoom on a barcode on the main character's neck, setting up intrigue. Costumes distinguish protagonists from antagonists. The "Maze Runner: Scorch Trials" trailer uses CGI to create a futuristic dystopia. Flashbacks transition with fades, and costumes distinguish the statuses of adults versus teenagers. Powerful voiceovers
The document analyzes the trailer for the 2004 horror film "Saw". It summarizes the key techniques used in the trailer to convey the narrative and genre. These include using dark lighting and isolated locations to set an atmospheric and suspenseful tone. Dialogue and sound effects are relied on over music to draw the audience in. Jump scares and a building musical score increase tension. While brief, the trailer leaves viewers questioning and wanting to learn more, achieving its goal of enticing people to watch the full film.
The document analyzes the trailer for the 2004 horror film "Saw." Some key points made:
- The trailer is 1 minute and 57 seconds long and effectively conveys the genre and basic plot in a short time through techniques like camera angles, audio, and transitions.
- Locations shown are dark, run-down places that set the horror atmosphere. Lighting is also dark to create suspense.
- Sound effects like heartbeats and screams build tension. Dialogue provides narrative and background on the killer Jigsaw.
- Mis en scene details like the victims' scruffy clothing versus Jigsaw's suit imply a power dynamic.
- The trailer leaves the audience with
The document analyzes the trailer for the 2004 horror film "Saw." Some key points made:
- The trailer is 1 minute and 57 seconds long and effectively conveys the genre and basic plot in a short time through techniques like camera angles, audio, and transitions.
- Locations shown are dark, run-down places that set the horror atmosphere. Lighting is also dark to create suspense.
- Sound effects like heartbeats and screams build tension. Dialogue provides narrative and background on the killer Jigsaw.
- Mis en scene details like the victims' scruffy clothing versus Jigsaw's suit imply a power dynamic.
- The trailer leaves many questions un
Textual analysis of 2 soap opera trailersewalker1252
This document provides an analysis of two soap opera trailers from Hollyoaks and Eastenders. For each trailer, it summarizes the use of verbal codes like dialogue and soundtrack, non-verbal codes like lighting, costumes and setting, and technical codes like camera angles and shot types. It evaluates the strengths of each trailer, noting elements it would repeat like changing soundtracks and fast cuts, or exploit like a powerful opening line or short trailer length.
The Forest - Film Trailer Analysis (horror)lauryndainton
The trailer summarizes a supernatural horror film called The Forest. It establishes that the film takes place in a forest known as a "suicide forest" and features actresses Natalie Dormer and Taylor Kinney. Through its use of camera techniques, editing, music and setting, the trailer builds a sense of mystery, tension and fear to draw viewers into the film's plot and promote it as a unique supernatural horror story based on a real-life location.
The trailer uses a first-person point of view to immerse the audience in the scenario and create anxiety for the main character. Dark, shadowy lighting is used to convey danger and establish the horror genre. The isolated underground station setting traps the characters without help. Quick cuts build tension as the audience sees brief glimpses of a killer and bloody scenes while questions about characters' fates remain unanswered.
The trailer uses various editing techniques to build tension and mystery. It employs short, fast-cut clips to avoid revealing too many spoilers while still showing glimpses of scary moments. Transitions between scenes are often only 1 second to continually ramp up a feeling of unease. Jump scares, dark cinematography, and unsettling sounds and music further frighten the audience. The plot involves characters exploring a mysterious cave and encountering unexplained phenomena that seem linked to their pasts. As they delve deeper, more secrets and horrors are revealed. The trailer ultimately leaves viewers wanting to know more about the film's full story.
The document summarizes how the media product of a trailer, magazine cover, and film poster for a horror/thriller genre film challenge and develop conventions of real media. For the trailer, conventions like camera shots, editing, sound, characters, and locations were followed, but some elements like character outcomes were challenged. The magazine cover followed conventions like layout, masthead, and image placement, but challenged elements like text placement. The poster followed conventions like a close-up image and capital title, but challenged conventions like title placement. Overall, the media product used research of real examples to both develop and challenge typical genre conventions.
This document discusses the conventions and techniques used in movie trailers. It explains that trailers aim to promote movies in an abbreviated format that leaves audiences curious without revealing too much of the plot. Common elements of trailers discussed include showcasing main characters, production logos, film titles, age ratings, websites/hashtags, music, voiceovers, director/actor names and release dates. The general structure of trailers is also outlined as establishing characters and settings, a build up of events, introduction of a dilemma, and characters attempting to overcome problems.
The document discusses how the media product utilizes conventions of real horror films in its forms and techniques. It describes using typical horror props like a noose and axe to portray the main character as a sinister killer and create tension. Shots of a run-down shed are used to imply something disturbing is happening there. Editing techniques like intercutting between the character and shed build suspense. Non-diegetic music and free sound effects like screams also help construct an unsettling atmosphere. Through these cinematic methods, the media product adopts conventions from slasher and psychological horror genres to craft a recognizable horror story.
The Texas Chainsaw Massacre Trailer- Detailed Research into Similar Productschelsmiller95
The document analyzes the camerawork, editing, mis-en-scene, and sound techniques used in the trailer for The Texas Chainsaw Massacre (2003). It discusses how various shots, including establishing shots, close-ups, and angles are used to set the scene and portray emotions. It also explores how techniques like fading, fast-paced cutting, lighting, costume, setting, and diegetic/non-diegetic sounds help build tension and engage the audience. The trailer uses these cinematic techniques to tell the story and draw viewers into the horror genre conventions of the film.
The trailer uses techniques common to horror films like darkness, isolated settings, and an unknown killer to set up tension and mystery. Shaky camera work and quick cuts establish anxiety and increase the pace. Various shots introduce the main character, other victims, and a disturbing image to confuse and unnerve the audience. While many details are hidden, flashes of violence whet the audience's appetite for what threats and scares may be in store.
This document analyzes the trailers for the romantic comedies "What Happened in Vegas" and "Friends with Benefits". It summarizes the key elements of each trailer, including the use of logos, intertitles, sound, dialogue, voiceovers, themes, narrative techniques, characters, costumes, and locations. The document finds that while the trailers share some conventions of the romantic comedy genre, they differ in their specific approaches to elements like voiceovers, music usage, and pacing of editing.
The document summarizes the research and development process for a student creating a movie trailer for a horror/thriller genre film. The student researched conventions of similar horror/thriller trailers such as The Descent, 388 Arletta Avenue, Silent House, and Chernobyl Diaries to understand techniques to include. Elements like low lighting, shadowed figures, and implied danger were analyzed. The student also researched other genres to understand differences and ensure focusing on appropriate conventions. Feedback from the research will be applied to creating an engaging trailer that draws in viewers.
The Shutter Island trailer effectively conveys the psychological thriller genre in under 3 minutes. It establishes the basic plot of U.S. Marshal Teddy Daniels (Leonardo DiCaprio) investigating a psychiatric facility on a remote island for missing patients. Through its use of ominous music, dark lighting and mysterious dialogue, the trailer builds an unsettling atmosphere and leaves viewers with many questions. It implies the hospital staff may be hiding sinister activities while also hinting that Teddy could be losing his grip on reality. Though it reveals only selective scenes, the trailer intrigues audiences to learn more about what's truly happening on Shutter Island. The filmmaker analyzes how the trailer misdirects viewers and maintains mystery, techniques they aim
The trailer uses a first-person point of view shot to immerse the viewer and create tension. It introduces the main character, a woman alone in an underground station at night. Dark, unsettling lighting and isolated locations are employed to build an ominous atmosphere. Quick cuts show the woman and others in perilous situations, hinting at a threat but not revealing its nature. The title "Creep" leaves the viewer wondering what fate awaits the characters in this scary film.
The trailer uses various cinematography techniques to build tension and intrigue around the film Creep. It begins with a shaky point-of-view shot to immerse the viewer in the main character's anxiety and uncertainty. Quick cuts introduce multiple characters in dangerous situations while keeping the killer's identity ambiguous. Dark lighting and isolated underground locations establish the scary atmosphere. The trailer leaves viewers wondering if any of the imperiled characters will escape the killer living in the station's tunnels.
Elise Daniels is researching and developing a movie trailer for a horror/thriller genre film. She has viewed several similar film trailers, including The Descent, 388 Arletta Avenue, Silent House, and Chernobyl Diaries to analyze conventions used in the horror genre. Key conventions she identified include low lighting, shadowy figures, wide shots showing isolated settings, mysteries characters, weapons, and injuries. She also researched other genres like romance to understand differences. Her research will help her create an effective horror trailer that draws in audiences and leaves them wanting more without revealing the entire plot.
this is my analysis of the advertising campaign for the film insidious; including the trailer, poster and magazine cover for my ocr a2 media studies coursework.
The document provides a textual analysis of two romantic comedy movie trailers: "What Happened in Vegas" and "Friends with Benefits". For "What Happened in Vegas", the analysis examines the use of logos, intertitles, sound, dialogue, themes, characters, locations, and editing pace. For "Friends with Benefits", the analysis looks at logos, intertitles, sound, dialogue, themes, characters, and narrative techniques. The document studies conventions in the two trailers to inform the creation of the author's own romantic comedy trailer.
The document analyzes and summarizes several horror movie trailers, including Resident Evil: Retribution, Wolf Creek, and Inside. It discusses elements like length, use of dialogue/narration, characterization, and plot details. The author indicates they want to incorporate suspense, sound effects, and a storyline involving a couple turning against each other due to paranormal events in their own horror trailer. They also want the poster to better reflect the trailer's content.
The document analyzes and summarizes several horror movie trailers. It discusses the costumes, gestures, and narratives conveyed in each trailer. Key details include everyday clothing torn by violence, frightened running and screaming, dangerous games with life-threatening consequences, and tension built through quick cuts and loud noises without resolution. The purpose is to understand how the trailers entice audiences to watch the full films and experience fear.
The opening scene introduces the protagonist Charlie Kenton as he drives his truck through a rural area at night. Natural low-key lighting and a melancholy country song set a dreary tone. Hugh Jackman's posture suggests Charlie is bored with his job. Shots of the open road and windmills signify Charlie's slow, dreary life. As his truck passes a carnival, reflections in the window show the lively scene he has left behind, hinting at past regrets. The scene uses lighting, camera shots, and sound to portray Charlie's melancholy existence and foreshadow a coming change.
The trailer is for the supernatural horror film Final Destination 5. It is 2 minutes and 5 seconds long, directed by Steven Quale and distributed by Warner Bros. Pictures. The trailer uses dialogue, credits/intertitles, camera shots, special effects and music to build tension and suspense around the film's narrative of a group trying to escape death through premonitions. It targets audiences aged 15 and older with its scary scenes and intensity meant to draw viewers to the next installment in the Final Destination franchise.
This document analyzes how the author's horror film trailer uses, develops, or challenges conventions of real horror film trailers. It discusses elements of mise-en-scene, music and sound, characters, camera and editing, titles, and themes. For most elements, the author's trailer follows genre conventions but also challenges them in some ways. For example, costumes adhere to conventions but have unique styles, and settings are mysterious but not completely dark.
In what ways does your media product use, develop or challenge forms and con...Yvette Kakaire
Our thriller trailer uses conventions from other thriller films to introduce characters and setting without revealing too much of the plot. Key conventions we employed included using dull colors, dramatic camera angles, isolated locations, mysterious villains, and a tense soundtrack. We were inspired by trailers for films like "Taken" and "Memento" in our stylistic choices. While adhering to thriller conventions, we also aimed to challenge expectations and leave some mystery for audiences.
Evaluation question 1- In what ways does your media use, develop or challenge...Pip Cole
The student created a thriller opening for a media project that adhered to several thriller conventions including low-key lighting, suspense, enigma, and use of weapons. The opening depicted a male character who couldn't let go of his ex-girlfriend and showed what lengths he would go to keep her. While the project met some conventions through lighting, editing, and characters, the student noted areas for improvement like adding a darker music score, more varied camera shots, and tweaks to increase tension and pace. Overall, the student felt the opening could be classified as a thriller due to its use of enigma, suspense, and isolation, but may need further editing to more clearly fit the genre.
The trailer uses a first-person point of view to immerse the audience in the scenario and create anxiety for the main character. Dark, shadowy lighting is used to convey danger and establish the horror genre. The isolated underground station setting traps the characters without help. Quick cuts build tension as the audience sees brief glimpses of a killer and bloody scenes while questions about characters' fates remain unanswered.
The trailer uses various editing techniques to build tension and mystery. It employs short, fast-cut clips to avoid revealing too many spoilers while still showing glimpses of scary moments. Transitions between scenes are often only 1 second to continually ramp up a feeling of unease. Jump scares, dark cinematography, and unsettling sounds and music further frighten the audience. The plot involves characters exploring a mysterious cave and encountering unexplained phenomena that seem linked to their pasts. As they delve deeper, more secrets and horrors are revealed. The trailer ultimately leaves viewers wanting to know more about the film's full story.
The document summarizes how the media product of a trailer, magazine cover, and film poster for a horror/thriller genre film challenge and develop conventions of real media. For the trailer, conventions like camera shots, editing, sound, characters, and locations were followed, but some elements like character outcomes were challenged. The magazine cover followed conventions like layout, masthead, and image placement, but challenged elements like text placement. The poster followed conventions like a close-up image and capital title, but challenged conventions like title placement. Overall, the media product used research of real examples to both develop and challenge typical genre conventions.
This document discusses the conventions and techniques used in movie trailers. It explains that trailers aim to promote movies in an abbreviated format that leaves audiences curious without revealing too much of the plot. Common elements of trailers discussed include showcasing main characters, production logos, film titles, age ratings, websites/hashtags, music, voiceovers, director/actor names and release dates. The general structure of trailers is also outlined as establishing characters and settings, a build up of events, introduction of a dilemma, and characters attempting to overcome problems.
The document discusses how the media product utilizes conventions of real horror films in its forms and techniques. It describes using typical horror props like a noose and axe to portray the main character as a sinister killer and create tension. Shots of a run-down shed are used to imply something disturbing is happening there. Editing techniques like intercutting between the character and shed build suspense. Non-diegetic music and free sound effects like screams also help construct an unsettling atmosphere. Through these cinematic methods, the media product adopts conventions from slasher and psychological horror genres to craft a recognizable horror story.
The Texas Chainsaw Massacre Trailer- Detailed Research into Similar Productschelsmiller95
The document analyzes the camerawork, editing, mis-en-scene, and sound techniques used in the trailer for The Texas Chainsaw Massacre (2003). It discusses how various shots, including establishing shots, close-ups, and angles are used to set the scene and portray emotions. It also explores how techniques like fading, fast-paced cutting, lighting, costume, setting, and diegetic/non-diegetic sounds help build tension and engage the audience. The trailer uses these cinematic techniques to tell the story and draw viewers into the horror genre conventions of the film.
The trailer uses techniques common to horror films like darkness, isolated settings, and an unknown killer to set up tension and mystery. Shaky camera work and quick cuts establish anxiety and increase the pace. Various shots introduce the main character, other victims, and a disturbing image to confuse and unnerve the audience. While many details are hidden, flashes of violence whet the audience's appetite for what threats and scares may be in store.
This document analyzes the trailers for the romantic comedies "What Happened in Vegas" and "Friends with Benefits". It summarizes the key elements of each trailer, including the use of logos, intertitles, sound, dialogue, voiceovers, themes, narrative techniques, characters, costumes, and locations. The document finds that while the trailers share some conventions of the romantic comedy genre, they differ in their specific approaches to elements like voiceovers, music usage, and pacing of editing.
The document summarizes the research and development process for a student creating a movie trailer for a horror/thriller genre film. The student researched conventions of similar horror/thriller trailers such as The Descent, 388 Arletta Avenue, Silent House, and Chernobyl Diaries to understand techniques to include. Elements like low lighting, shadowed figures, and implied danger were analyzed. The student also researched other genres to understand differences and ensure focusing on appropriate conventions. Feedback from the research will be applied to creating an engaging trailer that draws in viewers.
The Shutter Island trailer effectively conveys the psychological thriller genre in under 3 minutes. It establishes the basic plot of U.S. Marshal Teddy Daniels (Leonardo DiCaprio) investigating a psychiatric facility on a remote island for missing patients. Through its use of ominous music, dark lighting and mysterious dialogue, the trailer builds an unsettling atmosphere and leaves viewers with many questions. It implies the hospital staff may be hiding sinister activities while also hinting that Teddy could be losing his grip on reality. Though it reveals only selective scenes, the trailer intrigues audiences to learn more about what's truly happening on Shutter Island. The filmmaker analyzes how the trailer misdirects viewers and maintains mystery, techniques they aim
The trailer uses a first-person point of view shot to immerse the viewer and create tension. It introduces the main character, a woman alone in an underground station at night. Dark, unsettling lighting and isolated locations are employed to build an ominous atmosphere. Quick cuts show the woman and others in perilous situations, hinting at a threat but not revealing its nature. The title "Creep" leaves the viewer wondering what fate awaits the characters in this scary film.
The trailer uses various cinematography techniques to build tension and intrigue around the film Creep. It begins with a shaky point-of-view shot to immerse the viewer in the main character's anxiety and uncertainty. Quick cuts introduce multiple characters in dangerous situations while keeping the killer's identity ambiguous. Dark lighting and isolated underground locations establish the scary atmosphere. The trailer leaves viewers wondering if any of the imperiled characters will escape the killer living in the station's tunnels.
Elise Daniels is researching and developing a movie trailer for a horror/thriller genre film. She has viewed several similar film trailers, including The Descent, 388 Arletta Avenue, Silent House, and Chernobyl Diaries to analyze conventions used in the horror genre. Key conventions she identified include low lighting, shadowy figures, wide shots showing isolated settings, mysteries characters, weapons, and injuries. She also researched other genres like romance to understand differences. Her research will help her create an effective horror trailer that draws in audiences and leaves them wanting more without revealing the entire plot.
this is my analysis of the advertising campaign for the film insidious; including the trailer, poster and magazine cover for my ocr a2 media studies coursework.
The document provides a textual analysis of two romantic comedy movie trailers: "What Happened in Vegas" and "Friends with Benefits". For "What Happened in Vegas", the analysis examines the use of logos, intertitles, sound, dialogue, themes, characters, locations, and editing pace. For "Friends with Benefits", the analysis looks at logos, intertitles, sound, dialogue, themes, characters, and narrative techniques. The document studies conventions in the two trailers to inform the creation of the author's own romantic comedy trailer.
The document analyzes and summarizes several horror movie trailers, including Resident Evil: Retribution, Wolf Creek, and Inside. It discusses elements like length, use of dialogue/narration, characterization, and plot details. The author indicates they want to incorporate suspense, sound effects, and a storyline involving a couple turning against each other due to paranormal events in their own horror trailer. They also want the poster to better reflect the trailer's content.
The document analyzes and summarizes several horror movie trailers. It discusses the costumes, gestures, and narratives conveyed in each trailer. Key details include everyday clothing torn by violence, frightened running and screaming, dangerous games with life-threatening consequences, and tension built through quick cuts and loud noises without resolution. The purpose is to understand how the trailers entice audiences to watch the full films and experience fear.
The opening scene introduces the protagonist Charlie Kenton as he drives his truck through a rural area at night. Natural low-key lighting and a melancholy country song set a dreary tone. Hugh Jackman's posture suggests Charlie is bored with his job. Shots of the open road and windmills signify Charlie's slow, dreary life. As his truck passes a carnival, reflections in the window show the lively scene he has left behind, hinting at past regrets. The scene uses lighting, camera shots, and sound to portray Charlie's melancholy existence and foreshadow a coming change.
The trailer is for the supernatural horror film Final Destination 5. It is 2 minutes and 5 seconds long, directed by Steven Quale and distributed by Warner Bros. Pictures. The trailer uses dialogue, credits/intertitles, camera shots, special effects and music to build tension and suspense around the film's narrative of a group trying to escape death through premonitions. It targets audiences aged 15 and older with its scary scenes and intensity meant to draw viewers to the next installment in the Final Destination franchise.
This document analyzes how the author's horror film trailer uses, develops, or challenges conventions of real horror film trailers. It discusses elements of mise-en-scene, music and sound, characters, camera and editing, titles, and themes. For most elements, the author's trailer follows genre conventions but also challenges them in some ways. For example, costumes adhere to conventions but have unique styles, and settings are mysterious but not completely dark.
In what ways does your media product use, develop or challenge forms and con...Yvette Kakaire
Our thriller trailer uses conventions from other thriller films to introduce characters and setting without revealing too much of the plot. Key conventions we employed included using dull colors, dramatic camera angles, isolated locations, mysterious villains, and a tense soundtrack. We were inspired by trailers for films like "Taken" and "Memento" in our stylistic choices. While adhering to thriller conventions, we also aimed to challenge expectations and leave some mystery for audiences.
Evaluation question 1- In what ways does your media use, develop or challenge...Pip Cole
The student created a thriller opening for a media project that adhered to several thriller conventions including low-key lighting, suspense, enigma, and use of weapons. The opening depicted a male character who couldn't let go of his ex-girlfriend and showed what lengths he would go to keep her. While the project met some conventions through lighting, editing, and characters, the student noted areas for improvement like adding a darker music score, more varied camera shots, and tweaks to increase tension and pace. Overall, the student felt the opening could be classified as a thriller due to its use of enigma, suspense, and isolation, but may need further editing to more clearly fit the genre.
This document discusses how the media product, a teaser trailer for a thriller/horror film, utilizes and challenges conventions of the genre.
The trailer title "Deleterious" was chosen to fit the storyline and imply danger while potentially intriguing viewers to look up its meaning. Locations like an abandoned warehouse and hallway fit thriller tropes. Costumes and props included both typical (guns, rope) and atypical (white contact lenses, wax for rotting flesh) elements.
Editing conventions like close-ups and a three-part narrative structure were employed. Captions helped provide context between scenes. Character archetypes generally fit expectations except the female scientist. Special effects like fades and gore enhanced the horror
The trailer for Shutter Island abides by the codes and conventions of the thriller genre. It builds tension and mystery through techniques like quick cuts, low key lighting, ominous music, and ambiguous dialogue. While no antagonist is clearly shown, the protagonist appears vulnerable and confused within the dark and isolated setting of a mysterious asylum. Hints are provided that he may himself be the source of the disruption. The trailer aims to draw in 14-22 year old audiences through its use of suspense, romance, and a seemingly powerless yet relatable main character trapped in a perilous situation.
Genre is a useful tool when creating media works as it helps follow conventions and determine appropriate ideas and concepts. For example, watching teaser trailers of the same genre as the one being created was helpful for deciding on narrative, plot, representations, and other elements. Genres both repeat conventions but also allow for differences - the basic ideas are the same but plots and details can vary. Elements like setting, characters, narrative, iconography, and style provide a framework for evaluating how well a work fits its genre. Referencing other works in the same genre helped in creating a teaser trailer, magazine cover, and poster that clearly fit the conventions of their genre.
Our teaser trailer challenges some conventions of typical trailers while adhering to others. Though slightly slower-paced than most, it builds tension through long shots and slow motion. An original soundtrack was replaced with royalty-free music fit the unsettling tone. Voiceover adds to the eerie feel by singing a nursery rhyme creepily. The trailer reveals only part of the narrative, like other thrillers, leaving audiences to discover more by watching the full film. It follows thriller conventions through its isolated woods setting and characters of stalker and victim.
The document analyzes the genre conventions used in the author's thriller opening sequence and compares it to 4 other films. It discusses elements like editing, sound, camerawork, setting, costumes, makeup, props, lighting, and titles. The author's sequence uses conventions of the thriller genre like suspenseful music, short shot durations, point-of-view shots, and a cold color scheme. It also challenges some conventions by having the apocalyptic setting be in rural woods rather than an abandoned city.
The document discusses the BBC soap opera EastEnders. It provides details about the show's target audience, which spans ages 13 to 60 and includes characters representing a wide range of socioeconomic classes. The show aims for mass appeal. The document also analyzes a trailer for an episode revealing the killer of a major character. It notes the trailer's slow pacing, focus on a single narrative, and use of suspense through reactions shots without dialogue.
Our Thriller opening 'Clean Cut' challenges conventions by presenting religious themes and supernatural wounds without showing an antagonist. It adapts Thriller conventions like showing the protagonist in peril and including crime-related sounds to isolate her. Manipulating perspectives through mirrors and TV effects adds to the supernatural theme. The sequence fits the Supernatural Thriller subgenre through its inclusion of religion and themes of physical pain. The protagonist Anna follows conventions as a weak victim who will overcome challenges. The plain white bathroom location and polaroids used in credits maintain a cold, hostile atmosphere in line with genre conventions. Unusual camera techniques like stop motion bleeding create an unsettling tone.
The document analyzes the trailer for the film "The Woman in Black" using micro and macro elements of film analysis. It summarizes each act of the trailer, introducing the characters and setting, showing the haunted mansion's interior, and building tension through a montage. Micro elements like mise-en-scene, cinematography, sound, and editing are discussed. The trailer uses these elements to set the horror/thriller genre and build tension. The intended audience is older children and thrill-seekers. The narrative structure introduces characters and plot details to increase tension over time.
The document provides details about the opening film for a thriller movie titled "The Damned Soul". Key elements of the opening include simple yet consistent titles in red font to set the tone, a dark opening church scene with ominous bells to foreshadow events, and a cryptic first scene showing a grave and hand emerging to intrigue audiences. Special effects like flashes are used to make audiences feel like unseen observers. The opening effectively establishes genres, characters, locations, and leaves audiences wanting answers to set the stage for the full movie.
The trailer uses various camera techniques like close-ups and tracking shots to build suspense and show characters' emotions. Editing cuts between scenes to make the action feel fast-paced and engage viewers. Non-diegetic sounds like a sinister voiceover and diegetic sounds like phones and screams add to the tension. The killer is only partly shown to increase mystery. Mis-en-scene creates a typical American setting to feel realistic while the killer's dark cloak and mask add eeriness.
The document discusses conventions of the thriller/horror genre that the author's media group's fiction film reflects and challenges. It reflects conventions such as using dramatic irony, tension-building music, quick edits, and hiding the antagonist's identity. It challenges conventions by having an everyday setting in a bus depot. While focusing mainly on thriller, it may include elements of horror like gore if the film continued. The sequence aims to seem realistic and possible while "playing" with thriller history and codes.
The document summarizes how the opening of a student thriller film uses conventions of the thriller genre to set up characters, story, and tone. It introduces the protagonist as she is kidnapped on the street, then cuts to an antagonist cooking in his home. Shots like POV, close-ups, and jump cuts create tension. The antagonist's identity is kept mysterious, while clues suggest the protagonist is isolated and in danger. Special effects like blur are used to add confusion. The opening works to hook viewers and set expectations for a suspenseful thriller story.
The document summarizes how the opening of a student thriller film uses conventions of the thriller genre to set up characters, story, and tone. It introduces the protagonist as she is kidnapped on the street, then cuts to an antagonist cooking in his home. Shots like POV, close-ups, and jump cuts create tension. The antagonist's identity is kept mysterious, while clues suggest the protagonist is isolated and in danger. Special effects like blur are used to add confusion. The opening works to hook viewers and set expectations for a suspenseful thriller story.
The document discusses how the media product uses conventions from real thriller films. It begins in an attic with dim lighting and eerie sounds to set an unsettling atmosphere. It features a masked antagonist and mysterious events like a power outage that intrigue the audience. Editing and sound design build tension through techniques like quick cuts and layered sounds. Character development follows thriller conventions by initially focusing on the antagonist's threatening behavior rather than revealing the protagonist or locations. The document analyzes its application of conventions from films like Se7en, Scream, and Taken regarding title design, credits, cinematography, lighting, and sound to effectively develop an intriguing thriller narrative.
The trailer establishes the isolated setting of a forest and mountains through establishing shots accompanied by mysterious music. A voiceover hints at a tragedy involving the main character. Shots introduce the seemingly normal main character and imply something caused his mental breakdown over winter, leading him to kill his family. Tension is built through cuts to black between shots of the character searching with an axe. Later, a family is shown enjoying time in a maze, unaware of the danger, before shots emphasize the threatening nature of the main character through lighting and close-ups. Production details are shown at the end to advertise the film.
This trailer for The Silent House uses minimal dialogue and focuses on visual storytelling and sound design to create tension and mystery. Shots are shown out of order and provide glimpses of the complicating action through fast-paced editing and changing camera angles. Locations are dark and empty at night to set a scary atmosphere. Costumes are realistic and enhance the horror of everyday situations. Sound and music cues signal shifts between calm and distressing moments. Sudden drops in sound are particularly unsettling for viewers.
The document discusses representations in media and how the thriller opening was produced. It represents stereotypes such as using a blonde girl as the protagonist and a man as the stalker. These choices challenge conventions. It also discusses the use of lighting, music, and editing choices to set the tone and pace of the thriller. The opening scene shows the stalker in a park during daylight with high key lighting, challenging typical mysterious and hidden representations in the thriller genre.
The document discusses how the media product follows conventions of the thriller genre. It summarizes that the thriller uses conventional scenes, lighting techniques like low key lighting, settings like houses, and iconography like blood to create tension. It establishes characters of a female protagonist and male antagonist. The editing uses overlapped scenes and camera angles. Body language of leaning characters shows fear. Opening credits are simple like in the film Se7en. The narrative follows Aristotle's structure. A child protagonist wears white for innocence while the antagonist wears blood, following the conventions of thrillers like Texas Chainsaw.
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Silent town
1. In what way does my media product use , develop or
challenge forms and conventions of real life media
products?
2. Trailer analysis: The title
The name of our Thriller trailer is ‘Silent Town’. We chose this name
through a popularity vote. As we were unable to decide on a final
name we came up with numerous ideas and shared them with peers
in our pitch asking them to vote for their most favoured one. ‘Silent
town’ came out as the best title, hence the reason why we have called
it ‘Silent town’. This title fits well to our trailer as it is about a town
that faces a natural disaster. The town is left in ruins and most people
are dead therefore it makes sense to call it the silent town as the once
lively town has been silenced, literally. This title has a very chilling
thrill to it. It conveys that the film is more of a serious thriller. We aim
to make the audience question ‘Why is the town silenced?’ ‘What has
happened?’. I am pleased this title came out as the most favoured as I
feel it fits well with our trailer and has a very chilling feel to it.
3. Trailer analysis: Location
Our Thriller opening has a few settings. Our first setting is in a kitchen.
The setting obviously isn’t thrilling but the camera angle makes it feel
slightly strange. Another setting is in Sainsbury’s. We filmed scenes of
Sainsbury’s empty with abounded shopping basket’s and so on. This
setting was used to emphasise the fact that the town is empty, people
have either left or been killed. The setting isn’t typical of a Thriller
however the fact that the supermarket is empty and looks abounded
conveys aspects of Thriller. Why is the shop empty?, where is everyone?
Within thrillers there tends to be moments of emptiness this is done to
make the audience feel alone and add a sense of chill. The scenes that
were shot outside were obviously used to show devastation. The
locations don’t challenge forms and conventions of Thriller but follow
simple locations found in Thrillers.
4. Trailer analysis: Costume and props
Costume:
1. Caterina: Caterina wore a simple black dress that came to above
her knee and tights. She also had her hair tied back. We chose this
outfit as we feel it makes Caterina look older and respected.
2. Me (Claire): I wore green trousers and a white vest top as the
colours are neutral and fit well to the narrative of a natural
disaster. This was also done to help us put together our magazine
and poster. I also had my hair up to try and look older.
3. Rachel: Rachel wore a white top and very light blue bottoms for
the same reasons as me. She also had a doll in her hand as a prop
to convey that she is young.
4. Rebecca: Rebecca wore a white top and black bottoms. Her colour
scheme did not matter so much as she isn’t on any of the print
work.
Props:
The props we used were a can of soup, a car, Rachel’s doll, Rebecca
also had a doll in hand, a shoe and many more. Without the props
it would be hard to convey what is really going on, the props make
the Thriller seem more believable.
5. Trailer analysis: Camerawork
Within a trailer, as I mentioned earlier on my blog, every shot is there for a reason.
Within my trailer there are various shots and we have placed every single one there for a
reason. Every shot conveys part of the narrative. This shot of Caterina is there to establish
her character. Its introducing her to the audience. The fact we can’t see her face was done
on purpose. The angle is canted to disorientate the audience and to also convey a
character trait subtly. Caterina is playing a character who is mentally unstable due to the
natural disaster. Other shots of Caterina also establish these traits. We show shots of her
overly scrubbing her hands and cleaning, everything is lined neatly on the side and we
see shots of her serving food and making sure the edge of the bowl is clean. These traits
are very OCD like, this character trait would not be possible to establish without these
shots. Also the last shot of Caterina eating alone is there for a purpose. This shot is used
to highlight her insanity. She has made enough food for four but eating alone, are her
family dead from the disaster? Do they usually come over for lunch? The shot of
Caterinas eyes are done through a close up so we do not see her whole face until the end.
This is typical in a Thriller trailer. The identity is kept to a minimum.
6. Trailer analysis: Camerawork
The shots of the desertion are obviously there for a reason too.
These shots allow the audience to witness the after mouth of the
disaster. It also links to the title ‘Silent Town’, as no one is around.
These shots are showed in colour to convey that they are
occurring now. The shots in black and white convey the past. We
have included shots of the disaster taking place, the wind in the
trees, trees falling, things falling from shelves in houses. All of
these shots allow us to convey the genre of the movie and the
narrative. They are very important and are typical within a teaser
trailer.
7. Trailer analysis: Editing
The editing of a Teaser trailer is very important. All trailers have a three part
structure. This is whereby the trailer starts slow and increases in pace and
intensity reaching its peak, this is usually where fast pace editing come in, after
this peak the trailer then slowly decreases in pace and speed. It is common for
trailers to have a sting at the end, this is where a shot appears at the very end of
the trailer, usually to make someone jump. We edited our trailer to fit this three
part structure. The opening starts off slow with shots of Caterina in the kitchen
and shots of the desertion, The speed then picks up after a while and we see
shots of a family running from the home, trees falling, wind in the trees,
shelves falling over and so on, these shots are in black and white, the pace then
slows down going back to the shots of Caterina serving dinner. We placed the
2nd part of the structure to work alongside the sound of a car alarm, this helped
us to work on speeding up the pace and bringing it back down. Fast pace
editing is a common convention in Thriller trailers. A key aspect of trailers is
that they do not have to be continuous like our AS work. Therefore it is ok to
break up shots and present things in a random order. However we decided to
edit ours in a slight order of past and present.
9. Trailer analysis: Captions
For our Thriller teaser trailer we included captions made in the website ‘Ribbet’.
Captions are used to let the audience know who the starring actors are, the
producers, the editors and so on. Captions can also be used to tell part of the
narrative, however we did not use captions for narrative purposes as we had a
radio broadcast playing. Our captions I feel are very professional looking. We
looked at the captions used for the ‘Gravity’ trailer and felt that the font and lay
out would fit to our teaser as they are both thrillers on a more serious level
rather than zombies and murderers. We used 2 types of font and messed
around with size and positioning. I feel our captions replicated real life media
and look very professional. If captions are done in the right way they can be
effective, in real media they are used for the audience to judge the new film on
past productions from these actors, producers and so on. Below is an image of
our captions and titles and Gravity’s titles.
10. Trailer analysis: Genre
There are many things that suggest that our teaser trailer is from the Thriller
genre even though our teaser and narrative is not very typical of this genre.
First the soundtrack used suggests Thriller. Its very eerie and creepy, also the
car alarm sound adds that element of thrill along with the quick pace cutting
from shot to shot. It’s a very unusual sound to begin with as we do not see the
shot of the car until nearer the end. Also Caterina’s behaviour suggests thrill.
We see her acting very nervously and OCD like. This creates an eerie
atmosphere especially when we see her sitting alone. It makes the audience
wonder what has happened to the family that she has made this meal for. Why
is the meal so small? Is it that she is quickly running out of food? There are
numerous enigma codes in our Thriller teaser trailer which is a typical
convention of Thriller. We had many influences such as the movies ‘The Road’
and ‘The impossible’. The road is more thrilling than the impossible but the
impossible has scenes of care and disaster which we have included in our
Thriller. Its difficult to say what sub-genre our teaser is, it’s a naturalistic
thriller.
11. Trailer analysis: Key character traits
There are 2 main characters in our teaser. The women cooking and the mother with the 2
children. We establish Caterina’s, the women, characters traits through a number of
ways. There are clues throughout indicating that she has some form of issues. We see her
cooking in the kitchen first at a canted angle, highlighting that something’s not quite
right. Caterina also has all of her utensils neatly lined on the side, as well as this we see
her over cleaning the side resulting in her smashing a cup. This scene shows that she is
close to the edge, unstable, broken like the cup. We also see a close up of her doing some
strange eye movements. Towards the end of the trailer we witness her sitting down eating
alone although she has served dinner for 4. All of these shots highlight that she is
unstable and maybe trying to find something to distract her from reality. Her OCD may
be her only way of control. The other character which is the mother is not seen for long in
the trailer but we can see some traits. We can see that she is very family centred as she is
sitting playing with her children. We also see her fleeing the house in panic, she has one
of her daughters in her arms and the other in tow holding her hand. It is clear she is
trying to get her children to safety. This highlights a character trait of care and love for
her family.
12. Trailer analysis: Special effects
We have not included a vast amounts of special effects in our
teaser trailer as we feel it is more of a serious trailer. Many trailers
do have effects put onto them. We used transitions when
captions were to appear, a ‘dip to black’ at the beginning and end
of the caption. This allowed the trailer to run more smoothly and
look professional. This is a typical convention within a teaser
trailer. We also used a dissolve whenever Caterina was to re-
appear. This was done, again to make the trailer look
professional. We also used a dip to black when the shots would
change alongside the car alarm soundtrack. This was to make the
transition between shots look more professional and smoothly
and to have a greater effect.
13. Trailer analysis: Length
The length of teaser trailers tend to be between 40 seconds and 1
minute. This is because they are a ‘teaser’ trailer, they are not the
final cut. Teasers are often released before the production is even
complete. If trailers are much longer then they tend not to be a
teaser trailer. Our trailer is around about 1 minute 20 seconds
taking off the last ten seconds that show nothing. Our trailer has
gone over slightly but is still acceptable as a teaser. Bearing in
mind we have the use of captions and an ident which take up
some time.
14. Trailer analysis: Sound
For our Thriller trailer we used multiple types of sound. First is the
diegetic sound. We took most of the original sound out and put in
sound found from a website. For example when the cup smashes that
sound has been edited in to fit with the scene. This is also known as on
screen sound. This was also used for the voice over that we can see is
coming form the radio in the kitchen. This sound is highly important
as it helps us set up the narrative of the movie, it takes place for our
lack of captions. Without this piece of sound the trailer would be
difficult to understand. We scripted the piece to sound professional
and believable. We also used non diegetic soundtracks to add tension
and create an atmosphere. The music we used is very chilling and gives
our trailer that eerie feel. Sound is important in a trailer as it helps to
clarify what genre the trailer is. We also used the sound of a car alarm,
we played this soundtrack and dropped in transitions and shots to
change consecutively as did the beep of the soundtrack. The shot of an
abounded car then appears at the very end of this part. Making the
sound seem non-diegetic but now is diegetic. We also used sound
effects of wind throughout the trailer to fill up areas of silence.
15. Magazine analysis: Image
Our magazine cover resembles a Sight and Sound cover in a number of
ways. First looking at the image. The image is of me and Rachel looking
scared and worried as well as hurt and dirty. The image is a mid shot
and involves mainly our faces. This is typical of ‘Sight and Sound’ to use
mid shots/close ups. Our image would have not worked on an ‘Empire’
cover due to the framing. Also ‘Sight and sound’ tend to have more
serious covers rather than covers with superheroes on. Therefore I feel
our cover, image and narrative all fit well to a ‘Sight and Sound’ cover.
16. Magazine analysis: Cover lines
On our magazine cover we have included the use of cover lines. We had to
think carefully about the language we chose to use due to ‘Sight and Sound’
being a rather illiterate magazine. We thought carefully about what they would
read and looked at existing covers to get an idea of font, sizes and so on. We
made sure the actors names matched the names on our trailer also. We used an
Ariel type font that was rather simple as this was a consistent font used on
existing covers. We altered the sizing numerous times. We decided not to have
a huge title over our cover as it made the cover look less professional and was
difficult to see in certain colours. However this is typical of some sight and
sound covers, for example the one featuring Clint Eastwood, there is not a
major title standing out. I feel our cover lines do resemble a Sight and sound
cover.
17. Magazine analysis: Masthead, pugs
and banners
On our magazine cover we used a pug that can be found on many sight
and sound releases. We copied the colour as well as the sizing and the
text. We decided not to use a banner due to the colours of our image.
We did not want to make the cover look over-crowded. Our masthead
is the same as the original masthead on sight and sound covers and is
placed in the same position as well as the barcode. We made sure the
date on the barcode was correct as well as the sizing of the bar code and
the masthead.
18. Magazine analysis: Rule of thirds
On any magazine they tend to follow the concept of ‘Rule of
thirds’, we to have done this. Within the first horizontal third
the Masthead is placed. This is where the masthead on
almost all magazine covers would appear. The central third
shows where the main image should be and as you can see
this is where our main image lies. The thirds on the left and
right are a guideline as to where cover lines should appear
and as you can see that is exactly what we have done.
19. Poster analysis: Image
For our poster we used ‘The road’ poster format as it
suited well to the narrative of our thriller and the images
that we had taken. As you can see the images are similar.
We chose to have our main image of 2 characters looking
over the devastation left behind. The image links back to
the image used on the magazine cover. I feel this image
is strong as it implies that these 2 people are now left
alone, separated from relatives and friends, the question
is what will happen next? Creating a thrilling aspect, but
also does not give their identity away as it is a thriller
poster. The image is placed towards the left hand side to
allow us room to show the devastation but to also allow
space for the title and quote. We decided to use an image
that showed the couple from behind as it shows the
journey that they now have to travel and also keeps their
identity shielded as to tease the audience. I feel our
image is typical of a thriller poster for these reasons.
20. Poster analysis: Text
The text on our poster is rather typical and can be found
on most posters. First we have the title on the poster to
indicate to the audience what the film is that is being
advertised. Then we have names of staring actors. This is
usually done on posters to draw in attention from the
audience. The audience can decide if they’d like to see the
film as they will be reminded of the actors past work and
can decide as t whether they enjoyed it and would enjoy
seeing them act again. We also included the director at the
top of the poster to again gain interest. We also used a
quote on the poster from sight and sound to link the two
print work piece together but to also promote the film
further. To see that a sophisticated highly popular film
mag to say such a positive thing and give 5 stars to a film
would encourage the audience to go and watch the film.
All of these things are conventions of a poster, to the right
are some images taken from my poster and ‘The Road’
poster demonstrating this. However we have no billing
block on our poster as it is supposed to be a teaser trailer,
this also being the reason for no release date.