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Shot List
PAN – LOW TO HIGH.
TRACKING SHOT – FRONT TO BEHIND.
MEDIUM.
WIDE.
WIDE POV.
CU REACTION.
WIDE- BEHIND MAN#1.
FRONTAL TRACKING SHOT.
WIDE.
POV.
CU.
WIDE.
POV.
WIDE.
HIGH MEDIUM.
POV TRACKING.
WIDE – CU.
TRACKING.
PAN UP.
PAN DOWN. ESTABLISHING SHOT OF PARK AND MAN SAT ON BENCH.
CU.
MONTAGE – COLOUR BEGINS TO WARP – SPED UP, SLO MO.
WIDE.
CU.
WIDE.
MEDIUM.
FLASHES OF STOCK FOOTAGE.
CUT TO NIGHT/EVENING.
WIDE.
POV.
TRACKING FROM BEHIND WALL TO BEGIN FOLLOWING MAN.
POV.
TRACKING – FOLLOWS MAN ACROSS ROAD FROM A DISTANCE TO BRIDGE WHERE IT STOPS.
TURNS AWAY.
HIGH OTS TO LOW MEDIUM FRONTAL.
OTS.
MCU.
CU.
MATCH ANGLE CUT TO LOW MED FRONTAL.
LONG WIDE.
MCU.
WIDE OTS.
CU.
TRACKING BACK.
FADE OUT.
TIME-LAPSE. CLOSING SHOT.
CREDITS.

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Shot list

  • 1. Shot List PAN – LOW TO HIGH. TRACKING SHOT – FRONT TO BEHIND. MEDIUM. WIDE. WIDE POV. CU REACTION. WIDE- BEHIND MAN#1. FRONTAL TRACKING SHOT. WIDE. POV. CU. WIDE. POV. WIDE. HIGH MEDIUM. POV TRACKING. WIDE – CU. TRACKING. PAN UP. PAN DOWN. ESTABLISHING SHOT OF PARK AND MAN SAT ON BENCH. CU. MONTAGE – COLOUR BEGINS TO WARP – SPED UP, SLO MO. WIDE. CU. WIDE. MEDIUM. FLASHES OF STOCK FOOTAGE. CUT TO NIGHT/EVENING.
  • 2. WIDE. POV. TRACKING FROM BEHIND WALL TO BEGIN FOLLOWING MAN. POV. TRACKING – FOLLOWS MAN ACROSS ROAD FROM A DISTANCE TO BRIDGE WHERE IT STOPS. TURNS AWAY. HIGH OTS TO LOW MEDIUM FRONTAL. OTS. MCU. CU. MATCH ANGLE CUT TO LOW MED FRONTAL. LONG WIDE. MCU. WIDE OTS. CU. TRACKING BACK. FADE OUT. TIME-LAPSE. CLOSING SHOT. CREDITS.